I don’t love talking about myself too much but I was recently compared to Samantha Jones though I like to consider myself a Charlotte York.
But more seriously I prefer to let the work do the talking, as you’re dealing with a method writer and everything that comes with it. It’s an exhausting positive at times but that may also be the starving artist speaking. I’m writing to escape, to try to earn, build a new life and perhaps when I can stop and rest the trudge won’t feel as weighty.
Unique traits: My voice acting range, from deep southern accent to nailing a pitch switch and english accent so well that someone compared me to Tilda Swinton. It’s trippy sometimes listening on playback.
Diamondfire Budget: $5M - $10M | Comedy ⋄ Drama In 1970s Los Angeles a hitwoman turned housewife is dragged back to work thanks to her thieving stepson, forcing her to choose between her new family and former work family, including the protégé and daughter she always wanted.
Graywatch Budget: $30M+ | Fantasy ⋄ Drama After the death of her father, a princess must gain the loyalty of a kingdom under siege.
Hattin Budget: $0 - $100K | Comedy When an aging gay Manhattanite lets a prudish young writer from the south move in, old york meets new as he schools her on love, life and loathing in the big apple.
Wiseguys Budget: $100K - $1M | Comedy ⋄ Drama A reluctant mafia boss feels the weight of the title as modern technology makes this thing of ours a lot more difficult.
Madam-12 Budget: $1M - $5M | Film-noir ⋄ Comedy After a string of gruesome murders a broken hearted highway patrolwoman must find the who and why with the help of her unqualified coworkers.
Snowfinch Budget: $10M - $30M | Horror ⋄ Drama After the death of her mother, an heiress battles her father’s will as well as what haunts her in her English countryside manor.