4 part class taught by WGA Award-nominated writer John Shepherd, Director of Development at Cross Creek Pictures. AVAILABLE ON DEMAND! The first 10 pages and the last 10 pages of a script are the most important. Making an executive walk away from a read of your script with a powerful impression is crucial to getting your script made. The last pages of a script come with their own web of problems (how to tie everything together, how to complete a character's arc, how to create a powerful final image, etc.). Sometimes a time crunched executive will read the first and last 10 pages of a script before deciding to read the whole thing. A writer has to make sure that they "stick the landing." Stage 32 Happy Writers is excited to bring you the previously-recorded 4 part class: “Always Be Closing” - How to Write a Killer Final 10 Pages taught by John Shepherd, Director of Development at Cross Creek Pictures (Black Swan, The Woman In Black, Ides of March). Learn how to make your last act resonate for your characters, your audience, yourself and the executive reading it. Purchasing gives you access to the previously-recorded live class.Although John is no longer reviewing the assignments, we still encourage all listeners to participate!
Back by popular demand, Stage 32 Next Level Education brings you Max Adams, 20-year working screenwriter and acclaimed author who has worked with Columbia Pictures, Touchstone Pictures, Universal Pictures, Walt Disney Studios, and Tri-Star Pictures! You will also learn about static locations vs. clear, wider, more open locations and how they can work for and against you in your writing. You will also have a clear understanding on how to use motion and action to move your screenplay forward. You will walk away having all the tools and techniques necessary to apply to fiction, nonfiction, screenplays, teleplays, and stage plays to make visuals and action “real” on the page - an art unto itself and something that can separate your work from the pack. You will learn how to create compelling visuals on the page that will catapult your writing into an unforgettable — and visual — experience for your readers on the page, and your audience on the screen. The immediacy of motion on a film screen, and its necessity, sets film writing apart from every other written medium on the planet. And is the difference on the script page — and film screen — between selling — or that script dying in a drawer, and that film never being made.
Many times in writing our projects do not have a strong enough inciting incident to effectively kick off the narrative. During this webcast we will look at moments everything changed for our protagonists and they were launched on their journey. Every event that happens subsequently will be traced back to this one monumental event. We will examine the inciting incidents of films as well as television shows and explain how they changed the world in an irreversible way. Examples include films such as Monsters Inc., Saving Private Ryan, "The Sopranos," "Breaking Bad," and more!
Learn directly from Melissa Daykin Cassill, Vice President of State Street Pictures (Faster, Beauty Shop, Barbershop, Notorious, Nothing Like The Holidays) The Hangover, Bridesmaids, Little Miss Sunshine. What is it, exactly, that makes these comedies stand out from the crowd? With so many different types of comedies in the marketplace, it is becoming the toughest genre to break into. More executives are turning to A list comedians to write than actual screenwriters, so how do you get an executive's attention? How do you get past executives that have different senses of humor, jokes that don't translate internationally, and storylines that can easily get deemed outdated a year later? Stage 32 Happy Writers is excited to bring you our 4 week online intensive class How To Write A Fresh, Stand Out Comedy taught by the Vice President of State Street Pictures, Melissa Dayin Cassill. In this hands on 4 week course, you will learn the importance of the emotional crescendo of a comedy script, how to balance the comedy with the humanity of the characters, and how to pitch your comedy script once you're ready, all while molding your pages under Melissa's supervision. With interactive lectures and weekly homework assignments directly geared towards strengthening your pages, this class will help you craft your writing into a fresh stand out comedy script that will grab executives' attention! Purchasing gives you access to the previously-recorded live class. Although Melissa is no longer reviewing the assignments, we still encourage all listeners to participate.
Network TV is dead, right? All good shows are on cable and streaming! Not so fast! Network TV is alive and well, as demonstrated by the critical success and healthy ratings of new shows such as This is Us, Designated Survivor and Speechless, as well as powerhouse veterans such as Big Bang Theory, Empire, Modern Family, Scandal, and NCIS. Broadcast networks are increasingly having to compete for top talent and ideas in a crowded marketplace. While landing a series order from ABC or FOX is no easy feat, the networks’ deep coffers mean they can buy and develop a high volume of shows, season after season. Producers of course enjoy the prestige of developing ideas for HBO or Amazon, but they are equally eager to find the next network hit, which can yield huge financial dividends with multiple season orders. What’s more, agents and managers judge prospective clients based on their original pilot scripts, and the right network pilot can demonstrate to a potential representative that you are ready to staff and ready to sell. As a manager, I always recommend writers have at least two or three finished scripts ready to go, and a mix of cable and network samples increases the number of producers and executives who may be interested in your work. In this webinar, you will learn about the brands and programming models of broadcast networks, how to know what ideas they will find appealing, what you need to include in your network pitch, and the do’s and don’ts of writing your network spec pilot.
Can you tell your whole story in just six sentences? This month, we're challenging you to use Pixar's dead-simple approach to outlining to breakdown your story or help you come up with something completely new!