Learn directly from Amanda Toye, a producer who developed over 100 drama, comedy, and reality projects to network and cable! Many filmmakers and writers struggle with the question of whether to relocate to Los Angeles or New York to build their careers. But for many, the realities of that are very difficult with money, family, other jobs, and roots already formed in another home. For international filmmakers, it can be an even more difficult transition. The good news is that because of the shifting landscape of the Hollywood system, it has never been more accessible from anywhere in the world. The expanding of a global marketplace, and the door opening opportunities of the digital revolution have made it possible for anyone to become noticed by Hollywood and share their work with an appreciative audience. In this lecture we’ll cover everything you need to know to get noticed, and begin building the kind of career you weren’t sure you could have without making the sacrifice of moving to Hollywood. Having worked with International Studios evaluating and discovering content creators from all over the world, and specializing in bridging the gap between innovative digital practices of development, distribution, fan development and Hollywood, Amanda Toye has worked with filmmaker, writers, and content creators from all over the world from her office in Los Angeles. She currently splits her time between San Jose, Costa Rica and Los Angeles.
Learn directly from Lee Stobby whose clients include writers on films that have premiered at Sundance and Cannes, as well as a stable of multiple writers on the Black List! Stage 32 is here to give you an honest, no B.S. look at how managers actually approach signing writers, straight from the mouth of a respected Hollywood manager himself. If you’re looking for a sugarcoated opinion on why you haven’t been signed yet, this webinar isn’t for you, but if you’re serious about wanting to take your career to the next level and can handle the blunt and honest truth, buckle up and get ready to learn! In this Stage 32 Next Level Webinar, host Lee Stobby will provide insight into how he as a manager looks for material and clients. He will discuss the most common turn offs and red flags that kill his interest, even if he liked your script or writing (such as not in LA, “bad” personality, not having a script that is ready to go, or soft concepts). He will then go over ways to overcome these things and accent your strengths. You will learn what types of scripts play best on script hosting websites, how to utilize coverage services, how to get executives to read your script and subsequently refer to reps, how to write scripts that get attention in contests, other ways to get attention on your script, and why being in the relentless search of representation may not be the best use of your time. You will leave with a clear understanding of the mistakes you’ve been unknowingly making and directions on how to avoid continuing to make them, giving yourself a better chance of finally getting signed! Your host Lee Stobby has learned from some of Hollywood’s greatest minds at Misher Films, Double Feature Films, Industry Entertainment, Innovative Artists and Caliber Media; the lattermost is where he began representing literary clients in 2011. Lee is a champion of strong, independent voices and has a knack for finding some of the most in-demand spec scripts on the market. Lee just started his own shingle, Lee Stobby Entertainment, where his clients include writers on films that have premiered at Sundance and Cannes, as well as a stable of multiple writers on the Black List. Lee knows what makes a great client / writer and is here exclusively for Stage 32 to partake some of his knowledge, energy and passion to help writers increase their chances of finally getting representation.
There is a lot of information at your fingertips on how to approach a screenwriting manager, but how do you know if your approach works? What if you have the chance to pull back the curtain back and hear directly from a literary manager what makes them interested? Stage 32 has brought in literary manager Conrad Sun from Meridian Artists for an advanced look into a manager’s mindset when considering a new writer. Conrad manages writers working in film and TV including BLINDSPOT, BOJACK HORSEMAN, 2 BROKE GIRLS, MOTIVE, SLASHER. In this jam-packed 90-minute webinar Conrad will give an overview of the screenwriter/manager relationship. But, more importantly, he will be sharing real-life examples of writing samples, queries, competitions and pitchfests that have caught his eye. You will even see his client’s writing sample – the TV pilot script for BLINDSPOT – which is now a show on NBC. Plus, you will get a list of resources to help on your journey. This is a go-to guide to refer to when you need to do a double check on your approach when engaging representation.
Learn directly from Ross Putman, an award-winning producer and founder of PSH Collective! Transformers. Godzilla. Captain America. Groot...? Who knew that this summer's biggest success story would be Marvel's band of unlikely heroes, known as The Guardians of the Galaxy? With their biggest star (Bradley Cooper) playing a talking raccoon, a director whose previous film grossed just $300,000 at the box office, and with a cast of characters so unknown that an entire teaser trailer was devoted just to introducing them, the odds seemed long for Guardians to make any impact at all. And yet it's the only film to gross over $300 million at the US box office--something not even Michael Bay's fourth Transformers movie could accomplish (and that had Marky Mark Wahlberg)! It's a little known fact that Guardians was based on source material that Marvel all but buried. So why did it work? Regardless of whether a good story is based on source material or original material, Guardians would not have been a success if the script, filmmaking, casting and marketing weren't all thought out and executed perfectly. In this webinar, we'll deconstruct how Marvel "flipped the script" on... well, its own scripts. A focus on quirkiness, the establishment of a unique tone, and bringing their first female writer in the fold added up to a great finished product. Whether it's the very specific character traits (like Drax's inability to understand metaphor) to the very clear stakes (even when things go deep into sci-fi), Guardians has all the right moves to please movie-goers tired of the same-old-same-old. Yet it becomes truly revolutionary by sticking to the basics; it's a script that puts one foot in front of the other and never stumbles.
Join literary manager Spencer Robinson from Art/Work Entertainment as he talks about the state of the comedy writing industry for film & TV and answers questions exclusively for the Stage 32 community!
Learn directly from Maren Olson, Producer of Short Term 12, who has represented domestic and/or worldwide distribution rights to over 70 finished films, including Academy Award winner The Secret in Their Eyes and festival favorites such as An Oversimplification of Her Beauty, Natural Selection and Red Flag, and Sundance Audience Award winners This is Martin Bonner, Valley of Saints and Kinyarwanda! In this Stage 32 Next Level Webinar you will learn what kind of independent film project goes on to become a “Festival Darling” and what you can do to better position your independent film for festival success, from script to screen. Host Maren Olson will deconstruct both the writing stage- from the major components of a festival-friendly story idea, to what to consider regarding location and characters, all the way to how to incorporate thinking about the budget when writing your script- as well as the production stage – from how to make sure your film gets properly considered by the right people, to which festivals you should submit to and when, all the way to the common ways festival friendly scripts turn into a film that no festival wants to play. Maren brings over a decade of experience attending and winning film festivals worldwide to change your perspective on what it really takes to create that festival-friendly script, and ultimately a successful independent film. Maren Olson works in the film finance division of CAA, and was formerlythe President of Traction Media, where she was responsible for the creative development, packaging, production, financing and sale of independent films. Olson has represented domestic and/or worldwide distribution rights to over 70 finished films, including Academy Award winner The Secret in Their Eyes, festival favorites such as An Oversimplification of Her Beauty, Natural Selection and Red Flag, and Sundance Audience Award winners This is Martin Bonner, Valley of Saints and Kinyarwanda. As a producer, she was responsible for critically lauded Short Term 12, which premiered at the 2013 SXSW Film Festival, where it won both the Grand Jury and Audience Awards. The film went on to win 34 other awards including the Gotham Award for Best Actress and Independent Spirit Award for Best Editing. Her 2015 production, Ava’s Possessions, premiered at the 2015 SXSW Film Festival.