I've been thinking about this topic for a while. And as many film composers before me mention to up and coming musicians and composers, to "learn to speak the language of filmmakers!" So my question to some of you is, if you were to give a seminar to a room of filmmakers about how a director/producer should talk to a composer, how would you approach it? Why not turn the tables on the directors and if you had the chance to teach them how to handle spotting sessions and how they can learn and communicate their thoughts in a way that composers can interpret easier, what would you say? I will have this chance early next year and I would like some ideas of how to structure that topic of discussion during my presentation. I can draw from my experiences but I would like to hear some of yours! Thanks in advance!