It's Introduce Yourself Weekend at Stage 32! Head over to the Introduce Yourself section of the Stage 32 Lounge and let everyone know who you are, what you're working on, your dreams and aspirations. And be sure to peruse other member's threads. You never know when you're going to make a connection that changes your life!
Join literary manager Spencer Robinson from Art/Work Entertainment as he talks about the state of the comedy writing industry for film & TV and answers questions exclusively for the Stage 32 community!
**Payment plans are available - contact firstname.lastname@example.org for details*** **If you have to miss a class, don't worry. Each class is recorded and you can watch on-demand** PRE-CLASS PREP - Read your syllabus and plan out your writing ideas. Begin to think about 1-2 ideas that might be a good idea for your comedy pilot. Start to prepare for your pilot pitch. WEEK #1 – Introduction, Character, World This week we will cover the syllabus, your instructor's background and experience, your goals for this eight-week lab and launch into a discussion on creating strong characters for your pilot. We will discuss the types of comedy pilots and how they differ from network to network. This will include a discussion about Single-Camera and Multi-Camera comedies. We will go over how to create effective loglines and pitch documents. Then we will delve into character – what makes for strong characters and weak ones. Also knowing the world your show takes place in. We will also discuss other kinds of TV comedy writing (late-night talk shows, sketch, political comedy talk shows, etc.) The assignment for this week will be to create a document with a detailed description (around half a page) on each of your series regular characters, and an explanation of the world. WEEK #2 – Pilot Outline, Pitch Document This week we will break down pilot structure, plot and subplots. Pilot structure varies depending on the type of comedy pilot (single-camera or multi-camera) and the network (broadcast, cable, streaming, digital, etc.) We will identify what kind of network to target for your story idea and structure the pilot accordingly. We will also discuss the function of your series bible and what it needs to include to support your pilot. The assignment for the week is to complete a pitch document with characters, pilot outline, and future episode ideas. WEEK #3 – Pilot Outline (One on One Consultations – No Online Class) This week will consist of one-on-one consultations regarding pilot structure. Each writer will send in their pilot outline in advance and will have a 10-minute call to discuss what works and what doesn’t. The assignment for the week is to address any notes given on the outline and pitch document before proceeding with next week’s class. WEEK #4– Structure, Scenes, Dialogue, We will discuss both the Single-Camera and Multi-Camera structure. You will decide which works best for the pilot that you are developing. We will address the qualities of effective (and ineffective) scenes, dialogue, and jokes. The assignment for the week will be to write three complete scenes from your outline: the cold open, a scene introducing your main character(s), and a scene with strong jokes. WEEK #5– Pilot Structure This week we will go over all the necessary story beats that exist in a comedy pilot, including traditional page count, act breaks, tags, etc. The assignment this week will be to complete a first draft of your pilot WEEK #6– After You Write Your Pilot Last online class. We will discuss what happens when you take meetings with managers, agents, and showrunners, and how to pitch a comedy pilot. The assignment for the week is come up with a pitch for your pilot WEEK #7–Consultation for Revision (No Online Class) This week will consist of one-on-one consultations. Each writer will have a 10-minute call to pitch your pilot. WEEK #8– One-on-one Feedback and Polish (No Online Class) This week will consist of one-on-one consultations. Each writer will have a 10-minute call to go over notes on the pitch and script. Final notes and next steps for your pilot will be given.
Learn directly from Danny Manus, an in-demand script consultant and CEO of No BullScript Consulting! You’ve written a killer script. Great. But now you’ve got to get someone to read it. Success in Hollywood is often about making great first impressions. Your loglines and query letters are the first and sometimes only things an executive or agent is going to read of your work. So it’s critical that your logline and query letter are attention grabbing, tell them something of substance, make you look good, and most of all—make them want to read more. Have you sent out hundreds of queries but haven’t gotten many script requests? Are you the type of writer who has no problem writing 120 page script but gets totally stumped by writing a 30 word logline? Have no fear – I’m here to help! As a development executive, producer, and script consultant, I have read thousands of query letters and countless loglines. I have taken over 3,000 pitches, and I’ve helped thousands of writers craft their project’s logline to help them standout and stand above the rest! In this Stage 32 Next Level Webinar, I will show you specific, proven, easy-to-use formulas and tips to construct tight, professional loglines, engaging query letters, and visual one-sheets. We will go over what to include and what not to include in each, the difference between loglines and taglines, words to use that will make your loglines pop, what executives are looking for, how to query for representation and TV, and how and where to send queries to actually get them read. We’ll also go over loglines for some of Hollywood’s hottest movies, one-sheets that made me request the script, and I’ll share with you some of the best and worst queries I’ve ever received so you don’t make the same mistakes. Plus, Q&A. And as a special BONUS, if you register for the LIVE Webinar, you will also be able to submit your logline to me for a critique and fix after the Webinar (details below). If you’re trying to get professionals to notice your project, if you’re trying to submit your script anywhere, or even if you’ve posted or wanted to post your loglines in the Stage 32 Lounges and Forums, this Webinar is for you! Whether you are a screenwriter, novelist, producer, director or exec, your project deserves to make the right first impression. Let me show how. **Please note that the free logline critique Danny mentions in the webinar is not available for On-Demand. It was only available for members who attended the live webinar.**
Join Nick and Allen for the Writers' Room Year-End Webcast where we celebrate all things Film, TV and Screenwriting from 2018 and look forward to making 2019 the best year for your writing ever!
Great Characters should have Great Introductions. Join us as we breakdown how characters are introduced in features and TV scripts including Star Wars, Fargo, The Good Place, Mad Men, Pirates of the Caribbean, and Arrested Development.
This special fellowship season workshop will focus on the architecture of the dreaded fellowship submission materials! "In this competition driven town, Tawnya Bhattacharya is a breath of fresh air. She's smart, funny and extremely generous with her knowledge. I walked out of the workshop knowing exactly how to approach my Fellowship essays and bios - and I look forward to doing them. She made what I've previously viewed as a horrendous chore seem fun. If you haven't checked out a class, you should." - Lisanne Sartor (more testimonials below!) Your host, Tawnya Bhattacharya, an alumna of both NBC Writers on the Verge and the FOX Writers Intensive, is currently a writer/producer on Freeform's "Famous in Love," and has also written on TNT's “Perception," NBC's "The Night Shift, Lifetime's "The Client List," and "Fairly Legal" for USA with her writing partner, Ali Laventhol. Tawnya has also taught for the Disney|ABC Writing Program for the past two years. She is repped by ICM Partners, Heroes and Villains Entertainment and Morris Yorn. Over the years Tawyna has taught hundreds of writers on how to put together successful, winning bios & essays. In this Stage 32 Next Level Webinar, Tawnya will deconstruct successful fellowship bios & essays, analyze why they work, and help you articulate the symbiotic relationship between your life story and your brand as a writer in 500 words or less. Here's just some of the things we’ll cover: How your bios and essays serve your career, not just fellowships. What the program heads have to say about bios and essays. How you can mine Your Unique Story and stand out. Dos and Don’ts. Examples from Winning Fellowship Candidates. Your Bio & Essay Checklist… and more! Q&A PLUS! You will get handouts: Mining your personal story Worksheet Bio Essay Statement of Purpose Checklist Actual examples of Fellowship winners essays & bios Bhattacharya’s company, Script Anatomy is a TV writing school taught solely by working TV writers and has launched the careers of many writers. Alum have been in every single Fellowship Program (including 5 in 2016/2017) and have sold pilots and staffed on shows such as American Crime, The Handmaid’s Tale, Chicago Justice, The Blacklist, Blindspot, The 100 and more… For more info about Script Anatomy, visit www.scriptanatomy.com