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Story-Focused Scriptwriter / Narrative Produc
Seeking screenwriters in San Diego, California
Overview ErikTheElectric is seeking a story-focused creative collaborator to help shape the narrative direction of long-form YouTube videos. This role is centered on story development, structure, escalation, and payoff across complex, high-effort projects. The ideal candidate has a strong instinct for storytelling in a YouTube context and understands how to turn real-world experiences into clear, compelling narratives that sustain attention over long runtimes. This role is not focused on editing, thumbnails, or growth tactics — it is focused on story. Role Scope This role is involved throughout the full lifecycle of each video, including: Ideation Brainstorming high-potential video conceptsIdentifying ideas with strong narrative and escalation potentialPressure-testing concepts for long-form storytelling viability Pre-Production Helping define the narrative spine before filmingCreating story outlines or narrative mapsBreaking videos into acts or major phases Mid-Production Providing story guidance as production unfoldsHelping identify what to lean into, reinforce, or deprioritizeMaintaining narrative clarity as scope and runtime expand Post-Production Reviewing rough cuts with a story-first lensIdentifying weak middles, stalled stakes, or unclear arcsFlagging moments that need emotional reinforcement or stronger payoffHelping ensure the finished video feels cohesive, intentional, and earned Key Responsibilities Develop written story outlines and act breakdownsIdentify stakes, turning points, emotional beats, and payoff momentsProtect narrative clarity across long runtimes (20–40+ minutes)Act as a strong editorial voice when something doesn’t land or needs rethinkingCollaborate closely with the creator while respecting a real-world process Ideal Background Strong candidates may have experience as: A story editor or producer on unscripted or narrative-driven televisionA creative with writer’s room experienceA YouTube creator or collaborator with demonstrated strength in story-driven long-form videosA storyteller who understands how to apply cinematic story principles within YouTube’s retention-based format Experience with YouTube is important, but story judgment, narrative instinct, and the ability to challenge creatively matter more than platform tactics. How Collaboration Works Project-based work (per video)Virtual collaborationScheduled calls as neededWritten notes, documents, and voice memos are commonNo standing meetings or retainers About the Channel ErikTheElectric is a long-running YouTube channel with millions of subscribers, known for high-effort eating challenge content and increasingly story-driven long-form videos. How to Apply Please include: A brief summary of your storytelling backgroundExamples of long-form, story-driven work you’ve contributed to (YouTube, TV, or similar)A short explanation of how you approach narrative structure in real-world or experience-based contentContact: Eriktheelectricteam@gmail.com
Mannaquin
Seeking agents, directors, producers and 2 more in Los Angeles, California
Mannequin is ahead of horror film that is driven by a man who's mental health issues we never treated and always neglected. At an early age his father was verbally and physically abusive. Obsessed with perfection, his father always told him he was never good enough. After years of abuse and neglect he became much more. He started to murder and use human skin to create his mannequins to hopefully please his dead father, who is a mannequin himself. He has been targeting homeless people for a few years now and has been able to go under the radar since many have no connections. However one day, a group of young adults that go on a camping trip end up walking into his lair. It then becomes a fight for survival from both parties. CHECK OUT MY SCRIPT ON MY PAGE
Screenwriter (Feature Film – Action/Thriller)
Seeking screenwriters in Sydney, Australia
Hi everyone. My name is Matt based in Sydney, Australia. I’m currently in development on an upmarket action/thriller feature set in Sydney. I’m looking to collaborate with an experienced screenwriter to take the project through a strong, market-facing first draft. The aim is to collaborate on a strong first draft that leads with story, character, momentum and keeps readers, financiers, cast and key creatives engaged. Creatively I’m looking for a writer experienced in character-driven, upmarket action thrillers with a strong sense of tone, tension and thematic weight being as important as the action itself. This isn’t a “throwaway” draft for pitching purposes, it’s a proper first draft intended to be developed forward as the foundation of the film. A detailed story outline is already in place and I’ll be working closely with the writer on story, structure and character as we develop the draft. Tonally and stylistically think Monkey Man, Upgrade and The Equalizer. Grounded, visceral action with emotional weight and strong character arcs will be the core. Prior experience in action/thriller, genre-driven features is definitely a plus. I’m looking to work with a writer who’s interested in early creative collaboration on a project with a defined development path and market focus. Happy to share more details with those who feel aligned and experienced.
FOR HIRE: PITCH DECK DESIGNER AVAILABLE!
Seeking directors, screenwriters and producers in Los Angeles, California, London, England, Atlanta, Georgia and 2 more
We specialize in creating killer pitch decks and eye-catching look books that stand out in today’s competitive entertainment landscape. Whether you’re pitching a feature film or a TV series, we’ve got you covered with professional designs that bring your vision to life! Your pitch deck will be ready to go in just 2 weeks. Time to make an impact! ⏰ Most indie filmmakers lose investors before page 3 of their pitch deck. For years, I’ve been helping creators create pitch decks that are visually dynamic and emotionally engaging investor presentations — the kind that actually get taken seriously. A few lessons I’ve learned designing for film & TV projects: • Clarity beats flash — investors want to understand your film fast. • Mood & tone matter — design is part of storytelling. • One solid visual deck can open doors that a script alone can’t. If you’re currently pitching or raising funds and want a pitch deck or a design refresh, email me back or check out https://oldhatdesigns.org/portfolio to see some examples.
Martial arts Animal anime
Seeking financiers in Tokyo, Japan and Los Angeles, California
Greetings Stage32 creatives! Welcome to the latest Job page for Cee Whirx's "Martial Arts Pets", an exciting new action-adventure anime centering on a group of martial arts-trained animal prodigies that are looking to become heroes.
Looking for a Creative Assistant
Seeking agency assistants, assistant production office coordinator (apoc)s and production assistants in Hollywood, California, London, England, Berlin, Germany and 2 more
We are looking for an assistant to handle coordination tasks, follow up on work processes and standards, and manage communications. The assistant should be familiar with filmmaking and artistic principles, and be able to support the production process so the main focus can remain on making films.
(online, worldwide) Screenwriter - short film
Seeking screenwriters in Warsaw, Poland
Hi! I’m in my final year at the Warsaw Film School. I’m looking for a script and a screenwriter for my diploma film. If you are a screenwriter, or a beginner, I would love to read your ideas! Let’s put your story on a big screen. My showreel: https://youtu.be/bw0ugahPmTM I have 3 years of experience and can guarantee professional production. I’ll do my absolute best to ensure our film is screened at the best possible festivals. My previous student film Let It Burn (https://youtu.be/pkE0B_PeHh0) had a strong festival run: 16 festivals (including Sicani Cinema Experience, Toronto Polish Film Festival, Mostra Livre de Cinema) and has won 3 awards so far (Integracja Ty i Ja, Uno Sguardo Raro). Logline/idea: as soon as possible (needed for funding applications and school requirements). The full script should ideally be completed within 2 months. I want to make a movie thats full of live where we follow a character that down to earth, is running out of time and acts here and now. I have a few ideas I’ve been developing, but unfortunately none became fully formed: I’d be happy to share them! I am not interested in: - sci fi- horrors- period stories- stories that happen / need to happen outside Poland- gangster / mafia / crime movies- slow / "artistic" cinema (not a fan of Kieślowski)- stories where characters only talk What is my ideal film:(keep in mind, your script doesn’t have to match everything, there are just a guidelines)- around 20 minutes long- a clearly defined main character- the protagonist has a concrete goal that forces them to act, preferably not driven by dialogue (e.g. finding a father, running away from home, etc.)- the film follows classic screenplay structure (first plot point, midpoint, etc.)- I’d avoid purely artistic, meditative films focused only on emotions, I need a clear, classic readable story,- it would be great if the film isn’t a totally bleak drama and includes some optimism - it’s not required, but it would help a lot if the film touches on a social issue (e.g. disability, immigration, etc.), as this opens doors to funding and festivals - fewer locations are better, but let’s not go to extremes, not everything has to happen in one room - the more original, the better (even unoriginal story can be saved by original/ uncommon setting) Wanna know more? Let’s chat in DM or grupa.filmowa.nadia@gmail.com!
Producing Intern
Seeking production assistants in Los Angeles, California
This is an opportunity for A MOTIVATED PRODUCING INTERN who seeks to learn the skills and get the contacts needed to become an effective professional producer. You will work directly with CEO/Lead Producers at an emerging studio, and on prepping some film projects. ("job" listing says "production assistant" because S32's drop down list doesn't have anything else close.) WHO YOU ARE: smart, articulate, concise writer, clear communicator, excellent listener & superior note taker.capable with AI based searches and AI based analysis using ChatGPT or Geminiobsessive about deadlines and appointments.enduring interest in film and theatre.serious aspirations to make your living and contribute to the industry in a studio (ie. business) environment.fearless, willing to fail and get up again, eager to try many things and learn through experience.positive attitude, detached from divisive politics and political correctness.have between 4 and 20 hours a week, in 2+ hour blocks, to work remotely or at our offices downtown Los Angeles. YOU WILL GET: Initially, unpaid, with opportunities to move into responsible paid positions.exposure to the inside of the independent film industry.insight into film development, marketing, entertainment law, finance and production.to work on and contribute to unique film and distribution projects.mentoring on entertainment & film business.your own connections in a growing network of independent industry professionals. This is for a serious aspiring producer - someone who knows they want to help create important work and lasting structures in place for other creators. Someone who is committed to the path but knows they need so see how experienced people do it, so that they can move forward faster and more effectively. You will be required to interview. You will be required to sign a confidentiality agreement before you start. We don't care about your social media presence or your upbringing, gender, ethnicity or socio-economic class. We care that you integrate well with us and that you feel truly inspired to do this.
Producer / Networker / Outreach
Seeking production assistants and business development/sales in Los Angeles, California
Do you love connecting with people? Do you want to make a POSITIVE IMPACT in independent film? This is your opportunity. Stage And Screen Innovations (stagescreen.org) is an established nonprofit that operates the important Producing Unique New Creators (PUNC) program. We take early career producers and give them hands-on training and mentoring, circumventing years of trial and error! We give creators the tools they need to get their vision to screen and market. We need a General Production Assistant, and we need a Rainmaker for donations and corporate partnerships. Both can work remote. For the rainmaker, - we pay a % of all investment and all donations coming into the organization, and as introduction fees on productions which have financial partners that you have arranged. Negotiable, paid as money clears (no waiting), and you also have first in line opportunities to be involved in various productions on a paid basis.
Agente di commercio
Seeking agents in Rogno, Italy
Cerco agente di commercio, possibilmente con conoscenza almeno minima dell'italiano. L'agente cercherà per conto della produzione audiovisiva HeArt Productions, aziende finanziatrici. Scrivere su Whatsapp al 3532002667. Retribuzione su percentuale del 20%.
Chimaera Snare – Short Film
Seeking actors, cinematographers, production designers and 1 more in Salt Lake City, Utah
Chimaera Snare is a short psychological horror film centered on identity, control, and the erosion of self. The project explores unsettling transformations through restrained, non-sensational storytelling, prioritizing atmosphere and performance over explicit exposition. More information: Chimaera Snare – Official Website IMDb Page
Animation Producer - remote
Seeking producers in San Diego, California
Title: Seeking Animation Producer for Original Animated Feature (Early Development) Hello everyone,I’m a screenwriter and creator currently developing an original animated feature titled Leech. The screenplay is complete, and I’m in early development with exploratory visual work underway (including character concepts and a short proof-of-concept teaser in progress) to support pitching and producer conversations. I’m looking to connect with an animation producer, ideally someone early-career or mid-level who is interested in helping guide the project toward packaging and financing. This would be a collaborative attachment, not a paid consulting role at this stage, with the goal of building a thoughtful, realistic path forward together. The project is character-driven, emotionally grounded, and designed for a broad family/young-adult audience, with a tone that balances humor and heart. I’m happy to share the script, pitch deck, and development materials with anyone interested. If this sounds like something you’d enjoy exploring, or if you’re simply open to a conversation, I’d love to connect! Thanks for reading, Tom
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