For far too long women have been over-sexualized in print, TV, and film. I'm here to show you there’s much much more to the gender and a better way to write for them that isn’t so CLICHE. It’s true, sex sells, but don’t rely on that and put yourself in a box. Color outside the lines and think of the bigger picture. In this webinar I'll go over the keys to writing funny female characters. And never limit yourself to “Well a woman wouldn’t or couldn’t do that.” It’s 2019. Anything is possible. So don’t perpetuate a stereotype of just sex, or the damsel in distress. Help pave the way for new characters to be seen. And I know what you’re thinking… “Who the hell is this MAN telling me how to write women characters?” Well, let me tell you a little bit about myself. I love writing funny female characters. I've worked on of IT’S ALWAYS SUNNY IN PHILADELPHIA and 2 BROKE GIRLS and am now developing a female action comedy cop show with New Form and STX Entertainment. And, I'm here exclusively for Stage 32 to teach you how to make female characters in comedies pop.
Art/Work Manager Spencer Robinson will discuss the differences between managers and agents, how to grab a manager's attention, working with a manager and what he currently is seeing in the industry.
Learn directly from Melissa Daykin Cassill, VP of Development and Production at State Street Pictures (Faster, Beauty Shop, Barbershop, Notorious, Nothing Like The Holidays)! You hear it again and again: “We’re looking for character driven drama/comedy/action/name your genre.” You may have a great plot, amazing action sequences, or the most hilarious idea for a comedy set piece but without great characters, you’ll be dead in the water. Why? Because everything should be motivated by your characters. What would The Godfather be without Michael’s change from the good man who served his country to a vengeful and tyrannical ruler? What would Star Wars be without the father son drama? Creating memorable characters is such an essential aspect of creating a compelling, sellable story, yet so many writers struggle with doing it correctly and fail to avoid the trap of stock characters that leave their scripts lifeless and weak. The Stage 32 Happy Writers is thrilled to bring you a 3-week online course Avoid Stock Characters: How To Create Memorable, Compelling Characters so you can learn how to create the memorable characters your story deserves. This class is taught by Melissa Daykin Cassill, VP of Development and Production at State Street Pictures, a production company with a first look deal at Fox 2000 Pictures. What Melissa loves most about her job is working with writers and developing exciting, compelling projects and she’s excited to be here teaching with Stage 32 to help you develop compelling characters in your story! In this class, you will learn how to set up a character arc so the character’s change is compelling, how to develop supporting characters who support the story and compliment your protagonists, how to avoid stock characters and scenes and how to adjust what you already have to make your work better. With interactive lectures and weekly homework assignments directly geared toward strengthening your characters, you will leave this class knowing exactly how to create memorable characters for your stories.
CCO Bradley Gallo and Story Editor Nat Topping from Amasia Entertainment join our Panel as we listen and read your pitches live to help educate the Writers' Room screenwriters on what is and isn't working in their pitch.
I was born for this. Started on street corners tap dancing, doing comedy, telling stories & holding an audience until they pay me J A Masters Degree from USC Film School and three decades later there hasn’t been a day when I wasn’t writing, directing, producing or managing as an executive a feature film, television, documentary, live event and/or new media program. I’ve been blessed to learn from and collaborate with some of the luminaries of sports and entertainment producing and business management. For these efforts, I picked up a shelf full of awards & trophies, maintained an upward financial trajectory and learned to enjoy the ride. A few of the collaborations in my career include: Netflix, YouTube, NBC, CBS, ABC, Univision, HBO, Showtime, TNT, MTV, VH-1, Sony Pictures, Paramount Pictures, 20th Century Fox, Lionsgate Studios, Legendary Pictures, Blizzard Entertainment The Grateful Dead, Quincy Jones, Michael Jordan & David Falk, Phil Knight/NIKE, Magic Johnson, Peter Guber/Mandalay, Dr. Dre, Snoop & Eminem, Arthur Miller, Michael Bloomberg, Laurence Fishburne, the NFL, MLB and NBA, and most of the financing entities in Hollywood. I’ve established tax incentives that spark states into profitable production while structuring large scale financing. Easier said than done, trust me! Now, I’m thrilled to join with Stage 32 to talk about my journey and share my experiences from over the years. I love to give back to up and coming filmmakers and I’ll be holding an online Q&A to talk with you, the Stage 32 community, and tell you about the things I’ve learned along the way. If you’re in the middle of your filmmaking journey, now, no matter where you live in the world, I’ll be taking questions from you live, so ask away! So relax, this opportunity to not give up on your daydream just got a lot closer. Clint Eastwood, Kip & Kern Konwiser Kip & Virginia Madsen Kenny Ortega (director/choreographer), Jim Belushi, William Levy, Emilio Estefan Kip, Ron Shelton (director/writer), Pete Rose, Kurt Soderling (DP) Pre-production at Legendary Studios "The Konwiser Bros." Kern & Kip Konwiser