

Summary

What You'll Learn
Here's just SOME of what RB goes over in this jam-packed 2 hour AMA!
- What is the current state of streamers?
- Will there be more consolidation of streamers?
- ANORA’s Sean Baker said “Keep making movies for the big screen” Do you agree?
- Is the $10-$15 million feature film market opening back up?
- How is AI going to affect the film industry?
- Is YouTube taking over the entertainment industry?
- Is there crossover between influencer culture and film culture?
- Will LA land its new tax incentive proposals?
- Why did you produce films in Costa Rica & Columbia?
- Do you think California Tax Credits will pass?
- How can international creatives use Stage 32 to break into the U.S. market or collaborate on cross-border projects?
- Thoughts on Robert Rodriguez and Eli Roth bringing on fans as investors and own profit participation in their films?
- Was Quibi too early to market?
- Is Disney looking for Material?
- What are the Top 3 features on Stage 32 to help connect with industry professionals?
- I was attacked on X (formerly Twitter), what are your thoughts?
- Thoughts on SINNERS and its effect on the studio system
- Do short films still matter?
- Advice for attending markets like Cannes or AFM
- Advice for networking as a creative
- How to make authentic connections that matter
- What beats should be in your pitch?
- What is RB’s personal process of pitching?
- What is the Stage 32 Writers’ Room?
- How do you vet execs you work with on Stage 32?
- I’ve won screenwriting contests, now what?
- Advice for crippling fear of failure
- How to choose what social media is right for you
- The spec market is heating up – what should you write?
- If I sell my script, can I keep the rights to my characters?
- If my script becomes a sequel and I don’t write it, can I get paid on it?
- Does Age Matter When Selling a Script?
- Protecting Your project on a film slate
- Who should I trust to read my script and give me notes?
- How do I go about getting Script coverage?
- How do I network as a composer?
- How do I network as a creative based in the UK?
- Stage 32 Success Story!
Executive

Richard “RB” Botto is a producer whose films have played at dozens of festivals including the Sundance award-winning feature, Another Happy Day, starring Ellen Barkin, Demi Moore and Kate Bosworth and written & directed by Euphoria creator Sam Levinson, What Lies Ahead, starring Rumer Willis & Emma Dumont, the documentary Crutch and the upcoming Rain-Beau’s End. As a writer, RB works on active writing assignments and has two features and a TV pilot in development. As an actor, his latest film On the Corner of Ego and Desire premiered at the 2018 Raindance Film Festival.
RB is also the Founder and CEO of Stage 32 (stage32.com). Stage 32 is the world’s largest online platform connecting and educating film, TV & digital creatives and executives worldwide. Launched in 2011, the Stage 32 community has grown to over 500,000 creatives and features an educational library of over 1,000 hours of webinars and classes taught by over 500 industry executives. Stage 32 is recognized throughout the industry as an incubator of talent and is the official film education & networking platform of the Cannes Film Festival Marche du Film and AFM.
Additionally, RB’s book Crowdsourcing For Filmmakers: Indie Film and the Power of the Crowd, was published by Focal Press/Routledge under the American Film Market Presents banner and quickly became one of their best-selling titles. It has hit #1 in 6 different film and business related categories on Amazon and Audible. The book can be found at the Focal Press/Routledge booth by AFM badge registration and on Amazon and Audible, where it has garnered over 90 5-star reviews.
A sought after speaker, teacher and mentor, RB has been a keynote speaker and panelist at such festivals and conferences as Cannes, AFM, Tribeca, Sundance, Raindance, Hamburg, SXSW, Cinequest, ITVFest, Portugal FEST, Trinidad and Tobago and Winston Baker. He has also taught at institutions such as Harvard, USC and Columbia University on the subjects of filmmaking, producing, film finance, screenwriting, social media, crowdfunding, crowdsourcing, entrepreneurship and business.