The Art of Indie Producing: From the Inception of an Idea to the Release of the Film

Taught by Tatiana Kelly and Jim Young

$199

On Demand Class - For immediate download. Unlimited access for 1 year.

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Class hosted by: Tatiana Kelly and Jim Young

Award Winning Independent Producers (Wristcutters: A Love Story, Lovelace, The Words)

About Your Instructors, Tatiana Kelly & Jim Young: Tatiana Kelly is the owner of Serena Films, while Jim Young is an independent producer and the president of Animus Films. Tatiana and Jim boast over a dozen successful indie films which they have produced. Examples of their work include Independent Spirit, Sundance, and Gotham Award nominated Wristcutters: A Love Story; Lovelace (Amanda Seyfreid and James Franco); The Words (Oscar nominated JK Simmons and Bradly Cooper); Life Of A King (Cuba Gooding Jr.); and finaly the upcoming film The Man Who Knew Infinity based on the New York Times bestseller (starring Dev Patel, Jeremy Irons, Toby Jones, and Stephen Fry). Tatiana is also on pre-production on Cut Throat City which she is producing with Reggie Hudlin (Django Unchained) and which is being directed by RZA from the Wu Tang Clan, Catcher Was a Spy based on the New York Times bestseller of the same name, directed by Ben Lewin (The Sessions) and written by Academy Award-nominated writer Robert Rodat (Saving Private Ryan, The Patriot, Thor 2), and House of Curl based on the bestselling book by the same name starring Guy Pearce and Laura Linney. Young is currently developing many other film and television projects with independent companies including Lynda Obst Productions, Ruby Films, Tollin Productions, Tribeca Productions, Underground Films, and Pressman Films. Full Bio »

Summary

3 part class taught by Tatiana Kelly and Jim Young, Award Winning Independent Producers (The Catcher was a Spy, The Words, Lovelace, Wristcutters: A Love Story)! AVAILABLE ON DEMAND!

Are you interested in gaining a deeper understanding of what the indie producer role entails and how to improve your own producing skills? What does the independent producer do, exactly?

Some producers shepherd the production from start to finish, others jump on later in the process once the script has been developed, and others can just help with raising financing. Oftentimes the producer starts at the beginning and develops an idea or script with a writer, helping to secure the necessary rights for the script, and in some instances the underlying material, such as a book or magazine article.

Stage 32 is excited to bring you the previously-recorded 3 part class: The Art of Indie Producing taught by Tatiana Kelly and Jim Young, award winning independent producers of films such as Wristcutters: A Love Story, Lovelace, and The Words. Tatiana and Jim will take you behind the scenes, step-by-step, to learn what an indie Producer really does, beginning with the development stage all the way to packaging a film. You'll learn everything from raising financing to crewing up, including how to attach solid talent. Tatiana and Jim will teach you how to navigate film festivals and markets, and the many pitfalls of a film shoot.

Purchasing gives you access to the previously-recorded live class.
Although Tatiana and Jim are no longer reviewing the assignments, we still encourage all listeners to participate!

What You'll Learn

Stage 32 is excited to bring you the previously-recorded 3 part class: The Art of Indie Producing taught by Tatiana Kelly and Jim Young, award winning independent producers of films such as The Catcher was a SpyWristcutters: A Love Story, Lovelace, and The Words starring Bradley Cooper. Tatiana and Jim will take you behind the scenes, step-by-step, to learn what an indie Producer really does, beginning with the development stage all the way to packaging a film. You'll learn everything from raising financing to crewing up, including how to attach solid talent. Tatiana and Jim will teach you how to navigate film festivals and markets, and the many pitfalls of a film shoot.

This class includes the following templates:

  • Film Budget Template
  • Day Out of Days Report for Cast
  • Sample Sales Estimate Sheet
  • Shooting Schedule Example
 

Part 1 - The Development Phase

Tatiana and Jim discuss in detail obtaining underlying rights (book, life rights, and scripts), developing a screenplay, budgeting and scheduling. You will learn tips and tricks from industry veterans on how to properly navigate the development phase of your indie.

Part 2 - Putting the Film Together

Tatiana and Jim discuss finding the right filmmaker to shepherd the movie, bringing on a sale company (including an explanation of the foreign sales market), casting the project, and raising finances (including insider tips for having the right materials for the pitch and a primer on what savvy film investors look for).

Part 3 - From the Shoot to the Red Carpet

Tatiana and Jim walk through all the things needed to get the film into the Production phase. They discuss the many pitfalls you'll encounter during the shoot and things to consider for the post-production stage. Lastly, they discuss tips on how to get your film into festivals, sold and seen by as many eyeballs as possible.

Purchasing gives you access to the previously-recorded live class.
Although Tatiana and Jim are no longer reviewing the assignments, we still encourage all listeners to participate!

About Your Instructor

About Your Instructors, Tatiana Kelly & Jim Young:

Tatiana Kelly is the owner of Serena Films, while Jim Young is an independent producer and the president of Animus Films. Tatiana and Jim boast over a dozen successful indie films which they have produced. Examples of their work include Independent Spirit, Sundance, and Gotham Award nominated Wristcutters: A Love Story; Lovelace (Amanda Seyfreid and James Franco); The Words (Oscar nominated JK Simmons and Bradly Cooper); Life Of A King (Cuba Gooding Jr.); and finaly the upcoming film The Man Who Knew Infinity based on the New York Times bestseller (starring Dev Patel, Jeremy Irons, Toby Jones, and Stephen Fry).

Tatiana is also on pre-production on Cut Throat City which she is producing with Reggie Hudlin (Django Unchained) and which is being directed by RZA from the Wu Tang Clan, Catcher Was a Spy based on the New York Times bestseller of the same name, directed by Ben Lewin (The Sessions) and written by Academy Award-nominated writer Robert Rodat (Saving Private Ryan, The Patriot, Thor 2), and House of Curl based on the bestselling book by the same name starring Guy Pearce and Laura Linney. Young is currently developing many other film and television projects with independent companies including Lynda Obst Productions, Ruby Films, Tollin Productions, Tribeca Productions, Underground Films, and Pressman Films.

FAQs

Q: What is the format of a class?
A: Stage 32 Next Level Classes are typically 2 to 4 week ongoing broadcasts that take place online using a designated software program from Stage 32.

Q: Do I have to have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online class, you will be able to communicate directly with your instructor during the class.

Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the class software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The class software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live class. Upgrade your Windows computer / Upgrade your Mac computer 

Q: What if I cannot attend the live class?
A: If you cannot attend a live class and purchase an On-Demand class, you will have access to the entire recorded broadcast, including the Q&A.

Q: Will I have access to the class afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand class, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!

Testimonials

Testimonials About Tatiana & Jim’s Previous Stage 32 Next Level Webinars & Classes:

I have never found a better resource EVER!! ABSOLUTELY LOVED THIS CLASS!!!! INVALUABLE.” – Steph G.

Best class I've taken with Stage 32. They're the attitudes and types of people you hope you'll find when you get to Hollywood.” – Nick K.

Excellent presentation. I've been on another site's presentation and this was far superior. Good info, good answers.” – John M.

Very clear thread of do's and don'ts and the live questions were very helpful. A "No B.S." webinar. Liked it.” – Bobby G.

Loved it. Very helpful.” – Ken B.

Great class for someone like me who has lots of determination and really needed a coach to clarify and get to the next level. Thank you!! “ – Larry C.

Great job explaining a complex subject.” – Skip B.

Great job! I've been producing and line producing for ultra low budget films for years…I definitely learned a lot and appreciated Tatiana's honesty!” – Stephanie B.

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Questions?

If you have a generic question about Stage 32 education you can take a look at our frequently asked questions section on our help page, or feel free to contact support with any other inquiries you might have.
 

Reviews Average Rating: 4.5 out of 5

  • Amazing course! Very thorough! The only critique is the hosts say "You Know" 5x in every sentence
  • Great intro class.

Other education that may be of interest to you:

How To Attach Top Talent To Your Independent Film

***Please note: There are audio issues with this webinar so the price has been reduced. If purchased you are acknowledging this fact.*** Learn directly from Tatiana Kelly and Jim Young, independent producers who have worked with actors such as Bradley Cooper, Zoë Saldana, JK Simmons, Jeremy Irons, Dennis Quaid, Olivia Wilde, Amanda Seyfried, Peter Sarsgaard, Sharon Stone, James Franco, Lily Tomilin, Cuba Gooding JR, Dev Patel and Jeremy Irons! In order to raise financing for any independent film, most investors these days will be savvy enough to be utilizing the foreign sales-driven model of selling a film based on a director and talent. Attaching “valuable” talent to a film as early as possible is extremely beneficial for filmmakers looking to get a green light on their film. However agents receive so many financial offers for their clients on a daily basis that those that are on an unfinanced film and without a monetary offer will likely go to the bottom of the pile. With an independent budget, how can you make your film stand out as an attractive offer to talent reps? How can you get top talent excited about your project without using money as an incentive? If you don’t already have connections to casting directors, what options are available to get in touch with A-list actors? Stage 32 Next Level Webinars is thrilled to bring back Tatiana Kelly and Jim Young to teach you how to attach talent to your independent film! Having worked with various A-list actors on independent films such as Lovelace, The Words, Life of a King and Wristcutters: A Love Story, they will teach you how to break through an actor’s fortress and get them interested in your project. You will learn how to determine what to offer talent based on your budget, how to be strategic about what agencies you’re making offers to, what to keep in mind at the script stage and early in the casting process and how to get past the dilemma of getting talent without money and getting money without talent. You will leave this webinar not only knowing how to attach talent to your project on an independent budget but how to get actors excited about working with you!

How to Write Faith Based and Faith Friendly Films That Will Make It to The Screen

Faith based and faith friendly films have been a steady, popular, and profitable industry and one of the hottest genres for success. It could be considered a niche audience, but it’s a powerful and dependable niche audience that has helped catapult films and filmmakers to success. Recent films like I CAN ONLY IMAGINE, GOD’S NOT DEAD, and THE SHACK have found popularity and impressive box office numbers by tapping into this audience and bringing out church-goers and other faith-friendly communities that might not be as eager to seek out films outside of this genre. And it makes sense that faith-based films are doing well. In challenging or negative times, people will more actively seek out positivity and inspiration, two ingredients almost guaranteed to be featured in a faith-based film. Considering how challenging and negative our current world can be, there might not be a better time to break into the world of faith-based films and write a script that can shine in this market. Writing a faith based or faith friendly script can be tricky, as you don't want to fall into cliches and lose your audience. You might have a great idea for a script with an uplifting message and inspirational ending, but when does it cross the line from a traditional genre script to faith-friendly?  What does that audience actually look for and what do faith-based production companies seek out when considering a script? What elements in your story are off-limits and which will help you sell your script? There’s no crystal ball that can tell us 100% what works and what doesn’t in this genre, but there are patterns and constants that can be gleaned and applied to your own script. With a proper lay of the land, you’ll be able to better tackle this genre and write a script that can not only get on the screen, but inspire and uplift viewers at the same time. Brad Wilson is the Co-founder of Higher Purpose Entertainment (HPE), a production company dedicated to telling stories in film and TV that encompass truth of character and strive to embrace inspirationally redeeming qualities. While at HPE he's produced a number of films including THREE BLIND SAINTS, CHRISTMAS ON SALVATION STREET, MY MANY SONS, THE MEANEST MAN IN TEXAS, and THE RESURRECTION OF GAVIN STONE, which was released last year in 1,100 theaters across the country. Brad is well-versed in the business of faith based films and has a keen sense of how projects thrive in this genre. He’s ready to share what he knows exclusively with the Stage 32 community. Brad will walk you through how to create a faith based script that can both sell and have a positive impact within this specific community. Brad will begin with an overview of the faith based/faith friendly landscape and will give you a rundown of how this genre works both at a studio and in the independent space. He’ll then break down major screenwriting points of an effective faith based scripts, including average page count, characters, and plot structure. He’ll outline what makes a script faith based or faith friendly and at what point a drama script would be considered by a faith based production company. He will delve into what the faith based audience looks like and the best ways to reach them. Brad will teach you the elements that work best for a faith based script, including employing romance and a specific message. He will also go over elements to stay away from and how to balance a cross over script with “preaching to the choir”. He will also give tips on how to drive the story forward within this genre. He’ll discuss when to take feedback on your script and when to trust your gut and will give you tips on how to keep your writing real, even when it’s made up. Brad will also discuss the types of budget you should keep in mind for the best chance of success with your faith based script. Brad’s valuable rundown of the faith based genre will give you the tips and tools you need to create an amazing script that will excel within the faith friendly community. Like what you heard from Brad during this webinar? Brad will read your script and speak with you for a half-hour if you click here.     Praise for Brad's Stage 32 Webinar   "Brad was terrific! This was an excellent real world webinar. Very helpful in reinforcing some of the trends that I have been seeing in this category, and I learned a lot from today's discussion." -Lew S.   "Brad was amazing. He laid out so clearly the genre and how to write for it in a practical way. He was an awesome instructor who combined practical info, inspiration, and was so "real." Loved it." -Ricki L.   "This was the best webinar I've had so far at Stage 32. Brad's very seasoned and gave wonderful tips that will help me make my faith-friendly script" more marketable." -Gayle R.   "A very honest, forth right presentation from a guy whose been there and done that, and knows the pitfalls and promises of the biz." -Dennis H.  

How to Make a Great Sounding Podcast From Your Home At Any Budget

The world of podcasts has been exploding over recent years. Over 100 million Americans listen to podcasts on a regular basis, and individual shows can have tens of millions of fans. We’re not just talking about nonfiction works like THE DAILY or SERIAL; fiction podcasts are also having a moment as more writers are turning to the audio medium to tell incredible stories. Forebearers like HOMECOMING, LIMETOWN, THE BRIGHT SESSIONS, and WELCOME TO NIGHT VALE have opened the door for a cavalcade of new, exciting, innovative, and truly great audio storytelling. And as the number of fiction podcasts increases, so does this medium’s fan base as millions of people consistently tune in to their favorite fiction programs. Even as film and television production has slowed down or come to a halt, the doors are still wide open for recording podcasts since they can easily be produced remotely and from the comfort of one’s own home. The water’s warm when it comes to creating your own podcast and joining this vibrant community, but it’s still important you make something that’s not only written well but sounds great. The prospect of sound design and audio quality can be daunting for those considering venturing into podcasts. It’s not unusual to believe that you’ll be unable to make a high quality and sharp sounding podcast without expensive equipment and a state-of-the-art recording studio. How good can a podcast sound if it’s being recorded in your closet or kitchen, after all? As it turns out, it can sound pretty good, and it can sound good without you needing to break the bank. But it’s not something you can just put together willy nilly. There’s a delicate, precise science to sound design and it’s something that requires a good amount of wherewithal, and forethought. Yet with this understanding in place, it is absolutely possible to create a professional sounding podcast wherever you are and under any budget. Mischa Stanton is an award-winning and sought after podcast sound designer & producer who has created immersive soundscapes for some of the biggest and most popular podcasts of all time, including LEVAR BURTON READS, Marvel Entertainment’s blockbuster podcast MARVELS, and celebrated science fiction podcast cult hit THE BRIGHT SESSIONS, which is currently in development to be adapted as a television show. Their work has been featured by Wired, Vox, Polygon, Popular Science, The AV Club, and The New York Times, and has garnered 10 Audio Verse Awards for Podcast Sound Design in just 4 years. Mischa has quickly become one of the foremost experts on podcast audio and is prepared to share what they know exclusively with the Stage 32 community. Mischa will walk you through what you need to know to make your own podcast sound professional on a limited budget, from preparation all the way through editing and finalizing. They will begin with a quick introduction of the human ear and a rundown of what psychoacoustics is and why you should consider it moving forward. They will teach you how to build your own home studio, including finding the right place in your home, the inexpensive but effective ways to sound proof your space, and additional purchases you can make to improve acoustics. Next Mischa will give you a rundown of the recording equipment you will need and smart purchases that can work with your budget. This will include microphones, interfaces, mixers, and headphones. Then they will delve into actual techniques to use while recording your podcast, including near/far and mono/binaural techniques and how to effectively record your podcast remotely. They will provide tips on directing your podcast from an audio perspective, including how to properly cast to ensure everyone sounds different and finding the balance between stage and screen styles. They will then walk you through actually running a recording session, how to make the most of your rehearsals, and documents and spreadsheets you should follow. Mischa will also explain how to edit pacing and feel the flow while directing your sessions. Next they will teach you about sound design, including where to get sounds and effects and how to actually lay out a session. They will run down specific techniques you can use to improve your podcast’s soundscape, including EQ, reverb sends, and accessibility. They will also explain the best and worst editing software to use. With Mischa’s knowledge under your belt, you’ll be able to create your own podcast with a sound quality that can stand toe-to-toe with the best of them.     “I’ve staked my entire career many times over on the fact that you can make a brilliant, moving, polished story from your own home without going broke. The audience is hungry for new stories from new voices, especially right now! But so many podcasts fail to reach a larger audience due to simple audio mistakes anyone can avoid with the right tools. It is my pleasure to share what I know with the Stage 32 community, and I hope it leads to my next favorite podcast!” -Mischa Stanton  

First Impressions: How to Create Memorable Character Intros - Includes Case Studies

You only get one chance to make a first impression… And the same goes for your characters in your scripts. Think about when you go to a party… Sometimes, you meet a new person that just stands out to you, and you never forget them. Those are the kinds of characters you want to create. A compelling character introduction can hook a reader instantly so that they climb aboard for the rest of your story. So many people talk about how a screenplay needs to grab a reader within the first five pages – let's dive in to how you grab them and keep them turning pages. If we don’t care about the characters, we won’t be invested in the story. Far too often, we’re so eager to get into our script’s plot, that we don’t give our characters the attention that they need. Ultimately, a character doesn’t have to be likeable, or even relatable, but they do need to be captivating. While a character introduction might only take two or three pages, its ramifications are felt throughout the entire screenplay. It’s the foundation that everything else is built off of. If you’ve ever received a note like, “I don’t like your protagonist,” or “I’m not sure what the character wants,” or “the characters felt one-dimensional,” or “the story took a while to get going,” then this is the webinar for you. Steve Desmond is a professional WGA screenwriter who works across a variety of genres. He sold his sci-fi adventure screenplay, HARRY'S ALL NIGHT HAMBURGERS, to Warner Bros in a bidding war. The project now has an Oscar nominated producer attached and is in active development. FilmNation (ARRIVAL, THE KINGS SPEECH) hired him to adapt the Stoker-award-winning horror novel THE CABIN AT THE END OF THE WORLD. He’s also been hired to write a feature film for Legendary Pictures, and two TV pilots for IM Global. His screenplays have been voted onto the prestigious industry Black List three times in the past four years. His short film, MONSTERS, that he wrote and directed, has amassed over one million views online and screened in over 100 film festivals worldwide, winning 45 awards including being a winning film in the Stage 32 4th Annual Short Film Contest. Steve will focus on different methods to introduce your protagonist, antagonist, and supporting characters in your projects. By using both real life examples and case studies in film and TV, he’ll help you to tailor your thinking to “character first, plot second.” Whether your characters are larger than life heroes, cruel villains, or average Joe’s and Jane’s, he’ll give you tips to help them leap off the page from the first time that we meet them. Ultimately, your character introductions can become microcosms for entire arcs and plots. Beyond your main characters, this webinar will also cover bit characters as well, so that each introduction makes a strong impression on the reader. Steve will not only dive into your main characters, but supporting characters including your villains. He will also go deeper into how to create suspense, setting up opposites for your characters, and establishing contrasting needs. Finally, Steve will illustrate everything he's gone over with real world examples from films and shows such as PIRATES OF THE CARIBBEAN, WHIPLASH, THE SILENCE OF THE LAMBS and BREAKING BAD.   "Most times, you'll never know why someone passed on your screenplay. But more often than not, it's because your characters didn't grab and hold them in the first 5-10 pages and then they're off to the next script on their desk. Let me help you assure that your characters jump off the page and keep your reader hooked from beginning to end." - Steve Desmond

How to Find Investors and Secure Financing for your Feature Film- With a Mock Investor's Closing Call

As the landscape of independent film continues to evolve, a clear funding path has developed for films budgeted between high-six figures and $10MM. Indeed, it’s become an effective “sweet spot” for investors. At this budget you can typically attract and secure some star power, one important step toward increasing the odds that your investors will see a return on their investment. But this is just one reason why this budget range is attractive to many investors. There are many more variables at play which will help you raise money for a film or project in this price range. But first, you must understand some tried and true principles that will help you find investors, present your project in the proper fashion and lock them down for an investment. Knowing how to raise money intelligently for films and projects within this budget range can be your calling card toward a powerful career in the independent producing space. Simply put, those who understand the strategies and methods that can help your investors see a return get to keep those investors time and time again. And those investors can, and usually do, bring along more investors if they're happy. While everyone says that raising financing is the hardest aspect of filmmaking, there are smart ways to find money that you may not have thought of, and there are also ways you can expand your dollars once you start raising funds for your project. In addition, there is a well-known group of professionals and creatives that have been working on films in this budget range for years and it's important that you know who they are, how to approach them and what the expectations are once you do. Founded by Elsa Ramo, one of the top entertainment attorneys in the industry today and recently named to Variety’s 2019 “Dealmakers List,”, Ramo Law PC provides comprehensive legal services to its clients in the entertainment industry with a specialized focus in representing financiers, producers, directors, distributors, studios and production entities in all transactional aspects of film, television and digital content. The firm provides experienced legal services to optimize its clients’ financial, legal and business position in the financing, production, and exploitation of their content. Ramo Law has represented over 100 films and 50 television scripted and unscripted series in 2019 alone, including Emmy award-winning shows and films which debuted at the 2020 Sundance Film Festival. Clients include Imagine Entertainment, FOX, Balboa Productions (Sylvester Stallone’s production company), Scout Productions (creators and EPs of QUEER EYE), Boardwalk Pictures (EPs for CHEF’S TABLE) and Skydance. Elsa and her associates are bona fide experts when it comes to the nuts and bolts of finding financing for your independent film. Elsa and her senior associates Zen Raben and Sean Pope will join forces to demystify the film financing process so that producers, writers, directors, and financiers can understand the basic yet crucial components of how independently financed films are funded. They will begin by discussing entity formation. They will explain why you need to form an entity for your production and what type of entity you should form, as well as what state you should form it in. They will go over the information you will need to form the entity, the forms that need to be filled out with the state, and how operating agreements work. They will also teach you what a waterfall is and why you should include one in your operating agreement. Next, Elsa, Zev, and Sean will delve into important things to keep in mind specifically for your LLC formation, including the state of formation, deciding if it will be member-managed or manager-managed, who should be in control of creative decisions and who should be in control of business decisions. They will then talk about equity investment and go over who exactly provides equity investment, what investors get out of it, where the investment gets placed and why investors are motivated. Next, Elsa and her associates will explain debt financing. They will teach you the four common types of collateral in debt financing, and four types of debt you will be dealing with. They will go over the key terms and considerations you should know, and just like equity investment, they will explain who provides debt investment, what the investor gets out of it, where the investment gets placed and why investors are motivated. Elsa, Sean, and Zev will even stage a mock closing call between a producer and senior lender to demonstrate what it looks like to lock in funding from an investor. Finally, Elsa, Sean, and Zev will give you an invaluable closing checklist, walking you through everything you need to keep in mind when going after funding. Expect a thorough, comprehensive and undeniably helpful guide to give you the tools you need to find the funding for your next project. This is designed for all levels but particularly effective for those that are currently producing and/or packaging a feature film.     Praise for Elsa's, Zen's and Sean's Stage 32 Webinar:   "It was absolutely brilliant! One of the best webinars I've attended yet! Loved the mock call. That was so educational!" -Becca G.   "They are all knowledgeable and had a great presentation" -Carlos B.   "Great webinar financing. Will be watching again." -Martin R.   "AMAZING WEBINAR!!!" -Stephanie D.

How to Make Short Form Animation Content That Gets You Noticed

As animators we pour our heart and soul into creating content we can be proud of. What most people don't realize is how many hours, days, months and even years it takes to create even the shortest form animation content to showcase your skills. Often you aspire to be noticed, not only by a viewing audience, but also by professionals who can help move the needle on your career. So how can you be assured that all your time and effort will pay off by not only reaching the widest audience possible, but by those who can help you get to the next level? Writing, boarding and creating animation content takes immense discipline. It takes the distinguished voice of a storyteller, the skillful eye of a director and the polished chops of an artist to make your vision come to life on screen. Once you've decided to embark on the path of creating content, how do you go about getting noticed? Animation is difficult to break into, but it's certainly not impossible and you CAN be seen by people that matter if you take the right steps to creating your content and getting it out there online. You have powerful tools in your hands and at your disposal through platforms like Vimeo, YouTube, Instagram and more - if you know how to use them to your advantage. Mike Disa knows a thing or two about animation. He's been working in the industry for over two decades and is currently the lead director on Netflix's hit show Paradise PD. He's worked with companies such as Disney, Dreamworks, Warner Bros., Paramount, and many others on feature films, television shows and digital series. Before he got his start, he knew no one in animation or entertainment and used his own methods to get noticed and sustain a nearly twenty five year career, which he will share with you.  Mike will teach you what type of content you can create that will help you stand out online to those working in animation. You will learn how online platforms can be best utilized to show your content and learn to set clear goals of what you are trying to get out of creating content and reach your target audience. You will know what to expect if you embark on the path for the genre of animation you work in. Mike will walk you through the development process to make sure your time is worth it before you start investing your time creating content. And, Mike will even walk you through how to promote yourself to get noticed!   Remember, it just takes one champion of you and your work to kick start your career and Mike will help you know what type of content you can create and how you can get it out there in the right places to capture the right person's eye!   We're thrilled to welcome Mike back exclusively to Stage 32. Here are testimonials from Mike's previous Stage 32 Webinars:   "Mike Disa was amazingly generous with his time and information. And he was real. It doesn't get better than that. I'll be able to apply his insights and the information he shared immediately. I'm so glad I decided to participate." - Elizabeth A.   "The webinar was excellent and very well paced. I truly appreciated the honesty and straightforwardness of the presenter. I learned a lot and look forward to the next one." - Jerry M.   "Excellent webinar. I think that I learned more than I expected to about animation writing and how it relates to working in the industry. I had a good time watching this and appreciate how kind everyone was with their time." - Kari H.   "I believe such given information was highly inspirational, utterly legit and true regarding the industry and show business. I've always wanted to learn what it takes to write an idea for an animated series, and how to put it on screen, and this webinar truly answered these vital questions. Conclusively, I would really take these tips into consideration during the writing of my ideas, and would highly recommend them to those who are ambitious to spread their stories world-wide." - Mohammed H.

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