Wednesday, Apr 5TH 11:59PDT | Early Bird Deadline |
Wednesday, Apr 5TH 11:59PDT | Early Bird Deadline |
Stage 32 is proud to present the 3rd Annual TV Drama Screenwriting Contest!
You’ll meet industry professionals from companies including Script Anatomy, Waldorf Entertainment, Heroes & Villains Entertainment, Appian Way, Sugar23 and more!
Open to pilots!
This contest is accepting submissions of hour-long pilot scripts NOW through May 24th, 2023.
TV Dramas are easily the most talked about type of media right now. Streaming has made it so easy to become obsessed with shows like YOU and YELLOWSTONE. Not to say that network dramas aren't still killing it - classics like HOUSE, MD or LAW & ORDER are some of the most binged shows by those who watched them week to week and brand new fans, and current shows like GREY'S ANATOMY feel unstoppable, even after 18 seasons. Whether it's gossiping about SUCCESSION with your coworkers or live-tweeting the Cassie/Maddy showdown on EUPHORIA, we know you're talking about TV Dramas.
Last year, we set up our winner with 9 one-on-one meetings with industry pros currently working on television drama content. Our 10 finalists get amazing exposure too; last year’s finalists had their work requested by top production and management companies staffing and producing today's hottest shows!
If you have a television drama story that needs to be told, now is the time to show us what you've got, because our goal is to amplify your voice, give you the access Stage 32 is known for, and take your writing career to the next level!
STAGE 32 CONTEST WINNERS & FINALISTS NOW WORK WITH:
Our Grand Prize winner will:
ALL 10 Finalists will:
Stage 32 will be a champion for your script - once you’re part of our community, we make sure you rise to the top!
Stage 32 has launched the careers of hundreds of writers over the last 11 years. Stage 32 has quickly emerged as the leading source for industry executives to uncover new talent! Is this your year to move the needle on your career?
Don't believe us? Let 2nd Annual TV Drama Contest Winner Trish Persen tell you why you should enter!
The Grand Prize Winner Will be Flown to Los Angeles to meet with:
Judge’s Credits and Company Credits Include:
In addition to these meetings, the winner will also receive access to Stage 32’s Educational resources, be promoted on Stage 32’s social media, and have their professional biography sent to an exclusive roster of over 30 agents and managers hand picked by Stage 32 who are actively looking for new clients and material. Stage 32 will facilitate introductory meetings to any of the representatives who respond to your material and bio. This is the type of exposure that will change your career forever!
If you reach the Finals, you still get massive exposure to decision makers!
ALL FINALISTS will receive a FREE MONTH OF THE MEMBER'S ONLY STAGE 32 WRITERS' ROOM, an exclusive community of writers who gather online for inspiring and educational webcasts from top industry pros, and will be in a Stage 32 Lookbook which includes their script title, logline & bio mailed to over 400 industry executives including, managers, agents, producers, development executives, and financiers! Stage 32 Lookbooks are some of the most sought after talent resources for the industry and have helped secure meetings with places like Verve, Good Fear, 3 Arts, APA, Echo Lake, Amazon, UTA, CAA, WME, First Friday, Pathfinder, The Cartel, Art/Work and many, many more.
Super Early Bird Deadline: March 16th, 2023
Early Bird Deadline: April 5th, 2023
Regular Deadline: May 3rd, 2023
Final Deadline: May 24th, 2023
Quarterfinalist Announcement: August 4th, 2023
Semifinalist Announcement: August 18th, 2023
Finalist Announcement: September 1st, 2023
Winner Announcement: September 15th, 2023
Would you like immediate feedback on your submission and the option to make changes and resubmit? Using our NEW Feedback & Resubmission Option you will get 3-5 pages of coverage/notes back in 5-days with a guaranteed option to resubmit one (1) revised draft of your script up to 10 days after the Final Deadline! See what elements of your script are working and what still needs to be developed. You can position yourself for the best chance of success - all for an additional fee of only $99. Please submit revised drafts to contests@stage32.com.
This option is good for a one-time use and is non-refundable/non-transferable if you do not enter an updated draft. See full terms in the Rules Section. The last day to submit new drafts is June 3rd, 2023.
We offer discounted coverage for $49.00. With this option, you will receive 1-2 pages of coverage/notes after the Quarterfinalist Announcement on August 4th, 2023. See full terms in the Rules Section.
We offer the option to resubmit a new draft of your script later in the contest for $39.00. You only have until the Final Deadline on May 24th, 2023 to submit a new draft. You cannot submit a new draft after the reading process has commenced or after any announcements have been made.
If you have any questions regarding this contest, check out frequently asked questions here.
Tawnya Bhattacharya has been a professional TV & Film writer for the past 12 years and a teacher for the past 17. She launched Script Anatomy in 2011 just as her career was taking off with the objective to use her experience of breaking into the TV industry and building a career to help other writers do the same with a unique writing curriculum with trademark tools for development, writing and rewriting, which have helped hundreds of writers get a job writing for TV, find representation, or sell pilots, screenplays and novels.
Bhattacharya and her writing partner, Ali Laventhol, are currently Co-Executive Producers on Peacock’s hit show Bel Air and Netflix’s upcoming My Life With The Walter Boys. Past credits include Ginny & Georgia (Netflix), A Million Little Things (ABC), Famous in Love (Freeform) and more. They have also written TV movies, Torn From Her Arms which was nominated for 3 Imagen Awards and garnered a win for actress Judy Reyes. They also wrote The Disappearance of Cari Farver and are currently writing Girl in the Attic. The writing duo are 2023 alums of the WGA Showrunner Training Program, and 2010/11 alums of NBC Launch. Bhattacharya was also a FOX Writer’s Intensive fellow. The team is repped by UTA, Industry Entertainment and Morris Yorn.
As a guest instructor, Tawnya has brought the Script Anatomy method to the Disney | ABC Writing Program, Warner Bros. Discovery Access Programs, The WGA Foundation’s WGFestival, the Austin Film Festival, the Producer’s Guild (PGA) Power of Diversity Workshop, Carleton College, NIKE, Hugo House in Seattle, the Willamette Writers Conference, Stage 32, The International Screenwriters Association, TV Writers Fund and the CineStory TV Writers Retreat in Idyllwild.
Sara B Cooper is an accomplished and experienced TV writer and producer with over 30 years in the industry writing for standout shows like THE X-FILES, CHICAGO HOPE, HOUSE, and HOMICIDE: LIFE ON THE STREETS. Over her storied career, Sara has learned from and worked with TV icons like Chris Carter, David E. Kelley, Tom Fontana, David Mamet, and Eric Roth. Beginning her writing career on science fiction shows like STAR TREK: THE NEXT GENERATION, Sara has been able to pivot to other genres like police procedurals, medical dramas, and even feature films like LARA CROFT: TOMB RAIDER with Angelina Jolie. Sara continues to write and consult on many TV projects in both the U.S. and Canada and serves as a writing coach and mentors young writers through the WGA and WGC.
Krista Sipp is a literary manager at Heroes & Villains Entertainment, in Los Angeles, CA. Originally from Connecticut, Krista started her career at management company Circle of Confusion in 2008. After holding positions at studios and production companies across the industry, she launched her own management company, First Friday Entertainment in 2017, alongside her partner Devon Byers. In 2022, First Friday was acquired by Heroes & Villains, where Krista and Devon continue to represent screenwriters, directors, and IP creators across film, television, and other mediums.
Krista is focused on representing diverse clients from varying underrepresented backgrounds with fresh points of view and working to close the inclusion gap in Hollywood. Her clients include screenwriters and directors who have worked on Abbott Elementary, 4400, A Black Lady Sketch Show, and The Winchesters, as well as comic book writers and novelists who have written for publishers such as Marvel, DC, IDW, and Legendary.
Rachel Polan is currently the SVP at Pacesetter Productions, which is behind the Emmy-nominated HBO Max limited series “Station Eleven” starring Mackenzie Davis, as well as the upcoming Starz show “The Venery of Samantha Bird”.
Prior to joining Pacesetter, Polan served as Vice President of scripted development for Chelsea Handler Productions. Before that, she was an executive at Lionsgate, where she was creatively involved in some of the Television Group’s biggest accomplishments, including securing “Nashville” a fifth season at CMT; shepherding the first season of “Casual;” selling Epix one of its first scripted shows, “Graves;” and developing “Dear White People” for Netflix.
Polan’s other credits include “Nurse Jackie,” “Weeds,” “Manhattan,” and “The Royals.”
Tyler Erb is the Creative Executive, Television at Sugar23 (13 REASONS WHY, MANIAC, THE OA, DICKINSON), where she sources, develops, and produces new series via the company’s overall deal with Netflix. She most recently worked in Scripted Television at MGM, supporting series including THE HANDMAID’S TALE, FARGO, VIKINGS: VALHALLA, and WEDNESDAY.
Taylor DiGilio graduated from the University of Arizona with a BA in Film & Television before moving to Los Angeles. He started his career working under the President of Jerry Bruckheimer Television on projects such as P-TOWN, LUCIFER, and AMERICA GIGOLO, before taking an executive role at Leonardo DiCaprio’s production company, Appian Way. He was most recently a Co-EP on the Netflix documentary THE VOLCANO: RESCUE FROM WHAKAARI and has sold projects to Sony, Apple, and CNN Films, among others.
Anna Henry began her 20-year career as a development executive at Nickelodeon, working on the development and production of animated television series, pilots and features, including the cult hit “Invader Zim.” She crossed over to prime-time television working at CBS and ABC in drama development and programming, then freelanced as a creative consultant for a number of production companies.
Anna was most recently Director of Development at a boutique literary management and production company representing writers and directors, and is currently a script consultant and screenwriting instructor. Her clients have worked on shows at virtually every broadcast, cable and streaming television network, and have set up projects at Amazon, Starz, HBO, Sony, Fox, EOne, ITV America, OddLot Entertainment, Corus, and others. Anna is also an independent producer through her company, Idle Hour Entertainment. She set up a historical fiction series as a German-Canadian co-production, and is currently in development on several other projects. focusing largely on international and diversity (women, POC, LGBTQ+) writers and stories. She enjoys having a close collaboration with writers in refining scripts, expanding their range of material, and finding the best home for each project. Anna is a graduate of USC’s School of Cinematic Arts.
ENTRANT TERMS AND CONDITIONS
Void where prohibited by law.
This Stage 32 Contest is an international contest. Must be 18 years or older to submit.
Entrant agrees to Stage32.com terms and conditions.
This Stage 32 Contest is not a game of chance. All material is read and reviewed by industry professionals.
All quarterfinalists, semi-finalists, finalists and winners are subjectively determined by our judges.
There is no limit to the number of screenplays an Entrant can enter. The same screenplay cannot be submitted multiple times under different names. If so, you will be disqualified.
Entrant must not be an immediate family member or friend of any of the judges or their respective companies.
Entrant acknowledges that because of the judges' and mentors' position in the entertainment industry they receive numerous submissions of ideas, formats, stories, suggestions and the like and that many such submissions heretofore or hereafter received by them are similar to or identical to those developed by them or their employees or, if an agent, are otherwise available to them.
Entrant acknowledges that they will not be entitled to any compensation because of the use by judges or mentors of any such similar material.
Entrant acknowledges that no fiduciary or confidential relationship now exists between Entrant and judges or mentors, and Entrant further acknowledges that no such relationships are established between Entrant and judges or mentors by reason of this contest entry.
Entrants must submit screenplays and payment online.
Entrants must upload their submission within 72 hours of entry purchase.
Entry fees will not be returned or adjusted.
No waivers are available for this contest.
SCREENPLAY TERMS AND CONDITIONS
Screenplays should be written in English and in standard industry format.
The rights to the Entrant’s screenplay should not have been previously optioned or sold.
The Entrant retains the rights to his or her screenplay at all times.
Entrant’s screenplay must not have been produced.
The screenplay can be submitted with or without a title page and/or contact information.
After a screenplay is entered, no new drafts or corrected pages can be made by the Entrant unless it is confirmed in our records that the Entrant has paid for the "Resubmission" option.
Screenplay must be submitted as a PDF document.
Screenplay must be the original work of the Entrant and may not be based whole or in part on any fictional or non-fictional material, published or unpublished, produced or unproduced for which the Entrant does not have rights. Neither Stage 32 nor its judges investigates or attests to the authenticity of an applicant’s statement of authorship or rights secured. By entering the competition, you are acknowledging that you have secured all necessary rights.
Using our new Feedback & Resubmission Option you will get 3-5 pages of coverage/notes back in 5-days with a guaranteed option to resubmit one (1) revised draft of your script up to 10 days after the Final Deadline! See what elements of your script are working and what still needs to be developed. You can position yourself for the best chance of success - all for an additional fee of only $99.
This option is good for a one-time use and is non-refundable/non-transferable if you do not enter an updated draft. Updated drafts will need to be sent to contests@stage32.com to be scored.
Submission fee: $49.50
Submission fee: $59.50