Do you enjoy being on set? Working with every department? Creating schedules? Problem-solving? If so, you’re going to make a great assistant director. But how can you learn from home and prepare to be an assistant director and manage a production when the pros learn on the job? You find the best pro to show you. In this Stage 32 exclusive webinar, you’ll learn an overview of the critical thinking, problem-solving, and communication skills needed to be a great assistant director, from an expert who has worked on countless films and television shows. Korey Pollard is a DGA first assistant director, and he wants to show you the skills it takes to succeed in this role. He’s worked on films including STAND BY ME, THAT THING YOU DO, WATERWORLD, and SPY KIDS 2, among others, and hit TV shows like DEADWOOD, MONK, GREY’S ANATOMY, Stephen Bochco’s MURDER IN THE FIRST, HOUSE, CSI, BOOMTOWN, SALEM, KEVIN FROM WORK, and many more. Korie also holds a position on The First Assistant Director/Unit Production Manager Committee of The Directors Guild of America. This webinar isn’t just for people who want to work as an assistant director. It’s also great for up-and-coming producers and directors who want to better understand how to use this crucial crewmember. You’ll cover: What your responsibilities as an assistant director are What questions to ask the director and producer How to read a script with other departments and their needs in mind The different department meetings What crew you need How to create a pre-production calendar How to create a production schedule And so much more. Miscommunication, misunderstanding, and reaching for too much work are all missteps that you’ll inevitably face during production. But with these tools from Korey, you’ll have the keys to creating an achievable plan, working with your team to problem solve, and becoming a valuable crew member.
Instagram is, of course, a visual social media platform. As such, it's a perfect platform for all creatives to showcase their personalities, collaborative mindset, reels, screenplay ideas, storyboards and other media. But it's also a fantastic arena to showcase not only the brand of your work, but your personal brand. But many creatives are intimidated by Instagram. They are afraid of falling into the void or not having anything interesting to say. You have to break free from that mindset! You just may be leaving one of your most important tools in your creative arsenal in the shed. Whether you’re working on a story for film, TV, or digital, every storyteller must use the power of social media (including Stage 32!) to promote and share their work...and currently, one of the most powerful and impactful platforms to do so is Instagram. From static posts, to video posts, to Instagram stories, to IGTV, Instagram allows you to show the scope and breadth of your creative vision, dreams, and strategies. Harnessed correctly and with the right approach, IG can bring instant and much desired attention to your portfolio. Brian Rodda knows everything there is to know about the IG game. He has vast experience in viral marketing and has worked passionately in YouTube Strategy and Social Media strategy since 2007. He is a proud member of Interactive Media Peer Group of The Academy of Television Arts and Sciences (Emmys) and a founding member of an aggregator for WGA written web series. Brian has worked on promoting numerous notable digital series, including: Husbands (31,143 Subscribers, 2,145,151 views on Youtube) the web’s first marriage-equality comedy, Squaresville (31,401 Subscribers, 1,772,230 views on Youtube) and Whole Day Down ( Starring Willie Garson, Successful 40K+ Kickstarter campaign). Brian will teach you how you can quickly create and establish a personal brand on IG. He will force you to complete some truthful self-analysis to assure you know exactly how you want you and your work perceived on the platform. He will whack through the jungle of resources related to IG and show you the best of the best to not only take the intimidation and fear out of becoming a regular poster of your content, but also save you a ton of time. He will show you how to plan posts, what posts get the best engagement, and how to attract influential and desired people to your page. This is a full deep dive designed to give you maximum exposure for you and your work. "I've always known the value of social media, but felt that it wasn't for me. This webinar not only removed my apprehension, but shattered my beliefs on what social media could do for me. I'm a true believer. I'm bringing my brand to the masses!" - Samantha T. "Excellent insight into a confusing world of digital. Bring Brian back!" - Michael S.
Comes with invaluable handouts and downloads including example pitch documents, structure diagrams, and up-to-date information on production companies and studios to reach out to It is the Content Gold Rush for television and the industry needs television writers. Are you looking to be staffed on your favorite show? Are you looking to sell your TV project? Now is the time. But first, it's important that you understand the overall TV landscape, how you fit in, and where to begin. With so many fresh shows emerging on television and various streaming networks, more and more writers' rooms are looking to be staffed and original ideas are getting bought. The opportunity to start a career in TV writing is more attainable than ever. Literary manager Spencer Robinson can help you get there. Spencer is literary manager at one of the top management companies Art/Work Entertainment who has been selling and staffing his clients on the industry's leading series for years, including shows on Amazon, HBO Max and Jason Bateman's production company Aggregate just this year. He's also had clients work for Netflix, The CW, Cinemax, CBS, NBC, FX, Starz, Nickelodeon, EPIX, and TBS, to name a few. Spencer is one of the most sought-after literary managers in the business for nearly two decades and is one of Stage 32's most popular and in-demand educators. In this 3-week interactive class, Spencer will go in-depth on the steps you should be taking to find work as a writer in TV. Whether you're interested in selling your own TV show or film, or if you want to join a writers' room, there are specific steps you need to be taking aside from simply writing well, and Spencer will break it all down for you. Spencer will provide you with the proper approach when it comes to talking with reps, managers, agents, attorneys, showrunners and execs. What’s more, he’ll share his powerful pitching knowledge for writers looking to sell their show idea or screenplay. You’ll leave this four week class understanding what it takes to write on assignment, what kinds of written tools you should have prepared prior to meetings, and the general etiquette you should come to the table with so you can land a job as a writer in the industry. In this exclusive Stage 32 class you will be working with and interacting virtually with Spencer so bring your questions! Plus, he'll be available on email for any questions you have throughout the class! Plus! Along the way Spencer will provide exclusive and helpful downloads and resources you can take back to your own projects including: The real STRANGER THINGS pitch deck The real ADVENTURE TIME pitch deck Story Structure Diagrams Sitcom Chart 2021 Facts on Pacts TV "I had a great time learning and progressing my knowledge of the craft of writing and working directly with a mentor who is a professional in the industry. Spencer was fantastic to be taught by! Thank you!" - Natalie A.
The world is changing quickly and the phrase “new normal” is being bandied about with abandon. Even though filming is limited (at best), development continues to move forward and that means producers are busier than ever. In the entertainment industry, scripts continue to be optioned, projects continue to get developed, talent continues to find representation, and production is slowly starting to resume in LA and more so all over the world. So what does producing look like in this "new normal"? It’s definitely time for a check-in. So let's delve into the state of the industry today with Oscar-nominated producer Chris Moore and our fearless leader, and fellow producer, Richard "RB" Botto. Chris Moore has done and seen it all. During a career spanning over 30 years, Chris has produced films that have had multiple Oscar nominations and wins such as Good Will Hunting and Manchester by the Sea, to studio blockbusters like American Pie andThe Adjustment Bureau, to independent darlings such as Waiting, to creating and starring in the critically acclaimed industry television shows Project Greenlight alongside Matt Damon and Ben Affleck and The Chair. One of the secrets of Chris' longevity in the business is a full understanding of the business. He's as plugged in as they come and he knows how to adjust quickly, swiftly, and successfully as the landscape changes - which seems to happen on a daily basis these days. Most importantly, Chris is known in the industry as a take-no-prisoners, no bullshit guy. He tells it like it is and pulls no punches, which, in this business, is welcome and refreshing. Richard “RB” Botto is a producer whose films have played at dozens of festivals including the Sundance award-winning feature, Another Happy Day, starring Ellen Barkin, Demi Moore and Kate Bosworth, written & directed by Euphoria creator Sam Levinson, What Lies Ahead, starring Rumer Willis & Emma Dumont, the documentary Crutch and the upcoming Rain-Beau’s End starring Ed Asner and Sean Young. He is the Executive Producer on Vagic with Amy Baer at Gidden Media and My Clone’s an A-Hole with National Lampoon. He is also in active production on 3 more projects in various mediums. RB is also the Founder and CEO of Stage 32 (stage32.com). Stage 32 is the world’s largest online platform connecting and educating film, TV & digital creatives and executives worldwide. Through Stage 32 he has helped incubate Chick Fight, starring Malin Akerman and Alec Baldwin, produced by Yale Productions and Ramo Law, and 10-31, produced by Eli Roth and Orion Pictures. Additionally, RB’s book Crowdsourcing For Filmmakers: Indie Film and the Power of the Crowd, was published by Focal Press/Routledge under the American Film Market Presents banner and quickly became one of their best-selling titles. The paperback, kindle edition and audiobook have all hit #1 in 6 different film and business related categories on Amazon and Audible and the title has received over 100 5-star reviews across all platforms. In another FREE Stage 32 COVID-19 webinar, Chris and RB team up for an exclusive Q&A session where they’ll answer questions from the Stage 32 community about the state of the industry today and where they believe things are headed. Bring your questions about the craft and business. If you know anything about Chris and RB, you know you're in for a candid, no bullshit, straight through the heart conversation!
How do you best package and sell your projects in this ever changing industry? In this exclusive Stage 32 Webinar, we will teach your to push your projects and connect with industry executives to package and sell your projects from the development stage to distribution. Since joining Ramo Law in 2009, Tiffany Boyle has leveraged her business-oriented sales and packaging skills to bring hundreds of films and documentaries to fruition. Tiffany connects filmmakers with producers, co-producers, executive producers, co-finance partners, distributors, agencies and other industry representatives. Through her critical review of content and strategic use of Ramo Law resources, Tiffany creates successful content packaging that bridges the needs of both client and industry demands. In addition to all these skills, Tiffany served as a Co-Executive Producer and brought in financing for films SOMETHING ELSE (Tribeca 2019) and ARKANSAS starring Liam Hemsworth and Vince Vaughn. She led the sales and packaging for TRAGEDY GIRLS (SXSW 2017) and FREAKS (Toronto IFF 2018), she brought foreign financing to ASHES IN THE SNOW (Los Angeles FF 2018) starring Bel Powley, and she sold an autobiography to Hulu for development into a limited television series. Tiffany will provide you with the pertinent and actionable information you need to package a project in the current environment. She will begin by discussing the packaging and sales world before COVID-19, what is happening right now and what can be expected once we're in the clear. She will discuss packaging and selling of all budget levels and dive deep into the world of attachments including landing valuable producers, directors, actors, and even financiers. From there, Tiffany will tell you how to build your relationships to help enhance and accelerate your path to getting your project packaged and sold. She will discuss sales and the current state of the marketplace. And finally, Tiffany will even include some outside the box methods and resources toward packaging and selling your project outside the traditional model. "Let's do a deep dive into everything happening right now and what to expect down the road so you can take action. We will focus on who to approach first for attachments and how to build the project from there in order to make it the most sellable and attractive package it can be." - Tiffany Boyle
Some people have said they have seen the market for film budgets between $15MM-$30MM slow down, but this budget range is alive and healthy. Over the last few year dozens of films in this range like US, GOOD BOYS, OLD, STUBER, CRAWL, HOTEL MUMBAI and more have grossed heavy profits, some even in the triple digits! The opportunities for financing and producing a film between $15-$30MM have never been better, so long as you know exactly where to look and what the path for it is. You'll need to know how to pick the right script, break down every aspect of your budget through distribution, understand distribution options, and how to structure your finance sources to optimize your returns. The best way to get all the information you need is to get support from someone who's done it before, and who better than someone who's worked on over 45 film and television projects with every major studio in town? In this exclusive Stage 32 webinar, Jeanette Milio shows you the financing and producing side of putting together a film for $15 to $30 million. Jeanette has worked with Netflix, Disney, Warner Bros., Sony, Paramount, HBO, Showtime, and more. She's also produced films starring Academy Award-winning performers, including Halle Berry, Adrien Brody, Forest Whitaker, and Mickey Rourke, and knows how to package a film to attract investors. As a member of the Producer's Guild of America, Women in Film, and the Cannes Film Festival Producer's Network, Jeanette has deep industry knowledge for domestic and international markets at every budget level. Jeanette brings over 25 years of experience in domestic and international productions to this webinar for your benefit. If you have a higher-priced concept and don't want to wait for someone else to give you the green light, then this webinar is what you need to know how to make your production happen. Jeanette will show you how to produce and finance your project using her unique experience with $15 to $30 million budgets and how to get the best return on investment. You'll walk away with handouts from Jeanette to benefit your production, including: Excel Finance Plan Template Sample CAMA (revenue/profit) agreement Sample story rights agreement (option) Sample talent offers for director and cast (pay-or-play) "Jeanette has invaluable knowledge and made me feel like seeing my movie on the big screen was possible." - Phillip F.