Over the past few decades as the media landscape has changed, so have methods for reporting and information gathering. Your Stage 32 Next Level educator, award-winning director, James Kicklighter, has personally learned this while directing his new documentary film, Digital Edition, profiling the digital tools changing media as we know it. In “Deconstructing Oscar-Winning Films: Spotlight, Network & All The President’s Men,” we will evaluate and deconstruct common methods deployed in these three groundbreaking films to tell stories about journalism and media. Through this process, we will identify the successful techniques from these masterpieces for directing and writing movies about the media we consume. While filmmaking isn’t typically thought about as “investigative,” to create a film about journalism and media, it requires extended research that goes beyond writing the fictional screenplay. We will evaluate the preparation process of interviewing industry professionals, utilizing research to inform the written narrative, and how to visually manifest the themes on screen. You will walk away learning techniques to help your directing, writing, acting and producing to help you improve your projects! As an added bonus - ***Get 3 FREE Oscar-Winning Scripts: Spotlight, All The President's Men & Network***
As you know, independent film is enjoying a resurgence. Whereas a few years back, it seemed as if getting a low budget indie off the ground was a Herculean task, now, especially with the rise of Netflix, Amazon, Hulu, Disney+ and other streaming platforms not only purchasing indie fare, but producing it on their own, lower budget independent films are back in high demand. However, to take advantage of the current gold rush, you must understand what makes an independent script attractive to managers, agents, producers, development execs, financiers and others in a position to greenlight your screenplay. For most writers focused strictly on the craft, the disconnect between a script that gets high marks for the writing, yet still has a problem drawing attention of managers and agents or finding a buyer, is a lack of knowledge as to the current marketplace. It is vital that you understand the creative and commercial realities of the business. Everything else streams from there including all the aspects that you will need in your screenplay to make it a no brainer for the aforementioned gatekeepers and decision makers to want to get involved with the project. With so many screenplays flooding the market, reps, producers, filmmakers, financiers want to choose those screenplays that already have the heavy lifting toward getting the script into production already figured out. James Kicklighter is a multi-award winning writer/director whose work has been recognized by the world’s press, including The Hollywood Reporter, The Times of India, Film Courage and FilmInk Australia. James began his career raising funds for numerous small budget short films, which allowed him to move into award-winning feature films. Most recently he directed The Sound of Identity about the first transgender woman ever to perform as Don Giovanni in a professional opera. The film is produced by Emmy Award-winning producers Russ Kirkpatrick & Andy Kinslow and executive producer Josh Bachove (Lizzie, Yoga Hosers, The Little Hours). James will teach you the ins and outs of writing a producible, low budget independent feature that will draw the right attention. He'll start by diving into the marketplace and how you can research, review, and understand the current landscape. He will then discuss how to choose material, create compelling, deep, and unique characters, and how to write using accessible locations. He will teach you how to optimize the screenplay for production, including some tips and tricks to help a filmmaker and/or producer understand how they can schedule efficiently just by reading the script. If you are looking to control your own material, James will even dive into how to attach talent and modify the script while in production. "James has style and class to spare. I've taken over 20 Stage 32 webinars and this was one of my favorites." - Theo K. "So much detail and so much information. Makes me look at my scripts in a whole new light." - Amanda D. "I've had so many screenplays that have received Consider or Recommend coverage from executives in this business, but I've never been able to get one of these screenplays launched and I could never understand why. Now I do. The writing is there, but the awareness to a producer's needs can be better. I'm on it. Thanks, James." - David V. "I learned something today. I want to produce my own work. Actually two things. I CAN produce my own work. This webinar was worth its weight in gold." - Martina S. "There’s nothing like listening to one who is passionate and educated on the craft of Filmmaking. James is a voice for aspiring filmmaker's ears. Thank you for the well outlined course.“ - Emeka M.
The Stage 32 Writers’ Room has just surpassed a milestone achievement - 100 webcasts! For the last year and a half it has been the honor of Director of Script Services Jason Mirch to act as the humble host, guiding webcasts that include script and screenwriting breakdowns, virtual pitch sessions to industry professionals, one-on-one conversations with some of the biggest names in the business, and writing exercises that challenge our imaginations and sharpen our skills. The goal of the Writers’ Room has always been to give writers all over the world the support, access, and education to thrive in their craft and career. Our recent Writers' Room guests have included Oscar-nominated Pixar writer Meg LeFauve, Billion Dollar Producer Amy Baer, AKEELAH AND THE BEE Filmmaker Doug Atchison, Universal Pictures Executive Ken Korba, A QUIET PLACE development executive Linsday Schwartz, GREEN HORNET producer Bradley Gallo, and many more - all of whom spoke and interacted directly with our members. Several of our members have connected with each other and have swapped scripts, collaborated on projects, produced projects they have written, and writers have even been optioned by producers largely because of the Writers’ Room! The Writers' Room is strong because of the incredible members who are serious about their craft and advancing their careers. So we are turning the spotlight over to some of our talented Writers' Room members who will tell us how they broke out in a highly competitive industry and achieved success during this Stage 32 Writers' Room Member Success Spotlight webcast! During this webcast, Writer, Producer, Actor & Stage 32 CEO Rich "RB" Botto and Writer, Producer, and Director of Script Services Jason Mirch shine some light on members who have utilized the power of Stage 32 and the Writers' Room to achieve tremendous success in the industry and learn the secrets they have discovered for breaking out! During this webcast the panel includes: Screenwriter, Martin Reese, who received a $5,000 option agreement from Glass House Distribution and Trick Candle Productions for a script he developed with the help of the Writers' Room! Screenwriter, Chris Torres, who landed representation with Manager Brooklyn Weaver of Energy Entertainment after being a part of the Writers' Room and being connected for a meeting by Stage 32! Author and Screenwriter, Christi Corbett, who developed one of her novels into a screenplay which was then optioned by producer Brad Wilson of Higher Purpose Entertainment!Screenwriter and Filmmaker, Chaun Lee, who used the power of Stage 32 and the Writers' Room to develop a short film which she then produced using local crew and cast in Atlanta just prior to lockdown!
Learn directly from Morgan Long, TV Literary Department for a “Big Six” Agency This lab is designed for beginner and intermediate screenwriters looking to build a pilot from scratch or expand on an existing idea. With the TV market exploding right now, one of the most in demand formats is the 1-hour TV drama pilot. Many, if not all, managers and agents are looking for writers that can write in this space, and with more and more production companies heading into TV, knowing how to write a strong 1-hour TV drama pilot will give you a competitive advantage and help you find success as a TV writer! Due to popular demand, Stage 32 is thrilled to bring back our 8 Week Intensive TV Drama Pilot Writing Lab taught by Morgan Long, a TV development coordinator at a “Big Six” Agency! This hands-on intensive lab will guide you through picking a concept, creating engaging characters, structuring and outlining your pilot and writing the first draft! The main objective of this 8-week lab will be to have a first draft of your script. You will meet online with Morgan for 2 hours a week in a class setting, plus have phone consultations during some of the weeks when you don't have an online class. This will be accompanied by weekly homework assignments to guide you on your way to creating a marketable, unique pilot that will grab the industry's attention. Payment plans are available - please contact firstname.lastname@example.org for more information. This Lab is Limited to 20 People. Please Note: Participating in this lab does not mean you are writing for or pitching to Morgan or her company. PRE-CLASS PREP - Read your syllabus and plan out your writing ideas. Begin to think about 1-2 ideas that might be a good idea for your drama pilot. Start to prepare for your pilot pitch.
HBO Max, Netflix, Disney +, Hulu, oh my! It seems that everywhere you turn there is a new streamer showcasing some of the best television shows we have ever seen from creatives. With more distribution outlets than ever and larger, global audiences to be able to watch it, the demand for television content is the highest it's ever been. We've seen incredible shows emerge like INSECURE on HBO, THE HANDMAID'S TALE on Hulu and THE UMBRELLA ACADEMY on Netflix, and it's the engine of the writers' room that keeps us coming back for more and continuing on to watching episode after episode. Stage 32 is going to peel back the curtain and take you behind the scenes of what it takes to write on these popular shows, and what it takes to help you break in to get there. Join us as we bring in showrunner Mike Gauyo from AMC's ALLBLK SEND HELP and writer on HBO's INSECURE, as well as Co-Executive Producers and writers Jason and Jamie Neese from Netflix's THE UMBRELLA ACADEMY, and John Herrara and Nina Fiore from Emmy-nominated Hulu's THE HANMAID'S TALE for an exclusive FREE Stage 32 webcast. Moderating this world-class group of television writers is our very own Jason Mirch, Director of Script Services of Stage 32. This world class group of television writers will be talking about the craft of TV writing and going over what they are seeing in the marketplace today for streaming. Come join us for this free fun and educational webinar!
ONE DAY ONLY! Live Online Webinar - September 12, 2017 In a rare online appearance and for the 2nd time Stage 32 is proud to bring back the award winning author and teacher Quincy Jones calls "Aristotle of our time" Robert McKee. Now, for the first time online with Stage 32 he'll be going over concepts from his latest book, STORYNOMICS! "You just don't get Robert McKee like this for this kind of price. Kudos to Stage 32 and thank you Mr. McKee" - Burton B.