Every week Stage32 sends a notice to my in-box to "Pitch to this TV or Movie exec for $19,95"
(with free shipping...haha)
Yes, for a modest fee, getting the opportunity to place your script or more in front of someone with the "connections" money and power to take your dream to screen is an amazing once in a lifetime chance....again and again and again?
Where am I going with this?
I would GLADLY pay the going rate to get my project in front of someone that (if it's my stuff is worthy) could see the value in and get the production ball rolling. Or at least give it a fighting chance. (Maybe get a star attached?)
But now comes the question. WHO do you pick to bare it all to? And WHEN is the right time with THAT person?
You could choose someone TODAY who "normally" would be looking for a Sci-Fi and that YOURS would be PERFECT.
BUT, last night his wife served him divorce papers so he is in NO mood to pick the next Star Wars.
You could select the producer who "word on the Stage32 street" says she is RIGHT NOW looking for the next BIG Horror Tent Pole series.
But that morning (before YOUR call) she just received something good enough. (and not even as good as yours)
Had you ONLY pitched it to her YESTERDAY! she would have signed you to that contract in a heartbeat.
So, my question is..., no matter how much background we writers/producers/directors research the execs that Stage32 promotes for this or that...we have to question...how do we choose WHOM to pitch and WHEN to pitch and WHAT to pitch.
It's not just the money (well it is the money) But it is more that...
In the REAL world, so many things are based on LUCK and TIMING. In reality, Talent, or a great Script, or unending Determination is the SMALLEST part of the equation. The world is filled with the greatest Writers, Actors, Musicians, and the like, that the world has NEVER and may NEVER know of.
ALL because the clock mechanism and alignment of planets was off by 1 second the day OUR turn comes up.
So...
I do want to pitch my project(s).
But I may only get 1 chance in my whole life.
So WHO do I choose TODAY and WHY "This man or that woman"?
After all, it's Show Business with emphasis on the latter. $100M is a lotta dough. No one can be faulted for not investing in a film with sketchy ROI.
A studio head who saw the film said, “It’s so not...
Expand commentAfter all, it's Show Business with emphasis on the latter. $100M is a lotta dough. No one can be faulted for not investing in a film with sketchy ROI.
A studio head who saw the film said, “It’s so not good, and it was so sad watching it. Anybody who puts P&A behind it, you’re going to lose money. This is not how Coppola should end his directing career.”
Conversely, there's the promise of fruit from the poison tree that could drive audiences to it. It'll be short lived. Odds are the film will lose big time as word of the stench is disseminated. Then again, there could be surprises.
Tragic. Copolla sold a lot to fund the film.
1 person likes this
Maurice Vaughan
yeah, pitching needs to be top-notch.
You're right, Mario Leone. I've been thinking about making sizzle reels for my feature scripts. Short ones. I'm thinking 30 seconds to a minute. Sizzle reels are really eye-catching....
Expand commentYou're right, Mario Leone. I've been thinking about making sizzle reels for my feature scripts. Short ones. I'm thinking 30 seconds to a minute. Sizzle reels are really eye-catching.
What was Coppola's last good movie? Del Toro, Spike Lee, David Lynch, Paul Schrader, K Bigelow, Ang Lee, Nancy Meyers... i could list more famous legendary filmmakers who cant get funding for whatever...
Expand commentWhat was Coppola's last good movie? Del Toro, Spike Lee, David Lynch, Paul Schrader, K Bigelow, Ang Lee, Nancy Meyers... i could list more famous legendary filmmakers who cant get funding for whatever reasons.
But hey, M Night Shayamalan has been funding his own movies for three decades. He seems to know how to make profitable movies.
"Battle Beyond the Sun" followed closely by "The Bellboy and the Playgirls."