Sydney Levine is an executive of longstanding in the international film business. She is a writer of the popular blog on international film business, SydneysBuzz which also has run on Indiewire, IMDbPro and IMDb since 2008 when Amazon acquired her twenty-five year old company FilmFinders. In 1988 Sydney created FilmFinders, the industry’s first database of worldwide features used by distributors, sales agents and festival programmers acquiring features. It became industry standard for organizing and tracking the rights-buying activities of the film business and was adopted by the Cannes Marché and developed into what today is called . She and her partner, Peter Belsito continue to provide consulting and strategic planning for producers, national film organizations and other educational initiatives in international film business at Cannes, Toronto, Sundance, Germany's Deutsche Welle Akademie, Talents in Berlin, Sarajevo, and Guadalajara, EICTV the international film school in Los Banos, Cuba, Chapman University, UCLA Extension, Vilnius University, et. al. She organizes, moderates and participates in panel discussions on the international film business, as well as producing white paper research and reports on . Sydney works with the markets in Cannes and Berlin in administering buyers’ data for North America, Latin America and Asia and gives tours of the market to newcomers. She opens the Cannes Shorts Corner with a presentation on The International Film Circuit for shorts. She has currently completed a book about Latin American Film Financing published in Spanish by the Guadalajara University Press. The English version on the Iberoamerican Film Business will be published in the fall of 2016.
Unique traits: International film business (and U.S. distribution) is my beat!
Symbiotic Earth: How Lynn Margulis rocked the boat and started a scientific revolution
Film Miscellaneous Crew
Farewell, My Lovely
Film (Crime, Mystery and Thriller) Miscellaneous Crew This, the second adaptation of Raymond Chandler's novel, is much closer to the source text than the original - Murder, My Sweet (1944), which tended to avoid some of the sleazier parts of the plot - but still concerns private eye Philip Marlowe's attempts to locate Velma, a former dancer at a seedy nightclub and the girlfriend of Moose Malloy, a petty criminal just out of prison. Marlowe finds that once he has taken the case, events conspire to put him in dangerous situations, and he is forced to follow a confusing trail of untruths and double-crosses before he is able to locate Velma. Written by Mark Thompson <firstname.lastname@example.org>