Pitching • Coverage • Consultations • Personal Attention • 500+ Managers, agents, producers and executives
Credits include: Arrow, Lights Out, The Last Ship, Another Happy Day, Trust, Hart of Dixie, Political Animals, NCIS: Los Angeles, Law & Order: SVU
David Chien, Manager. David Specializes in Horror, Sci-fi, Thriller, & Comedy Features and Comedy TV Pilots.
David Harris, Producer. David Specializes in Action, Horror, Sci-fi and features based on established IP.
Credits include: ALITA: BATTLE ANGEL, "The Get Down", BAD MOMS, "Texas Rising", "Stuck in the Middle"
Jonathan Taub, Talent Manager / Creative Executive. Specializes in All Genres and Formats.
Jim Young, Owner/Producer. Jim specializes in Drama, True-story, and Thriller features. Please no sci-fi or horror. He is also interested in procedural TV Pilots.
Credits include: Fury, Borg McEnroe, V for Vendetta, Thor, The Intern, Outbreak, Face/Off, Flatliners, I, Robot
Pat O'Brien, Literary Manager. Pat specializes in all genres of features, especially Biopic, Drama, Thrillers and Romantic-Comedies.
Credits include: The Merchant Of Venice, Head In The Clouds, Perfect Creatures, I Melt With You
Jason Piette, Producer/Founder. Jason specializes in all genres of feature film and television.
Credits include: Duran Duran with David Lynch, Lazarus Rising, American Fango, Citizen Hacked, Blue Pearl
Alexia Melocchi, Producer. Alexia specializes in all genres of features except horror & heavy drama. In television, she's interested in limited series and unscripted projects.
Producer / Acquisitions. This exec specializes in Sci-fi, Horror, and Comedy Features, as well as edgy, fun, pop culture projects with a musical element.
Credits include: The Book of Life, The Lego Movie, Spongebob Squarepants, Robot chicken
Daniel Kendrick, Literary Manager & Development Executive. Daniel Specializes in Animated Features & TV series. He's also interested in Latin-American scripts, and Genre Material
Cody Lyons, Producer & Co-Founder. Cody is open to all genres of features and specializes in grounded Sci-fi, Horror, and Christmas features.
Credits include: Hacksaw Ridge, Double Take, Charlie Bartlett, Prayers for Bobby, Youth in Revolt
Steve Longi, Founder/Producer. Steve specializes in all genres of feature screenplays.
Chris Sarfin, Creative Assitant/Producer. Chris Specializes in ALL Genres and Formats, but is especially interested in Horror Features.
Credits include: MR. RIGHT, THE CALL, THE ROAD WITHIN, CAREFUL WHAT YOU WISH FOR, FEAR INC.
Nat Topping, Creative Executive. Nat Specializes in Drama, Comedy, Thriller & Horror Features, and All Genres of TV!
Private (494), Creative Executive. This Executive specializes in True-story/Biopic, Elevated and Grounded Sci-fi, Prestige Drama, and overall just great material!
Credits include: Tomorrow You're Gone, Good Ol' Boy, Man in the Chair, Run for the Border
Brandon Hill, Director of Acquisitions. Brandon Specializes in Comedy, Horror and Thriller Features.
Private (191), Manager. This Manager Specializes in Inspirational True-stories, Sci-Fi, and Character-Driven Drama and Comedy Features, as well as Premium/Cable TV Pilots.
Charlie Osowik, Literary Manager. Interesting in All Genres of Features & TV, except Half-hour Pilots.
Nick Oleksiw, Producer. Nick Specializes in 1-hour Serialized TV Dramas, and 1/2-hour Comedy and Dark Comedy TV Series.
Becca Lonngren, Office of Literary Manager. Becca specializes in drama, comedy, romance, period piece, and true-stories with inspirational and diverse narratives.
Sissy Denkova, Development Coordinator. Specializes in True-story, Drama, Sports, Romance, Comedy Features and TV. Especially aspirational, inspirational, culturally-relevant, and social -impact stories
Rebecca Quinn, Creative Executive. Rebecca specializes in all genres of features. She is especially interested in Action, Thriller, Noir, and High-concept material.
If you have a script that you feel is ready to go out to the market and you've prepared a professional pitch, Stage 32 provides you a unique way to get feedback and hone your pitch (film or TV) directly with a variety of development executives, producers and managers. You will be rated by your Pitch Delivery/Format, Clarity of Pitch, Set up of Protagonist(s) & World, Obstacles & Conflict, Clarity of Tone, Originality of Concept and Strength of Voice.
You will pitch directly to the executive listed live over Skype or phone, or by way of a written pitch, and receive feedback from them.
Stage 32 Pitch Sessions are for educational evaluation purposes only.
You may only pitch ONE project per reservation, NOT portfolios.
You must have a completed script available for the project you pitch.
Do not reach out to the executives unless directed by Stage 32. They do NOT accept unsolicited material or appreciate being cold-called/emailed by strangers. Doing so will forfeit your right to participate in future sessions.
Missed reservations are not refundable and will not be rescheduled.
Within 15 minutes of your scheduled pitch, the executive will reach out by Skype or Phone. Your pitch session will last approximately 8 minutes.
Written Pitches will be no more than 2 pages submitted as a PDF or WORD document. Any written pitch uploaded past the deadline will not be shown to the executive and will result in a non-refundable forfeiture of your pitch.
Within 3-4 weeks of your pitch session, you will receive a Pitch Scorecard on which the executive you pitched will provide you ratings on the 7 categories, plus provide you written feedback on your pitch. So you understand where your pitch fits in the marketplace, you will also receive a standard industry PASS or REQUEST.
Sometimes, to give more comprehensive feedback, an executive may want to read your material. If so, you will see REQUEST on your scorecard.
If you see REQUEST, you will be notified via email with further instructions. The executives will have 2-3 months to review the material you submit. At the end of the review period, they will provide you a second set of written feedback about the material, plus an industry standard PASS or MEET. If a meeting is requested and they'd like to provide further feedback on your project, we will introduce you via email.
Please understand that these are working executives, and their schedules are subject to change at a moment's notice. We always strive to give you at least 24 hours of notice if a session has been cancelled, and we will recommend another executive for you to get pitch feedback from.
Need help with your pitch?
Download the Stage 32 Pitching Guidebook