Keep the ball rolling and spread the word!! This will really help build up our community at Lifebook. If you're not comfortable with this link on your wall for a week, feel free to delete it. We are looking for positive people, really ready to learn and grow as artists. However, if you're interested, click the link below for more details:
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Well.. The cable network wants my show! The only thing is... um.. they want an additional advertising sponsor.. soooooooo, now I have to round up a company who wants to advertise on the channel during our time slot... GOODNESS! I thought that was the network's job :-/
I believe that money does not necessarily change people.. It merely amplifies whom they TRULY ARE INSIDE..
Not exactly my point, though. I am suggesting that people who have made millions WITHOUT being creative to begin with, generally don't tend to just jump into the game. Well, unless it's a lucrative venture. And honestly, how many lucrative ventures are really out there? So yes, I stand by that sentiment. You can suggest Megan Ellison, or those other people, but I tend to believe that they were creative to begin with. Would I be assuming incorrectly? Oh, and I have approached exactly 4 multi-millionaires (friends of good friends, just in case the SEC tends to hang out here...) with two different ideas that were quite well developed and was turned down. One of them is the comptroller for the CIA (G-15 Level 10 payscale). I have even approached investment bankers/companies with ideas. Even angel investors. You know, those people willing to put money into something lucrative. Bupkis. They go as far as wanting to have numerous "plans" in place. So my initial words were just taken out of context, and I hope I've reformed them well enough to satiate. Have I ever sold projects? Sure. Only two. But I've been in that realm and dislike it to the fullest. And which was really the reason for the comment.
The greatest danger to waste money on a movie project is, when a director finances it himself, or a good friend gives him the money without having the movie script approved by several professional producers to make sure, that it is worthwhile to be made. Some projects do actually deserve not to be made, because they are simply not ready to be executed. On the other side, could any bad script be transformed into a good plot, if really talented and professional writers are involved.
Wealthy people naturally get's easily pissed of, because a lot of people constantly want them to join any kind of ridiculous financial adventure, but if they would do that all the time, they wouldn't ever had made the money they made until that day.
Most filmmakers have an idea & want to execute it quickly, while almost everybody has to work for free to make it possible. It is a good way for practice, but finally it's only really professional, if you manage to race the money for a short film, win some awards and still manage to make a huge audience excited to watch this film.
If a millionaire would make a movie only after his own ideas, it is an invitation to produce a huge flop and to attract people, who wants to profit money wise without having any talent for their profession. So a healthy mix of different investors would share the risks and make sure that things are kept under control, as long as the producers and Filmmakers do the Production management & creative work and really know how to handle a great script.
In my opinion, Tommi is exactly right.
On the subject of wealthy investors, my general observation in life has been that the wealthier someone is the more that person looks for a guarantee on their return, plain and simple. Thus, the people on top at Warner Brothers or Viacom Corp are much more likely to invest only "if it's already been done", and especially if all the people involved were among those folks who "already did it before" (and by that I mean successfully, financially).
That is probably also true for the less wealthy investors who are in any case going to end up being the more wealthy investors of the future.
For "creative" types who are wealthy investors, I think the rule still applies, except that the "guarantee" is simply based on different criteria. That is -- unlike the "non-creative" investors -- they have "vision" and can tell what is going to be a hit without having to have seen it "already done before", per se. The guarantee is based more on subjective than empirical evidence.
In general, your slow rise to the top depends more on the first type. Your meteoric rise depends more on the second.
My 2 cents.
please visit www.indiegogo.com/analysis Since we are connected and this is a community of film professionals, I hope we can help each other. I do not always have money to give to other artists nor do I expect it from other artists, but when one of us is crowdfunding, I try to help out worthy projects by sharing it among my social media network on Facebook , Twitter, Linkedin and Google +, so I hope some folks here will do the same. Please visit www.indiegogo.com/analysis and check out this special project and please share it among the folks your know. THANKS.