Animated Pilot Rewrite Workshop: Improve Your Pilot Script Line-By-Line (Sept 2022)

Payment Plans Available - Contact edu@stage32.com
Taught by Mike Disa (Educator)

$799

On Demand Class - For immediate download. Unlimited access for 1 year.

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Projects:

Class hosted by: Mike Disa (Educator)

Director, Paradise PD at Disney/Entertainment Squad/NDA development deals

Mike Disa is an accomplished director, producer, writer, and artist who produced and directed on shows like THE SIMPSONS and the hit Netflix series PARADISE PD and has been in the animation industry for over twenty-five years. Mike found success working with studios such as Dreamworks, Disney, Warner Bros., Paramount, and many others. Mike has worked with some of the biggest names in the industry, including Steven Spielberg, Eric Goldberg, Ralph Bakshi, Glenn Close, Steve Oedekerk, David Tennant, Amy Poehler, Adam Sandler, Jeffery Katzenberg, and Roy Disney. A favorite and fixture among the Stage 32 community, Mike is deeply entrenched in the world of animated TV and knows better than most what it takes to get an animated show off the ground. Full Bio »

Summary

Payment plans are available - please contact edu@stage32.com to learn more

A NEW EXCLUSIVE LAB

Only 2 Spots Remain!

 

Rewrite Your Animation Pilot Script with an Animation Professional and Veteran with 25+ Years of Experience

 

Animated television is currently experiencing a boom like we’ve never seen before. Shows like SOLAR OPPOSITES on Hulu, CLOSE ENOUGH on HBO Max and BLOOD OF ZEUS on Netflix have joined FX's ARCHER, Adult Swim's RICK AND MORTY and Fox's THE SIMPSONS as juggernaut animated series and the list is only growing. 

The opportunities to write animation may be extra plentiful right now, but you still need to have a dynamite pilot script to present. The old adage that writing is rewriting is especially true for animation and comedy scripts that need to be tight, punchy, and effective in every sense. And since television writing is almost always a collaborative process, a necessary step to making your project successful is to bring in different perspectives, different senses of humor, and some expertise to get the script fine-tuned and to the point where it’s truly special.

We have just the person to help you with this.

Mike Disa is an accomplished director, producer, writer, and artist who produced and directed on shows like THE SIMPSONS and the hit Netflix series PARADISE PD and has been in the animation industry for over twenty-five years. Mike found success working with studios such as Dreamworks, Disney, Warner Bros., Paramount, and many others. Over a fascinating career, Mike has worked with some of the biggest names in Hollywood including Steven Spielberg, Eric Goldberg, Ralph Bakshi, Glenn Close, Steve Oedekerk, David Tennant, Amy Poehler, Adam Sandler, Jeffery Katzenberg and Roy Disney. A favorite and fixture among the Stage 32 community, Mike is deeply entrenched in the world of animated TV and knows better than most what it takes to get an animated show off the ground.

Mike will lead an intimate and valuable writers’ workshop with a small group of students to help rewrite and fine tune each writer’s animation pilot script, line by line. Each session, Mike will focus on 1-2 scripts and work with the group to punch up and improve each. Not only will you receive extended and personalized attention from an expert in the field to improve your own work, but you will also have the opportunity to support other writers with their own projects and learn valuable lessons from the process that you can take back to your own work.

Expect to leave this unique program with a much-improved pilot script, a set of tools you can take with you to better improve and rewrite other projects, and a supportive group of like-minded writers from around the world.

Note: Because this is a rewrite class, you must already have at least a fully written first draft of a 30-minute animated pilot script in order to participate in this workshop

 


Praise for Mike's Stage 32 Education:

"Mike Disa is the most knowledgeable, helpful, and straightest shooter I've ever met. He helped improve my pilot 1,000%. If you have the opportunity to work with Mike, take it. You will not regret it." - Aimee P.

What You'll Learn

In this Stage 32 exclusive lab, Mike will dive deep on 1-2 scripts every session to improve structure, clarify your voice, and even punch up jokes so that your script is ready for the town.

Not only will you get notes on your script, but you will also have a chance to observe and support the other writers with script notes too. This strengthens your development and writers’ room skills that you can apply to your process while hearing different perspectives, humor styles, and expertise levels from the others attending this intimate class.

At the end of these eight sessions, you will have a dynamite script beefed up by an animation all-star, real-world experience giving and receiving feedback from the group, and confidence in your writing voice as you take the next steps to kickstart your writing career.

 

WHAT TO EXPECT

  • By the end of this 8-session writing lab, you will have a fully re-written and fine tuned animation pilot script
  • Sessions will consist of 2-hour group classes through Zoom Meetings. You will be held accountable to take the lessons from each week and move your work forward.
  • Plus, to keep you connected, you will have access to a private, dedicated Stage 32 Lounge where you can communicate with your fellow classmates throughout the writing process.

 

PLEASE NOTE: This exclusive Stage 32 lab is limited to 12 writers and will be booked on a first come, first served basis. The opportunity to work this closely and for this long with an animation veteran and an expert in the field is an incredibly unique and valuable opportunity. If you are interested, please do book quickly. Once the spots are gone, they’re gone for good.

  • Payment plans are available - please contact Amanda at edu@stage32.com for more information
  • This lab is limited to 12 people - Only 2 Spots Left - Grab Your Spot Now!
  • This lab is designed for beginner, intermediate and advanced screenwriters looking to rewrite and improve their already existing 30 minute animated pilot script
  • Because this is a rewrite class, you must already have at least a fully written first draft of a 30-minute animated pilot script in order to participate in this workshop.

 

About Your Instructor

Mike Disa is an accomplished director, producer, writer, and artist who produced and directed on shows like THE SIMPSONS and the hit Netflix series PARADISE PD and has been in the animation industry for over twenty-five years. Mike found success working with studios such as Dreamworks, Disney, Warner Bros., Paramount, and many others.

Mike has worked with some of the biggest names in the industry, including Steven Spielberg, Eric Goldberg, Ralph Bakshi, Glenn Close, Steve Oedekerk, David Tennant, Amy Poehler, Adam Sandler, Jeffery Katzenberg, and Roy Disney.

A favorite and fixture among the Stage 32 community, Mike is deeply entrenched in the world of animated TV and knows better than most what it takes to get an animated show off the ground.

Schedule

Session 1: Saturday September 17th, 2022 10am-12pm PDT

Session 2: Saturday October 1st, 2022 10am-12pm PDT

Session 3: Saturday October 15th, 2022 10am-12pm PDT

Session 4: Saturday October 29th, 2022 10am-12pm PDT

Session 5: Saturday November 12th, 2022 10am-12pm PDT

Session 6: Saturday November 26th, 2022 10am-12pm PDT

Session 7: Saturday December 10th, 2022 10am-12pm PDT

Session 8: Saturday January 7th, 2023 10am-12pm PDT

FAQs

Q: What is the format of a lab?
A: Stage 32 Next Level Labs are typically 120-minute broadcasts that take place online using a designated software program from Stage 32.

Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the class.

Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live class. Upgrade your Windows computer / Upgrade your Mac computer

Q: What if I cannot attend the live lab class?
A: If you attend a live online class, you will be able to communicate directly with your instructor during the class. If you cannot attend a live class, you will have access to the entire recorded broadcast, including the Q&A. Plus, your instructor will be available via email throughout the lab.

Q: Will I have access to the lab afterward to rewatch?
A: Yes! After the purchase of the lab, you will have on-demand access to the video recording, which you can view as many times as you'd like!

Questions?

If you have a generic question about Stage 32 education you can take a look at our frequently asked questions section on our help page, or feel free to contact support with any other inquiries you might have.

Other education that may be of interest to you:

How to Direct for Animated Television

Think about the classic images of a director—sitting in a canvas chair, making a frame with your fingers and thumbs, yelling ‘action’ or ‘cut’. None of those things could even come up when you’re directing for animation, though. Honesty, the job of an animation television director doesn’t even exist within the public lexicon. If you’re not already directly within the television animation industry, you might not even have a basic sense of what goes into this line of work. Yet the role of an animation director is very real and getting to this level on an animated television show can be rewarding and lucrative. Top animated shows like THE SIMPSONS, BOB’S BURGERS, BOJACK HORSEMAN, PEPPA PIG and RICK AND MORTY succeed because of the top directing talent at the helm. If you’re a writer, an artist, an illustrator, a storyboard artist, a director or just passionate about animated television, there is a path forward to get into this landscape and work towards directing episodes of your dream animated show. But it might help to have a blueprint to get there, understand how the world of animated TV works, how people become directors within this world, and what directors actually do. Veteran director Mike Disa is here to offer you this very opportunity. Mike Disa is the director of the hit Netflix series PARADISE PD and has been in the animation industry for over twenty-five years. Mike found success working with studios such as Dreamworks, Disney, Warner Bros., Paramount, and many others. Over a fascinating career, Mike has worked with some of the greatest and most infamous people in Hollywood including Steven Spielberg, Eric Goldberg, Ralph Bakshi, Glenn Close, Steve Oedekerk, David Tennant, Amy Poehler, Adam Sandler, Jeffery Katzenberg and Roy Disney. Mike Disa has extensive knowledge of countless facets of animated TV and film. Mike will give you the nuts and bolts on the overall landscape and the details of what it takes to direct for animated TV. Mike will begin by discussing what it actually is that a TV animation director does and how it differs from other types of directing. He’ll go over the relationship between storyboarding and directing and one can, but doesn’t necessarily, lead to the other. He’ll discuss the how to be successful, valuable, and noticed while working on animated TV and how that will differ at an indie company compared to a larger studio. Mike will then walk you through the different types of animated TV, including children’s scripted, prime time scripted, anime, and premise-driven unscripted, and how the role and expectations of the director differ from one category to another. Next, Mike will delve into the general TV animation pipeline, the 9 steps you should expect from script to finished product. Mike will discuss the dangers of getting typecast within the animation world and how to navigate this tricky area. He will then walk you through 13 necessary skills you will need to learn and display in order to become a director and what skills might not be as important as you think. Mike will prepare you for the biggest challenges of this line of work and go through 5 common mistakes directors make. He’ll then discuss what sort of pathway there is to creating your own animated show and the way to make a lot of money in this line of work. He’ll finally give some practical advice on how to better succeed within the world of animation, including the benefits of getting an agent and the possibility of switching to live action down the line.   Praise for Mike's Webinar   "Mike is clear, insightful and conveys ideas and concepts very well. It was an excellent webinar!" -Jon P.   "Mike Disa was amazingly generous with his time and information. And he was real. It doesn't get better than that. I'll be able to apply his insights and the information he shared immediately. I'm so glad I decided to participate." - Elizabeth A.   "The webinar was excellent and very well paced. I truly appreciated the honesty and straightforwardness of the presenter. I learned a lot and look forward to the next one." - Jerry M.   "Great information, Mike did an awesome job and I will look forward to his next webinar." - Diane M.

Animated Pilot Writers' Workshop: Improve Your Pilot Script Line-By-Line with an Accomplished Animation Writer and Director

Only 12 Spots Available Punch Up Your Animation Pilot Script with a Animation Professional and Veteran with 25+ Years of Experience Work and Support Fellow Writers As You All Work Together To Hone Your Scripts   Animated television is currently experiencing a boom like we’ve never seen before. Since it’s possible for the bulk of the work to be completed from home or while socially distanced, animation has been flourishing as more players are turning to this format. New shows like SOLAR OPPOSITES on Hulu, CLOSE ENOUGH on HBO Max, FINAL SPACE on TBS and BLOOD OF ZEUS on Netflix are hugely popular, and this is just the beginning. Scores of upcoming animated shows are in the pipeline and just around the corner. Considering this appetite, it doesn’t look like this trend is fading any time soon. And more interest in animation means there are more opportunities for your own project to get noticed and get picked up. The opportunities may be extra plentiful right now, but you still need to have a dynamite pilot script to present if you want to be noticed, and that means more than a workable first draft. The old adage that writing is rewriting is especially true for animation and comedy scripts that need to be tight, punchy, and effective in every sense. And since television writing is almost always a collaborative process, a necessary step to making your project successful is to bring in different perspectives, different senses of humor, and some expertise to get the script fine-tuned and to the point where it’s truly special. We have just the person to help with this. Mike Disa is an accomplished director, producer, writer, and artist who produced and directed on shows like THE SIMPSONS and the hit Netflix series PARADISE PD and has been in the animation industry for over twenty-five years. Mike found success working with studios such as Dreamworks, Disney, Warner Bros., Paramount, and many others. Over a fascinating career, Mike has worked with some of the greatest and most infamous people in Hollywood including Steven Spielberg, Eric Goldberg, Ralph Bakshi, Glenn Close, Steve Oedekerk, David Tennant, Amy Poehler, Adam Sandler, Jeffery Katzenberg and Roy Disney. A favorite and fixture among the Stage 32 community, Mike is deeply entrenched in the world of animated TV and knows better than most what it takes to get an animated show off the ground. Mike will lead an intimate and valuable writers’ workshop with a small group of students to help rewrite and fine tune each writer’s animation pilot script, line by line. Each session, Mike will focus on 1-2 scripts and work with the group to punch up and improve each. Not only will you receive extended and personalized attention from an expert in the field to improve your own work, but you will also have the opportunity to support other writers with their own projects and learn valuable lessons from the process that you can take back to your own work. Expect to leave this unique program with a much-improved pilot script, a set of tools you can take with you to better improve and rewrite other projects, and a supportive group of like-minded writers from around the world.   Note: Because this is a rewrite class, you must already have at least a fully written first draft of a 30-minute animated pilot script in order to participate in this workshop   WHAT TO EXPECT By the end of this 6-session writing lab, you will have a fully re-written and fine tuned animation pilot script Sessions will consist of 2-hour group classes through Zoom Meetings. You will be held accountable to take the lessons from each week and move your work forward. Plus, to keep you connected, you will have access to a private, dedicated Stage 32 Lounge where you can communicate with your fellow classmates throughout the writing process. To see the full writing lab schedule, see below under "What You Will Learn".   PLEASE NOTE: This exclusive Stage 32 lab is limited to 12 writers and will be booked on a first come, first served basis. The opportunity to work this closely and for this long with an animation veteran and an expert in the field is an incredibly unique and valuable opportunity. If you are interested, please do book quickly. Once the spots are gone, they’re gone for good. Payment plans are available - please contact Harrison at h.glaser@stage32.com for more information This lab is limited to 12 people This lab is designed for beginner, intermediate and advanced screenwriters looking to rewrite and improve their already existing 30 minute animated pilot script Because this is a rewrite class, you must already have at least a fully written first draft of a 30-minute animated pilot script in order to participate in this workshop.

How to Make Short Form Animation Content That Gets You Noticed

As animators we pour our heart and soul into creating content we can be proud of. What most people don't realize is how many hours, days, months and even years it takes to create even the shortest form animation content to showcase your skills. Often you aspire to be noticed, not only by a viewing audience, but also by professionals who can help move the needle on your career. So how can you be assured that all your time and effort will pay off by not only reaching the widest audience possible, but by those who can help you get to the next level? Writing, boarding and creating animation content takes immense discipline. It takes the distinguished voice of a storyteller, the skillful eye of a director and the polished chops of an artist to make your vision come to life on screen. Once you've decided to embark on the path of creating content, how do you go about getting noticed? Animation is difficult to break into, but it's certainly not impossible and you CAN be seen by people that matter if you take the right steps to creating your content and getting it out there online. You have powerful tools in your hands and at your disposal through platforms like Vimeo, YouTube, Instagram and more - if you know how to use them to your advantage. Mike Disa knows a thing or two about animation. He's been working in the industry for over two decades and is currently the lead director on Netflix's hit show Paradise PD. He's worked with companies such as Disney, Dreamworks, Warner Bros., Paramount, and many others on feature films, television shows and digital series. Before he got his start, he knew no one in animation or entertainment and used his own methods to get noticed and sustain a nearly twenty five year career, which he will share with you.  Mike will teach you what type of content you can create that will help you stand out online to those working in animation. You will learn how online platforms can be best utilized to show your content and learn to set clear goals of what you are trying to get out of creating content and reach your target audience. You will know what to expect if you embark on the path for the genre of animation you work in. Mike will walk you through the development process to make sure your time is worth it before you start investing your time creating content. And, Mike will even walk you through how to promote yourself to get noticed!   Remember, it just takes one champion of you and your work to kick start your career and Mike will help you know what type of content you can create and how you can get it out there in the right places to capture the right person's eye!   We're thrilled to welcome Mike back exclusively to Stage 32. Here are testimonials from Mike's previous Stage 32 Webinars:   "Mike Disa was amazingly generous with his time and information. And he was real. It doesn't get better than that. I'll be able to apply his insights and the information he shared immediately. I'm so glad I decided to participate." - Elizabeth A.   "The webinar was excellent and very well paced. I truly appreciated the honesty and straightforwardness of the presenter. I learned a lot and look forward to the next one." - Jerry M.   "Excellent webinar. I think that I learned more than I expected to about animation writing and how it relates to working in the industry. I had a good time watching this and appreciate how kind everyone was with their time." - Kari H.   "I believe such given information was highly inspirational, utterly legit and true regarding the industry and show business. I've always wanted to learn what it takes to write an idea for an animated series, and how to put it on screen, and this webinar truly answered these vital questions. Conclusively, I would really take these tips into consideration during the writing of my ideas, and would highly recommend them to those who are ambitious to spread their stories world-wide." - Mohammed H.

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Animated Pilot Rewrite Workshop: Improve Your Pilot Script Line-By-Line

Private Lab - Only 12 Spots Available - 5 Spots Remain Punch Up Your Animation Pilot Script with an Animation Professional and Veteran with 25+ Years of Experience Work and Support Fellow Writers As You All Work Together To Hone Your Scripts   Animated television is currently experiencing a boom like we’ve never seen before. Since it’s possible for the bulk of the work to be completed from home or while socially distanced, animation has been flourishing as more players are turning to this format. New shows like SOLAR OPPOSITES on Hulu, CLOSE ENOUGH on HBO Max, FINAL SPACE on TBS and BLOOD OF ZEUS on Netflix are hugely popular, and this is just the beginning.  The opportunities to write animation may be extra plentiful right now, but you still need to have a dynamite pilot script to present if you want to be noticed, and that means more than a workable first draft. The old adage that writing is rewriting is especially true for animation and comedy scripts that need to be tight, punchy, and effective in every sense. And since television writing is almost always a collaborative process, a necessary step to making your project successful is to bring in different perspectives, different senses of humor, and some expertise to get the script fine-tuned and to the point where it’s truly special. We have just the person to help you with this. Mike Disa is an accomplished director, producer, writer, and artist who produced and directed on shows like THE SIMPSONS and the hit Netflix series PARADISE PD and has been in the animation industry for over twenty-five years. Mike found success working with studios such as Dreamworks, Disney, Warner Bros., Paramount, and many others. Over a fascinating career, Mike has worked with some of the greatest and most infamous people in Hollywood including Steven Spielberg, Eric Goldberg, Ralph Bakshi, Glenn Close, Steve Oedekerk, David Tennant, Amy Poehler, Adam Sandler, Jeffery Katzenberg and Roy Disney. A favorite and fixture among the Stage 32 community, Mike is deeply entrenched in the world of animated TV and knows better than most what it takes to get an animated show off the ground. Mike will lead an intimate and valuable writers’ workshop with a small group of students to help rewrite and fine tune each writer’s animation pilot script, line by line. Each session, Mike will focus on 1-2 scripts and work with the group to punch up and improve each. Not only will you receive extended and personalized attention from an expert in the field to improve your own work, but you will also have the opportunity to support other writers with their own projects and learn valuable lessons from the process that you can take back to your own work.   Expect to leave this unique program with a much-improved pilot script, a set of tools you can take with you to better improve and rewrite other projects, and a supportive group of like-minded writers from around the world.   Note: Because this is a rewrite class, you must already have at least a fully written first draft of a 30-minute animated pilot script in order to participate in this workshop       "Mike Disa is the most knowledgeable, helpful and straightest shooters I've ever met. He helped improve my pilot 1,000%. If you have the opportunity to work with Mike, take it. You will not regret it." - Aimee P. 

How to Create a Professional Beat Sheet Before You Write Your Animated Pilot Script

Animated television is currently experiencing a boom like we’ve never seen before. Since it’s possible for the bulk of the work to be completed from home or while socially distanced, animation has been flourishing as more players are turning to this format. New shows like SOLAR OPPOSITES on Hulu, CLOSE ENOUGH on HBO Max, FINAL SPACE on TBS and BLOOD OF ZEUS on Netflix are hugely popular, and this is just the beginning. Scores of upcoming animated shows are in the pipeline and just around the corner. Considering this appetite, it doesn’t look like this trend is fading any time soon. And more interest in animation means there are more opportunities for your own project to get noticed and get picked up. Now is a great time for your animated project to get noticed, but you need to make sure it’s fully developed and market-ready first. The opportunities may be extra plentiful right now, but so is the competition. If you want your animated pilot to get noticed and seriously considered, it needs to be polished, thought through, and structured correctly. This is harder than it may seem and comes down to having a detailed plan before you start the actual writing process. This plan can come in the form of a beat sheet, a document that you create for yourself that bullets out exactly what will happen in your pilot and when. As simple as it may seem, this crucial step can make all the difference and help you create that animated TV pilot that will get executives to notice you and fire you off the launch pad. First, you need to understand how to best prepare this beat sheet and structure your pilot in a way that’s not only effective, but attractive to actual buyers. Mike Disa is an accomplished director, producer, writer, and artist who directed on shows like the hit Netflix series PARADISE PD and has been in the animation industry for over twenty-five years. Mike found success working with studios such as Dreamworks, Disney, Warner Bros., Paramount, and many others. Over a fascinating career, Mike has worked with some of the greatest and most infamous people in Hollywood including Steven Spielberg, Eric Goldberg, Ralph Bakshi, Glenn Close, Steve Oedekerk, David Tennant, Amy Poehler, Adam Sandler, Jeffery Katzenberg and Roy Disney. A favorite and fixture among the Stage 32 community, Mike is deeply entrenched in the world of animation and knows what it takes to plan and execute an animated pilot that will make it. Mike will walk you through exactly how to put together a beat sheet and structure it effectively to guide you through writing an outstanding animated TV pilot script. He’ll begin by outlining the state of animated TV today and guide you through committing to the genre, format, and rating system that best fits for your series. He’ll walk you through how to get started and the best way to format the sheet. Next, Mike will go deep into the actual structure of an effective animated pilot, including the cold open, act 1, act 2, act 3, and tag. Finally Mike will provide final tips to make sure you’re leaving with a beat sheet that will aid you.   If you’re hoping to write an animated pilot script, if you’ve already written one and are looking to improve it, or if you have an idea but are struggling to get it on paper, Mike will give you the tools and strategy to help you reach your goal and put together the animated pilot you’ve been working towards.     Praise for Mike's Previous Stage 32 Webinars   Mike’s knowledge is sound and extensive. His vision for what’s happening now and what we are to expect in the future is brilliant. I could listen to him forever. -Jane D.   "Mike Disa was amazingly generous with his time and information. And he was real. It doesn't get better than that. I'll be able to apply his insights and the information he shared immediately. I'm so glad I decided to participate." - Elizabeth A.   "The stories and ideas and descriptions were excellent. Straight talk from a true professional." - Don S.   I loved the wealth of content and Mike's humor. -Prema R.

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