As you know, independent film is enjoying a resurgence. Whereas a few years back, it seemed as if getting a low budget indie off the ground was a Herculean task, now, especially with the rise of Netflix, Amazon, Hulu, Disney+ and other streaming platforms not only purchasing indie fare, but producing it on their own, lower budget independent films are back in high demand. However, to take advantage of the current gold rush, you must understand what makes an independent script attractive to managers, agents, producers, development execs, financiers and others in a position to greenlight your screenplay. For most writers focused strictly on the craft, the disconnect between a script that gets high marks for the writing, yet still has a problem drawing attention of managers and agents or finding a buyer, is a lack of knowledge as to the current marketplace. It is vital that you understand the creative and commercial realities of the business. Everything else streams from there including all the aspects that you will need in your screenplay to make it a no brainer for the aforementioned gatekeepers and decision makers to want to get involved with the project. With so many screenplays flooding the market, reps, producers, filmmakers, financiers want to choose those screenplays that already have the heavy lifting toward getting the script into production already figured out. James Kicklighter is a multi-award winning writer/director whose work has been recognized by the world’s press, including The Hollywood Reporter, The Times of India, Film Courage and FilmInk Australia. James began his career raising funds for numerous small budget short films, which allowed him to move into award-winning feature films. Most recently he directed The Sound of Identity about the first transgender woman ever to perform as Don Giovanni in a professional opera. The film is produced by Emmy Award-winning producers Russ Kirkpatrick & Andy Kinslow and executive producer Josh Bachove (Lizzie, Yoga Hosers, The Little Hours). James will teach you the ins and outs of writing a producible, low budget independent feature that will draw the right attention. He'll start by diving into the marketplace and how you can research, review, and understand the current landscape. He will then discuss how to choose material, create compelling, deep, and unique characters, and how to write using accessible locations. He will teach you how to optimize the screenplay for production, including some tips and tricks to help a filmmaker and/or producer understand how they can schedule efficiently just by reading the script. If you are looking to control your own material, James will even dive into how to attach talent and modify the script while in production. "James has style and class to spare. I've taken over 20 Stage 32 webinars and this was one of my favorites." - Theo K. "So much detail and so much information. Makes me look at my scripts in a whole new light." - Amanda D. "I've had so many screenplays that have received Consider or Recommend coverage from executives in this business, but I've never been able to get one of these screenplays launched and I could never understand why. Now I do. The writing is there, but the awareness to a producer's needs can be better. I'm on it. Thanks, James." - David V. "I learned something today. I want to produce my own work. Actually two things. I CAN produce my own work. This webinar was worth its weight in gold." - Martina S. "There’s nothing like listening to one who is passionate and educated on the craft of Filmmaking. James is a voice for aspiring filmmaker's ears. Thank you for the well outlined course.“ - Emeka M.
Over the past few decades as the media landscape has changed, so have methods for reporting and information gathering. Your Stage 32 Next Level educator, award-winning director, James Kicklighter, has personally learned this while directing his new documentary film, Digital Edition, profiling the digital tools changing media as we know it. In “Deconstructing Oscar-Winning Films: Spotlight, Network & All The President’s Men,” we will evaluate and deconstruct common methods deployed in these three groundbreaking films to tell stories about journalism and media. Through this process, we will identify the successful techniques from these masterpieces for directing and writing movies about the media we consume. While filmmaking isn’t typically thought about as “investigative,” to create a film about journalism and media, it requires extended research that goes beyond writing the fictional screenplay. We will evaluate the preparation process of interviewing industry professionals, utilizing research to inform the written narrative, and how to visually manifest the themes on screen. You will walk away learning techniques to help your directing, writing, acting and producing to help you improve your projects! As an added bonus - ***Get 3 FREE Oscar-Winning Scripts: Spotlight, All The President's Men & Network***
There's a fine line between introducing a writer to a new world or ruleset and spouting exposition. We’ll break down how writers created the fantasy world of “Game of Thrones”, the frigid winter of WIND RIVER, the digital dystopia of THE MATRIX, and the 1919 England of "Peaky Blinders".
In this Stage 32 Next Level Webinar, your host Michael Poisson will teach you how to write a kick-ass comedy pilot that will get executives’ attention. This webinar is not only about how to properly execute writing a comedy pilot, but also about how to make it your strongest sample so that it can get noticed! You will leave the webinar knowing: The 3 most important things Producers/Execs look for in a pilot as they relate to concept, structure and voice. How to properly highlight your unique comedic voice and stuff your script with laughs. How to create a crisp 1-2 sentence pitch that will get executives excited about your idea. How to navigate the competitions and fellowships. How to think from a Producer/Manager/Executives POV and understand what they're looking for so you can apply it to your script. Michael Poisson is a former Director of Development who's worked for Ryan Reynolds TV production company DarkFire TV, Krysten Ritter's company Silent Machine and CAA and is now a writer on Netflix's Raising Dion. This background gives has given Michael a unique perspective for what kind of script stands out among the hordes on everyone’s “Weekend Read” lists and he is here exclusively with Stage 32 to share that knowledge with you.
Sorry, this lab is filled. Keep checking back Stage 32 Education for upcoming labs. Develop An Outline and Pitch Document for Your Animated Television Series in 5 Weeks Netflix Animation Director Will Be Your Mentor via Virtual Classes & One-on-One Meetings! Animated television is currently experiencing a boom like we’ve never seen before. Since it’s possible for the bulk of the work to be completed from home or while socially distanced, animation has been flourishing as more players are turning to this format. New shows like SOLAR OPPOSITES on Hulu, CLOSE ENOUGH on HBO Max , and KIPO AND THE AGE OF WONDERBEASTS on Netflix are hugely popular, and this is just the beginning. Scores of upcoming animated shows are in the pipeline and just around the corner. Considering this appetite, it doesn’t look like this trend is fading any time soon. And more interest in animation means there are more opportunities for your own project to get noticed and get picked up. The opportunities may be extra plentiful right now, but you still need to have a dynamite show to present if you want to be noticed. This means a great concept, a fantastic pitch deck, and a knockout pilot script. And all of these elements don’t need to just be good; they all need to lend themselves to the format and industry that is animated TV. But if you can ace all of these elements, you may have just found your way in and the piece of material that will fire you off the launch pad. Let us give you the guidance to make your animated pilot as good as it can be and help you springboard your writing career. Mike Disa is an accomplished director, producer, writer, and artist who directed on shows like the hit Netflix series PARADISE PD and has been in the animation industry for over twenty-five years. Mike found success working with studios such as Dreamworks, Disney, Warner Bros., Paramount, and many others. Over a fascinating career, Mike has worked with some of the greatest and most infamous people in Hollywood including Steven Spielberg, Eric Goldberg, Ralph Bakshi, Glenn Close, Steve Oedekerk, David Tennant, Amy Poehler, Adam Sandler, Jeffery Katzenberg and Roy Disney. A favorite and fixture among the Stage 32 community, Mike is deeply entrenched in the world of animated TV and knows better than most what it takes to get an animated show off the ground. In this lab, you will be working directly with Mike in a virtual class setting and also during one-on-one online sessions to hone your concept and build your pilot outline and pitch deck for a fantastic, market-ready animated pilot. Whether you are interested in creating a “prime time” adult comedy series, action, dramedy, or children’s animation, Mike is here to help you. He will guide you through creating engaging characters, building your world, perfecting your structure, constructing an outline and building your bible or pitch deck to sell your show. If you already have a concept, or even a completed pilot, Mike will use the same tools to help you hone and sharpen your material. Throughout the course of this exclusive online lab, you will have direct access to Mike as a mentor by email and via video conferencing as you develop your animated series. Students who sign up for this lab with Mike will be eligible to participate in a Level 2 Lab where Mike will continue to mentor you in writing your pilot! WHAT TO EXPECT By the end of this 5-week writing lab, you will have a polished pilot outline and pitch deck for your animated television series. Sessions will vary between 2-hour group settings and personal one-on-one Zoom meetings with Mike. You will be held accountable to take the lessons from each week and move your work forward. Plus, to keep you motivated and inspired, you will have access to a private, dedicated Stage 32 Lounge where you can communicate with your fellow classmates throughout the writing process. To see the full writing lab schedule, see below under "What You Will Learn". PLEASE NOTE: This exclusive Stage 32 lab is limited to 10 writers and will be booked on a first come, first served basis. The opportunity to work this closely and for this long with a manager and an expert in the field is an incredibly unique and valuable opportunity. If you are interested, please do book quickly. Once the spots are gone, they’re gone for good. Payment plans are available - please contact Amanda at firstname.lastname@example.org for more information This lab is limited to 15 people - Sorry this lab is sold out This lab is designed for beginner and intermediate screenwriters looking to build a pilot from scratch or expand on an existing idea or polish an existing pilot.
HAPPY 100TH WEBCAST! We're jumping in the Writers' Room Pitch Tank for #100 with special guest, Literary Agent Ariella Carmell of PureFlare Talent! Ariella has been specifically tasked with building the literary department from the ground up! PureFlare is one of the fastest growing bi-coastal, boutique talent and literary agencies, representing talent nationwide. They are known for cultural diversity and represent clients across film, television, theatre, and more. Clients have appeared in projects such as GUARDIANS OF THE GALAXY, GREY'S ANATOMY, LEGALLY BLONDE, NO COUNTRY FOR OLD MEN, THE OFFICE, LETHAL WEAPON, and many more. Previously, Arielle held positions at 21 Laps Entertainment and Red Wagon Entertainment. She was named the 2019 Michael Collyer Memorial Fellow in Screenwriting by the Writers Guild of America, East. During this pitch session we heard from writers across the world who pitched a variety of projects including a supernatural and psychological thriller, a sports comedy, a historical series about the Slavic Dark Ages, a "MomCom", and many more!