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Mr. Stamp, I have enjoyed your film roles over the years tremendously, particularly Wilson in THE LIMEY. I´m curious about your decision-making process, in choosing a project: what criteria makes you say "YES" to a script? Also, when working on THE LIMEY, how much of Wilson was already there on the page, and how much did you collaborate with Steven Soderbergh and/or Lem Dobbs in developing the character, the dialogue, and/or scenes in the story?