Pitching • Coverage • Consultations • Personal Attention • 500+ Managers, agents, producers and executives
L.T. Verrastro, Executive Producer. L.T. is open to Features and Television in the Drama, Comedy, Family, Holiday, and True Story/Biopic space. He's especially interested in Family content, and projects based on true stories.
Credits include: MR. RIGHT, THE CALL, THE ROAD WITHIN, CAREFUL WHAT YOU WISH FOR, FEAR INC.
Nat Topping, Creative Executive. Nat looks for Drama, Comedy, Thriller & Horror Features, and All Genres of TV.
Gregory Hughes, Producer. Greg looks for Dramatic Character-driven projects in the Thriller, Sci-Fi, Drama, Dark Comedy, Genre Bending Projects, or provoking projects with a unique approach that offer a different perspective in Film or TV.
Credits include: Real Women have Curves, A Certain Desire, Echoes, East Los High, Pretty Little Liars, Hart of Dixie
Marilyn Atlas & Alison Dumbell, Producer/Manager. Marilyn Specializes in 1-hour Drama, Thriller, Suspense, and Procedural Television Pilots and 1/2-hour Comedy Television Pilots. Projects with multicultural characters and interesting worlds are a plus! Please no Sci-Fi.
Katherine Martinez-DeLeon, Development Executive & Producer. Katherine looks to develop both animated and live action content for kids & family, both in feature and series formats.
Credits include: KIPO & THE AGE OF WONDERBEASTS, DRAGONS: NINE REALMS, THE MIGHTY ONES, and ZOMBIES: THE RE-ANIMATED SERIES
Alfredo Marun, Producer (former Director of Development for Disney Television Animation). Alfredo is open to Film and TV in the Comedy, Family, Action/Sci-Fi/Fantasy, Holiday, and Animation spaces, specifically, diverse and contemporary stories. Please no Unscripted/Reality/Game Show.
Credits include: Works with IMG, BLACKBOX MM, SPIER FILMS
Arnica Miakista, Producer. Arnica is open to Film and TV in the Drama, Family, Horror/Thriller, specifically, Drama and Rom-Coms. Please no Faith, Holiday, or Unscripted/Reality/Game Show.
Pauline S., Producer (worked with MGM Motion Pictures, Makeready). Pauline looks for any genre of Feature Film scripts. Please no Horror.
Julia Harter, Producer / TV Writer. Julia is open to all genres of Films and Series and specifically those in the Dark Comedy/Comedy, Mystery/Thriller, and Character-Driven space. Please no Unscripted/Reality/Game Show.
Credits include: YOUR PLACE OR MINE, THE SEVEN HUSBANDS OF EVELYN HUGO, TOMB RAIDER, ADDAMS FAMILY
Juliana Distefano, Literary Associate & Script Editor. Juliana is open to Features and Television in the Drama, Comedy, Family, Horror/Thriller, Holiday, Domestic Fiction, Psychological Thriller and Rom-Com space. Please no Animation.
Brad Wilson, Producer/Co-Founder. Brad is open to Film and TV in the uplifting Modern-day Family and Faith-based space. He is looking for good positive scripts that uplift the human spirit. Please no Christmas or Period Piece scripts.
Credits include: SWIPED, CHRISTMAS OVERTIME, MARRIAGE MATE
Ann Fishman, Attorney and Producer. Ann is open to stories/series in the Family, True Story, and Biopic spaces. Please no Horror/Thriller or Animation.
Credits include: BLOOD FOR DUST, 57 SECONDS, DESPERATION ROAD, FAST CHARLIE, THE FABULOUS FOUR, BRIDE HARD
Sean Hussey, Associate, Development and Production. Sean is open to all genre in Film and TV, specifically, Crime/Detective stories, as well as Action and Sci-Fi. Please no Faith or Holiday.
Credits include: Will & Grace, 2 Broke Girls, The Comeback, AJ & The Queen, And Just Like That
Marsy Robinson, Producer. Marsy is open to Film and Television projects in the Drama, Comedy, Family, Horror/Thriller, Action, Holiday, Unscripted/Reality/Game Show, True Story/Biopic, Animation spaces. Please no Sci-Fi/Fantasy, Faith, or Western.
Credits include: FLATBUSH MISDEMEANORS (Showtime), EVERYTHING’S GONNA BE OKAY (Freeform) and THE READ (Fuse)
Alexandra Kundrat, Producer & Creative Consultant. Alexandra is open to all genres in Film and TV, specifically, focused on Present-Day stories, Female-Driven, Underrepresented Voices, and strong POV. Please no Faith or Westerns.
Hughes Ransom. Hughes is open to all genres of Film and Television, but specifically Dark Comedy, Romantic Comedy, Comedy, Horror, Thriller, or Action.
C.L., Acquisitions Analyst. C.L. looks for all genres of Features - particularly Horror, Thriller, Fantasy. Please no Children or Family features.
Credits include: "LAST WEEK TONIGHT WITH JOHN OLIVER", "SHADES OF BLUE", HOUSE, "AMERICAN GODS", "MAYANS M.C" for FX, and "THE SINNER" for USA
Jaime Becker, Development Executive. Jamie specializes in all genres of features and television aside from "slice-of-life" stories.
Credits include: What Lies Ahead, Burning Kentucky, Ashes in the Snow, Stuck in Love, Free Samples
Tiffany Boyle, President of Packaging & Sales. Jamie specializes in all genres of features and television aside from "slice-of-life" stories.
Tim Sullivan, Producer. Tim is open to all Genres of Feature Films but is especially interested in the Action, Horror, and Thrillers.
Nikki Bohm, Producer/Director. Nikki is always on the lookout for bold & original scripts to develop, produce and/or recommend on to her Co-production partners. Please no FAITH or UNSCRIPTED projects.
Credits include: Black Swan, Shutter Island, THE LAST VOYAGE OF THE DEMETER, THE 33
Michael Peterson, Director of Development. Michael specializes in all genres of features especially Horror, Thrillers, Comedy, Action and Family. Please no Faith or Unscripted/Reality.
Credits include: The Bling Ring, In the Valley of Elah, Casa De Mi Padrea, Ceremony, The Air I Breathe, After Sex, 6 Souls
Rudy Scalese. Rudy looks for Low-Budget Horror Features.
Credits include: THE MAGICIANS, BLOOD & OIL, AQUARIUS, RICKY STANICKY, PHANTOM OF THE OPERA
Adam Rosenthal, Producer. Adam is open to most genres in Film and TV, specifically female focused stories and thrillers. Please no Faith or Westerns.
If you have a script that you feel is ready to go out to the market and you've prepared a professional pitch, Stage 32 provides you a unique way to get feedback and hone your pitch (film or TV) directly with a variety of development executives, producers and managers. You will be rated by your Pitch Delivery/Format, Clarity of Pitch, Set up of Protagonist(s) & World, Obstacles & Conflict, Clarity of Tone, Originality of Concept and Strength of Voice.
You will pitch directly to the executive listed live over Skype or phone, or by way of a written pitch, and receive feedback from them.
Guidelines
Stage 32 Pitch Sessions are for educational evaluation purposes only.
You may only pitch ONE project per reservation, NOT portfolios.
You must have a completed script available for the project you pitch.
Do not reach out to the executives unless directed by Stage 32. They do NOT accept unsolicited material or appreciate being cold-called/emailed by strangers. Doing so will forfeit your right to participate in future sessions.
Missed reservations are not refundable and will not be rescheduled.
Live Pitches
Within 15 minutes of your scheduled pitch, the executive will reach out by Skype or Phone. Your pitch session will last approximately 8 minutes.
Written Pitches
Written Pitches will be no more than 2 pages submitted as a PDF or WORD document. Any written pitch uploaded past the deadline will not be shown to the executive and will result in a non-refundable forfeiture of your pitch.
Scorecards
Within 3-4 weeks of your pitch session, you will receive a Pitch Scorecard on which the executive you pitched will provide you ratings on the 7 categories, plus provide you written feedback on your pitch. So you understand where your pitch fits in the marketplace, you will also receive a standard industry PASS or REQUEST.
Sometimes, to give more comprehensive feedback, an executive may want to read your material. If so, you will see REQUEST on your scorecard.
If you see REQUEST, you will be notified via email with further instructions. The executives will have 2-3 months to review the material you submit. At the end of the review period, they will provide you a second set of written feedback about the material, plus an industry standard PASS or MEET. If a meeting is requested and they'd like to provide further feedback on your project, we will introduce you via email.
Please understand that these are working executives, and their schedules are subject to change at a moment's notice. We always strive to give you at least 24 hours of notice if a session has been cancelled, and we will recommend another executive for you to get pitch feedback from.
Need help with your pitch?
Download the Stage 32 Pitching Guidebook
Questions?
WriterHelp@Stage32.com