In this 5-session online master class, learn from leading producer Jason Mirch, and his special industry guests on how to take an idea for a short film from concept all the way to post-production. Every successful filmmaker has, at some point in their career, written, directed, and/or produced a short film. For filmmakers who are just starting out, a short film is the best calling card to showcase their unique talent and vision. It is important to remember that short filmmaking is different from feature filmmaking, with challenges unique to the process. Even so, producing a short film may seem daunting, but there are several key secrets to getting the most out of your project. This intensive 5-week course will give students the tools and techniques necessary to produce a world class short film. Each week will be dedicated to a different aspect of the short filmmaking process, including, concept development and writing of your short, budgeting and scheduling, understanding and drafting production agreements, pro-tips on directing actors, and how to get the most out of the post production process. You are strongly encouraged to come with ideas for a short film, which will be developed over the course of the 5 weeks, so by the conclusion of the class, you should have a screenplay ready for production! Every week your host, Jason Mirch, will be bringing in special guests to help teach you, including: Christina Snider - Casting Associate, Susan Edelman Casting (Melrose Place, Malcolm in the Middle, Drop Dead Diva, Wonder Years) Michael Carney - Director (Same Kind of Different As Me) Brian Swanson - editor and sound designer Abeer Abu Schmeiss - Marketing Director, Image Nation (He Named Me Malala, Flight,The Help, The Best Exotic Marigold Hotel)
Learn directly from Jason Mirch, a 10-year film and TV producer and former Head of Feature and Television Development and Production at Image Nation Abu Dhabi (The Help, The Best Exotic Marigold Hotel, Contagion and 100 Foot Journey)! Raising financing for a feature film project can be one of the most daunting aspects of independent filmmaking. Many independent writers, directors, and producers simply do not know where to begin when seeking funding for their projects. With studios producing and releasing fewer films every year, independent filmmakers must rely on non-traditional financing models to fund projects. Where can you find the funds to get your project made? How can you best mitigate downside risk while maximizing upside potential? What options are available in terms of equity, soft money and pre-sales to get you to your financing goal? In this On-Demand Stage 32 Next Level Webinar, Jason Mirch navigates you through the Risk Mitigation Model of independent film financing, which utilizes foreign pre-sales, soft money, and equity to finance feature film projects. Drawing from his 10 years of experience financing both independent and studio films, Jason teaches you some traditional and non-traditional financing models so you can choose the right model for your specific project and gives you strategies to put these models into action. He then covers what international sales companies look for when evaluating potential projects and gives advice on how to position your projects when pitching to these companies. You will leave this on-demand webinar with a comprehensive understanding of not only the world of independent film financing, but how to get your project funded and breaking even before its release!
Learn directly from Jason Mirch, a 10+ year film and TV producer and former Head of Feature and Television Development and Production at Image Nation Abu Dhabi (The Help, The Best Exotic Marigold Hotel, Contagion and Flight)! When writing a screenplay, the area most writers struggle with is the dreaded Second Act. The Second Act is the heart of the narrative and where most screenplays crash and burn, leaving the screenwriters wondering where it all went wrong. When constructing your screenplay, it is essential to craft a tight Second Act that will power the narrative through to the climactic Third Act. What many writers don’t realize, is that the Second Act should actually be divided into 2 parts. In this Stage 32 Next Level Webinar, you will get an in depth look into how to successfully navigate the structure of the Second Act. You will learn techniques for crafting dialogue that moves the narrative forward, while exposing their characters’ flaws. You will learn how to carefully order their scenes in such a way that it creates a series of authentic and escalating obstacles for their characters to overcome. The webinar will identify and explain key plot points that typically exist in a well-written Second Act, and explain how you can use these as guidelines for their own projects. Jason will be citing specific examples from films in several different genres as well as providing you tools to apply to your own writing.
A great story starts with great characters and every great character starts with a great introduction. We challenged you to create or rewrite a scene where a major character is introduced.
Learn from Lee Jessup, Screenwriting Career Coach and author of best selling book 'Getting It Write: An Insider's Guide to A Screenwriting Career'! First impressions are everything. And in today's industry, where screenplays are not easily read and many writers are competing for every rep's or executive's attention, screenwriters deliver their best first impression with their loglines, one-sheets, pitches and all-important personal narrative. This is how an executive becomes interested not only in reading a particular script, but also in working with the content creator behind it on assignments, adaptations, or future works. True story: One of my coaching clients was pitching via Happy Writers. His material was strong, but represented some subject-matter challenges right out of the gate. However, he kept getting screenplay requests. I called up one of the managers who requested to read the work, and asked for her impression. "The work has issues" she said "but the presentation was so strong, the writer's identity was so clear, I just wanted to read for voice." Careers are rarely built on any one script these days; instead, they are build on the writer's identity and voice, and nowhere are those more powerful than in the materials you use to introduce yourself. In today's shifting industry climate where single script sales present a challenge, agents, managers, development executives and producers are seeking to get involved with content creators who will deliver again and again, complete with a strong understanding of not only how to market their work, but also how to position their personal narrative and brand, the sort that executives want to work with, and reps want to sell. Remember: Executives get in business with people, not with a piece of paper. They want to know that you understand how to present both your material and yourself. In order to take you on as a client or a creative partner, they want to know that they can send you on a general meeting or a pitch assignment in which you will thrive and impress. Those are the skills that will get you into the room again and again. Stage 32 Next Level Webinars is excited to present Developing Your Marketable Identity: Loglines, One-Sheets, and the Critical Personal Narrative presented by Lee Jessup, career coach for professional and emerging screenwriters. Lee is the best-selling author of Getting It Write: An Insider's Guide to A Screenwriting Career, whose clients include television fellows, contest winners, produced screenwriters, and more. Lee will discuss the various materials you should prepare for meetings, pitches and events, and provide practical examples and guidelines for each. She will also explore the often-under-prepared personal narrative, which will allow you to effectively communicate who you are as a person and a writer, and the critical life events that inspired you to explore the specific themes, wounds and worlds that will set you apart in your work. This webinar is for screenwriters aiming to present their work to the professional space, be it via Skype or in-person pitches, general meetings or screenwriting events.
TV Movies are still very much alive and well, and if you’re a screenwriter or producer looking to break into this huge market niche, you’ve come to the right webinar. Despite the change in viewer habits with on-demand movies, the TV Movie and the Movie of the Week on Hallmark, Lifetime, and Disney, as well as many other channels are still extremely popular. To breakdown this landscape and share the truths behind the TV Movie model, Stage 32 has brought in MarVista’s former Acquisition and Co-Production executive, Justine Wentzell. Justine has worked on almost 100 different TV movies in MarVista’s core business. After she digs into what these networks are looking for, Julie will offer tips on writing a successful script for this niche. Stick around for a Q&A after the webinar to take an even deeper dive into other key elements of this form of storytelling.