Learn directly from Terra “TMo” Patterson, Indie Costume Professional, who has honed her skills on various productions, TV series, short films, features, and live events such as Homeland and South of Hell (with creator of Dexter, James Manos, Jr)! In this Stage 32 Next Level Webinar, host Terra Patterson will discuss how costume serves the story and how to costume your cast. This webinar will give you a better understanding of how you can use costume to enhance your characters and what to do in the pre-production, production and post production phases for the costuming process. You will leave this webinar knowing: A Costume Pre-production, Production and Post Production Duty Chart Costume Kit Shopping List Costume Set Bag Shopping List Costume Paperwork Templates Costume Department “ Life Hacks” Money and Time saving tips And more! Terra Patterson has worked as as a Costume Designer, Costume Assistant, Costumer and Costume PA, recent credits include Homeland, the acclaimed Showtime Series; Lincoln's Last Day, a Smithsonian Documentary; South of Hell with creator of Dexter, James Manos, Jr; and Parallel Chords, the acclaimed short film starring Bjorn Johnson. She has also dressed some well known and beloved actors, such as Salli Richardson Whitfield, Barry Corbin, Loretta Devine, Lynn Whitfield and Victoria Rowell.
Part 1 - Writing, Budgeting & Pre-Production How to write an effective short script The brainstorming process Utilizing real life experiences, what are memorable moments in your life that stick out to you? Moments in a friend’s life? Creating characters: What topics do you uniquely understand? What jobs have you held? What did your parents do for a living? Where did you grow up? Writing in proper format What is the difference between writing “is working” and “works” in a screenplay and why does verbiage matter when writing action? Should I put my WGA and copyright notices on the title page? The business of making a short film What do I need to do to protect myself? Creating an LLC and lawyering up for the right reasons. How much is this really going to cost? Evaluating SAG Short Film Agreements, cost of renting equipment, everything from lighting to locations, and looking forward to release and distributions, what are the costs beyond the actual production of a film? Logistically, how will I be able to execute all the elements? How do I handle room and board for out of town talent? Is there a local film commission I can work with, and if so, what exactly is their role in helping me execute my vision? Part 2 - Directing, Marketing & Distributing Your Film Preparing to direct and the production process What do I need to do before I get to set? What is the purpose of having location walkthroughs? When and how to I make the shot list and how many shots do I really need? How do I make my vision clear to crewmembers while still being collaborative in the process? How do I work with an actor for the first time? How much say should they have in the script and changing the character? Should I allow an actor to change my lines? How do I follow their emotional journey over the course of shooting a film that is totally out of order so it makes sense in the final product? When problems arise on set, how do I respond? What are best practices to maintaining authority without creating conflict? How do I ensure that everyone is getting the proper attention they need so I can avoid problems? What happens if I find out we didn’t shoot something we needed? How do I work with footage or sound that didn’t come out the way I expected? How long should my final product be so I can be successful at film festivals? Marketing your film What can I do to promote my film before we ever start filming? When is the appropriate time to start promoting? What kind of promotion looks and feels professional versus amateur? Is there such a thing as oversharing information on social networks? During production, how can I use my cast and crew to promote the project? What parameters should I set to not give away plot points? What is the role of a still photographer on set and how can I leverage the still photographer for publicity? How do I reach out to press outlets to promote my film? How do I find out what press outlets are the right ones for my film, and how do I even get a journalist interested in covering it? What makes an effective versus ineffective pitch letter? Releasing your film What makes an effective trailer? How can I best prepare and present the trailer and still photos for promotional purposes? Should I create a Facebook page for my film and a website and a Twitter and an Instagram, etc.? How do I get into Sundance? If I don’t get into Sundance, is my career finished? There are entirely too many film festivals, how do I begin to figure out which ones are good and which ones are bad? What are effective ways of meeting, then following up, with producers and gatekeepers that I meet at these events? What kind of communication does an executive find annoying? Should I sell my film or give it away for free? If I give it away for free, how will I be able to pay myself back? How do I quantify if my film was a success? How do I use the short film to get myself ready for my next project? What if the film didn’t come out the way I wanted, am I completely done as a filmmaker? How do I use the lessons I learned to make my next project better? Now that I’ve made my first short film and loved it, how do I make this my full time job and become a professional filmmaker?
In this Stage 32 Next Level webinar, Jordan Barel (Development, for Producer/Actor Paul Scheer and Abominable Pictures) will teach you paragraph by paragraph exactly what is included in the standard writer's contract. He will cover three different types of contracts: purchase agreement, option agreement, and negative pickup. Jordan will discuss terms in both a legal and practical matter so that you get the information needed to be prepared to negotiate your next agreement. Such things will include material and boilerplate terms, what can or can't be negotiated, and how lawyers themselves will be reading and reviewing your agreement. This will be an in-depth legal discussion walking you through each sentence of a standard purchase and option agreement. You'll also use template agreements as examples to give you a better sense of what these agreements should look like. **All materials have been prepared for general information purposes only to permit you to learn more about certain types of contracts within the entertainment industry. The information presented is not legal advice and is not to be acted on as such, please consult your lawyer for issues specific to your contract.
Breaking into the Television industry is tough, but perhaps the most difficult area of the TV business to enter is the writing staff. And yet, it’s not impossible. In fact, many people from all walks of life and from different educational and professional backgrounds find their way onto writing staffs everyday and go on to build lucrative careers in this cutthroat enterprise. In this Stage 32 Next Level Webinar, TV Writer/Producer Charlie Charbonneau will teach you how you can too! Your host, Charlie has worked on the writing staffs of three different CW genre shows, including The Secret Circle, The Vampire Diaries, and its spin-off The Originals, and he has mentored many eager young writers desiring to write for TV. In this webinar, he will explain why it’s so notoriously difficult to ‘get staffed’ by identifying the budgetary, political, and practical craft constraints of the television writing landscape. Then, he will detail the wide array of different tools, methods, and pathways to surpassing these obstacles. Among other topics, he’ll discuss the benefits of different educational institutions and industry work-shop programs, how to get your foot in the door with different entry-level jobs, which support jobs in a writers’ office lead to paid writing, as well as what material to write and how to get the right people to read it. No matter your background or level of experience, all students will come away with a deeper understanding of the obstacles and the many surprising solutions to getting and keeping a spot at that big scary table in the Television writers’ room.
In this exclusive 2 hour Stage 32 online class, here is just some of what you will learn from Robert McKee: Crafting believable and engaging dialogue. Why certain lines resonate and others fall flat Strategies and techniques for writing impactful dialogue The importance of showing vs. telling The three functions of dialogue: exposition, characterization and action. But that's not all! After Mr. McKee's lecture, Stage 32 Founder & CEO, Richard "RB" Botto, conducts an interview speaking further about the craft. Then he opened it up to you, the Stage 32 community, to ask questions. Now, no matter where you live in the world, this is an extremely rare opportunity to learn from Mr. McKee online! ***Congratulations to CC Lindh and Heather Faris for winning our drawing for a free ticket to McKee's Story seminar!
Agustine’s day-to-day role at RatPac is to help develop screenplays and projects. Whether it’s shaping the story of a script in order to attract a director or actor, breaking down a script in an effort to maximize its marketability, or simply working with the writer to ensure that the script has the best chance of success, Augustine is hands on in every step of the creative process. But before Augustine, or any other creative executive, can get to work, he has to love and see the potential of the material. And that raises the question: What makes someone like Agustine interested in a script? Understanding every aspect of how and why a film goes from the page to the screen is crucial to being a professional in the film industry. It truly can make the difference between a “Pass” or a “Yes”. If you are a writer looking to learn what exactly gets a Development Executive interested in your material or if you are a producer and want to understand the mindset of a Development Executive as it relates to developing your project, look no further – you will learn the entire truth straight from someone working in the trenches every single day. This is material designed to give you a competitive advantage in a crowded marketplace! And as if that wasn’t enough, Agustine will hosted a Q&A session as well!