Communicating With Composers—Best Practices For Getting The Score You Want

Taught by Kristen Baum

$249 $399
Class Schedule (4 sessions):
Wednesday, Dec 1ST 3 - 5PM PST
Wednesday, Dec 8TH 3 - 5PM PST
Wednesday, Dec 15TH 3 - 5PM PST
Wednesday, Dec 22ND 3 - 5PM PST
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Class hosted by: Kristen Baum

Composer of over 40 Film Scores, Sundance Fellow

Kristen Baum is a composer for film and concerts with 40 film scores to her credit, collaborating with filmmakers globally. She has worked closely with film composer Christopher Young (HELLRAISER), orchestrating on PRIEST and WHEN IN ROME and working as part of his music team on UNTRACEABLE and THE UNINVITED. Baum is a Sundance Fellow, selected to participate in the film composing lab for narrative fiction. While at the lab, her mentors included Alan Silvestri (Marvel Cinematic Universe, BACK TO THE FUTURE, FORREST GUMP) and Christopher Young, among others. Baum has scored films in many genres, including ASSASSINS, IN THE LAND OF LOST ANGELS, AS HIGH AS THE SKY, THE WAVE I RIDE, and she has a cue in THE BOOK OF ELI. In addition to scoring for movies, Baum is a frequent contributor of how-to articles about film scoring in Student Filmmakers Magazine. Full Bio »


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Your film score is one of your final and most vital hurdles. It sets the tone and the mood of your film. Maybe you already have pieces playing on repeat in your mind and know every epic, cinematic score that inspires your vision. Or, you may not have a clue what you need or where to even begin.

Knowing what you want for your score is the first step, and clearly communicating that vision is crucial to your success.

There's no one better to show you the ropes than a composer who's worked on over 40 films. Kristen Baum is a composer for film and concerts, who has collaborated on over 40 film scores and was a Sundance Fellow mentored by Alan Silvestri (Marvel Cinematic Universe, BACK TO THE FUTURE, FORREST GUMP) and Chris Young (HELLRAISER, PET SEMATARY). You'll know the process of creating a film score, including how to develop your concept with a composer, the steps of a spotting session, how to work and communicate when you can't be in the same room, how to choose a film composer, and more.

In an exclusive and interactive Stage 32 Next Level Class, Kristen will show you the steps of film scoring, from ideation through editing, and the many roles involved, including music editor, supervisor, and composer, so that your audience walks away humming that perfect crescendo. You'll also receive assignments to put what you learn into practice and get feedback from Kristen on your work, as well as making connections with your group that lasts beyond these four weeks.

In just four weeks, you'll know how to boost your film with your film score and how to communicate with your composter to achieve the best result. But hurry! These limited spots will fill up!

Plus! Kristen will also provide you exclusive and helpful handouts for you to download and use, including:

  • Concept and Temp Music Packet
  • The Spotting Session Packet
  • Show and Tell and Distance Work Packet
  • Choosing a Composer Packet, including Resources for Finding a Composer

What You'll Learn

Session 1: Concept Conversations, Temp Music

  • The Music Team: Overview of the players and their roles
  • Score, Source Music, and Songs: Overview of ways music can function in film
  • The concept for a score and how to approach it
  • Communicating your concept with a music editor and/or composer
  • Considerations that can/should influence the score's concept
  • Case Studies & Practice
  • Temp Scores, what they are, how to handle them, what to do when the temp isn't working
  • Q&A

Handouts: Concept and Temp Music Packet

You will have an assignment after this session

Session 2: The Spotting Session

  • Homework discussion from last week's assignment
    • What the Music Spotting Session is
    • Why it is crucial
    • What needs to be discussed
    • Who is in the room
  • What happens after the spotting session
  • Case studies/examples of what is communicated and how/why it's important
  • Guest: A discussion with a director about the scoring process and the director/composer working relationship
  • Practice
  • Q&A

Handouts: The Spotting Session Packet

You will have an assignment after this session

Session 3: Show & Tells, Working Long Distance

  • Homework discussion from last week's assignment
    • Music Show & Tells/Demo
    • Playback SessionsWhat they are
    • Why they're important
    • How they function and their purpose

The scoring process and scheduling considerations

  • Case studies/examples of what is communicated in a Show & Tell and how/why it's important
  • Practice: Mock Show & Tell
    • Working long-distance with a composerThe best practices for workflow and helping ensure your composer can be prepared
  • Q&A

Handouts: Show and Tell and Distance Work Packet

You will have an assignment after this session

Session 4: Choosing a Composer

  • Homework discussion from last week's assignment
  • Ways to Find Potential Composers, Initial Conversations
    • When to Bring the Composer On
    • Examples based on various types of scores
  • Practice
  • Q&A

Handouts: Choosing a Composer Packet, including Resources for Finding a Composer


PLEASE NOTE: This exclusive Stage 32 lab is limited and will be booked on a first come, first served basis. The opportunity to work this closely and for this long with an expert in the field is an incredibly unique and valuable opportunity. If you are interested, please do book quickly. Once the spots are gone, they're gone for good.

  • Payment plans are available - please contact Amanda at for more information

About Your Instructor

Kristen Baum is a composer for film and concerts with 40 film scores to her credit, collaborating with filmmakers globally. She has worked closely with film composer Christopher Young (HELLRAISER), orchestrating on PRIEST and WHEN IN ROME and working as part of his music team on UNTRACEABLE and THE UNINVITED. Baum is a Sundance Fellow, selected to participate in the film composing lab for narrative fiction. While at the lab, her mentors included Alan Silvestri (Marvel Cinematic Universe, BACK TO THE FUTURE, FORREST GUMP) and Christopher Young, among others.

Baum has scored films in many genres, including ASSASSINS, IN THE LAND OF LOST ANGELS, AS HIGH AS THE SKY, THE WAVE I RIDE, and she has a cue in THE BOOK OF ELI.

In addition to scoring for movies, Baum is a frequent contributor of how-to articles about film scoring in Student Filmmakers Magazine.


SESSION 1: Concept Conversations, Temp Music - Wednesday, December 1st – 3pm-5pm PST

SESSION 2: The Spotting Session - Wednesday, December 8th – 3pm-5pm PST

SESSION 3: Show & Tells, Working Long Distance - Wednesday, December 15th – 3pm-5pm PST

SESSION 4: Choosing a Composer - Wednesday, December 22nd – 3pm-5pm PST


Q: What is the format of a lab?
A: Stage 32 Next Level Classes are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.

Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the class.

Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live class. Upgrade your Windows computer / Upgrade your Mac computer

Q: What if I cannot attend the live lab class?
A: If you attend a live online class, you will be able to communicate directly with your instructor during the class. If you cannot attend a live class, you will have access to the entire recorded broadcast, including the Q&A. Plus, your instructor will be available via email throughout the lab.

Q: Will I have access to the lab afterward to rewatch?
A: Yes! After the purchase of the lab, you will have on-demand access to the video recording, which you can view as many times as you'd like!







"It's been so hard trying to finish my film in the pandemic, but Kristen showed me how to get my vision across and I'm obsessed with my film score now."

-Pam M.


"As someone who knows NOTHING about music, I was very scared about how I was going to explain my vision to my composer. I didn’t need to be. Besides being warm, friendly, and a genuine joy to be around, Kristen was very helpful in guiding me through our communications. She encouraged me to talk to her the way I would actors, to speak about emotions and intentions. Once I understood that, I lost any reservations and actually enjoyed the process! Additionally, Kristen has no ego when it comes to her work, believing that the score should buoy, not dictate, the mood of the scenes.”

—Nikki Braendlin, Writer/Director of As High As The Sky


​​"As a director, one of the most difficult parts of putting together any narrative story is working with a composer to create a soundscape that fulfills the needs of the story while not overpowering the other components of the film. When I first started, I had no idea how to communicate my musical needs. One of the greatest gifts Kristen has given me is patience. As I struggled to explain what I wanted, she would repeat back what I was asking, but in terms that were actionable - much like what a director would want to deliver to an actor. We have a multi-part process for each project and the order of the process can shift with each project. Those parts could be broken down into: investigating similar film soundtracks to the style of the film we'll be making, speaking through each scene as to the theme the music should create or support, discussing where and when to use music - or not, and finally, and maybe most importantly, being able to riff off each other. I've been lucky enough to count Kristen Baum, not only as my composer from the beginning of my career, but as one of my best friends."

—Michael Bonomo, director of Assassins (2014)


If you have a generic question about Stage 32 education you can take a look at our frequently asked questions section on our help page, or feel free to contact support with any other inquiries you might have.

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