Winner gets set up for development & packaging with Erika Alexander's Color Farm Media (AMERICAN FICTION, GET OUT, LIVING SINGLE, and more!) + 5 mentorship opportunities for all top 10 finalists!
| Wednesday, Nov 26TH 11:59PST | Final Deadline |
Winner gets set up for development & packaging with Erika Alexander's Color Farm Media (AMERICAN FICTION, GET OUT, LIVING SINGLE, and more!) + 5 mentorship opportunities for all top 10 finalists!
| Wednesday, Nov 26TH 11:59PST | Final Deadline |

The Grand Prize Winning screenwriter will go into a script development incubator and mentorship with Stage 32 & Color Farm Media, led by Erika Alexander (AMERICAN FICTION, GET OUT, LIVING SINGLE, and more!)
Color Farm Media will review all Semi-Finalist loglines - eligible for script requests!
PLUS -- All Top 10 Finalists will be eligible for mentorships with execs from
Phoenix Pictures, Hemingway Productions, Project X Entertainment, and Good Fear Content.

Erika Alexander - beloved for her iconic acting roles as Maxine Shaw (“Living Single,” NAACP Image Awards as Outstanding Actress/Comedy Series), Detective Latoya (“Get Out”), Cousin Pam (“The Cosby Show”), Perenna (“Black Lightning”), Linda Diggs (“Wutang: An American Saga”), Barb Ballard ( Run The World), and Meredith Lockhart (“Swimming with Sharks”) - and Erika's production company Color Farm Media are partnering with Stage 32 to find the next undiscovered diverse writing talents. Erika has built her company on diverse, prestige projects for and her team will work directly with Stage 32 through the Stage 32 Diversity Talent Accelerator Screenwriting Contest.
Color Farm Media will be personally reviewing semi-finalist loglines and all top 10 finalist scripts, with winners selected based on both creative merit and commercial viability. The selected writers will receive script development, industry mentorship, and potential production pathways designed to fast-track emerging writers. Both Stage 32 and Color Farm Media will jointly package developed projects for production.
"Color Farm's mission is to create an ecosystem where underestimated and underrepresented creators don't just survive — they thrive." said Erika Alexander, founder of Color Farm Media "Stage 32 shares that vision and has spent over a decade proving that world-class training can break down the traditional barriers that keep talented voices on the sidelines."
"This partnership takes that philosophy one crucial step further," Erika added. "We're not just opening doors, we're walking through them together and ensuring our contest winner gets real development, real mentorship, and a real shot at getting their story to screen."
“Leveraging Stage 32’s worldwide leading entertainment educational resources, the partnership launches an immersive creative ecosystem that transforms how emerging writers break into the industry.” Richard Botto, CEO and Founder of Stage 32, said in a statement Tuesday. “Great stories and talented writers shouldn’t be limited by geography, connections, or background. This pipeline ensures the best voices get the platform they deserve.”
"In an industry where breaking in seems increasingly difficult, we're continuing to create a direct pipeline from undiscovered talent to professional development," added Geoffroy Faugerolas, Stage 32's Director of Development Services. "This is about discoverability, access and launching careers."
Diversity is what makes the film industry special - the best movies take us into new perspectives that help us understand the world through unique point of views, often different from our own. In a world of re-boots, re-makes, and re-treads, what stands out is singular, fresh voices to keep audiences on the edge of our seats.
From the frightening scares and terror of SINNERS, to the totally fun and hilarious antics of ONE OF THEM DAYS, to the supernatural psychological terror of THE WOMAN IN THE YARD, audiences can’t get enough exciting diverse storytelling. This year alone, classic franchises like CAPTAIN AMERICA with BRAVE NEW WORLD and JOHN WICK with BALLERINA were rebooted with diverse leads and proved smashes at the boxes. The appetite for diverse projects is massive, and we want your story to be the next smash hit!

The Grand Prize Winning screenwriter will receive:
Our Finalists will receive:
Our Finalists will receive a Career Momentum prize package valued at $1,500, including Career Development, a Writer Branding Workshop and an Education package, and will have your logline featured in a Stage 32 Look Book sent to over 2,500+ top entertainment industry executives, giving your work unparalleled exposure!
But that’s not all! Everyone who makes the Semi-Finals will receive a Career Breakthrough prize package valued at $1,000, our Quarterfinalists will receive a Career Elevation prize package valued at $500, and all Entrants will get a prize package valued at $100!
Let our 1st Annual Winner Jeffrey Thompson, who went on to work in the writer's room of the popular TV series, The Goldbergs and rose up the ranks to a Staff Writer contributing on 22 episodes of the ABC sitcom tell you why you should enter!
Open to Feature Film and TV Pilot Scripts!
What Type of Scripts Are We Looking For?
We are looking for Feature scripts like:
AMERICAN FICTION, GET OUT, MOONLIGHT, THE FAREWELL, REZ BALL, CRAZY RICH ASIANS, OLD DADS, DIDI, THELMA, TÁR, BOOK CLUB, NICKEL BOYS, SIX TRIPLE EIGHT, ANORA, EMILIA PEREZ, SING SING, THE SUBSTANCE, NOMADLAND, THE FATHER, LOVE LIES BLEEDING, THE BEST EXOTIC MARIGOLD HOTEL, THE HALF OF IT, SEARCHING, QUEER, CALL ME BY YOUR NAME
As well as TV pilot scripts like:
INSECURE, RESERVATION DOGS, FRESH OFF THE BOAT, THE BOONDOCKS, ATLANTA, EVERYBODY HATES CHRIS, GRACIE & FRANKIE, HOW I MET YOUR FATHER, RAMY, WOKE, DAVE, THE SEX LIVES OF COLLEGE GIRLS, THE MINDY PROJECT, BLACK-ISH, BABY REINDEER, TRUE DETECTIVE, KILLING EVE, THE CHAIR, MIXED-ISH, THE WIRE, GODFATHER OF HARLEM
But that's not all, we want to see all new, unique and fresh ideas that we haven't seen before!
For the last 13 years, Stage 32 Contests have led to dozens of success stories including writers getting representation, sold, optioned, staffed, given writing assignments and getting produced. No other contest opens more doors and we want to do the same for you.
If you have a diverse story that needs to be told, now is the time to show us what you've got, because our goal is to amplify your voice, give you the access Stage 32 is known for, and take your writing career to the next level!
Who Is Color Farm Media?
Color Farm Media is an award-winning, diversified media company that empowers and elevates voices who are underrepresented, overlooked and undervalued. Founded in 2017, the company focuses on unique IP to develop and produce premium scripted and non-scripted content that features multicultural characters and storylines for global audiences. Co-founders Erika Alexander, best known for her trailblazing role as Maxine Shaw on the groundbreaking Fox comedy series “Living Single” and her award-winning role in the Oscar-nominated film “American Fiction,” and social activist, writer and executive Ben Arnon, are known for bringing bold, unique stories to screens of all sizes, as evidenced in the NAACP Image Award-winning documentary “John Lewis: Good Trouble” and “The Big Payback” (which inspired a reparations HBCU college debate tour in 2023), and the duPont-Columbia Award winning Audible Original series “Finding Tamika.” Their latest project is the hit video podcast "ReLiving Single." With a full slate of upcoming projects, their mission is to bring greater equity, inclusion, and diverse representation to media, creating sustainable long-term, systemic change by shifting narratives. Color Farm is the Motown of Film, TV and Tech – A Bridge from the Street to the Mainstream.
Additional Judges
Additionally we have four more judges who are very interested in discovering diverse writers. These execs will also read and judge the Top 10 finalist scripts, and potentially meet with any finalists whose writing they enjoy!

ADD-ON PRIZE OPPORTUNITIES
This optional add-on prize category will grant one eligible writer the opportunity to be mentored and have 2 virtual development meetings with the following execs:


Nicole Tossou is a dynamic executive with 10+ years of experience developing innovative scripted and unscripted content. She serves as Head of Television at Project X Entertainment (FOUNTAIN OF YOUTH for APPLETV+), where she currently executive produces THE NIGHT AGENT for Netflix, an untitled medical drama for Amazon, and an untitled action thriller for Hulu. She oversees multiple projects in development with Sony Pictures, UTV, and 20th Century Studios under Project X's first-look deal.
Previously at The SpringHill Company (now Fulwell Entertainment), Nicole executive produced Self Made starring Octavia Spencer for Netflix and developed projects set up at Fox, Freeform, Paramount+, and Amazon. She began her career in the NBC Page Program before joining A+E Networks/Studios.

Whitney Davis is the co-executive producer of MIKE for Hulu and TRUE LIES for CBS. A passionate creative executive and producer with twenty years of experience in entertainment, she began her career as an Associate Field Producer at CBS NEWS before transitioning to scripted television in 2011. Most recently, she served as Vice President at Anthony Hemingway Productions, developing projects with the Emmy-winning director. Davis has sold projects to Disney, FX, Hulu, and Onyx Collective.
She is currently developing a scripted series with Anthony Hemingway and Bassett Vance Productions, an animated series, multiple features, and a narrative podcast. Through her work with Interim Entertainment, she champions bold storytellers creating impactful content across drama, comedy, horror, erotic thrillers, sci-fi, and fantasy.
After two decades in the industry, Davis remains passionate about discovering writers with unique voices and compelling life experiences. She specializes in helping artists transform their personal stories into powerful entertainment that resonates with audiences.


Michael Peterson is the Vice President of Development for Phoenix Pictures with Mike Medavoy, where he served as the Production Executive on THE LAST VOYAGE OF THE DEMETER based on Bram Stoker's Dracula novel and in production partnership with Steven Spielberg's Amblin, Universal, and Dreamworks, as well as the biopic THE 33 with Antonio Banderas, THE PROMISE with Christian Bale and Oscar Isaac, and the Monty Python comedy ABSOLUTELY ANYTHING with Kate Beckinsale and Simon Pegg. He is the Co-Producer on the hit animated film OZI:VOICE OF THE FORREST for Leonardo Dicaprio's Appian Way, and the Critics Choice-nominated historical drama TV series THE LONG ROAD HOME for The National Geographic Channel.
Phoenix Pictures is in development on a King Charles I & II Epic THE THORN IN THE CROWN which was announced in Deadline, as well as the crime thriller A COUNTRY OF STRANGERS announced in Deadline and the comedy F*CK FEELINGS based of the NY Times Bestseller announced in Deadline, as well as an NFT documentary.
Phoenix Pictures, known for producing critical and commercial hit films, including the Oscar-winning film BLACK SWAN, Martin Scorsese's SHUTTER ISLAND, and WHAT TO EXPECT WHEN YOU'RE EXPECTING. Prior to joining Medavoy at Phoenix, Michael worked in independent production as a producer and production manager.
Michael has great experience in development and is always looking for more projects to develop and grow writers' talents.
This unique add-on benefit is separate from the Stage 32 Contest prizes and placements. Only projects submitted to the Stage 32 Contest AND that select this add-on are eligible for consideration in this category. Additionally, all projects that place in the Top 10 round of the competition will automatically be considered.
Stage 32 Contests Launch Careers
Recent Winners Making Waves:
Jeffrey Wright - Staffed in the Writer's Room of THE GOLDBERGS
Travis J. Opgenorth - Script optioned by Broken Time Entertainment and signed with Persistent Entertainment after Stage 32 introduced him to nearly a dozen industry pros.
Tanya Klein & Jim Cirile - Script set up for production with $1.5M budget, Lucas Heyne directing.
Christina Pamies - Signed by "Billion Dollar" Literary Manager Jake Wagner, then hired by StudioCanal to adapt BAGHEAD (now streaming on Shudder/AMC+).
Kevin Bachar - Winning script became THE INHABITANT (2022), produced by Lionsgate and released on Hulu.
Career-Changing Representation:
The Stage 32 Difference: Winners receive meetings with managers, agents, and producers - not just a trophy. Real careers launched, real movies made, real representation secured.
"Stage 32 isn't about a quick win and a pat on the back. They're serious about opening doors." - Travis J. Opgenorth
What Are the Prizes?
Our Grand Prize Winner will:
Check below for ALL our new prize packages! Including packages for Finalists, Semifinalists, Quarterfinalists, and more!
Want Script Coverage & The Ability To Submit A New Draft?
Want professional feedback on your script? We offer discounted script coverage and the option to resubmit revised drafts. Our feedback options are designed to help you polish your work and give you the best chance at success.
We offer the option to get immediate script coverage when you submit and the ability to re-submit a revised draft to the contest for $99.00. See what elements of your script are working and what still needs to be developed. With this option you will receive coverage/notes within 5-days from when you submit your script and you have up to 10 days after the final deadline to submit a new draft.
This option is good for a one-time use and is non-refundable/non-transferable if you do not enter an updated draft. See full terms in the Rules Section. The last day to submit new drafts with this option is December 5th, 2025. Please submit revised drafts to contests@stage32.com.
We offer discounted script coverage for $49.00. With this option, you will receive 1-2 pages of coverage/notes after the Quarterfinalist Announcement on January 23rd, 2026. See full terms in the Rules Section.
We offer the option to resubmit a new draft of your script later in the contest for $39.00. You only have until 5 days after the Final Deadline to submit a new draft. The last day to submit new drafts with this option is November 31st, 2025. Please submit revised drafts to contests@stage32.com.
You cannot re-submit a new draft after the reading process has commenced or after any announcements have been made.
What Are You Waiting For? Submit Now!
Stage 32 has launched the careers of countless writers, helping them secure representation, land paid gigs, and see their scripts come to life. Could this be the year your career takes off? Our previous winners have gone on to work with major studios, sign with top managers, and see their films produced.
Diverse movies are bigger and better than ever, and we’re here to make sure your script rises to the top. Don’t miss out on this opportunity to be discovered—enter now and let us champion your story!
Stage 32 Contest Winners Have Gone on to Work With:

Super Early Bird Deadline: September 18th, 2025
Early Bird Deadline: October 15th, 2025
Regular Deadline: November 7th, 2025
Final Deadline: November 26th, 2025
Quarterfinalist Announcement: January 23rd, 2026
Semifinalist Announcement: February 6th, 2026
Finalist Announcement: February 20th, 2026
Winner Announcement: March 6th, 2026
If you have any questions regarding this contest, check out frequently asked questions here.
THIS YEAR'S PRIZE PACKAGES INCLUDE:
WINNER: The Career Accelerator Package - $4,000 Value
FINALISTS: The Career Momentum Package - $1,500 Value
SEMIFINALISTS: The Career Breakthrough Package - $1,000 Value
QUARTERFINALISTS: The Career Elevation Package - $500 Value
ALL ENTRANTS - $100 value
In addition to all that, all writers receive continued support from the Stage 32 team, who work tirelessly to get you in front of decision-makers.
Stage 32 has launched the careers of hundreds of writers over the last 12 years. Stage 32 has quickly emerged as the leading source for industry executives to uncover new talent! Is this your year to move the needle on your career?
Our 3rd Annual Diversity Springboard Screenwriting winner, French screenwriter Marine Mondelot gained massive traction on her winning script EON, as she took a full slate of meetings with Literary Managers, Development Execs, and Producers from Iconic Media, Little Lark Productions, Black Monarch Entertainment, 93 Cedar, MACRO Studios, Majestic Productions and more -- all looking for diverse stories!

Our 2nd Annual Winner Lorna Green met with execs from Warner Bros, ViacomCBS, Circle of Confusion, EntertainmentOne, The Kaplan Stahler Agency, Gidden Media, and more!
Our 1st Annual Winner Jeff Thompson went on to work in the writer's room of the popular TV series, The Goldbergs! Jeffrey rose to the ranks of Staff Writer and contributed to 22 episodes of the ABC sitcom!
Jeffrey's winning reaction:
Our 3rd Annual Feature Drama Winner Kelly Nugent tells you why you should enter!
Our 6th Annual Feature Screenwriting winner, Jeff Galante signed with a manager at Primary Wave, and he is currently working on a slate of feature films with producers. Jeff's gone on to create/produce TV pilots for NBC and A&E and has consulted on projects for Ron Howard, Chris Moore, and Warner Bros animation.
Our 5th Annual Feature Screenwriting winner, Eric Jeske signed with a manager at Heroes & Villans Entertainment.
Still don't believe us? Previous contest winner Diana Wright was signed to The Cartel and Abrams Artists Agency! Check out her video here:
More Contest Winners would love to tell you why you should enter!
Previous winner, Christina Pamies, was signed by "Billion Dollar" Literary Manager, Jake Wagner. After that, he got her a paid gig with StudioCanal adapting the recently released film BAGHEAD, which was co-produced by The Picture Company and released via AMC+ Networks!
VIEW THE BAGHEAD (2024) TRAILER HERE! AVAILABLE NOW ON SHUDDER!
Winner Jonathan Jordan was signed by major literary agency Verve, and worked on a script currently in production through them. He has also signed with a manager and is currently working on a new film.
Winner Greg Mania was signed by Cohn/Torgan Management, and has since published a memoir called Born To Be Public, which was named NPR’s Best Book of 2020.
Previous Contest Winner Layla O'Shea took meetings all over Los Angeles (and online) with Literary Managers, Producers, and Execs and is still going strong!
She shares her advice: "There is no one path or age limit when it comes to breaking in!"
Click the "Success Stories" link here for even more testimonials from our past winners!
Whitney Davis is the co-executive producer of MIKE for Hulu and TRUE LIES for CBS. A passionate creative executive and producer with twenty years of experience in entertainment, she began her career as an Associate Field Producer at CBS NEWS before transitioning to scripted television in 2011.
Most recently, she served as Vice President at Anthony Hemingway Productions, developing projects with the Emmy-winning director. Davis has sold projects to Disney, FX, Hulu, and Onyx Collective. She is currently developing a scripted series with Anthony Hemingway and Bassett Vance Productions, an animated series, multiple features, and a narrative podcast. Through her work with Interim Entertainment, she champions bold storytellers creating impactful content across drama, comedy, horror, erotic thrillers, sci-fi, and fantasy.
After two decades in the industry, Davis remains passionate about discovering writers with unique voices and compelling life experiences. She specializes in helping artists transform their personal stories into powerful entertainment that resonates with audiences.
Nicole Tossou is a dynamic executive with 10+ years of experience developing innovative scripted and unscripted content. She serves as Head of Television at Project X Entertainment, where she currently executive produces The Night Agent for Netflix, an untitled medical drama for Amazon, and an untitled action thriller for Hulu. She oversees multiple projects in development with Sony Pictures, UTV, and 20th Century Studios under Project X's first-look deal.
Previously at The SpringHill Company (now Fulwell Entertainment), Nicole executive produced Self Made starring Octavia Spencer for Netflix and developed projects set up at Fox, Freeform, Paramount+, and Amazon. She began her career in the NBC Page Program before joining A+E Networks/Studios.
Michael runs Development for Phoenix Pictures with Mike Medavoy, where he worked on THE 33 with Antonio Banderas, THE PROMISE with Christian Bale and Oscar Isaac, and the Monty Python comedy ABSOLUTELY ANYTHING with Kate Beckinsale and Simon Pegg. They are in development on an NFT documentary. Michael was also involved in the development of THE LAST VOYAGE OF THE DEMETER starring Corey Hawkins, based on Bram Stoker's Dracula novel, and in production partnership with Steven Spielberg's Amblin, Universal, and Dreamworks.
Phoenix Pictures, known for producing critical and commercial hit films, including the Oscar-winning film BLACK SWAN, Martin Scorsese's SHUTTER ISLAND, and WHAT TO EXPECT WHEN YOU'RE EXPECTING. Michael produced The Critics Choice-nominated series THE LONG ROAD HOME for National Geographic and the animated film OZI: VOICE OF THE FOREST with Medavoy, which premiered at the Annecy International Film Festival. Prior to joining Medavoy at Phoenix, Michael worked in independent production as a producer and production manager.
Michael has great experience in development and is always looking for more projects to develop and grow writers' talents.
On the heels of these amazing productions, Jay Silverman Productions is looking for its next feature to develop. Silverman gravitates toward character-driven and inspirational material, including stories of unlikely heroes, small-town secrets, and characters that showcase the best of humanity, with themes of acceptance, love, and hope.
Sydney Foos produces projects for film, TV and digital media, and she has developed projects with Amazon, AMC, Peacock, Kevin Hart's Hartbeat, and many more notable production companies.
Sydney served as the Vice President of Development at Jay Ellis and Aaron Bergman’s Black Bar Mitzvah where she brought in multiple projects, both original ideas and based IP. She set up and sold half-hour and one-hour television pitches, features and podcasts, acquired financing for various projects, widening Black Bar Mitzvah’s presence in the marketplaces and managed the development slate of 40+ projects across film, TV and podcasts, including packaging, filling open assignments, preparing pitch materials and script drafts.
She oversaw a slate of various projects including ALL THE SINGLE LADIES (OWN), SUE BIRD: IN THE CLUTCH, which was acquired by Wolfe Releasing, the largest exclusive distributor of LGBTQ+ films, following its buzzy Sundance debut.
She previously worked as a Creative Executive at Killer Films (MAY DECEMBER), where she Executive Produced the Gotham Award nominated limited docu-series PRIDE for FX. She also contributed to projects with a wide range of independent filmmakers across all genres and budgets, such as Paul Schrader’s FIRST REFORMED, Brady Corbet’s VOX LUX, Wash Westmoreland’s COLETTE, Todd Haynes’ DARK WATERS, and Josephine Decker’s SHIRLEY.
Sydney loves meeting and developing new writers with unique, fresh ideas!
Luca Borghese is one of the most prolific producers working today. His producing credits include LOVE ME (Sam and Andy Zuchero), THE PERSIAN VERSION (Maryam Keshavarz), DIANE (Kent Jones), MONSTERS AND MEN (Reinaldo Marcus Green), MINYAN (Eric Steel), GOLDIE (Sam de Jong), QUITTERS (Noah Pritzker), TEN THOUSAND SAINTS (Robert Pulcini and Shari Springer Berman), and GABRIEL (Lou Howe).
He is a partner in AgX alongside Ben Howe. Luca’s films have screened at major festivals worldwide including Sundance, the Berlinale, SXSW, Directors’ Fortnight, Locarno and Tribeca. They have been distributed theatrically both internationally and domestically by Neon, Sony Pictures Classics, IFC Films, Oscilloscope Laboratories, and Strand Releasing, amongst others.
Other work includes co-producing NYAD (Chai Vasarhelyi and Jimmy Chin), BEAU IS AFRAID (Ari Aster), SPACEMAN (Johan Renck), MR HOLMES (Bill Condon), TIME OUT OF MIND (Oren Moverman), NORMAN (Joseph Cedar), RAMPART (Oren Moverman) and supervising post production on OKJA (Bong Joon-Ho) LOST CITY OF Z (James Gray), TRIPLE NINE (John Hillcoat), YOUNG ADULT (Jason Reitman), THE BEAVER (Jodie Foster), THE MESSENGER (Oren Moverman), and ANVIL! THE STORY OF ANVIL (Sasha Gervasi).
Upcoming projects include Kent Jones’ MY SHIP, Nicholas Ma’s MABEL (starring Judy Greer and Christine Ko) and Stephen Cone’s LADIES AND GENTLEMEN, CONNOR BELL.
ENTRANT TERMS AND CONDITIONS
Void where prohibited by law.
This Stage 32 Contest is an international contest. Must be 18 years or older to submit.
Entrant agrees to Stage32.com terms and conditions.
This Stage 32 Contest is not a game of chance. All material is read and reviewed by industry professionals.
All quarterfinalists, semi-finalists, finalists and winners are subjectively determined by our judges.
There is no limit to the number of screenplays an Entrant can enter. The same screenplay cannot be submitted multiple times under different names. If so, you will be disqualified.
Entrant must not be an immediate family member or friend of any of the judges or their respective companies.
Entrant acknowledges that because of the judges' and mentors' position in the entertainment industry they receive numerous submissions of ideas, formats, stories, suggestions and the like and that many such submissions heretofore or hereafter received by them are similar to or identical to those developed by them or their employees or, if an agent, are otherwise available to them.
Entrant acknowledges that they will not be entitled to any compensation because of the use by judges or mentors of any such similar material.
Entrant acknowledges that no fiduciary or confidential relationship now exists between Entrant and judges or mentors, and Entrant further acknowledges that no such relationships are established between Entrant and judges or mentors by reason of this contest entry.
Entrants must submit screenplays and payment online.
Entrants must upload their submission within 72 hours of entry purchase.
Entry fees will not be returned or adjusted.
No waivers are available for this contest.
SCREENPLAY TERMS AND CONDITIONS
Screenplays should be written in English and in standard industry format.
The rights to the Entrant’s screenplay should not have been previously optioned or sold.
The Entrant retains the rights to his or her screenplay at all times.
Entrant’s screenplay must not have been produced.
The screenplay can be submitted with or without a title page and/or contact information.
After a screenplay is entered, no new drafts or corrected pages can be made by the Entrant unless it is confirmed in our records that the Entrant has paid for the "Resubmission" option.
Screenplay must be submitted as a PDF document.
Screenplay must be the original work of the Entrant and may not be based whole or in part on any fictional or non-fictional material, published or unpublished, produced or unproduced for which the Entrant does not have rights. Neither Stage 32 nor its judges investigates or attests to the authenticity of an applicant’s statement of authorship or rights secured. By entering the competition, you are acknowledging that you have secured all necessary rights.
Using our new Feedback & Resubmission Option you will get 3-5 pages of coverage/notes back in 5-days with a guaranteed option to resubmit one (1) revised draft of your script up to 10 days after the Final Deadline! See what elements of your script are working and what still needs to be developed. You can position yourself for the best chance of success - all for an additional fee of only $99.
This option is good for a one-time use and is non-refundable/non-transferable if you do not enter an updated draft. Updated drafts will need to be sent to contests@stage32.com to be scored.
Submission fee: $49.50
Submission fee: $59.50
Submission fee: $69.50
Submission fee: $79.50