Established in 1947, EIFF was one of the world's first international film festivals. It has an established reputation for discovering and promoting the very best in international cinema - and for heralding and debating changes in global filmmaking. Intimate in its scale, ambitious in its scope, and fuelled by pure passion for cinema in all its manifestations, EIFF seeks to spotlight the most exciting and innovative new film talent, in a setting steeped in history.
The new artistic direction of Mark Adams since 2015
Mark Adams is Artistic Director of the Edinburgh International Film Festival. Most recently he was Chief Film Critic for respected film trade paper Screen International and was also film critic for The Sunday Mirror in the U.K. He attends most of the key international film festivals around the world and as a film journalist and reviewer for more than 25 years he has written for Variety, The Hollywood Reporter and Moving Pictures International, as well as many national newspapers in the U.K. He has also worked extensively in the film industry - he was Head of Programming at the National Film Theatre in London for six years; was Director of Cinema at the Institute of Contemporary Arts (ICA) in London and has been programmed for film festivals around the world as well as acting as a consultant for various organizations.
Industry offerings include a packed program of events, screenings and networking opportunities. They run alongside a series of talent development initiatives designed to support the best emerging talent from across the U.K.
EIFF 2016 strands include Best of British, American Dreams, Directors' Showcase, European Perspectives, World Perspectives, Documentaries, Night Moves, Animation, Black Box, Shorts,Adapting Miss Highsmith, Film Fest Junior and Focus on Finland, as well as three retrospectives: POW!!! Live Action Comic Strip Adaptations: The First Generation, Look Again: A Celebration of the Films of Cinéma du look and 70/70 Vision.
Awards at EIFF include Best International Feature Film, Best International Documentary Feature, the Michael Powell Award for Best British Feature Film, the Student Critics Jury Award and the Audience Award. EIFF also gives awards in the categories of animation and short film.
EIFF also offer a range of screenings and workshops for young people as part of our Education activity. This includes our Young Programmers and Student Critics Jury programs.
See the EIFF 2016 Preview Reel here and sample the flavor of EIFF's historic 70th edition.
From Edinburgh’s Official Blog by Lydia Beilby
Short film programmer Lydia Beilby offers a tantalizing peek into some of the treasures contained within this year’s program.
We programmers work year round to select work for EIFF. Sometimes I feel we are rather like film detectives; visiting festivals, furiously soliciting material from filmmakers around the world, following up on tips from colleagues, and of course working our way through the vast number of titles submitted directly to our festival.
Short films are an extremely exciting and vibrant medium, a platform for experimentation, risks and playfulness ...[a] chance to immerse yourself in the best of this year’s selection. Take a trip around the world of short film as we showcase wonderful work from Canada, U.S., Australia, Portugal, Germany, Austria, Greece, Switzerland, Sweden, Turkey, Italy, France, Iran, Netherlands, Lebanon, Haiti, Brazil, Argentina and Finland, none of which has yet screened before U.K. audiences!
Music fans will be delighted to discover a number of ingenious musical collaborations at play within the shorts. “L’Oiseau de la Nuit” by Marie Losier weaves into being a colorful portrait of legendary Portuguese drag artist Deborah Krystal, a fabulous chameleon-like personality whose identity experimentation is syncopated by the gutter-punk electronics of the inimitable Alan Vega of legendary 70s New York Punk band Suicide.
Music and image form a close dialogue too in “Man”, in which director Maja Borg’s engagement of her body as a site of radical transgression is dynamically mirrored in Glaswegian composer Ela Orleans resonant soundscape. These shorts were screened as part of the Flaming Creatures program.
In “Anna, Pina, Teresa”, Cynthia Madansky ingeniously re-appropriates the three key body movements from Pina’s death scene in Roberto Rossellini’s “Rome Open City”, thus reclaiming these powerful physical actions as assertions of resistance and agency, and Zeena Parkins improvised electronic harp superbly articulates the immediacy and tension of the emotional subtext.
Finally, Ja’ Tovia M Gary’s “An Ecstatic Experience” makes fantastic use of Alice Coltrane’s lush, free- form jazz, her powerful interweaving of sound, image, archive and contemporary visual materials presenting a powerful celebration of African-American political struggle and resistance, screening as part of Radical Transmissions.
Bringing together a short film program is a thrilling experience, restricted only by the limits of the programmers’ imagination! I am excited by the challenge of collecting together a selection of films that work not only as individual entities, but also in combination and dialogue with the other works within the program. Each of the individual programs in the shorts strand are loosely curated around, or explore a theme or an idea, and the hope is that this work will engage the audience as active participants, rather than passive observers.
For example, Voices from the Wilderness explores the intersection of landscape and individual as a location for narrative, memory and historical enquiry, and Fragments of the City examines the cinematic representations of the sprawling metropolis, both as a place of wonder and possibility, and a metaphor for the darker afflictions of society.
Following each screening, we host a Q&A with the attending filmmakers, which is a fantastic opportunity … to discuss and debate the work with the people who have created it! The works that find their way into the programs are chosen from thousands of films: they represent the most interesting, exciting, groundbreaking examples of the form that we have seen this year... the opportunity to immerse yourself in the thrilling, diverse and arresting world of short film.
Another short we want to tout here is Emilie Sabath's film “While the Trees Sleep. Her works have screened nationally and internationally at the Prague Quadrennial, The Hammer Museum, REDCAT/Walt Disney Concert Hall, the Portland Film Festival, and the PACT Festival in Essen, Germany. She lives in Los Angeles with her rescue pup, Floyd.
"While The Trees Sleep" is a vividly impressionistic and otherworldy short that breathes lurid life into an unsettled Civil Rights Era crime, the murders of Selma Voting Rights Marchers Viola Liuzzo and Leroy Motton by the KKK, orchestrated by an undercover FBI agent whose role within the Klan is still unclear.
Southern Gothic evocation conveys all the weirdness, vividness, realness that lies beneath the historical version of this tragedy, a sad coda to the momentous events at Selma.
Emilie (who also appears in the film) is good at raising questions about how chaotic events are transformed into tidy, linear history; what's more, she has chosen to focus on the perspectives of two female characters implicated in this convoluted saga as a way of recovering their experiences which were largely discarded at the time. This is very much a function of her overall MO - She is very much aiming for female-focused re-examinations of historical events.
Synopsis: March 1965. Viola, a white Detroit housewife and local activist, leaves her husband and five children and heads out alone to participate in the Voting Rights marches underway in Selma, AL. Meanwhile Dorothy, an Alabama nurse, struggles to understand what's going on with her husband, an FBI informant working undercover with the Ku Klux Klan. Inspired by the true story of Viola Liuzzo's murder, “While The Trees Sleep” examines the last hours before the violence.
About Sydney Levine
Sydney Levine is an executive of longstanding in the international film business. She is a writer of the popular blog on international film business, SydneysBuzz which also has run on Indiewire, IMDbPro and IMDb since 2008 when Amazon acquired her twenty-five year old company FilmFinders. In 1988 Sydney created FilmFinders, the industry’s first database of worldwide features used by distributors, sales agents and festival programmers acquiring features. It became industry standard for organizing and tracking the rights-buying activities of the film business and was adopted by the Cannes Marché and developed into what today is called Cinando.com. She and her partner, Peter Belsito continue to provide consulting and strategic planning for producers, national film organizations and other educational initiatives in international film business at Cannes, Toronto, Sundance, Germany's Deutsche Welle Akademie, Talents in Berlin, Sarajevo, and Guadalajara, EICTV the international film school in Los Banos, Cuba, Chapman University, UCLA Extension, Vilnius University, et. al. She organizes, moderates and participates in panel discussions on the international film business, as well as producing white paper research and reports on SydneysBuzz.com. Sydney works with the markets in Cannes and Berlin in administering buyers’ data for North America, Latin America and Asia and gives tours of the market to newcomers. She opens the Cannes Shorts Corner with a presentation on The International Film Circuit for shorts. She has currently completed a book about Latin American Film Financing published in Spanish by the Guadalajara University Press. The English version on the Iberoamerican Film Business will be published in the fall of 2016.
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