Learn directly from Morgan Long, a coordinator from one of the big six Hollywood agencies in the TV literary department! She'll give you specific insider knowledge of the agency system and what it takes to get their attention. There is a cloud of mystery surrounding one of the biggest and most fundamental components of the Hollywood industry – and that’s the agency. Whether you’re a writer, director, non-writing producer, actor – and the list goes on to cover even the most obscure type of talent imaginable– it’s pretty basic knowledge that representation is necessary to launch your career. In this jam-packed Stage 32 Next Level Webinar, Demystifying the Agency World, Morgan will take you inside the walls of a premier Hollywood agency to shed light on the inner workings of how deals get made, how agents think and ultimately, how you can take steps in your career towards securing the holy grail that is representation. You will leave the webinar knowing: The types of representation The different departments within an agency and how they work together and function independently. The types of jobs for TV clients Identify the players we sell to What sells in the marketplace? What is packaging? An agent's day-to-day What agents want in potential clients (the brutal, honest answer) Finding representation Moving forward without representation.
Learn directly from Morgan Long, TV Literary Department for a “Big Six” Agency This lab is designed for beginner and intermediate screenwriters looking to build a pilot from scratch or expand on an existing idea. With the TV market exploding right now, one of the most in demand formats is the 1-hour TV drama pilot. Many, if not all, managers and agents are looking for writers that can write in this space, and with more and more production companies heading into TV, knowing how to write a strong 1-hour TV drama pilot will give you a competitive advantage and help you find success as a TV writer! Due to popular demand, Stage 32 is thrilled to bring back our 8 Week Intensive TV Drama Pilot Writing Lab taught by Morgan Long, a TV development coordinator at a “Big Six” Agency! This hands-on intensive lab will guide you through picking a concept, creating engaging characters, structuring and outlining your pilot and writing the first draft! The main objective of this 8-week lab will be to have a first draft of your script. You will meet online with Morgan for 2 hours a week in a class setting, plus have phone consultations during some of the weeks when you don't have an online class. This will be accompanied by weekly homework assignments to guide you on your way to creating a marketable, unique pilot that will grab the industry's attention. Payment plans are available - please contact firstname.lastname@example.org for more information. This Lab is Limited to 20 People. Please Note: Participating in this lab does not mean you are writing for or pitching to Morgan or her company. PRE-CLASS PREP - Read your syllabus and plan out your writing ideas. Begin to think about 1-2 ideas that might be a good idea for your drama pilot. Start to prepare for your pilot pitch.
For far too long women have been over-sexualized in print, TV, and film. I'm here to show you there’s much much more to the gender and a better way to write for them that isn’t so CLICHE. It’s true, sex sells, but don’t rely on that and put yourself in a box. Color outside the lines and think of the bigger picture. In this webinar I'll go over the keys to writing funny female characters. And never limit yourself to “Well a woman wouldn’t or couldn’t do that.” It’s 2019. Anything is possible. So don’t perpetuate a stereotype of just sex, or the damsel in distress. Help pave the way for new characters to be seen. And I know what you’re thinking… “Who the hell is this MAN telling me how to write women characters?” Well, let me tell you a little bit about myself. I love writing funny female characters. I've worked on of IT’S ALWAYS SUNNY IN PHILADELPHIA and 2 BROKE GIRLS and am now developing a female action comedy cop show with New Form and STX Entertainment. And, I'm here exclusively for Stage 32 to teach you how to make female characters in comedies pop.
Part 1 - Character Jared gives an overview of the elements that make for engaging and natural dialogue, using practical, real-world examples demonstrating how the voice of a screenplay can make your project competitive in the marketplace. He also reveals the “one true secret” behind some of the best dialogue ever written. Part 2 - Environment Jared leads a discussion on how to cultivate the best environment for great dialogue to grow. He also discusses the practical side of writing dialogue for a specific audience of genre. Part 3 - Voice Jared covers how to find a character's voice when writing dialogue, and how to successfully layer subtext into your scenes. Part 3 ends with a discussion on the Do's and Dont's of writing great dialogue. Part 4 - Objectivity The last part of this class covers common mistakes writers make when writing dialogue for voice overs. Jared reveals the single tool that is in every great writers' toolbox, and lastly he gives insight into what producers and executives look for when evaluating the voice of a screenplay.
There is no hotter market right now than television. More content is being ordered than ever before. And with streaming networks such as Netflix planning to have 50% original content in their libraries within the next few years, the demand for quality television scripts, products and minds isn't going away anytime soon. But what makes a television show work? What elements are networks, premium channels and streaming platforms looking for? How do you navigate what has quickly become a very crowded market? By learning from the best, of course. Stage 32 is beyond proud to introduce a new, timely, important and exclusive Masters of Craft webinar: Writing & Producing Compelling Television in Today’s Market. Your teacher is 20+ year television veteran, the one and only David Weddle. Over his prolific career, David has been an award winning producer on some of the most famous shows of all time (Battlestar Galactica, CSI, Star Trek: Deep Space 9, The Twilight Zone). Currently, David is an Executive Producer and Writer for The Strain – the highly acclaimed television series created by writer/director Guillermo del Toro, based on his series of best-selling novels, co-written with Chuck Hogan. David is working alongside one of the most famous and in demand showrunners in the business, Carlton Cuse (showrunner for Lost, Bates Motel, Colony and the upcoming Amazon Studios' show Jack Ryan starring John Krasinski). As an added bonus, in this exclusive worldwide online event Stage 32’s very own CEO, Richard Botto, a writer and producer himself, will sit down with David and discuss the ins and outs of TV. David will take you into the world and processes of creating quality, compelling television. He will get in depth on how shows get bought and made – from writing to budgeting to casting. In short, you will gain pertinent, usable knowledge and information on writing and producing for TV. Further, we will have an extensive Q&A session where you can ask David any questions you have. This is masterful information brought to you by a master of his craft!
Your host, Wes Ambrecht, has helped sell projects to FX, HBO and Amazon and previously worked with Gersh! So you’ve finished your pilot, congratulations! The first step is out of the way. Now, it’s time to get things into shape. Very rarely does a first draft come out like a golden egg. In fact, by the time you actually see something on TV, it’s probably been through upwards of twenty drafts. From initial notes and revisions to producer notes, studio notes, network notes and maybe even a note or two from an actor who thinks there’s a better way to word that one line. In this webinar, Wes Ambrecht will walk you through the process of getting your pilot to a place where it’s ready to be looked at by representation and producers. A writer, producer and former development exec, Wes has been on both sides of the table. This class will offer an unabashed look at the development process and help students see their pilot not just for its story but also its component parts.