I am shopping around for a sales agent for my new film and I spoke with these guys at AFM and twice since. I was wondering if anyone has had any experience positive or negative with them before?
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Same here, I'd like to know how was the experience.Please update me on this one too.
I'm Internet stalking them now after getting an email asking about a film. Haven't found any negative gossip yet, but did find an article of interest. http://www.lasplash.com/publish/Film_106/afm-small-busines-but-big-succe...
Hey, Check out www.SebastianTwardosz.com he is a partner at Circus Road Films About Circus Road Films
They've contacted me a couple of times via email and LinkedIn and appear genuine enough, however, when I have asked a few questions they've not bothered to respond.... Bizarre behaviour.
Jose, I see your film is on Adler's IMDB. Has your experience of them been good? They've just accepted mine.
Hi please go to my page Shula Gattegno maybe you could use me.
Ok, I'm far enough along in the process now to feel confident about this company.
Hi guys - I was just contacted by them about my latest film. Any further information? Denise, did you end up working with them?
Yes. I've been working on the deliverables list, just finished time coding for subtitles. Communications are sometimes slow but they do happen.
A friend was just been approached. They seems legit but their request and first money fees are a bit high for indie filmmakers.
really?? They didn´t ask for money to me. For the moment everything look like right. Could you please, writte in the post the names of the movies?, mine is 1 1/2 HOURS
Johnny, do you mean the recouping of their investment and other fees that come out first? If you compare they're actually better then many. I've seen much worse deals. I've signed with them so we'll see how it goes financially.
Hi all, I was also approached by them and while I like the sound of them, I'm concerned about a couple of things . Though they not asking for any money upfront, I don't understand why there is a service fee and the commission rates are high. Comments please.
You consider their commission rates high? Have you compared?
Morning Denise, I checked online for standard distributor rates and their's was higher. My lawyer also thought it was high. Did you negotiate with them?
I have enough background with other indie filmmakers to see what they offered as higher than many.
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I am in the process of producing my 16th film and I was approached by them on my first couple. The first thing I did was went to their website, checked their catalog, then wondered if I've seen any of the films in the store (I did this for every company I considered). If I couldn't recognize any of the films then I didn't want that company.
I now have guaranteed distribution with 6 different companies (I personally would stay away from this company).
Just my opinion
Has anyone made any money from a distribution deal with this company?
They found me (I didn't submit to them), yet in their first email (before they would say whether they were interested in my film), they included a Submission Release form with several paragraphs of filmmaker indemnifications, promises not to sue for intellectual property infringement by them or their clients, and other fairly stiff commitments required with my "submission"... I'd say they're a bit sketchy. We decided not to play.
Very unprofessional email exchange with them early on in communications. Rude when I asked a simple question. Major red flags all around, plus the twitter profile of Adler seems to be one that has paid followers (tell tale sign is high follower count with almost no engagement on tweets) There's definitely something too good to be true about a distributor who reaches out to you before you've even gone to fests.
I find that common, actually. I was suspicious the first time it happened, and even the second, but because of some media buzz I've had several queries about one project of mine from small distributors and looking into what they do, have learned there's a thriving market in streaming, DVD and foreign sales that many filmmakers miss because they're looking exclusively at the multiplex in the local mall where indies have an uphill battle against the big studios.
Hey Denise (or anyone else with actual Adler experience) what has your experience been since signing?
Infrequent communication, but over time the pattern emerges. At last count I was in the next batch going to Quality Control at a facility I chose from a list Adler provided. From what I see, my film is going to be among those they take to festivals this summer. I have my subtitles to finish off then I'm done with the list.
Some things, like getting the quality control check you need to get on Netflix, will cost, but it would still cost if you self-distributed.
I just looked up most of their horror film offerings on IMDbPro. I found only two that had votes registered. You have to have 5 before they begin counting. I think that is telling.
If you are looking for international distribution with a prominent company, please feel free to contact me. Completed projects only. Thanks
Denise, I have also been hit up by Adler and they have a contract on the table. Anything else you can say about your experience so far? Are you happy you went with them? Did you try to find any other companies.
Anyone else who can help answer any questions about actually working w/ Adler specifically, I would definitely appreciate it.
Are all sales/distribution places equal? Probably not. What makes Adler worth it or not?
Do you feel like your film is just a piece of a package and not really an entity being sold because it's great?
I know a lot of people don't recognize their films, but that doesn't mean anything. They could be making money in Africa or on airplanes and Imdb would never reflect what's really happening financially due to sales that aren't in the theatre.
I do feel happy with them. Communications aren't always as I might wish but they are professional and haven't asked anything of me any distributor wouldn't. Quality control was done by a third party company (Point 360) and I'm sorting some sound issues now so they can continue. Yes, I think films are part of a package in their way of working. Sometimes you have to be realistic in your expectations. I have a sheet from them detailing what I can expect to get from various countries.
I'm very good at spotting scams and I feel I'm dealing with a small, but honest company. I like the update they just sent from Cannes, reporting on the current sales situation on indie films. Complete honesty.
Thank you Denise. I also sense honesty. You feel that their deal are similar to other's you have seen? Specifically in the marketing realm.
Curious about the cannes report.
also, what is your film called?
Mine is called PUNK BAND.
Hi Bradley, Yes, I had done a lot of research into how these small distributors work and their deliverables list is actually easier than some. My film is called Old Blood. Trailer here https://www.youtube.com/watch?v=H0Wgg-aQrfA
Have you got a trailer made?
The Cannes report basically said that deal are being made slowly at the moment. Chinese are looking for good deals out of Western filmmakers (they have a government quota for import films) but taking time about decisions. The market is in a cautious frame and they want regular reports on any outstanding deliverables. I must finish off my subtitles, still need a French translation.
Denise, just so you know. Adler was explained to me this way: ""I've never heard of these guys before, but their game is pretty obvious - snatch up as many titles as you can from self-financed filmmakers in order to build a giant library to dump it all on Amazon for a "cents/stream" deal ... They have a library that they got for free from filmmakers and they take the lion's share ... You'd probably be better off putting it on Amazon yourself and taking 100% of the meager money ... This company will do nothing to promote the film or anything of the like ... Their IMDB page clearly states that they're getting worldwide rights in all formats ... This means your movie is just a grain of sand in a sandcastle they're trying to build. It seems to me that they won't be able to do anything that the filmmaker won't be able to do himself, really."
Hope this is of any assistance to you or anyone else. Yesterday I was warned against them by a few other people.
Not that anyone is desperate, but this seems to be the company you go to when no one else wants to put out your movie.
and you don't want to do it yourself.
sorry to be a downer. The best of luck. I hope everything works out.
I do not have a pro trailer yet. Just an imdb page.
If you think you can do better than just have it released, I would consider breaking that contract by not delivering.
Somebody didn't do their research.
I stalked them thoroughly, twice, before signing. Their strength is actually in foreign sales. They push very few for cinema release, so wouldn't be right for everybody, but they make the contacts at festivals for worldwide sales that people just putting their film on Amazon miss out on. Those foreign sales could finance the Fantasy film I really want to make.
The film I have with them is a vampire comedy B-movie and would only get cinema release in arthouse cinemas. One has to be realistic about the material they're working with.
Filmmaker gets 65%, which is better than some, worse than others. There are a few articles around the Internet about Adler's progress as an up and coming distributor. When it comes to it, the company your target market is talking to is the best one for any given film. Old Blood is not a blockbuster, but it's an entertaining film and will appeal to a widespread market, including foreign.
The thing that is really telling is checking out what other producers have gone with them on IMDB to see if people stay with them. One producer had a film with them, then went with someone else on his next film, but was back with Adler on the third one.
ADLER contacted me today.
Their SUBMISSION RELEASE scared the life out of me. Just to submit my film for distribution considerations, I had to read through 5 pages of legal MAMBO JUMBO. I did't understand what I was reading at some point.
What scared me the most, is that they want a WORLD WIDE rights in ANY FORMAT for the film. Their SUBMISSION RELEASE is actually the distribution contract! GOOD GAWD!
I AM STILL SEARCHING FOR THE RIGHT DISTRIBUTOR.
The trailer for the film is on my page. Or, you can see it here: https://youtu.be/wlgbIuk_wOc
The movie is an OFFICIAL SELECTION at the 2017 IndieFEST Film Festival (in California)
Legal mumbo jumbo will come with any distributor, even just to look at your film. I guess it doesn't scare me because I've done legal work and the phrases are familiar.
Ms. Channing, I don't know why you're vociferously defending Adler. Y'all should refrain from preying on hard working independent film makers. ADLER is a super scam.
My definition of scam includes the scammer makes money off me. They can't make money without selling my film. How much I see is yet to be seen, but I have to fix my sound to get through quality control first. They haven't asked me for anything I wouldn't have to have to self-distribute. Things like subtitles, quality control and E&O insurance go with the territory, unless you want to sell half a dozen copies on Amazon services by yourself.
For anyone that may be interested. If you have a feature film and looking for a sales agent that wouldn't rip you off, my sales agent is one to consider. He is now looking for additional films to represent. If you got a trailer of your feature, send it my way and I'll share it with him. If he wants to see the whole film then I will request it from you. If he is interested, then I will connect you both. So send me message with link if you are interested.
Best of luck Denise. I think you have done your homework and are making the right move for you. It seems like you are keeping your expectations in check. That is good. However, unless someone shows you actual paperwork of how films like yours have done, it's all speculation. And when it's all speculation you don't know if they are telling you the truth or lying.
Remember the guys who made the Blair Witch Project? They sold that movie for 1mil. Obviously they never thought they'd get that much for their little movie, but the studio got over 100mil in the theaters and then cheated them out of any backend money on dvd. They made one more movie. I think maybe a couple of TV shows. Done.
So, what does that mean? Even on this small level we are working at (the VOD market), there are people who will cheat you like that's the way it's supposed to be. Yeah, Adler will make money off you because they package your movie w/ a ton of others for one price and once they're done covering the 70-80k you have to pay in marketing, you don't end up w/ much. Definitely not what a feature length film is worth. And who's to say they don't fudge the numbers and only spend 10k marketing your movie, yet they collect 70k straight from you. That section in your contract is rather tricky, isn't it? Your marketing budget is speculation and if they came back to you w/ what looked like real number after your film is release, you'd have no other choice but to trust them.
Having seen your trailer, I think you know what you're doing. However, if this film was your baby/ your shot/ your sci-fi movie, I think you'd probably think twice or 15 times about Adler.
Your marketing percentage that they are taking is going to them selling the film, not promoting it. They even say you have to be responsible to promote it on their site. If I paid 80k for advertising, I'd think that company would maybe advertise for me. For marketing, the same. Your money is being used to send them all over the world to sell your film. That's what they're supposed to be doing anyway. So, if they package your film w/ 10 others, they make 800k off the bat while traveling the world on your dime.
It's actually a truly brilliant idea. And it's not a scam. Your movie is released. They did what they said. It's just that you just don't get it seen by anyone, except in Africa and makes nothing.
They are not making money off your movie. It doesn't have a thing to do with quality or not. They are making money because you have a movie. Any movie. You are a piece in a package that is supposed to be sold for hardly anything.
If anything just remember this number. 80k = marketing taken out of your percentage. 10-12 movies packaged together. 800k+ just right off the bat w/o any promises to do anything other than travel to sell it.
This is for everyone obviously. I have done my homework too and I can also see a bad deal.
If you have a feature film, you have a product! Sell your product for what it's worth!
And Denise, if you're not convinced by now, to hold off and just check things out before you deliver, I really do hope I am wrong and you rock the shit out of it!
For me, I bet I could email them this thread and they'd still take my movie.
I obviously won't be doing that because others are involved, so no one worry about your relationships w/ adler or anyone else.
also, they don't take your film to festivals. They are sales conferences. TIFF is not the Toronto International Film FestivaI, it's a sales event. Your movie will be put in their booth and sold off like cattle. Also, I requested on the phone that they take my film to actual fests and they still put it in my contract that while they thought it was a great idea for me to take the movie to fests so I could do my own promotion and marketing, they would not be covering it and it won't be coming out of their (precious) marketing budget. That tells me they could less what I made. It does not matter as long as it's not porn or completely unsellable.
What I have learned is that if I have to, I can make these small films the rest of my life, make a good living and be totally content if I play my cards right on VOD w/ this first movie. Content was never enough for me, but it's nice knowing I can do this until I drift away into the great beyond.
Bradley, what distribution service are you using? How things go with Old Blood will determine choices I make for my other film in edit. Adler advertising costs are capped at 50k, BTW. And yes, they sell packages in foreign sales. Domestic as well, but DVD and streaming. I've got the paperwork for what to expect. As you say, the Fantasy film I really want to make would have different criteria. They just got back from Cannes and do go to various festivals, but I'm aware mine is one of a catalogue of films from their point of view.
If you're aware, and the decision is a good one for your movie, I'd say you're making the right choice for you. I also got expectation paperwork. I looked it over. You could really put in any number you wanted to if it's just an expectation. For me they make it look like my film will top out at 500k. How many years until that happens and why I should trust those numbers when I don't know specific numbers for any of their other films is the real question? Since I don't recognize any of those films and when I look them up on imdb or anywhere on the internet you can't find financials on them (VOD market), I have to think that those spec numbers are nothing more than spec numbers and I will not make any decision right now based on blind speculations.
We are in different situations though and every situation should have a plan for execution. I wish you the best in yours!
I currently don't have a distribution service, but if I can't find one that meets my needs, I'll probably go with a friend who has made a living putting out his own films on VOD. His rates are much more my style and he does all the finishing costs, so if it comes to just releasing it on VOD, I'll probably use him.
Actually my ad costs are capped at 65k and they get the first 15k of what the movie makes for their "expenses of doing business with Adler & Associates", so that makes it 80k. I'd imagine most of their movies don't make enough to get you past the 15k. And I'd bet that's part of their design. We pay for everything, they distribute anything, they collect pennies on the dollar for our work and we walk away with nothing that we couldn't have done ourselves.
If you've done your research, you'll realize you're defending them before you've made a buck. I'm very interested in how things turn out for you. We can all learn a lot from this. Thx.
I'm not defending them, I'm relating my experience and impressions so far. The jury will be out until I see if I collect any money.
Cool. Please let us know how things work out in the next few months!
I will! We should all share experiences with specific distributors and sales agents to weed out the dross.
For sure. As a matter of fact, I am chatting w/ another filmmaker who went w/ adler. Her experiences seemed very positive. She also seemed very excited to just be released. So, take that for what it is. Nothing more than my impression.
Everyone on here needs to be a champion of everyone else! That way we can share info. and feel good about doing it.
Agreed! Just think how sharing terms of different distributors can be useful to us.
I think the red flag for me is that I keep getting contacted by a lot these distributors that got my info from IMDB pro. They don't seem to care about the quality of the film. Just that is a feature film that is finished.
I agree w/ this. I also think it's an amazing business model as long as you don't cheat the filmmakers.
Some people just want their stuff released.
Mine wasn't even done. Super rough cut and they sent me a contract.
Unless I'm the next Kubrick and haven't realized it yet, I don't usually get offers on uncompleted work. Ever.
Best of luck to anyone who goes with Adler. Worldwide deals are the worst deals to sign. You will not make any money as all your domestic sales will be eaten up by the expenses from international. Best of luck Denise. I hope your film is successful but honestly will be surprised if you see any revenue at all.
Just checked out opinions on FilmSpecific.com regarding Adler. The founder of the site, Stacey Parks, who has many years of distribution experience, warned against going with Adler, saying they were a strictly VOLUME distributor, plus this "Anytime a distributor contacts you, rather than you contacting them, it should be an immediate red flag."
If you can, back out now Denise. I'll even help you release your stuff, or give you the knowledge to do so for free. Just ask.
If you want to see any money, let me help you.
No thanks. I plan to see it through. Their model parallels how I would have gone about it if I self-distributed. As I see it, things are going well.
You would have spent 60-80k on advertising? Okay. I tried. Good luck!
I'm not spending a penny on advertising, I don't know where you get this. And as I said, what they can recoup from sales for it is capped at 50k.
That 50k comes from your percentage and is marketing money. Read your contract again.
Adler makes their money, by jacking up unneeded percentages. You are paying for marketing. You're just not getting any, except maybe a picture in their sales booth. That's how they do it and they even tell you.
You can put your movie on amazon by yourself, you know?
1)NEVER sign with a distributor until you've gotten at least three positive references from filmmakers they currently represent. Their contact info can be easily acquired on IMBDPro or you can message them on Facebook. 2) NEVER give worldwide rights to a single distributor. Get one didtributor for domestic and a separate one for foreign rights.
Adler is nothing but a bundler who will put anyone's film in their catalog for volume sales purposes to Amazon or another buyer. Don't expect to see a dime! FilmSpecific.com warns their hundreds of filmmakers NOT to do business with them.
Bradley, putting your movie on Amazon yourself is worth a handful of sales at best. I know several filmmakers who have gone that route and consider it a last ditch effort when everything else has failed. I may well do it with the other movie I have because it has production issues that will never get past quality control, though it's still a good B-movie.
You've admitted you haven't distributed a movie yourself, so why are you so adamant about steering my course?
The OP asked for experiences with Adler, I'm sharing mine. I did substantial research on my options before Adler contacted me and was actually looking into the lucrative foreign sales market just before I heard from them. They have the extensive contacts that I was dreading the possibility of having to spend far too much time trying to form from scratch.
If you're a sound engineer and can help me reduce noise without getting echo, by all means, share your expertise. But I have no interest in dropping my contract with Adler. From where I sit, it's going well. As I said above, the final judgement will be when I see how much money I actually pull in from this. My expectations are in line with the product I have available and the projections from each country as laid out.
Erik, have you got a link to this warning? I couldn't find anything with a search on FilmSpecific.com.
Oh, I have no desire to steer your course. I'm way to busy on mine. Just tying to share real info I got from people (lawyers, filmmakers, production companies and other distributors who know this business and adler. It's your movie Denise, I am only a stranger w/ an opinion.
Denise... check the last post on Adler & Associates in FilmSpecific's Distribution Forum section.
Erik, you mind cutting and pasting that. I can't access it.
Bradley.... tried doing that earlier, but didn't work. Perhaps the thread is too long. But even non-members like yourself can access the Blog section.
I have been trying to do this for a couple days and I don't consider myself dumb at computing. I'll just assume what it says for now.
If you can, just send it to me as a direct message and i'll translate to everyone.
Jose, you've been working on quality control for 2+ years? That seems about 1.75 years too long.
Jose, I hope you didn't jump in before you tested the waters. Seems like you have a great film that may be seen in China. Much luck.
I'm also very interested in seeing your movie, so however that can happen is what I want.
Just watched your trailer, Jose. You have something special. Back the fuck out of that contract if you can. You can make some good money on this! You have good wins too! Man, I can see why others may go with adler, but I implore you to look at other options. You need this to be seen by as many people as possible, and I'm afraid that may not happen.
Jose, I guess here's the question: How did you do w/ them w/ Aftermath?
Since this is the second film you signed w/ them you know if you can make money or not.
Once you sign with a distributor you shouldn't have to do any more work. If they have YOU doing subtitles or getting QC done than something is wrong.
FYI... the contract is not valid until you send the hard drive even if you've already signed. If you need help or advice I'd be happy to help.
Thanks again for breaking that down into less words than I can use.
I've produced 16 films to date with 13 currently in stores and 2 coming this year as early as August 1st. There is definitely money out there.
Adler was a distributor that wanted one of my earlier films but when they couldn't answer the questions I had I knew they weren't good.
Also, they wanted worldwide rights... a big no-no without a minimum guarantee.
I hope this helps.
It does for me!
what exactly is stopping any company from planting someone in these discussions to influence our decision making?
Jose. So, the film you made in 2011 is still in quality control and has not been sold?
I'm so sorry, man. Don't give them 1 1/2 Hora. Just do not do it!
Jose, which quality control company did you try? I've made things difficult on myself by going with Point 360, but if it passes them then Netflix is a possibility.
What audio editing program are you using? Sound that seems fine through headphones may not actually be loud enough. Some general levels quoted in this article https://www.premiumbeat.com/blog/how-to-set-audio-levels-for-video/
Bradley, if there was a plant, they would be singing about getting rich from Adler. No one here is doing that. I'm still on 'wait and see.'
Bradley, about Aftermatch that was shot in 2011, I signed at the same time 1 1/2 HORA, now they are working in 1 1/2 HORA, I guest after that they want to follow with Aftermatch. I signed in 2015 both films.
Denise, the Company is QC Central.
Jose, is there anyway to check out 1 1/2 Hora? do you have subtitles yet?
Adler wants my movie 27 Matches, they have hit me up twice now. Has anyone received a payment from them?
David, it would be a huge mistake to go with them. Vitaly is right, Adler offers anyone/everyone "distribution" so they can build their catalog bigger, getting perhaps 10K to 15K for your product from a streaming business which goes in THEIR pocket, not yours, then move on to the next sucker. You'll never see a penny yourself, nor will your investors.
They have a 10 to 15 year contract and they do no marketing and promotion for you.
So, what's the story Denise? Curious about how Adler is treating you.
They're waiting patiently for me to finish re-doing the dialogue. Finishing soon hopefully and getting the French subtitles checked over. They need these things to be able to sell. Hopefully the dialogue will pass quality control on the second pass. I know what to watch for now.
Is your movie in French? Do you have to re-ADR the dialogue or just for subtitles? What is their quality control like? I have honestly never heard of doing your own quality control. If your film gets picked up for distribution they almost always handle that stuff.
Quality control comes from a third party company. I chose the one that Netflix trusts. The distributor does not make your film for you, making the dialogue files of sufficient quality is the producer's responsibility. Providing subtitles is also part of standard deliverables. Adler asks for Spanish and French.
My experience... so long time waiting to get nothing for now. Good communication, but, I do NOT live from communication. I expect to get something at the end of the year...
Have you provided all the deliverables Jose?
How long have you two been trying to get past "quality control"?
As I said above Bradley, Quality Control is done by a third party company, same ones the big studios use. Point 360, which I chose, is one of two that Netgalley accepts certification from. The process took about 10 days, but I have been working on correcting the issues they found for a couple of months. That part is in my own hands and getting close to finishing so I can send it for a second pass.
Jose had said above that his Quality Control company found issues, but hasn't said what he's doing to correct them. A distributor has to have a viable product to sell. U.S. companies like Netflix have standards to uphold.
Nothing Point 360 found was bogus. They were genuine amateur mistakes which I've learned from and am correcting. Most of them were caused by noise reduction on the dialogue files. I now know what to watch for and how to correct room echo.
You're doing your own audio? I'm just not experiencing this quality control issue w/ any of the companies I'm working with. It seems like to me that your's is picking up unfinished films. I guess I can see how quality control would make a difference if that's the case. Oh, well, good luck. I'm waiting for the Sundance line-up to be announced so I know where I will be premiering.
It's not unusual to get QC notes with the audio. And they can be notes as simple and pointless as "Third footstep after door opens, too much echo" or "Sound of sheet sliding across leg missing." Even when all the footsteps were recorded in the same manner on the same surface and the sheet was never intended to be heard siding across the leg in the cut. I delivered a film where we passed domestic QC, released the film in English with a scene deliberately designed to have no room tone to heighten the other sounds but for the German dub we had to put room tone in the scene just to pass QC for the Germans because they could not understand the intent was "no room tone" and refused to accept it without frickin room tone.
I've also been contacted by Adler, they sent me their agreement/contract, like other distributors/sales agents as well. They all have similar contracts: basically it's a 5-year deal, 70/30 on everything digital/aired (70% to them, 30% to you) , 30/70 on everything physical (30% to them, 70% to you). Is that a fair deal? Or should I try 50/50? Any advice would help! Thanx!
Thank you so much for your advice, will try to get the best deal.
Considering they do their business in the digital realm, I'd say your 30% is going to look very small.
They are also not offering up 18 month deals. More like 18 years. You lose ownership of your film. If you think you've made something halfway decent and aren't looking for just distribution w/ zero return, take a look at The Film Collaborative. I can't recco anyone, but they are good people.
I took a pass on Adler, but they didn't offer me a 5 year deal... they wanted much longer (the aforementioned 18 years).
My fiscal sponsor is The Film Collaborative and I can't say enough good about them. They didn'the accept my film for distribution because they felt like they couldn'the do it right. They were supremely helpful.
I would have taken 5 years probably. As for the percentages, I was advised that they were WAY high, but I probably would have lived with that on a shorter time frame.
Alan, 70-30 is only standard for direct dealing with the cinema. That's not what my contract has. Several years deals are standard. I suggest before you take advice from anyone, you check their experience on IMDB. That's where I went first to see who had dealt with Adler and the results. The Internet is full of 'experts'.
Being a first timer myself, I figure the test starts when I've delivered a salable product, i.e. when I get my film past Quality Control. The fact that they won't try to sell any old rubbish is actually good. The corrections I'm making now really were cringe-worthy.
David, thanks for your comments with QC. I called them on a couple of things that were intentional effects and they seem willing to pass those when I send it through again. The dialogue sound did have genuine issues though and there was one legitimate flicker in the video.
I'm backing out of this conversation, because it seems like nonsense at this point. If you have a good film, your film will find the right people. If you have a film that is not so great, I'd say Adler is fine if you just want distribution and aren't worried about the money. If Denise's situation is an example, it should be that signing a contract on an unfinished movie can lead to a couple years of back and forth. I only let a few people view PUNK BAND before it was finished, sound design, mixing and everything, so it was a sellable product before anyone "important" viewed it. Adler does serve a purpose, even though I truly believe their "game" is not ethical. Good luck to everyone. Peace, Brad.
Thank you Denise, Bradley and everyone: every comment is useful, we have several options from sales agents and we're trying to get the best options. I'll keep you updated and let you know as we sign the best deal.
Best of luck, Alan. Do let us know. Comparing notes on small distributors could be very useful for all of us!
Ok just to close this discussion: we have skipped Adler for now and went for a smaller sales agent. We closed a one-year representation, they will bring our films at the AFM in november and at the EFM in Berlin in february 2018, plus a whole bunch of other film markets. 25-75 deal in our favor for any sell, and if they see there's some good buzz around they may consider co-production on our next movies and go 50-50. If nothing happens in one year, we're free to try another sales agent. That's a good deal to us. I'll let you know what happens.
Yes Vitaly, sure I agree. But for now, we have just one SA and we'll see how he works. Of course we'd like to have the same SA forever! :))
Best of luck to you Alan. Do let us know how it goes!
WARNING! Perhaps because of the negative word-of-mouth they have been receiving, Marie Adler has recently opened a "new" distributor called A&AE. Steer clear of them... and of any distributor who contacts you first about your film! It's always a red flag!
Alan, did you have to pay anything upfront to your SA?
No, Mr Robot, didn't pay anything.
i SAW ADLER AT CANNES FILMS FESTIVAL LAST IN MAY, but at the booth was more like party, laughting, and show contract aroundd, but I didn t talk to them, , dont feel ok to do
I just got an inquiry from them, but not impressed by their products, nor the spelling errors on their various social pages. Don't get a good impression, but maybe it's me because I have been on that merry go round since the early 80's. Sounds like the Old York Entertainment scenario. They're still selling my films CODE BLACK and DEMONS RISING around the world and never saw a dime. We now work with a sales guy who has gotten us exclusive distribution through Redbox. No deliverables on my end. Just shoot, submit, he takes care of the art work, the negotiations, and we get checks. It wasn't easy, it was a 12 year relationship which finally paid off. Best advice is, if you are looking for quick cash, get a rich uncle or get some good L.A. connections. The distribution business is full of empty promises and light paychecks, or front end deductions. good luck peeps.
Have been reading this thread with great interest.
Sell a few copies on Amazon? Hilarious. Advertising costs capped at 50K$ Ridiculous. Why give away 50k to a distributor? I made that mistake on my first film and will never do it again. Why do you think producers live in beverly hills and drive bmw's? Because they scam indie filmmakers. Film distribution is legal larceny and it would take a hell of a lot for me to EVER get in bed with another distributor in my lifetime.
Suggesting I'm a plant for Adler is just stupid. I haven't seen how things are going to go with them yet. I came on this thread to answer the OP with what experience I've had of them so far and certainly haven't sung unending praises, though I still think they've got the foreign sales worked out.
One thing I'll say to anyone reading this thread and wondering what advice is good or bad, check the IMDB page for anyone giving advice. Have you heard of any of their films?
You won't have heard of mine of course because I'm still working on putting the first one into shape to sell. But then I don't pontificate, I'm sharing what I've experienced so far with other amateurs.
And we thank you for it, Denise. John was out of line making that unwarranted accusation.
It's difficult critiquing distributors on a public forum knowing they could be reading what people are saying. I guess the best way to evaluate them is based on their track record, and of course, everyone's needs are different. I too had issues with Adler's release form. It's 5 pgs, very heavy handed and one-sided.
Some of the information you find on discussions like this can be useful, but a lot can be way off base. Anyone new to a business should check out any advice for themselves rather than take something said by a random person as gospel.
This article I found interesting https://www.premiumbeat.com/blog/basics-of-film-distribution/
Searching for an example of a big studio contract so a couple of people might appreciate how standard what I got actually is. When you really look at the deliverables list, it's audio and visual files plus advertising materials. How is anyone going to sell a film without these? True that a big studio would probably provide things like subtitles and maybe even make the trailers themselves, but they still need the film files to sell. Things like non-text files are specific to foreign distribution, which is much of what Adler focuses on. It's what I was looking into at the time they contacted me.
I've had the advantage of extensive experience in the book publishing market. The pitfalls are very similar.
1. Does a distributor/publisher ask for money to cover some reasonable sounding charges? If so run a mile, it's a scam.
2. How does what they ask for compare to large, known companies?
3. Where are they making their money from?
As most of these small distributors make their money from selling the films, they have a vested interest in doing what they say. The one thing to watch for has been brought up by a couple of people; do they sell it and absorb all the profits? I will be paying close attention to that when I get to that point in the process. But in my original stalk of them, I did find one producer on IMDB who went with them, then tried someone else, then went back to Adler. What this suggests to me is that he might have thought he could do better with someone else, but on his third film decided his better interests were back with them.
In any case, the OP for this thread decided to go another route. I'd love to hear how it works out.
You need to run as fast as you can from Adler. My friend was signed to Adler and when I read her distribution contract, I told her to get out of it ASAP!
I have to say, about Adler & Entertainment, they have sing with Amazon about my movie.
You can see there. It´s a movie in a real one long take, shot in April 2014.
Soon I will provide the statement about both movies I signed with them, and well... I will know about my decision, if it was right or wrong! Anyone here who had signed with them and has his/her movie in Amazon prime like me??
Hopefully soon. Still waiting to hear back from QC.
Denise, what is the name of your movie? Could you repeat in the post?did Adler upload your movie in any platform as Amazon or Netflix? Soon I’m gonna write in the post about my experience with Adler.
My Update: I found it better to just deal directly with Amazon for CD/streaming sales AND VOD. All the QC was done by Amazon themselves. No cost to me for anything (except $48 per year for my websites: http://necosbasement.com/watch-online/ and http://www.frankandflo.com/watch-online/
Mr Robot, what do you mean deal directly with Amazon? Do you get a better royalty?
John Borowski, dealing directly with Amazon the commission WAS .15 per hour viewed and we were actually making some profit, but NOW it is .06 per hour and our profit will drop 60%. Here is a link: http://www.indiewire.com/2018/02/amazon-video-direct-lowers-royalty-rate...
Well... I revived and email from Amazon vídeo direct months ago, but it was after I signed with ADLER&AE, and that’s why I wrote in the post “ I will write if my decision was right or wrong”... I feel not so happy because I knew the percent to indie filmmaker, but I thought the deal with a distribution company was different, so I’m waiting for the statement to write in the post.
I will see it Marcus!
Yeas I know, my films are on Amazon Prime. It is a very difficult time for indies, now more than ever. Forget about Netflix. Amazon cut their royalties. Does anyone have any recommendations to a decent, respectable distributor? All of my experiences with distributors in the last 15 years have been bad.
Jose, the film is called Old Blood. They have it listed in their catalogue but waiting for QC result before they offer it to any US companies and I'm just finishing up subtitles for foreign distribution now.
Just finished my 5th feature and this one, a bit different from my comfort zone lol: a martial arts comedy musical. So I've decided to continue going with my sales agent, he's been representing 3 of my films and I've gotten $ from him. It seems now most are heading to digital medium and he does have a tie-in into netflix/amazon as well.
Anyone interested to have him look/represent you just let me know via message, he's always looking for films. Great guy to work with.
Johnny, Here's the deal: Netflix is no longer acquiring small films. I have celebs in my film and they are not accepting films which have grossed under 10 million. This is directly from Netflix. Not much to be made on Amazon at .06 cents per hour. What is the name of your sales rep? Surprised you made money. The sales rep on my first film made 50K and I made nothing.
John, did you mean, your represent get 50K and you nothing? How was that? I think all of us are wrong, of course we made movies because we love it but we have to make movies to get any money, at least to make another movie! This is a difficult decision to make about distribution company, and of course we accept any advice about it! If I have nothing from my movie, of course I would not sign for my next movie.
This is really turning into a discussion about methods of distribution. Unfortunately it's all in the Adler thread. But it would certainly be helpful to know what your budgets were going in and how your films were financed.
I have produced 17 films and I currently have 16 of them in stores (Walmart, Target, Best Buy, Hulu, Amazon and more). NOTHING has made it to Netflix tho.
I've made films for as low as 10k and I've made money. Films shouldn't come to Amazon or Hulu until after they have made it to stores.
Stores make you the most money
Christopher, mine was financed with cake. ;) And of course deferred payments. Final budget is around 48k.
"Stores" make you the most money? What about theatrical release, premium TV, free TV, then VOD? I guess if you're working with a micro-budget, then you're satisfied to go straight to VOD where .06 cents/hr can turn a profit. I need to raise $50K just to finalize my film (colour correction, sound design, score composer, legal, insurance, marketing etc).
Good for you, Denise! Get it made however you can. I too raised early financing by selling masala spices.
Yes, 'stores' (Walmart, target, Best Buy and others...) Walmart may buy 10,000 units at $4/a piece (very low amount)... well that's $40,000 from just one store. Each store does the same thing. After it's in stores for a few months then it goes to VOD and TV.
This is my method at least.
Marcus, how are you getting your movies into "Stores". Who is doing the selling?
I can tell you that no Walmart in this world is going to order 10,000 units of an indie film for one store. Funny joke though.
It's not one location... lol 10,000 units is very small amount but that's nationwide. We can see John has never had a distributor lol
I have been in the business 20 years and my films have been distributed internationally. Being in the business this long, I know there are bullshitters and liars out there, and a lot of wanna be's. You said it yourself "$40,000 from just one store". What about returns? I really don't think Best Buy is going to keep $10,000 units of Dead End Demon next to a Disney film. Walmart might, it seems the kind of product Walmart shoppers would buy, who knows, but with those kind of numbers, even Hollywood would be lucky to match in these days of streaming.
I also want to know how to sell my film to brick and mortar stores like Best Buy and Wall Mart with direct deals. Marcus, please let us in on how you do this.
Since I have PR and a built in audience, I am going to get every dollar I can. I'll put it on vimeo and sell it off our website. Not until I get everything, will I pay $1500 to get it on itunes and amazon. And then, I'm not sure that's money well spent, because right now on Amazon I'd have to get about 25k views to break even. Seems dumb to me.
No big store advice? What about just Target? I hate Walmart aanyway.
"Dead End Deomon" would be next to "Get Out" and other horror titles. 10,000 units doesn't even constitute 2 units per store in the US. You're playing write John?? Lol
I have produced 17 films since 2010 and have 16 of them currently in stores (Walmart, Target, Best Buy, Hulu, Amazon and more). The only way I was able to do it was to find a good distributor. I currently work with SONY and UNIVERSAL. They take care of the artwork as well (which is very important).
I've worked with other distributors in the past but didn't see a return or very little. Now I'm seeing nice returns. I've made my money back and then some on a few. A few of them I don't think I'll ever make money
Is it just me, or does anyone else see the trend of how and where feature lengths films will be distributed in the future? Brick and mortar stores?? Are you all MAD??? I’m just wondering if anyone else in the “indy” film word is event thinking about innovation in distribution, or if you’re all just continuing to chase the Dragon’s tail? Super curious to find out. Best of luck to us all!
Doing documentary on business practices of Adler & Associates Entertainment. Seeking more interviews, pro and con.
I’ve already been threatened by Marie Adler and Mark Belasco for doing this, told my films "will be locked up in lawsuits".
Please also contact privately: email@example.com
UPDATE on documentary “Deception on Demand". Did we just catch Hollywood film distributor Adler & Associates in bookkeeping scam, fraud, retaliation? Is that why Adler herself threatened - in writing:
"All sales are on hold including BTS*, DVD deal, VOD localization, and translations. The film will be locked up in lawsuits...Please let all buyers know we are going to litigation and all deals are off the table.”**
They have DECLINED to be interviewed for this film.
Do you have a distribution horror story to share? Contact us - firstname.lastname@example.org
*Network interested in our award-winning film "Breaking the Silence" goo.gl/b6y2wm www.breakingthesilencemovie.com
**Documents, emails, etc., will be shown in the film.
Amazon Prime is looking for Horror films that aren't too scary for European and Asian countries. They're putting mine forward for that. They've got a contract for more countries than most distributors can get to on Amazon Prime. I'm just working on some German subtitles now.
Adler is my distributor, hence my participation in this thread.
We are just days away from the release of Deception on Demand, where you will find out the real facts about how Adler and her company "distribute" films...as well as the extreme lengths Marie Adler has gone to in order to prevent this film from being seen.
You'll find out what high-profile L.A. law firm she hired to threaten, harass, intimidate me and try to silence me. But, as with my film Breaking the Silence - the showing of which she SABOTAGED at PBS! - the truth is coming out.
Deception on Demand
In this exposé you’ll learn how Marie Adler & Associates:
Has “the WORST contracts” in the industry according to lawyers!
Charges filmmakers for UNSUBSTANTIATED expenses!
Diverts filmmakers’ income to…THEMSELVES!
Sells filmmakers their DVDs that they’re…FORBIDDEN to sell!
Claim EP credits to 200+ films…including YOURS!
Will sue or SABOTAGE your film if you confront them!
Charges up to $65,000 PLUS royalties for what you can do for…FREE!
…and much more!
While I provided Marie Adler and her associates with the questions and claims raised in this exposé, and invited them to answer and/or rebut them, they DECLINED to be interviewed for…
Deception on Demand...it's coming in a few days:
Michael Horn: are you going to release this through Adler?
Mr Robot, somehow I don't think they will want to help promote this one!
Well, I figuratively can not wait to see it!!!
Ah, patience my friends. You won't be disappointed.
The wait is over:
DECEPTION ON DEMAND
Exposing the questionable business practices of Marie Adler & Associates
Hmm. The link to YouTube doesn’t work.
I wonder why Michael doesn't just tell us what his beef is with Adler. Making a film about it comes over as obsessive.
Sorry for the glitch, it's working now.
Denise, you can find out quite clearly when you watch the free film. BTW - as I also told Adler when I tried to negotiate with them - I'm a researcher and a...documentary filmmaker. As they say, it's what I do.
And perhaps there will be some useful information in there for you.
To All Concerned,
Since posting DECPETION ON DEMAND (https://youtu.be/xQyH9KPIvk0) I’ve received emails from numerous filmmakers who’ve had the…SAME scam run on them by Marie Adler & Associates. This includes phony, unsubstantiated, “expenses” - in the tens of thousands of dollars - never received revenues, all sorts of other misrepresentations, and overt THREATS that they’ll be sued by her, or have to sue her, in order to get their films back.
In the meantime, she has continued to send emails with completely inaccurate, clearly defamatory information against me and other filmmakers to her clients, in addition to posting them under false names on my YT channel, etc.
This may be both inconvenient and uncomfortable information to see on this forum but this IS a filmmaker forum, dealing with ALL sorts of issues pertaining to filmmakers and this industry. This is also one of the first places that I started to post about my film exposing these questionable business practices.
I will remind people that the #MeToo movement started with one whistleblower, then another, and another, etc. I will also point out that Marie Adler is a member of this forum and she certainly has the opportunity to respond here…even though she and her accomplices DECLINED to be interviewed for my film, despite numerous invitations, being provided in advance with the iissues and questions, etc.
Instead, she hired a high-powered law firm to try to threaten, harass and intimidate me with a TRO, based on a completely fabricated claim that I was “threatening” her and her two, full-grown, adult, male accomplices.
As I said, while this may be an uncomfortable topic for discussion here, it’s quite real. And you can expect to hear more about it in the coming days and weeks as other actions are taken against this company.
DECEPTION ON DEMAND: UPDATE for the Stage32 community.
I’m pleased to announce that our film now has over 1,800 views online - and has just been accepted in a Hollywood film festival!
We’re very happy that now an even broader audience will know about the very questionable business practices of Marie Adler & Associates.
Unfortunately though, Marie Adler recently posted a desperate, shamelessly dishonest attempt to steal my identity, threaten and defame me… and she went so far as to taunt my daughter about her mother’s death and falsely imply that I’m being sought by a Private Investigator to be “brought into court”.
UPDATE: Adler has now forced YouTube to take down our film based on "copyright infringement" claims. While I've requested the specific information from them, I think this speaks to the true character, honesty, etc., of this company.
I will again state that they were invited present their rebuttals, comments, etc., in this film - and were even provided with he specific questions and issues - but DECLINED.
I don't like the direction this thread has taken. Now it's both a beat on Adler thread and an advertising page for someone's beat on Adler documentary.
I -and a good number of other filmmakers - don't like that we've been treated in such way as to necessitate standing up to this company publicly. I tried privately for over two years. the documentary is free and it only exists because I couldn't be extorted into silence by Adler and her attorneys...at the cost of not getting my films back.
Do you like it any better now or is this a case of it not being your problem so...?
Michael, is there anywhere to view this film now?
Hi Thom, We will soon have it on some other platforms but in the meantime I can also transfer it to you via Google drive, if you want to provide me with your email. We've also been especially busy now submitting to a whole host of festivals. The irony here is that Adler illegally posted our film on YT WITHOUT any objections to the content. So their desperation is not only palpable, it's laughable.
Please can I also receive a screener? Knowing how Adler operates is pretty interesting, thanx for your work email@example.com
Michael, I invited you many messages ago to share with us what your argument with Adler is. So far you've ignored that and just keep saying 'watch the film' which never seems to be available. Since you've already spammed my business email with this (really impressed that you're 75 and your daughter is 10), by all means, send me a screener of the film at firstname.lastname@example.org
I would, however, ask that you do not spam me beyond that. So far my experience with Adler has been very positive and my film is going to be on Amazon Prime in many countries not usually available to self-distributors, who can access 5. Whether I make money is still to be seen.
One important question, does your expose' compare Adler's methods with other small distributors? So far most of what you've cited was in my contract so I'm still wondering what your actual argument with them is.
Hi Alan & Denise,
DECEPTION ON DEMAND is now available here: https://www.real.video/5840108522001 - we'll see if Adler tries to strong arm them to take it down too.
I'll let the film present my perspective and I'm glad to answer/address any questions.
But a couple of comments (other than that my daughter isn't 10, thank you though!).
A&AE were presented with a treatment of this film, including specific points raised in in it, before it was made and, of course, I invited them to present their side of the story. All of this was AFTER I had tried to negotiate with them to settle the matter, which Adler referred to as "extortion".
As someone who’s been following this wrote me, "It makes YT look kind of 'funny' that your film will be shown in a Hollywood film festival and not on YT. " Adler also forced YT to remove two other videos that had nothing and no one in them but me for a few minutes in each. She claimed "copyright infringement" on those too.
I replied to Adler to provide the specific things that she claims infringe her copyrights, with time codes, etc. So far she hasn't but, in all fairness, I told her to take her time because I'll be busy contacting all of the filmmakers, producers, festival, etc., to update them...and I'll look out that I don't hit you up again, Denise!
BTW, I've informed Roger Sampson that he may not be doing the filmmakers participating in his festival (https://filmfreeway.com/FIFF2018) such a big "favor" by offering them a potential association with A&AE.
One other thing, don't you think it's just a bit...odd that Adler doesn't provide refer to all the filmmakers who are happy and prosperous with their relationship and services? All that I've received are people who are anything but happy, who've been threatened, locked up in long/bad deals.
But do watch for yourselves and feel free to comment. Even though Marie Adler doesn't like the concept, freedom of speech is still allowed.
Hello to all forum participants.Michael Horn Denise Channing Alan M. Cossettini Thom Butler Christopher McDonell Johnny K. Wu Mr Robot Connor Williams Christopher McDonell Chris McColl Chris Toussaint Marcus D. Spencer Bradley Pontecore
Some time ago I commented here about Adler. Well, time has passed and I do not want saying any bad talking about Adler, just in case there is any point in our agreement about that. So I'm just going to say one thing. I have never received $ 1 from Adler
I believe that this is enough for you to understand.
This is one of my movies
Michael Horn Thanx you for this, your film provides great information. Great job.
You're welcome Alan, I do hope it will be useful to filmmakers.
As I recall Marie has been around for a long time in the business and speaks at many industry events. Never worked with her but appears they have a large library which both speak to success one would think. Nothing to report. Have never heard negatively that I can remember.
If you do an online search you may be surprised at how little info exists about her and A&AE, other than from them. What "industry events" has she spoken at?
As for their "large library", how many of these (200+) films have had theatrical distribution, how many have you ever even heard of because of A&AE's "promotional" efforts, how many of the filmmakers have made ANY money from having their films tied up in 10+ year contracts, how many endorsements has A&AE provided - or has anyone seen - from filmmakers?
I have documented everything in my film and I continue to hear from filmmakers who simply want out of their similarly ridiculous contracts, many of whom have been threatened with lawsuits for attempting to get out.
One has to seriously consider the possibility that not only DOESN'T it cost up to...$65,,000 (plus 30% royalties) to put a film on Amazon, but also that the evidence appears to show that whatever money these films may earn from Amazon, etc., may well ONLY be ending up in A&AE's pockets, which they try to justify with absolutely imaginary - and very huge - "marketing expenses" - for which they can't provide ANY substantiation.
Maybe a little bit of house cleaning is in order from those who host this site...or it may appear to be a tacit endorsement of a company with HIGHLY questionable business practices, to say the least.
I did two thorough online searches before signing with them and didn't find anything negative. There were a couple of articles about them as up and coming. I also looked at all of their IMDB credits and found one who went with them for a first film, someone else for the second film, then back to Adler for their third, which suggests they had a better deal with Adler than the other distributor.
Why won't you answer questions Michael?
1. What's your actual argument with Adler.
2. Do you do comparisons with other small distributors in your film?
So far your communication has been very one sided.
https://www.real.video/5840108522001 = "No video has been loaded, error code"
You've offered screeners and I gave my email requesting one. Haven't received anything yet.
Denise, I just tried the link and it's working: https://www.real.video/5840108522001
Also, I will have more to say about this a bit later. Considering that this thread goes back a couple of years, I think it's time we pulled the gloves off here. More to follow.
I can watch the video, your computer might need updating with the latest video players Denise. I can sum up the video for you. Adler takes on films, any films, they don't care. You say yes and sign the contract and they have your film. They dump it on VOD platforms, claim thousands of pounds in marketing expenses, that you've agreed to in your contract. None of that money is spent promoting your film. They will release your film on Amazon Prime (which you can easily do yourself) and collect what little revenue it makes. When you realise this, you ask Adler for an explanation of where the marketing expenses were spent and you won't get any breakdown of the tens of thousand dollars spent. Just an income of your film from Amazon and x amount spent on "marketing". You then realise whatever little you've earnt, you will always be in arrears to Adler. If you want your film back, tough, you owe us $10,000 we've spent. If you rock the boat, they take your film down from Amazon and you as a filmmaker can't get the film you've spent years making seen. People don't come forward, because they don't want to lose their film and what little exposure it can now get on Amazon. Michael wanted to find out if this was true in the film and not one person has said they made money from Adler, the only people who came forward are the ones who said the above scenario happened to them. If the above scenario is not true, why wouldn't Adler come forward and say we have made a profit for all these people, we've just been unlucky in selling your film. Michael gave them the chance to speak in the film and deny any of the above accusations and they refused. I would say it sounds to me like a scam and Adler is running a very simple numbers operation, collect as many films as possible, put them on VOD and collect all the profit. If you have enough films, it becomes lucrative. If this isn't the case, I would like to see a filmmaker come forward who has made a profit. You can be sure that everyone who has signed with Adler has read this thread. It's the third thing that comes up when you google Adler. If what Michael is claiming is not true, then it would be in Adlers best interest to defend themselves and prove they do sell films and make a profit for filmmakers.
As most people know by now, the #MeToo movement has, in a short period of time, resulted in identifying, removing and punishing a number of predators, mainly in the movie and entertainment industry. Once identified, they are no longer welcome in these communities and even in the greater community of people.
My recent film, DECEPTION ON DEMAND, exposes the very questionable business practices of Marie Adler and her accomplices. Subsequent to the film coming out, there have been more egregious, defamatory actions taken against me by these same people.
This includes identity theft, by Marie Adler, whereby she created a fake YouTube account in my name, and ILLEGALLY posted my film, along with untrue, defamatory comments about me and going so far as to publish hurtful comments directed to my daughter about...the death of her mother.
Then, after I had YouTube take this illegal, falsified site down, Marie Adler filed false infringement of copyright claims with YouTube about my film and two videos on my channel. The first thing to note is that this is the same film that she attempted to it illegally post and maintain in her false account. Marie Adler apparently had no trouble with the legitimacy of the content of the film at that time.
However, she has been unable to substantiate copyright infringement on my film and, regarding my two videos, they were both very short and included ONLY me speaking, with NO infringed material. One was titled “What Is Marie Adler Trying to Hide?" And the other titled "Why Are OJ's Lawyers after Me?"
So - for now - Marie Adler CONNED… YouTube. Worry not, in time not only will all of this to be rectified but the doors will also be closing at A&AE.
Now, for some information that may be of direct interest to some here. For instance. Denise has been working long and hard on her film, which she has apparently signed over to Adler. So, I would ask Denise, and anyone else here who has a contract with Adler, to look at the clause that pertains to the so-called “Audit” fees. Most of the A&AE contracts that I am aware of have this fee listed at about $5,900. And, if you inquired about that fee, you probably got a bit of double-talk that neglected to include the following.
If you think this is a fee that pays for your audit of their books, you are sadly mistaken. In fact, if you think that this is a fee that does anything but ultimately go in A&AE's pockets for NO services that have ever been substantiated, then perhaps you have been…slightly misled. Please remember that, so far, the only so-called “distribution" of films appears to be on Amazon, for which there are actually no charges. Not only that, but Amazon reports the amount of the earnings and you're not going to be bothering to try to audit them, certainly.
As I similarly explained in my film, you can indeed buy DVDs of your own film from Adler – if they ever actually make any – however, you are forbidden to sell them!
I'm going to leave all of that for the moment to let you know that I have sent two emails to a man named Roger Sampson, in which I informed him of these issues, and sent him a link to the film as well. I did that because he's advertising his film festival (https://filmfreeway.com/FIFF2018) in which he has partnered with Adler and advertises that certain lucky filmmakers will have the dubious pleasure of being offered contracts by Adler. I politely suggested to him that he may want to include some of my information to the contrary, if for no other reason than to protect himself from ultimately being accused of any kind of profiteering at the filmmakers' expense.
While Marie Adler claimed copyright infringement pertaining to my film, at no time up to the present have any issues been raised pertaining to the factual accuracy of the information I include therein. And, so far at least, among all of the threats, harassment, etc., I haven't yet been sued for defamation. So perhaps it's time that this forum explores the almost 30 page long contract from Adler, as the perfect example of what filmmakers should carefully avoid. Further, perhaps this forum should also decide if the points raised in my film are accurate, which of course should include any factual rebuttal by Adler, as well as any other people who wish to contradict what I have claimed.
I noticed that this forum offers many different types of what appear to be seminars, trainings, advice, etc. I opened this comment of mine pointing out that there are predators in society, people who knowingly and willingly take advantage of, and exploit, others for their own profit.
After careful examination of the points raised here, included in my film and available for examination in Adler's contracts, should it appear that my concerns are correct and justified, I highly suggest emulating what the #MeToo movement has done. And that is to identify, isolate and expel any predators who may be lurking on this forum.
I am also inviting any filmmakers with problematic contracts with Adler to contact me so that I may assist them to be able to have their films returned to them when this company is shut down.
I posted my above comment without seeing Danny Mac's absolutely accurate comments. Perfectly, succinctly explained. So, let me reiterate my offer to concerned filmmakers to assist them to be in the position to get their films back when this company goes under. Suffice it to say that there is more going on than conducting conversations on forums, or even emailing filmmakers, etc.
My direct email: email@example.com
P.S. What I am doing is absolutely free to you to participate in, no fees, charges, percentages, etc.
More Filmmakers Join Against Marie Adler Scam
How we conduct ourselves throughout our ordeals contributes to our character development
I'm glad to reply. I don't know if you're actually accusing me of lying but I didn't and I haven't. Of course I've got a lot more correspondence between me and Adler. And of course neither Adler nor her aggressive, high-priced lawyers have shown that I have lied either.
But you're incorrect as well, I show a number of emails from Adler...including all the defamatory ones from Marie Adler herself. And their contract is...their contract. Nothing changed, or "lied" about there either.
Perhaps you've noticed the comments by some other people here that echo my own concerns and situation. Those are the ones made...publicly.
As for the #MeToo movement, maybe you don't notice but I did point out that in Breaking the Silence, the film my daughter and I made - in 2009, years BEFORE the movement - we documented five young women telling their various stories about abuse, rape, incest, abandonment, neglect, addiction, etc., etc.
And perhaps you didn't notice that Adler, in her enraged desire to retaliate for having her little game exposed, threatened to sabotage all DVD and distribution, deals for my films, including the potential showing of BtS on PBS, and to tie me and my films up in litigation, etc.
She then went ahead and did indeed sabotage the opportunity by LYING to PBS, thereby silencing these women again. Pretty...vicious. Or to use your word, scummy.
Then she removed the films from Amazon (all of that is called tortious interference, among other things).
Oh yeah, remember, I invited them to be interviewed to rebut all the claims, etc., and I even sent them a treatment of the film AND some of the questions and issues I would, and did, raise.
As for "scummy", being "ashamed", "same standards", I think you're directing your disdain at the...WRONG person. And pardon me for having to point it out, but this bogus company squandered and deliberately destroyed MY opportunities and diverted MY income (and possibly the income of a whole lot of other filmmakers).
As for arbitration, well, apart from the fact that Adler breached the contract all over the place, and I'd already seen that she was trying to extort my silence via her law firm, I saw no reason to spend the money. Most likely, I'd never have gotten to tell my story publicly...which has so far been at the EXPENSE of having my own films back.
You know, before I made the film I did tell A&AE that, well, I’m a DOCUMENTARY filmmaker and I’m pissed…and that was AFTER I had sent them a proposed negotiation to settle our dispute, which they labeled “extortion”.
As for the TRO, I think that’s been shown in the film to be a rather disingenuous bit of intimidation, harassment, threatening, etc. I don’t know if you noticed but Adler’s two adult accomplices, Jeremy Lunt and aspiring on-screen gangster Mark Belasco, tried to get “protection” from lovable little ol’ me but were denied by the judge.
I also withheld a bit in the film on Adler. While I pointed out all her absolutely bogus EP credits, I didn’t mention that this was a form of what in the military is referred to as “Stolen Valor”, claiming, and trying to PROFIT from, accomplishments one didn’t have.
Speaking of which, since you seem to be concerned about the truth, I haven’t been able to find a SINGLE bit of information online about Adler’s supposed multi-billion dollar lending company, that also supposedly had offices in 30 states, etc. I thought there’d at least be…something online about it.
So, as for what your documentary teacher told you about, the need "to lie to tell a greater truth", perhaps they were speaking more about…themselves. And perhaps Alder would’ve preferred that your teacher would've made the documentary, where those “skills" could’ve served Adler far better than…the truth.
Anyway, if you have any more questions, comments, challenges, I’ll do my best to answer them…just like A&AE are going to HAVE to answer for quite a few things, to a good number of people.
And not all of them are their clients.
This is ridiculous. I decided to come to this website and create an account because one of my teachers in film school was using this post as an example of why distributors don't want to deal with indie filmmakers. It just takes a couple of bad apples (in this case, 6 apples) to spoil the bunch. My first question: why people that have never had a distribution deal, ask questions between each other about the film industry? You clearly will never know the answer unless you buy a film book or go to a film school. Please, buy a distribution book! Your expertise needs it. Just questioning about marketing fees is even more ridiculous! You don't need a business degree to understand that you need marketing (and in this case, MONEY) to exploit your movie. And for the man using the hashtag of the MeToo movement to try to sell yourself and your films, you should be ashamed of yourself.
I understand that, "I'm a film student, that currently is trying to launch her career in the film industry.”
Your inexperience - and perhaps that of your teacher - are glaringly apparent. As are your poor comprehension skills.
Pleas note that your incorrect statement about me, that I’m “try(ing) to sell yourself and your films”, is factually incorrect. First, as I pointed out but you apparently failed to notice, my film about what in essence has now become a “movement”, Breaking the Silence, was produced in 2009, perhaps when you were in grade school.
Adler liked the film enough to do so, however, but only on Amazon…for which there are NO marketing expenses. And when pressed to produce them…she couldn’t and WOULDN’T. And, novel creature that she is, she trashed the film and effectively silenced the women's voices again when I had the bad taste to rain on her little, all-about-me parade.
I haven’t been selling anything here, in case you also didn’t notice. And I’m certainly not applying for a job here. In fact, now that you mention it, I’m helping other filmmakers in their efforts to get their property (films, rights, hard drives) back from Adler. And I’m doing it on my own time and my own dime, i.e..as in...for FREE.
Adler actually isn’t a “distributor”, unless everyone, including kids, who put their films up on Amazon are also. And, of course, they - like Adler - can do it for free.
But you are correct that to really and HONESTLY exploit a film, you DO need money. Perhaps you didn’t actually watch my film where two filmmakers provided information about how Adler asks THEM for money ("shakes them down", as one put it)…while diverting any and every penny that comes in to themselves. Where are all the filmmakers who've actually made...ANY money from this company?
I do appreciate your raising these points, since it will hopefully help clarify the situation and help further warn and inform people about the various rip-offs and con artists lurking about.
Please feel free to let me know if you have any more questions, challenges, etc.
BTW, do…you know anything about Marie Adler’s supposed career as a major financial powerhouse?
P.S. I'll be glad to help your teacher get informed on what REALLY can happen in the film business.
Lorraine, I'm guessing you are Marie? Marie, how many filmmakers have you made money for? Simple question. I reckon someone on here would say "hey, they made me money", if you had. I'm really not saying this to attack you, I would genuinley like to know if you've made money for any filmmakers. You could end the debate with yes. I've made money for these films. Write the name of the films down and say "I'm proud of the success I've had with these films, in this difficult market. Some films have failed, but not for want of trying."
Also Marie, don't attack people who ask questions on forums ( why people that have never had a distribution deal, ask questions between each other about the film industry? ), ignoring the fact you have the grammar of a ten year old, it does seem futile to call the very people you're trying to defend yourself against (the people who use this forum) stupid.
Good try, but no, I'm not Marie. And I believe she doesn't have the time to respond to these silly messages.
And I believe that if you had an attorney, which I believe you don't, they should have to tell you to not do this shit-chat just to call attention. You're just ridiculizing yourself more and more.
Thank you David, for voicing much of what I've been observing. This thread started with a legitimate question, has anyone dealt with the company positive or negative. (Yes David, that's a fair question among indies). The OP has since moved on with a different sales agent.
Lots of opinions have stretched this thread into a saga but only three people on it have actually dealt with Adler; myself, Jose and Michael. Michael is obviously displeased with his experience to the point that he's gone obsessive and even made a film about it, but doesn't bring in comparisons to other distributors. None of them work for free, large or small. Jose said a long time back that he hadn't passed quality control and when asked if he was fixing what was wrong, never said. He more recently said he made no money and he won't go with Adler again.
NOTE: QUALITY CONTROL IS DONE BY A THIRD PARTY COMPANY AND IS NOT UNDER THE CONTROL OF ADLER.
I'm still dealing with the company and satisfied with my dealings, but the jury is still out on whether I'll make any money. The only reason I haven't deleted this thread from my notifications is that several people wanted to know the eventual result.
Michael, I think you've said your piece now and you've given your links. I will watch your film, but much of your statements don't add up and the daily rants are just making you look a tit. I suggest leaving people to make their own minds up at this point. I'm not discounting anything, I'm just tired of my inbox getting notifications for the same rant over and over again.
If anyone ELSE has first hand dealings with the company, please do share your experience. We're all here to learn.
I have also dealt w/ Adler and received an offer that I had looked at by an entertainment lawyer. I also spoke to friends who are filmmakers about the contract and other contracts that they have seen.
Guess what was the unanimous advice?
There was one great thing said in the film that has been overlooked. You can get on Amazon Prime by yourself. If you think getting on the other territories that has Prime, guess what? You have to now get non english subtitles that will cost more than what you'll make. Ever. Prime now at it's new six cents an hour rate, doesn't get you hardly anything, let alone enough to live on or make another film.
Denise, I'm curious about why you have been trying to get your film past Quality Control for two years? If it's because it lacks quality, I'd say Adler is perfect for you. Makes you feel good a company released your film. I understand. I felt great when I got that contract. Super excited. For a moment.
The only way to see if a distributor is worth anything to you is to do something very simple. Go through their library and see if you recognize any. If you do, awesome. If not, bad. If that company has 400 films that you have never heard of, that's really bad.
This is simple math.
I really do understand that you may feel a little uncomfortable reading information that could feel like a punch in the stomach in light of all of the hard work, time, energy and probably money that you've expended on your labor of love.
BTW, you mention QC, and there’s also in some cases Fair Use. Who pays for that? Is it included in the $5,000+, non-sensical “Delivery Fee”, etc.?
I think you’ll find (or have already found) that you pay for everything. That was even the case when Adler asked the filmmakers to make and send them posters for display in their room at Cannes.
You mention “other distributors”. As I said, it’s hard to call Adler a distributor…unless you call anyone who puts their film up on Amazon a distributor, as Bradley is also pointing out. As for comparisons to other REAL distributors, one of the people who contacted me is dealing with a distributor who has a 3 - 4 page contract, not a 30-page, we-get-your-first-born, sign-on-the-dotted-line document.
As for my statements that “don’t add up”, you’re free to post them here, in case other people are interested in the answers.
I was involved in my first film production in 1987, and have made several since then. "Ah ha! Shouldn’t you have known better?”, someone is certain to ask. Well, Denise, I explained some of that in the film but there are somethings I didn't go into, since it's not a full length documentary. so here are a couple of items.
First and foremost, though I've been involved in many different kinds of businesses and ventures, I don't try to take advantage of anyone and sometimes I am a little too trusting. As you will learn in the film, I 'd had one experience, about 10 years ago, with Mark Belasco. At that time he worked for a different company and, contacted me about a new film of mine. To make the story shorter, he offered to distribute it for a $5,000 fee, which my filmmaking partner and I were not interested in. It was apparently one of those companies that overtly tries to get you to pay a fee…and we're all warned about those kinds of companies.
When Belasco contacted me about three years ago, he said he worked for a completely different kind of the company, one that didn't ask for any money, etc. When I saw that the contract had possible deductions of up to $65,000 and more, I expressed my concerns. But then, in a conversation also with Jeremy Lunt, they pointed to page in the contract that showed all these huge fees that different companies in different countries paid to acquire films. They used this to imply that even a few of these deals would have me earning a lot of money and that any deductions they made for their “marketing and promotion” would be insignificant.
They failed of course to add that their own, actual “marketing and promotion” expenses would be...nonexistent.
Oh my goodness, every day, 10 new comments saying the same thing. Filmmakers sharing valuable information, tips and strategies on their experiences with distributors, in this case, Adler, is great. It’s useful. But it’s been awhile since any useful information has been shared here and the thread is now 230+ comments! I met Adler at the AFM 2017. They had one of the busiest offices and I literally had to return about 6 times to get a meeting. People were lined up to see them. They invited me to submit my film but I couldn’t get past the submission form. It’s 5 pages, totally one-sided and very heavy handed. So is Disney’s though. (I’m working for them in Vancouver in such capacity that I know.) Still, it was too great a barrier and I moved on. It was probably around then that I found this thread. I’d say the bottom line is: read the contract and know what you’re getting into. But the fact is, enforcing your rights is a whole other ball of wax. People get screwed over all the time in this industry. Michael, you’ve made your point crystal clear about this company. And maybe it will help some people, maybe not. Every case is different. A good film will sell itself, regardless of its distribution. But every time you post on here you’re also advertising your own film and it’s become akin to spam now. Isn’t there another section on this forum for self-promotion? And Denise has no reason to feel wounded by any snide remarks. She made herself vulnerable by allowing us to journey with her on her distribution experience. Good for her for staying the course and I hope she can be the one who writes in one day and says, “Yes! I just cashed my first cheque and people are now watching my movie in Switzerland!”
If you think all the comments are saying the same thing, I think you've missed some of the subtleties and important details.
The whole point of making my film was to inform people who wouldn't otherwise know about this situation. It can hardly be considered spam, as I'm not selling anything, I'm giving it away, at my own expense in both experience and money.
BTW, a good film will NOT “sell itself” if it's effectively tied up and hidden from view.
So...IF it's true that a company has been diverting possibly tens of thousands of dollars of filmmakers' earnings directly into their own pockets, IF it's true that they've been scamming and lying to their clients as well, IF it's true that it’s a cynical con game, shameless thievery and fraud… then it's more than simply a discussion about the nature of contracts.
And IF it's true, then there is a thief in our midst - here - that I at least am not reluctant to point out.
I think the fact that I have to point out these important questions speaks loudly to the lack of comprehension of these points.
I am not only a filmmaker, I'm an investigator and researcher with 40 years of experience. I'm a stickler for details, for facts and for asking questions. I also understand that this is a fast-paced, short attention span world. But perhaps my persistence is what has resulted in far more people contacting me about this issue, privately, than are expressing their opinions here.
Not much time so I'll bullet point this.
Thank you Bradley for your experience looking into the contract. That's certainly relevant.
Don't know where you got two years from. I sent my film to one company who flagged sound issues. I fixed them. Then with Netflix becoming of no value to indie filmmakers, sent it to a cheaper company. Unfortunately I sent the 24fps and it has a slight shake in a couple scenes from the conversion from 25fps. Amazon has their own quality control and I've passed that.
Christopher, thank you for your comments!
Whoever mentioned the cost of subtitles, they can indeed be very expensive. I'm doing my own. After paying for translations for the first couple of languages, I've discovered I can get a decent translation electronically and just have it proof read by a native (I have an extensive network). Cost Free-£20 per language.
Michael, I've watched the first 5 minutes of your film. Have to take it in bites as I'm too busy to sit through 23+ minutes. First impressions: Had to laugh at the intro music, reminded me of those 1930s drug propaganda films. A bit OTT. Lots about how great your two documentary films are, a claim they asked you for $5000. Did they ask you to pay them that? A legitimate distributor will never ask for money to be paid to them. If that's not what happened I suggest you change the wording because they would have you dead to rights on Libel.
Also, there's a clip of this thread. I suggest you enlarge it slightly and move it over so the avatars don't show ASAP. You do NOT have permission to show my photo in your film and putting it in context of people questioning Adler's practices is misleading and potentially Libelous. I won't threaten you with legal action because I don't have finances or time for something nitpicky, but if you're not prepared to change it I WILL become vocal about how misleading your 'evidence' is. Let me be clear: I have no reason to doubt Adler's honesty or integrity and I read my contract and have had no surprises. Please stop spamming me. I'll continue looking at the film when time allows.
While I truly do have compassion for what is undoubtedly a very rude awakening for you, as the saying goes, please don't shoot the messenger here.
If the first five minutes of my film has contributed to your shocking discomfort, perhaps you should forgo the remaining 18.
Now, I’ve already been contacted by filmmakers from FIVE different countries, all of whom have basically the same complaints and concerns, such as being told by Adler that because of thousands, to TENS of thousands, of dollars in (imaginary) “expenses”, they won’t receive ANY money/royalties.
They’re told they'll have to sue Adler to get their film back, or perhaps Adler will be...suing them.
They also are told that Adler’s - non-existent - “legal team will get back to" them, etc. (NOTE: The day after I hired an attorney to look at their contracts, Adler tried to hire the...same attorney. Now they have a very high-priced lawyer but there was no “legal team”, apparently only Mark Belasco playing the part, perhaps in time for Halloween.)
Some filmmakers even receive rambling, PERSONAL, threatening emails, calls and texts at all hours of the day and night...from CEO Adler herself.
The filmmakers are concerned that if they speak up, try to get their films back, etc. that Adler will retaliate, as she did against me, taking their films off Amazon, and holding on to them forever. That is why I have informed them that I will help them GET THEIR FILMS back…and do it for FREE.
As for your threats, in the grand Adler tradition, there is also something called Fair Use. In the film I scrolled the publicly available site here, so getting all upset about your image passing on the screen is slightly out of proportion.
This is a forum about indie filmmaking and the…business thereof. It’s obviously distressed some people to learn that their are some serious pitfalls - and predators - awaiting them once their film is made. In fact, making your film may turn out to be the easy part.
Michael, which part of "I don't intend to sue you" is a threat?
And please stop wittering on about rude awakenings etc. You haven't brought up anything that I haven't been watching for from day one. Not everyone here is young, fresh film school graduates. I'm nearly your age and sufficiently au fait with contract law that I write my own contracts.
For someone who claims to be a researcher you don't seem to be familiar with copyright law for film. Specifically for Documentaries under U.S, law, to use a clip without permission under fair use a majority of the footage used has to be for historical purposes. Shots of the World Trade Center collapsing for example. I'm not that famous!
Stills are even more draconian. Filmmakers have to be very careful about photos or trademarks that appear in the background of films. If you don't have written permission from the copyright holder, usually the photographer unless they've signed the rights to another party, you're in violation.
By putting my photo into a context that falsely suggests that I am questioning the integrity of Adler, under Libel law you have technically potentially damaged my personal and company reputation in a manner that could affect my profits.
So, Michael, you should be really glad that I don't intend to take any legal action.
However, as the adjustment I've suggested would take less than 5 minutes including sips of coffee, literally two clicks of a mouse, are you telling us that rather than making that effort you prefer to knowingly and deliberately falsify evidence for your documentary?
I will watch the rest of your film, in case you present any new information. I keep an open mind. However as I had two new emails from you today, I've blocked you. I asked for a copy of the film, not correspondence.
Time for a new thread, this one on "Thomas Schmiit". LOL
Thanks for your ongoing, obtuse comments.
Here’s a suggestion, next time you post on a PUBLIC FORUM…don’t include your name or photo.
Your lectures about Copyright Law, Libel Law, etc., are very nice, and I look forward to seeing your film...on Amazon.
For the record, here’s what I wrote you privately, lest the public be misled:
Out of courtesy to you, and since you’d provided your email address and requested my film, I wrote you privately.
As you’ll see, I’ve now responded to your last post publicly and will only communicate with you further, as necessary, in that manner.
I also appreciate your (unintended?) irony:
"Michael, which part of 'I don't intend to sue you' is a threat?”
"So, Michael, you should be really glad that I don't intend to take any legal action."
…or perhaps just classic passive-aggressiveness.
Enjoy my film!
P.S. Give Marie best best, I think those sleepless nights trolling her not so happy clients may be taking a toll.
Michael, what is obtuse about quoting basic copyright law? Google it, you'll find I'm right. Also, uploading my photo to a forum implies consent for the forum website to use it, but that does not extend to anyone else. People have paid thousands of dollars in fines for helping themselves to images from the Internet, even on simple blogs. Here's one example https://www.contentfac.com/copyright-infringement-penalties-are-scary/ there are many more.
Why do you have a problem with this? A simple adjustment won't cost you anything assuming you do your own editing and as I said, it's less than 5 minutes.
Re quoting one of your emails to me above, I answered that one on my previous post. After that you sent me your mailing list email, which was the last straw. This is another area of law you should pay attention to as the relatively recent change in the law could get you in trouble. Not from me, Michael. You're violating laws and a few complaints could cause issues. I don't know the penalties as I haven't had need to look into the exact laws on this but haven't you noticed that every commercial website you log into is making you click ok for subscriptions afresh, including private blogs? It's actually rather annoying.
I don't make the laws, don't shoot the messenger. :P
Try as I did, I couldn’t find an email to you dated after the one I quoted.
Please send it back to me so that I can check the date, etc., and be sure you’re removed from any further ones. It’s possible that you mistakenly received one we sent to the 100s of people who’re being kept updated about all this, internationally.
Please also give me the specific time codes where your image is displayed throughout the film, e.g. 15:33 - 15:45 (https://www.real.video/5840108522001), then at least I can compare it/them.
What I didn’t show - in THIS film - are the over...50, specific, looney, rambling threats, from Adler and Mark “You’ll-never-work-in-this-town-again” Belasco, to numerous filmmakers who’ve TRIED to get their films back from Adler. Of course, everyone will be able to make up their own minds about these threats...in due time. It ain’t purty.
Speaking of purty, Denise, since you’re a good sleuth, do you know if the photo on this page is supposed to be of Adler’s facilities, as it seems to imply:
The Santa Monica Blvd. mailing address appears to be just a p.o. box. This could make it difficult if, for instance, someone was trying to serve Adler with a lawsuit, or if some "PI's have been paid" to find and bring her into court, etc. Just sayin’.
But everything in due time.
I am going to take the unusual step of publishing one of several emails I received from a filmmaker today..
Of course, I have all of the information, including their name, the names of their films, awards, website, etc. However, since I know that it’s possible for these things to be hoaxed, I am not publishing their personal information.
There are only two possibilities. Both are devastating. The information actually comes from this filmmaker, or it comes from someone wanting us to believe it does…which could be for the purposes of discrediting my efforts, etc. Then the only question would be…who would do this?
So far, however, the information provided by the filmmaker appears to confirm their identity.
Here is one of the emails:
"Hello from XXXXXXXX
I have no idea if you are real or not.
I can only tell the truth.
Adler finished my film career.
They got contracts for 4 of my films at the same time.
Now my movies are at a loss of :-
$69 652 with Adler and that sent an update today saying that forgot to add some costs.
I would definitely not recommend any film maker signing any contract with this company.
'The truth is way stronger than any lies'”
This could be a movie:
A D List Hollywood scam artist gets what's coming to her when she signs a contract with a mentally ill filmmaker.
Michael, I don't think you're mentally ill. It just makes for a better log line. We could go the Death Wish revenge route, if that's your thing.
Bradley, whatever boats your float...or something like that.
RESTORED: DECEPTION ON DEMAND
Persevering on the right path until justice is finally done
Should I be surprised that, so far, no one here (including Denise) has expressed shock and outrage at the filmmaker's claim of an almost...$70,000 LOSS from doing business with Adler...added to the other growing number of claims against these con artists?
If I respond with outrage, are you going to put it in your movie?
Well, I was hoping for something cynical, trivial and meaningless but you've exceeded my expectorations.
Did I at least get you to crack a smile? ;)
Sure, why not. Whether we recognize it or not, we're all in this thing called life together.
Michael, people here don't have time to come and give you attention daily. To answer your questions to me:
I empty my spam folder daily but you just have to remove goblinfilmsltd from your mailing list.
The clip is at 2:55-3:15. I don't know if there are repeats as looking for the times cost me the time I might have used to watch the second 5 minutes.
No one is going to respond to your $70k statement with outrage. Let's save everyone time, shall we?
One person asks for sources, you claim confidentiality.
Another person points out a film can't lose what it hasn't earned and that exceeds Adler's cap, so you throw back some waffle that makes sense to you while everyone else goes away still sure you're just making things up.
Can't believe you've made two more videos about this. Have you considered discussing this obsession with a psychologist? This isn't natural.
I'm not surprised. If you sign dumb contracts with thieves, they will rob you. Pretty simple.
I think you may be a bit confused.
1. So, I DIDN'T send you an email that you complained about.
2. You didn't notice that YouTube found the copyright infringement claims from Adler invalid. You're free to send yours...once you locate the specific ones.
3. Adler has already ADMITTED to stealing tens of thousands of dollars from filmmakers. Be patient, it will all be further spelled out in due time.
4. It also "isn't natural" when the CEO of a company STEALS the identity of a filmmaker, illegally uploads his film, hurls untrue, utterly false claims at him (using his name!), claims that PIs have been "paid to bring him into court" , attacks his daughter over her mother's death and, of course, it REALLY "isn't natural" for a filmmaker to be defending such a criminal BECAUSE the filmmaker made the mistake of falling for their con. It's called...being in DENIAL.
Have a lovely day.
In Denise's defense (as well as that of others you don't even know about yet) blaming the victims isn't helpful...nor does it excuse the thieves for their crimes.
In your defense I like the passion. In Denise's case I like the loyalty. In my case I like the ability to say whatever I want whenever I want to as long as it causes no harm. Good day sir!
Sure, speak freely! I do think though that when "loyalty" is recognized as "denial" we may expect to see a change in tone, etc.
There's lots of mental health issues flying around this never-ending thread. I am just honored to be a participant.
I feel bad for the person who lost 4 films to Adler. I really do in an empathetic way because I am a human and a filmmaker. That sucks. However, I did something it seems that would be step number one in signing a contract. I had a lawyer look at it. An Entertainment Lawyer. To do anything else is sloppy work on the part of the filmmaker. Michael, I liked your short. I feel the same way. Go get em'! I have been attempting to show Denise the error she made since singing with them. And I have spoken to a few other people about similar situations with Adler. Guess, what was the second thing I did after I got a lawyer involved? I looked up Adler on google and found this thread. The red warning signals of stay away went off in my brain. I'm all for you bashing on this company. Please carry on!
Michael, there is no "denial". I've been on "wait and see" for the whole of this thread. I selected a course of action and am seeing it through. So far I have no concerns.
As for your list of facetious statements, yes you DID send me an email that I complained about, right here in this thread, then you kept sending them after I asked you to stop, so I blocked you. Which part of this is confusing you?
The rest of your statements are unsubstantiated. I continue to wait and see.
Ok I've watched the second 5 minutes.
More about how wonderful Michael's documentary films are, followed by complaints about terms that are clear in the contract with no comparison to other company's contracts. I've seen much worse. Then complaint about no theatrical distribution. Come on, look in your local cinemas or as far afield as you like and tell me how many documentaries you see offered. You may find one occasionally. The realm for documentaries is television and most of those are arranged in house.
I asked Jeremy Lunt about theatrical distribution and he said up front they push very few for that. The clause itself is a standard clause you'll see in any contract, covering all areas of potential distribution.
So then some about Marie's EP credit. Yes, that's a little unusual. I call it ego. As for EP 'duties', the EP doesn't have clearly defined duties. It's a courtesy title generally given to someone who either provides money or has a name you want attached to your film in some way. The producer does the work, read any film school textbook to learn that one. I read a lot of them when I started to go into filmmaking.
Then complaint of exclusivity. Again, you'll find that with anyone. Works the same in book publishing (where I have considerably more experience). If a company gets behind your project, they obviously don't want you selling elsewhere and cutting their percentage profits.
Will continue as and when.
Sorry Michael I missed a question.
"Speaking of purty, Denise, since you’re a good sleuth, do you know if the photo on this page is supposed to be of Adler’s facilities, as it seems to imply:
I believe that's a stock photo. If you look at your contract you'll see a mailing address and a physical address. The physical address in Burbank on Google street view shows me office buildings, many to do with film.
Hi Bradley & Denise,
I’ve heard quite a few other horror stories but when I read that filmmaker’s email it was like a punch in the stomach.
As you know, the terms "con man”, “con artist” and "confidence man", refer to someone who tricks people out of their money and/or valuables. Speaking of con artists, I explained that I’d met Mark Belasco some years previously and that when he contacted me again, on behalf of Adler, he presented himself and the company in a…con-vincing way. I guess he’d has time to “practice”. Well, most predators don’t change their stripes. My bad, as the saying goes.
And the bad of a while lot of other people whose cinematic labors of love, their hopes and dreams, have been dumped on Amazon, who’ve been milked for “expenses” that don’t exist, who can’t get their films back, who’ve been threatened with lawsuits if they try, who’ve had their identity stolen, who've been personally called - and threatened - by Adler at all hours of the day and night.
As someone on the receiving end of some reprehensible, outright fraudulent behavior (as in criminal), etc., it’s not so much about bashing a company. That doesn’t really have any teeth in it, so having found this thread like you did, I’m using it to update and warn others.
The fact is that Adler has brazenly admitted they’ve ripped people off for tons of money. Sometimes it’a bit of a rough world out there.
Of course, Denise isn’t wrong to want to wait and see; whatever she may think about my perspective she, and the rest of us, are responsible for what we choose to do. That doesn’t absolve shameless people from indulging in thievery, harassment, lies and intimidation.
Thanks Denise, while I do have their addresses, I think the photo (looking over the city of night) isn’t of any of them. I wonder if they got permission to use it…and further misrepresent themselves.
The picture on Adler's contact page is a house designed by Paul McClean. http://www.mccleandesign.com/ House address is 1822 Marcheeta Place, West Hollywood, and has been sold this year for $16,950,000. https://www.realtor.com/realestateandhomes-detail/1822-Marcheeta-Pl_Los-...
Thanks Alan. Stripping away the facade on the art of the con.
P.S. Perhaps you could find me something equally impressive to mis-represent Horn Estates?
Michael Horn sorry, can you please rephrase the request? English is not my mothertongue, maybe I'm missing something
No problem, I was momentarily overcome by the image of a lace with a $16,950,000 price tag. A company would have to rip off a LOT of filmmakers to buy that. But they can dream. Instead of that, please email me about the podcasts.
Mail about Podcasts? Maybe you must have confused me with someone else.
But I think I can speak for everybody involved in this thread, we totally got your point of view, thanx Michael for all the information you provided. If the question was "is it profitable to sign with Adler?" I think we now all have a clear idea about it. Don't make me wrong, again your information and videos were very helpful, thanx for all your research and for sharing your personal experience. But now let's move on, this must be the longest thread so far in Stage 32. :)
Ooops, sorry, it was someone else who wants to help exposing Adler through indie film-related podcasts.
As for posting info here, if this was the only thread on this forum, I wouldn't post so many details. But it is the thread about Adler and I do update and try to respond to questions, etc.
Trust me, this isn't where I'm actually making my/our case about this.
I don't even think Adler are trying to sell films at the film markets, they are just there to dupe filmmakers into giving them their films.
I have no evidence to...contradict that.
At the filmmakers expense, they have a jolly and rip off other filmmakers.
Before signing on any sales agent check their business in Cinando or other paid professional network. Check their presence in key film markets.
Good advice Gustavo, though not everything is as it seems. I'm still trying to find some (ANY) substantiation for Marie Adler's claims of starting American Financial Lending, and doing $38 billion in business, in 42 states, when that company's...never heard of her. It looks like more disinformation as part of the scam, to give it some credibility.
I think people may now begin to understand that this is not a case of sour grapes by any means but rather an INTERNATIONAL FRAUD that is being exposed.
I am sorry to say I am starting to think that. For those (like me) that are currently under contract with A&E, I would urge you to ask them pointed questions. I put up with their deflection for far too long... wish we would have been more direct sooner. I wrote an email to our entertainment lawyer this morning asking him how we check the legitimacy of the financials. Making a film was (by the far) the hardest thing we have done in our lives - energy and money-wise. The idea that there are people out there who make it their mission to exploit that hard work is appalling. I will keep you all posted with our process.
Be prepared for the Marie Adler, it's-all-about-me, passive-aggressive, pity party, which includes calls, emails and texts at all hours of the day and night, alternately threatening, pleading, complimenting, promising, etc.
Please feel free to contact me directly. We have assembled a lot of documentation and it may be useful to you.
Connor, I don't see what your comment has to do with this thread. It seems like you're looking for a pat on the back and a way to self-promote. Maybe try your Facebook or Twitter account to promote your movie?
The theft of someones film, is the theft of years of their life. Pretty evil.
Connor, do you have a paypal email address, so I can just send you money?
maybe this is why they never make money and charge filmmakers for "marketing fees"? Maybe this is why she gets Exec. Producer Credit? Maybe they are writing off BS charges they have made against failed films. Lots and lots of failed films. Film that are not supposed to succeed.
Also if you can find an investor, they risk nothing on failed films.
We'll see what they plead when their con is exposed. I think it's also obvious that good films can "fail" if the so-called "distributor" never did, nor ever intended to, actually promote and market their film.
And this is also how con artists prey on indie filmmakers, they hype them about all of the international markets supposedly paying huge fees that they'll exploit their films in...and then pile on the bogus "expenses" for which there is ZERO substantiation.
I just wonder if they make any govt. cash from the bogus expenses?
I also meant that the films were acquired to fail. Their scam isn't a scam if a movie succeeds.
Actually, I'd say it's not a scam if the...filmmaker receives the money a film makes. Less LEGITIMATE expenses, of course. You could chat up Marie here: https://www.stage32.com/profile/252407/about but she may be busy keeping track of the almost 2,500 views my films is getting on the different platforms, despite not being available for a while..
Also, in addition to her trying AGAIN to take my film down from YT, she's probably also going to be busy with a few other...related matters.
And to think that just a couple of months ago she could've avoided all this but probably got some really...bad advice from Belasco and Lunt about how I'd just run away and fold if they turned OJ's lawyers loose on me.
Connor has venmo, but apart from that, keep us updated Michael. Bradley, I know the finance game you're talking about. It's shifting expenses to investment. It's done all the time. Marie is not shifting expenses into investment taxes in her scam. Her scam is almost retarded. It is what it seems, she hasn't tried to capitalise on any film, she has no contacts. She produced in some capacity only two films and neither of them have had any real release. She couldn't. I truly think she wanted too. There is no shifting of expenses. No making expenses tax deductable, no loss for investors. She knows such investors are wanting to bunk money on schemes that allow them to be involved in a film that might give them kudos. They want to be involved in something cool and if it doesn't make money, they still don't lose any. Nothing cool about Adler. She's just collecting films, in the hundreds. Whether they earn 20 cents or $4,0000, it all adds up to wages. Hers being a very high wage. That wage being an expense. These small amounts pay this very high wage. "I'm CEO, my wage is $200,000 a year".
Also, Connor. you are a prick. You are young and I let you off, but you are a prick.
Danny, I don't know if anyone here fully realizes the enormity of the situation, where a filmmaker is told that...HE effectively "owes" A&AE $70,000 for putting his four films on Amazon. People here should try to put themselves in his position, knowing that it's actually free to post them, and - for now - he doesn't even own them anymore.
Anybody want to try to defend the greedy thieves who've done that, and similar things to numerous other filmmakers?
This thread has gone to the dogs. I'm unsubscribing.
Thanks for that explanation, Danny.
also, so y'all know, this thread is the 3rd most popular on google when you look up Adler.
Brad, Thanks, it's very heartwarming to know that this modest little effort is helping people to get to know Marie and her shadowy little associates. As a matter of fact, you can count on me to continue my efforts until A&AE's doors are shut for the last time...and has returned the films, and the monies due, to their rightful owners.
Let's take a little trip back in time, to June 27, 2018. On that memorable day, I graciously emailed A&AE “An invitation to do the right thing”, in which I proposed generous terms for resolving our dispute. These included returning my films to me, along with the income they had earned on Amazon, and with $1,000 for each film to be paid to A&AE, for doing nothing other than putting the films there and…lying and misrepresenting everything else to me. As they've now done to countless other filmmakers.
Unfortunately, my email fell into the hands of Mark “Da Gangsta” Belasco, aka A&AE’s fictitious "Legal department”. But, instead of appreciating the lyrical simplicity, and fairness, of my proposal Mark decided to go the "let's intimidate him” route, which they've run on numerous filmmakers trying to escape their clutches. Assuring Marie that I was merely a minor annoyance, a temporary bump in the road to perpetuating their cynical scam, Mark proceeded to label my exquisitely fair offer as “extortion”.
As the faithful readers of this forum now know, things kind of went downhill from there. Undoubtedly, poor Jeffrey Lunt, who only wanted to do his puppet shows and reap his share of the ill-gotten gains, now suffers from indigestion, night sweats and scammer's remorse.
Marie, who rumor has it has dyed her hair and is now waiting tables at Barney’s, probably uses each new delivery of The Hollywood Reporter to mercilessly pummel Mark and remind him that he'll never scam, er...work in this town again.
Stay tuned, things are going to get even more interesting.
many comments, some of them likes Adler, others not. I´m a filmaker who signed with them in 2 movies, and I have to SAY ONE MORE TIME, I WONT SIGNED WITH ADLER AGAIN!!
Adler's name on upcoming AFM list. I guess they are still in a game. Shoreline, by the way, charges high marketing fees too. A few years back I met a filmmaker who signed with them 15 years contact with 90K in marketing fees. He complained that it was already 3 years and he never saw a penny from them. Lots of desperate filmmakers and too many sharks. Filmmaking is a bad business, a sick environment, a bad investment. And still people want to be in it. Big mystery to me.
thanks for the reminder, it might be interesting for a bunch of the filmmakers to "visit" them at the AMF to say hello. By then, of course, they may be preoccupied with even more...pressing matters.
I believe this is pretty simple. Adler tried to sign me to a contract before having seen my film, because I wasn't finished yet. How could they have found this? Could it be my imdb/imdb pro pages? For a brief moment they fed off of my dreams of making films that produced solid returns. At first glance, the expected gross of the film excited me and make their idiotic marketing/promotion percents seem a little less idiotic. Now, I didn't sign w/ them because I saw red from early on. However, had I signed on w/ them, and the fact they release every film on Amazon Prime and the fact that amazon prime pays you .06 cents per hour watched and the fact that I could put it on amazon rentals/ prime and Vimeo myself as I did, I actually made a little money. Nothing to be excited about, but actual money. If Adler is only getting films on prime, you wouldn't make anything even if Adler didn't take a piece of that. Filmmaking is a bad business. The only plus side I can see is artistically. Unless you're rich and then investing in films is a great way to hide cash for tax breaks.
I've just unsubscribed from email notifications as the repetition got boring a long time ago. I'll come back when I've determined what my experience with Adler is. Anyone really interested can follow my page or contact me for a link to the Facebook page for the project.
As filmmakers, we can often get a little blasé towards reality, if we spend a lot of time on strictly creative projects and stories. But it may be different when you're a documentarian and when what you're documenting pertains to...your own life.
And perhaps some of you will see that, while we're busy putting our dreams into reality, there are those who'll go to great lengths to take advantage of you...and even greater lengths to try to conceal it. So here's the latest:
YouTube Rejects NEW Censorship Attempt by Marie Adler
Adler scam targeted indie filmmakers in US and five different countries
So, while I hope things don't get quite this exciting for Denise, I find all this anything but...boring.
Nooooooooooooo, not Denise, We've lost Denise. At least I have her facebook page, otherwise, I don't know what I'd do.
Don't despair, Danny, I'm sure we'll hear from her in time, perhaps while Adler and her accomplices are...doing time.
For those who may be interested in the lengths to which Marie Adler and A&AE are willing to go to prevent filmmakers from disclosing any information about the difficulties they’ve had with A&AE, and as conditions for the filmmakers getting their films back, Adler’s had her attorney send out the same Settlement Agreement (from Glaser Weil) that she tried to use to silence me and prevent the making of DECEPTION ON DEMAND.
The Agreement, as also recently again sent to me, contains conditions like these:
1. The Parties’ Responsibilities
The Parties shall undertake the following actions:
d. Horn agrees not to disparage or make derogatory comments, including comments made verbally, in writing, in print, or through film, tape, or any other medium, regarding Adler or A&AE, or employees and officers of A&AE, or anyone in any way affiliated with Adler or A&AE. This Agreement shall not prevent Horn from making truthful statements should Horn be required by law, as a result of a subpoena or other court process only, to do so.
a. As of the Effective Date, and except as may be required under subpoena or law, the Parties, their attorneys, agents, and any other person or entity purporting to act on their behalf, shall not disclose to anyone, without the prior written consent of all the other Parties, any information concerning this settlement, or the dispute regarding the Films and related expenses, costs, royalties, and revenues received from the Films.
b. Except as may be required under subpoena or law, the Parties, their attorneys, agents, and any other person or entity purporting to act on their behalf, shall not disclose to anyone, without the prior written consent of all the other Parties, any information concerning terms of this Agreement, including but not limited to, the negotiations leading up to the formation of this Agreement and the fact that this Agreement has been entered into, other than to acknowledge that the claims asserted by the Parties in this dispute have been resolved. Notwithstanding this provision, the Parties may disclose the terms of this Agreement to their lawyers, accountants (if reasonably necessary for the purpose of obtaining tax advice and filing tax returns), members of their immediate family (provided that such members first agree, in writing, to be bound by the confidentiality provision of this Agreement set forth in paragraph 3), or, if necessary, to enforce the terms of this Agreement.
4. Liquidated Damages
a. If Horn breaches his obligation pursuant to any part of this Agreement, including but not limited to, the confidentiality of this Agreement and/or the other confidential information, as set forth in paragraphs 3(a) and 3(b) above and/or the non-disparagement clause, the no harassment clause, and the no contact clause, as set forth in paragraph 1(d)-(f) above, Horn shall pay A&AE the sum of US $10,000 per each incidence of breach as liquidated damages…
5. General Release of Claims
d. The Parties represent, and warrant that, with respect to this Agreement, each of them has been advised by his, her, or its legal counsel and is familiar with the provisions, rights, and consequences of Section 1542 of the California Civil Code (“Section 1542”), which statute provides:
A GENERAL RELEASE DOES NOT EXTEND TO CLAIMS WHICH THE CREDITOR DOES NOT KNOW OR SUSPECT TO EXIST IN HIS OR HER FAVOR AT THE TIME OF EXECUTING THE RELEASE, WHICH IF KNOWN BY HIM OR HER MUST HAVE MATERIALLY AFFECTED HIS OR HER SETTLEMENT WITH THE DEBTOR.
Each Party hereby expressly waives and relinquishes, to the fullest extent permitted by law, the provisions of Section 1542 and any similar provisions of law. Each Party further acknowledges that he, she, or it is aware that he, she, or it may hereafter discover facts in addition to or different from those which he, she, or it now knows or believes to be true with respect to the subject matter of this Agreement, and that he, she, or it intends to and does hereby fully, finally, and forever settle, release, and discharge the claims set forth above without regard to the subsequent discovery or existence of different or additional facts.
Each Party further represents and warrants that he, she, or it is currently unaware of any claim(s), right(s), demand(s), debt(s), action(s), obligation(s), liability(s) or cause(s) of action whatsoever against any other Party, business entity or person that he, she, or it has released herein which have not been released pursuant to paragraph 5.
One of the problems with 5 d. above is that many filmmakers already know about various claims, demands and actions, etc., underway pertaining to the questionable business practices of A&AE.
There may be filmmakers who are willing to agree to these, and the rest of the, terms in order to get the rights to their films returned to them…without any monies that the films may have made. For those who choose to do so, it’s quite understandable, in light of the many horror stories I’ve received detailing the ordeals they’ve gone through trying unsuccessfully, up until now, to get their films back.
Michael Horn, thanks for an update. It's amazing how low some people/companies willing to go in this "business" to make a buck. Very shady and sneaky practices. And you're only scratched the surface with that particular company/individual. Learning about these infested waters every day.
You're welcome Don. very shady, sneaky, cynical and...greedy.
But soon there will be one less company using these tactics to defraud indie filmmakers.
Hello Connor. (Apologies to others - I'm absolutely off topic but had to respond. I'll endeavour to stop doing so after this). Firstly - I didn't try to bully you. You came on to this thread with no useful information about Adler. You simply tried to self-promote, and you told people who had lost their film to Adler that they should have been clever like you, and self distributed. This was not helpful. Secondly - I treat people equally whether they are male or female. Not to do so would be misogynistic. My wife would be appalled if I were to censor myself for the sake of her being "a little lady". Thirdly - Denise actually hadn't been 'nothing but professional'. I absolutely felt for her and every other person who is going through this debacle with Adler, until she decided to question the integrity of a fellow film maker's work. (See image). I found this outrageous. Hats off to Michael, who kept his decorum and didn't play tit for tat in questioning Denise about her artistic integrity. Fourthly - I have no idea what "PA 6 min. short" refers to. Perhaps you mistake me for someone else. In any case, that doesn't matter. Finally - you're right. We should all try to lift people rather than tear them down. I forgive you for your naivety. You are young. I shall leave you now with a nougat of gold - don't treat women any differently to men. From my experience, they're not best keen on that.
ps you can tell I'm old, as the screenshot is tiny. I was referring to a quote from 3 weeks ago where Denise outrageously laughed at Michael's choice of music.
If you right click on it and open it to another page, you can read it.
To point out a couple things.
1. Connor, I was teasing you. You did come in here kinda badly and I was amused. That's why I asked for your paypal. I really don't care though. Other people have advertised their films in this thread, just not quite so quickly.
2. Denise: 2 years ago you said, "Yes. I've been working on the deliverables list, just finished time coding for subtitles. Communications are sometimes slow but they do happen." So it has taken you 2 years to finish the movie for Amazon standards. That's all I was getting at.
If your film was that unfinished and Adler was that interested, doesn't that say something to you? It says to me they'll take anything. I could make a movie called I USE THE BATHROOM as a super boring exploration on 75 minutes of my bathroom habits and get it w/ Adler. Guaranteed.
An open letter to Stage32 owners,
I’m sure you’re aware of the information and discussion pertaining to Marie Adler and A&AE here. Nonetheless, I’m going to update you on recent developments...and ask you some questions.
First, since the release of DECEPTION ON DEMAND (https://www.youtube.com/watch?v=xQyH9KPIvk0&t=0s) which continues to reach thousands of viewers worldwide, I've received documentation from filmmakers in a total of seven countries, that shows a deliberate and ongoing pattern of outright fraud on the part of A&AE.
How else can you describe a situation in which completely unsubstantiated deductions for so–called "promotion and marketing expenses” exceed $203,000… for only 12 films? Additionally, the filmmakers involved have not received any documentation to support even one dollar's worth of legitimate expenses paid by A&AE, nor have any reported receiving even $1 in royalties.
Consider for a moment what a royal, criminal scam this is.
And now a question for this forum's owners: Where do you stand on all of this? Is this going to turn into one of those #MeToo situations, where the record will show what is effectively a cover-up - and tacit endorsement - of absolutely intolerable behavior…by a member of this forum?
I will again point out that Marie Adler herself stole my identity and created a fake YouTube channel in my name, on which she lied, defamed and threatened me and my family, and went so far as to publicly claim that she has paid private investigators to bring me into court. Fortunately, when brought it to the attention of YouTube, they immediately took down this defamatory, imposter site by Marie Adler.
Further, Marie Adler tried to have three of my videos removed from YouTube, because they shined a very clear light on her incredibly cynical, predatory, retaliatory and dishonest machinations. Fortunately – and very quickly I might add – YouTube rejected these sinister attempts at suppressing my free speech.
So again I will ask the owners of this forum, who I assumed had the best interests of indie filmmakers at heart and didn't have other considerations, such as possible business relationships with A&AE, etc., how are you tolerating having a person participating on your forum who conducts their business in such a despicable way, or more to the point, whose business is ripping off indie filmmakers?
Now, while these are my opinions, I have yet to see any filmmakers rushing to tell us how much money they have made from their films being with A&AE, or any actual evidence to the contrary of that which I have documented in my film, as well as presented here, and as also presented to me by numerous filmmakers from around the world.
Perhaps at this point you realize that I just don't roll over and go away. So far, it's cost Marie Adler many thousands of dollars to discover it… despite her heavy handed attempts at harassment, intimidation, threats, phony TROs, playing the “victim”, etc. I'll also suggest that an honest response to these concerns DOESN’T require a legal team. What it does require is real, honest concern for the well-being of those indie film makers who might come here looking for guidance and quite possibly instead…be defrauded by a team of predatory con artists running an international scam on hundreds of filmmakers.
Should you feel that this is only a one-sided story, I invite you to do what I did and invite Marie Adler to publicly comment, refute and rebut all of the evidence that appears to show that she and her accomplices are anything but con artists, scammers and predators of the worst kind. She tried to shut me down instead, so how will she react here?
I look forward to reading the answers to my questions from this forum's owners.
Michael, did you try to tell your story to any TV networks or newspapers? How about to organize a picket line during upcoming AFM? Just that, for sure, would create some waves and negative publicity.
Interesting ideas, please email me.
The process of filmmaking is a journey that Marie Adler and Associates was very supportive of our production team in accomplishing our goals... there availability and responsiveness is A Plus... we recommend them to all independent filmmakers
Michael Cyril, there is only one question. Did you see any money on your bank account after Adler or her Associates distributed your film?
Yes I did Don Diego
Great. Would you mind to share how much you paid in marketing fees and what was the budget of your film?
Since DECEPTION ON DEMAND was released, it may interest people to know that filmmakers in a total of seven countries report that A&AE claims that for the “marketing and promotion” of 12 films, over $203,000 is "owed" to A&AE by…the filmmakers!
This is especially remarkable because, in each case, their films were ONLY put on Amazon. An average of the highs and lows means that each film “cost” almost $17,000 to put in Amazon, which in the real, non-greedy world is of course...FREE.
Consider that there are about 220 films in the A&AE catalog and do the math. Quite a nice little scam there, potentially running into the MILLIONS…before A&AE would have to pay any significant amount of money to the filmmakers.
Also, in what looks like even more attempts to erase incriminating evidence of Adler’s phony “EP” credits, etc., her imdb page has been sanitized: https://www.imdb.com/name/nm4102845/mediaindex?refine=publicity&ref_=nm_...
Fortunately, in case the little pumpkin ever needs them, we’ve made copies of ALL the previously claimed, bogus credits. BTW, one thing we haven’t been able to find is ANY record of a “American Financial Lending” company that did $38 billion in 42 states, which Adler claimed in her - also now redone - website.
Might y’all be getting a sense of how this is ultimately going to turn out for Adler and her accomplices? I do hope that Denise is handling her rude awakening well.
Michael can I ask you what production you were involved in? There's nothing associated to your name on IMDb. In this endless discussion everybody shares their experiences with Adler, and almost everybody talks very bad about Marie. So if you're one of the very few who got positive experiences you should definetely tell us more, because ok we all know how bad is Adler now (yes this discussion is getting very boring), but I'm sure I speak for everybody here we''d all love to hear finally something positive.
Your profile shows you've been a user since Oct 2018 (so fresh account), your film CV is empty, what we only know is that "you make documents to films" which mmmh ok. Oh not to mention you have a cute dog as a picture profile.
So of course you need to tell us more about your experience, otherwise we might all think (yes, we're evil!) that your account is just a fake one. Hope you understand, thank you.
You asked for an experience and I gave you money as far as how much money I make and it’s nobody’s business but mine and I’m not a blistery how might the rest I don’t have an IMDb page I just make documentaries what name I use my documentary is like the ghost writer so as far as All of you who support trump obviously because you sound like a witch hunters I gave you what you asked for now you want me to validate who I am I don’t think so
Ok Michael the democratic ghost writer doggy with no IMDb page who makes money with documents and documentaries, now we perfectly understand, no need to validate.
Thanx for sharing your great experience.
Michael Cyril, Nice try. Your Case closed.
How many times do you have to read Michael's comment before you get full comprehension of it's meaning?
Personally, I hate witch hunters. Who am I to say that witches can't do their thing?
Is Michael 'Banksy'?
"You'll never know who I am, I make these documents in secret."
Now that there's plenty of information - and more to come - on the unethical business practices of A&AE, one can determine for themselves if they wish to associate with this company. It's neither right nor necessary to consider unlawful actions and far more productive to go to AFM and seek out legitimate companies and individuals who can assist you to bring your project to fruition. Best of luck!
My film, DECEPTION ON DEMAND, just won the Diamond Award (http://www.pinnaclefilmawards.com/Winners.html), the top award in the Best Documentary Short at Pinnacle Film Awards.
DECEPTION ON DEMAND has been chosen to be a semi-finalist in the Los Angeles CineFest film festival (https://www.lacinefest.org).
This is all interesting and confusing. They have contacted me regarding my 2 feature films as actor/writer.director/actor and coffee boy. I just dont know the best way forward with my films, can anyone help me please?
This is my feature film as actor/writer/director, can anyone advise me on how to go about things from here? Its all confusing and I am not exactly businesses minded. https://vimeo.com/267034008
tldr? Adler Bad. Not Adler Good. If you can't get someone interested in putting out your film, do it yourself on Amazon and Vimeo.
Steven, by "they" do you mean Marie Adler, alias:
Marie Salehi, Maryam S Saleha, Maryam Saleha Adler, Maryam Selaha, Maryam Alder, Marie Saleha, Maryann Adler, Maryam Marie Adler, Maryann Saleha, Maryam Saleha, Maryam Salehaadler, Maryam M Adler, Maryam A Saleha
What I've learned SINCE releasing my documentary (goo.gl/X1iLXQ) is even more disturbing about the international scam Adler is running. Speaking of running, you may want to consider doing so away from these con artists. But of course it's your choice.
thank you for the documentary
Steven, thanks and I'll have an update on Wednesday.
Superior Court of Los Angeles
Santa Monica Courthouse
1725 Main Street
Santa Monica, CA 90401
December 5 & 6
8:30 AM, Room E
Michael Horn vs Marie Adler, aka:
As a precaution, we have forwarded Marie Adler’s openly published threats that she has hired people to stalk, find and commit assault and battery against Michael Horn, to the Los Angeles Sheriff’s Department, at the Santa Monica Courthouse.
Many of you know about my (already award–winning) film, DECEPTION ON DEMAND (https://www.youtube.com/watch?v=xQyH9KPIvk0&t=2s). What you don’t know is that Marie Adler returned my two films, after futilely spending many thousands of dollars with her high-powered lawyers trying to prevent my exposing their international fraud.
And, also thanks to a generous attorney, it hardly cost me anything other than a little time and persistence.
Believe it or not, A&AE just tried - again - to have my other videos about them taken off YouTube. And, as before - when Marie Adler also stole my identity and created a fake YT channel in my name - YT dismissed their attempts. And the company A&AE hired to attack me wrote me this apology:
We're a global MCN that manages, monetizes, and protects content for our clients/partners; Adler & Associates Entertainment being one of them. We were instructed to claim these video assets, but after review and receiving your appeal, the claim does seem strange so we have released them. We are going to look into it a bit further and will contact you with any questions regarding this matter if any arise.
Thank you and apologies for any inconvenience.
Please let us know if you have any further questions.
There's a lot more to come. It turns out that this was literally just the tip of a very corrupt iceberg, known as Adler & Associates Entertainment. I should have a new film out by mid–year (tentative title, "Alias Marie Adler)". I'll be sharing many of the details I learned after the release of DOD. You’ll learn how Adler is/was also associated with 10 different so-called companies, all of which operated out of one address in Northern California and one of which was busted for multi-million dollar fraud by the FTC. (Their “office” today is a mail drop in West Hollywood.) And of course there’s a lot more, including how some people involved in the indie film distribution/information business are complicit in enabling sleazy hucksters like A&AE in ripping off aspiring indie filmmakers…like you.
OH MY GOODNESS!!!! This is so sad and painful! FOUR YEARS this thread has been going on with people still getting scammed?! You guys! THIS COMPANY IS NOT LEGIT!
Mr. Horn... so sorry for your experiences and you are incredible for the time you have taken to help others.
EVERYBODY... DO NOT GIVE YOUR MOVIE TO PEOPLE WHO...
1) have no movies you have ever heard of with no talent you have ever heard of in their library, (and A LOT of them) and check listed trailers for production value! ...
RED FLAG ALERT!!!!
2) All they are doing is what you can do yourself and YOU can KEEP 100% profit.
3) YOU can go to Amazon yourself and upload it with a beautiful page!!
4) You also do NOT want to do PRIME for at least 6 mos or maybe year if possible because it is simple click and pay on the cents/ pennies. Because prime members it is free maybe some will get lots of clicks for a minute and them move on to something else...but still a bunch of $3.99 rentals will be more money vs pennies a click.
Better money comes from rentals first so after rentals are exhausted then go to prime. YOU CAN PUT ON AMAZON!!!!! ITS SO EASY! As for prime which again...you DON'T want to do for your best chance to make money at first...Not someone who is grabbing any so called anything to throw up om prime hoping for a click but... if you want to.... straight from horses mouth... and again, unlike Itunes below...amazon will take anything...
"You can use Amazon Video Direct and select the option to make your video available on Prime. After you've uploaded your file, artwork, and trailer, Amazon will review your submission. Once your film is live on Amazon Prime, you need to promote it". Apr 22, 2017
5) ITUNES needs an aggregator... (they will not take one movie...they take in bulk)....
SO...just go to an aggregator pay them for the platform fees , they will take care of closed caption and etc also for you in fee so dont worry...
and then you will get 100% of profit!!! Hopefully make your money back for the platform fees so no worries.
Adler some will pay them platform fees anyway if requested various platforms... if not they are throwing it up on the free Amazon which YOU can do!...
Any requested fees are reported to be way higher than they are in reality sooooo... eh... back to a real aggregator that doesnt take your movie.... As example)
"Distribber" is excellent and you can also see all your profits on the website you can go to at any time...yes YOUR profits, YOUR film that you get 100% of!!!! You can do all platforms if have more money and want to or pick and choose the platforms you want that may also fit your budget... you can add more platforms later...totally in your hands, your control, you decide and know and see everything! Just know aggregators don't take every film and its not up to them per say but up to the standards required by some platforms (Itunes is the strictest standards) (Amazon will take any upload) more on that below... so if they know its not matching standards they will tell you...if they think borderline and maybe it has a chance they will try and if not...you don't lose anything.
6) Make a vimeo channel and Put your film on vimeo! VImeo has gained more respect in recent years for filmmakers...get 100% profit. Its like a fancier youtube with rental fees to watch or buy a movie. We made over 10K on vimeo in just a few months with NO promotion! (A bit of a niche genre feature film though so keep in mind genre when making your films) (it was a passion project with super talented friends that we shot for no money but incredibly talented crew and director and writer and cast so looks around a 300K budget and won festival awards...so 10K doesnt sound like much but for throwing it up not expecting much and doing nothing, made way more than was made for...its good!).... Anyway, the money Just happened!! Just kept checking and each week...cha-ching!!!
One month we did some small pod cast and blog article and didnt expect anything but was BIG cha-ching that month!
Vimeo can be international! Most money was made in UK and other countries! Then however, because we had signed with a distributor prior to vimeo (and a legit one mind you)... we just realized we wanted to keep the film ourselves as we had learned a distributor was not needed since put it out there while in process of giving deliverables to the company...we saw and learned that we could do exactly what they could do these days. BUT... they would not release the film back to us and stuck to the contract. We had to remove film from vimeo at that time per their request. They paid the platform fees for the VOD sites!! They don't claim to do any marketing that they need reimbursement for (of course)!! and Yes we have received pay from them on a quarterly basis but would simply be a lot more if we just did it ourselves.
We have to chase it down a little bit in that we have to ask for the numbers and the check each quarter which is a little annoying but fine and it gets sent!!
They have movies in their library with name talent that is known from all decades, older film and TV stars from the past, recent series TV regulars etc and good quality trailers.
(again, something to look for if you don't want to self distribute and do decide to go with a co!!)
7) If you have the money for it... places such as film freeway and others have an auditing co to hold distributors accountable for the money they put out and bring in so you can be sure you are getting your percentage. They hold them accountable!! It is expensive tho thus for an indi small film not bringing in that much its hard to justify but again...these days...just self distribute!!
NOW!!!!..... and possibly most important morally and for our industry and for newbies...!!!!
HORRIBLE HORRIBLE ADLER WOMAN/ AND HER ONE GUY SLASH PEOPLE DO NOTHING! BUT HOPE FOR BULK PENNIES FROM PRIME FROM ANY AND ALL FILMS THEY CAN GET!! Please please research easily how to get your film seen by people, yourself learn and do...SO EASY!.
Anyone on here with any comments of defense of course, DO be suspicious of and simply ignore OR they just dont know the industry yet because the scam of this company is so obvious it is laughable!!!
This woman and her sidekick guy came to our awareness when made aware over time from many in industry of mass emails going out to lists of films in post production. To those educated and aware it is a joke and not even a second thought of it being serious!! People just ignore and laugh about it. because they send emails to multiple people on same production and its just a complete mess! Emails are so scammy sounding and dumb and people that have been around the block just know...its a scam!!
I started to hear people laughing about them so much and then multiple people I work with on films got emails from them that finally I googled bc was so bizarre and THEN...could not believe this and all else I saw!
LISTEN...LEGIT COMPANIES DO NOT CONTACT YOU OUT OF BLUE OK! IT DOES NOT HAPPEN :/
And especially with a no budget little film with no names and etc.
This sort of scam thing sadly exists in all areas of the industry,
ie) acting - so called agents contact new talent out of blue and say they are interested in signing you if you pay for headshots with their guy or take their acting class or pay them to submit you... UM, NO!! There are so many other scams. People sadly prey out of greed on peoples hopes and dreams. .
You submit your film to companies , meet co's at AFM, meet companies at film festivals, make sure you know talents faces and names and etc of things on at least some movies in a company's library.... and even then again... little that the small "real" companies can do for you per above.
Otherwise.. DO IT YOURSELF!
Their email they send says...
"Our research shows that your film will be perfect for our library (insert industry terms to sound cool here) We have a FEW spots left! CALL OR SKYPE NOW"
Sadly... most the "films" Adler has... I mean, OMG...watch the trailers...
not films any distributor would take and other than Amazon.... where you can upload anything and they take anything!!...
the other platforms would not take them.
They claim they take poor quality student films and aspiring directors films because they are nice and want to "revolutionize the industry"
Ummm... NO. Doesnt even makes sense.
They need mass volume of films to make any money and nobody will take those films but Amazon which is why YOU can do it yourself.
EXAMPLE) ITUNES does not take everything...must be accepted regardless of submission with an aggregator and even itunes lenient in quality but they check them!
Sound, color and quality MUST be up to par and specific standards.
The aggregator wont even take all films.
Most of the trailers I saw with Adler... no way would get on itunes. :/
Even a poorly shot, bad script, bad acting indi horror or etc will make money on vimeo or amazon if you self distribute because of course some people love that stuff
Look at people just yelling into a camera in their bedroom for youtube who are millionaires these days... never know!
With this Adler woman....
Some people are just so excited they fall for the scam just desperate to say they have a film out there and not knowing better that they can do it themselves.
For some it seems they just want it with a so called distributor for ego and never really do the research to be more educated.
It is DISGUSTING how Adler is lying and taking advantage of people.
Karma is a beeeyatch so dont worry .... they will go down.
Meantime... technology has created incredible opportunity for filmmakers BUT, sadly....
it also it is so saturated with content these days that it is hard to make a profit off of many indi films unless super niche market and/or a known name attached and even that is still hard. More people watching streaming TV shows on devices now than ever before. People would rather binge watch 4 episodes of a TV show than an indi film with low budget and no names.
Even legit small distribution co's are having a hard time making money on films and few will spend any money to market a film of an indi level.
But that is also where self promotion and marketing comes in...
social media is the place for low budget indi film!
Get creative, READ HOW...tons of FREE info out there and tons of people with eyeballs to watch your film.
Nobody will care more than YOU!
You are your own business and each film is your product
So, unless you have a film of the standard and quality that can go to an A or B distributor
(just like in acting...sadly small C, D and F agencies try but can't do much vs the A and B medium to big ones with relationships)...
For distribution...just do it yourself if your film is indi, low budget, no names etc!
There is NO benefit to even a a small "legit" distributor these days BUT ESPECIALLY...
A Scammer one like " Marie Adler of her Adler and Associates" taking advantage of people who are not aware and just don't know better.
Please just google, read and research, protect your fellow filmmakers as Michael has done and cheer for each other!
GOOD FOR YOU MICHAEL! and THANK YOUUUU!!!!!
No doubt you have helped many already!
Your films they took from you did have purpose and meaning more that you know because in the end you will help others in becoming educated and ultimately you will assist to put bad and evil, greedy people where they belong.
It is only a matter of time.
Everything has a purpose and reason right?
You are seriously amazing for what you have done and are doing and for caring so much!!! You seem like a great storyteller!
I guess it just turned out that THIS will be a big and important story for you to tell!
Also, no doubt your films were of some of the best production value in their so called library of uh...interesting films that are like student films 101!!!
(eh, sorry to anyone with them, just a true "generalization"...but filming anything top to bottom no matter what is an accomplishment so congrats)
But with Michael... it is of course their loss at your diligence and intelligence in the end anyway and your WIN!!!
You do NOT want your films to be associated with them that is for sure and if anyone clicks on your film why should Adler and sidekick guy buy coffee with that money and you never see a dime. Yay that they removed it!
TO ALL YOU BRILLIANT, PASSIONATE, CREATIVE FILMMAKERS....PLEASE KNOW....
YOU CAN DO AMAZON EASILY YOURSELF!
YOU CAN DO ALL THE PLATFORMS, JUST GOOGLE IT AND LEARN HOW AND PICK AN AGGREGATOR!!!
YOU CAN DO EXACTLY WHAT THEY DO... WAIT... NOOOO....
ACTUALLY....YOU CAN DO.....
WAY WAY WAY WAY WAY WAY WAY MORE
because they are doing....
(well wait, they are lying...that is something)
(and they did make a few clicks to throw your film on amazon taking you for stupid to think that only they can do that)
(and they are maybe taking any little money.... which possibly with hundreds of little indi film pennies from clicks maybe adds up to their rent or a payment on a Mercedes lease or a designer handbag)
(but of course, sureeeeee.... they spend thousands and thousands on promotion... and on the films in this so called library of theirs... ummmmm...
Consider...did you see your movie with them on that billboard on sunset? OK, bus stop sign?? Give any interviews lately?? Facebook ad? Eh, pod cast, press juncket? Blog post? Anything???
In closing... Besides ALLLLL of the above which I hope was helpful to you and you can help others not to get screwed by bad people like this....
YOU DON'T PAY A LEGIT AGENT OR MANAGER TO SEND YOU ON AUDITIONS... OR FOR ANYTHING... THEY PAY YOU!
AND JUST THE SAME....
YOU DON'T PAY A LEGIT DISTRIBUTOR FOR ANYTHING UNLESS ITS AN AGGREGATOR (not a distributor as you will own your film always) TO GET ON THE PLATFORMS
A GOOD AND REAL DISTRIBUTOR TAKES YOUR FILM BECAUSE THEY BELIEVE IN YOUR FILM, BELIEVE THEY CAN MAKE MONEY OFF YOUR FILM!....
THEY WILL TAKE FIRST MONIES FOR THE PLATFORMS IF NEEDED...
DONT PAY THEM EVER...
TELL THEM, GREAT! YOU WANT MY FILM SURE... NO PROBLEM, YOU TAKE THE FIRST MONIES OUT FOR THE PLATFORMS!
Tell them you will be using film freeway as an auditor to ensure you get your percentage of profit!!!
A REAL DISTRIBUTOR EITHER PAYS YOU LOTS OF MONEY OR A LITTLE!
WHAT THEY DON'T DO IS CHARGE YOU FOR PR AND MARKETING. (and especially the non existing kind) LOL.
I mean sorry but WTF? CRAZYYYYYY .... Say it with me... Scam Scam Scam Scam!
Anyway, sigh, I mean... really? So sad.
GOOD LUCK EVERYONE AND STAY SMART!!! :) LOTS OF OPPORTUNITY OUT THERE!
YOU CAN DO IT!
#Adler and Associates #scary #Marie Adler #Scammer #Sad #horrible #evil #Goodness always prevails!
Hello. In addition to all the above info which I hope will help many.... I am sharing below in hopes that it will also help the confused people in this board and future readers to learn the reality and be savvy to the crooks in town ....
so apologies but I feel it is more important to help and possibly help the filmmaker of this movie who is very vocal here.
This is the film trailer below of member Denise.
Trailer posted on youtube under the Adler channel.... IN 2016!! SO I think you should know them by now...
Lets talk trailer... (And congrats on making any film...in all sincerity)!!!
But after viewing this trailer and the status/situation as stated below...
the long 4 year thread should be better understood by fellow filmmakers and really....
NO MORE WORDS WILL BE NEEDED!
In addition. movie was then put on prime May 2018.
As of Jan 9 2019 it states on Amazon...
"BE THE FIRST TO WATCH THIS VIDEO".
Soooo....OK...everyone get it? Not yet...
OK, just watch the trailer...
AND... unless you want the bad criminal lady Mrs. Adler to be able to buy a lollipop or add 20 minutes to a parking meter... DO NOT click on it on prime!
It will not help Denise at all since she did not put it up as she should have if she knew better at that time but instead handed it over to the bad people.
Only a a few cents a click goes to the scammers....
nothing for Denise.
Make another one and do it yourself girl!!
Put on amazon yourself for free just like they did!! Its how and why they take anything and everything and send emails to everyone on imdb with a film just completed as they need to do prime in masses as much as possible hoping for clicks to get the few cents a click! At least since 2016 they have not made money off this film so... thats something... I guess.
BUT... to explain more...
WITHOUT FURTHER ADIEU... HERE YA GO EVERYBODY...
THE TRAILER TO THE FILM AND THE SITUATION AS STATED ABOVE TO HELP EVERYONE HERE AND IN FUTURE....
Thank you for coming here to help enlighten these people and hopefully save them a lot of grief.
You've said it quite clearly and accurately. And there's even more to this sad story with Maryam Saleha aka "Marie Adler" (and about a dozen more aliases). She also comes from a very dubious background, an alias-riddled family, phony businesses all operating out of a mail drop in N. California, a company busted by the FTC, being in cahoots with a couple of other conmen, etc.
I should have even more about all this mid-year but I will also add that the two principles of STAGE32 have been conspicuously and disturbingly silent and unresponsive to my public and private appeals to them to warn their forum members about these scammers. In my opinion, they are complicit in their failing to call out and inform about this grifter and her phony credentials, cynical scam, etc.
WHY does "Marie Adler" still have a b.s. profile on this forum...despite all that is now known about her?
If a company that's supposedly all about helping indie filmmakers doesn't have the integrity and the guts to speak up, if they let petty crooks maintain a presence on their site, they are tacitly ENDORSING rip-off artists. One must ask...WHY? What's in it for them? Is EVERYBODY in this business only in it for a buck?
Sarah, thanks again for speaking up.
Providing more positive and helpful information on this thread for anyone that needs it...
1) AMAZON VIDEO DIRECT
2) CLOSED CAPTION
3) OTHER VOD SITES WHERE YOU CAN'T UPLOAD YOUR OWN MOVIE AND IT WON'T BE FREE LIKE AMAZON
If you want to be on sites such as netflix and itunes and you dont have the legit distributor interest of that REAL distribution company that will take your movie, front your fees and closed captions b/c they believe in your film....and even then you will STILL start to see percentage of profits second quarter if not first quarter!! (3 months, 6 months)...THEN... you can still do it yourself. Going to an aggregator is an EXCELLENT choice. You pay for the platforms you want your movie on...can add more later...YOU are in control... YOU get ALL the profit...whatever money your film makes is yours! Aggregator takes care of all formatting and delivery for you once you select the platforms you want to be on! Your film still has to be accepted by these VOD platforms. If it is not accepted the aggregator does not take your money! Nothing to lose...everything to gain. You pay a super small annual fee to aggregator ie) $100 to $200 a year for housing all your info of sales month to month on your account on their website that you can access at anytime, for general admin stuff and for sending you checks every quarter! YOU get to pick your release date if accepted. Select about a month out so that you can start self promoting on social media leading up to your release date.
Below is from a film blog...
Both of the companies below are a good choice and after the initial platform and cc fees for the platforms you choose...
100% of the money the filmmaker makes goes to the filmmaker.
Distribber: Distribber was purchased by indiegogo and is one of the most popular aggregators for filmmakers.
TuneCore: TuneCore started off helping musicians get access to larger retail platforms but has now branched out to help filmmakers as well.
Spend some time and research these companies to see which one might be right for you. There are differences between them. For example, TuneCore seems to have access to more regional iTunes stores while Distribber has access to US and Canada only. However, Distribber has access to more retail platforms than TuneCore does. So spend some time and research the differences and see which one is a better choice for you and your project.
Sarah and Michael.... you are both ANGELS sent from above. Thank you both so much!
You're welcome Candy. And yet another filmmaker voids the Marie Adler scam (see: https://youtu.be/xQyH9KPIvk0):
"I just got a surprise and urgent request to discuss distribution with Adler before NATPE Miami. SO GLAD you had the courage and time to put this video together to warn others. Very much appreciated. A horrible headache avoided!"
two of my films just received an email from them asking to rep lol
Wow, a gmail address. Nothing says pro more than a generic email domain.
Thanks Tony, Sarah and everyone. I'm glad I didnt turn my film over to them. Has anyone heard of 'Indie Rights'?
FOUR. YEARS. AGO???
While I haven't posted any updates for a while, I can tell you that some of the international indie filmmakers who've been ripped off by A&AE are now also fighting back. They try to intimidate even these filmmakers with bogus threats of legal action but the LAST thing A&AE wants is to have to reveal and try to substantiate its illegal practices in court. I called the bluff of these shady, shabby con artists and I encourage anyone stuck in one of their phony contracts to do the same.
4Digital Media is a UK based distributor with distribution through Universal Pictures in the UK and the biggest indie distributor in North America, and we are always looking for highly commercial films for these markets. We can also offer introductions to trustworthy sales agents to handle the rest of the world sales. Send your trailers and synopsis to me at firstname.lastname@example.org
BEFORE you start shooting, you should send me the synopsis of your film and we'll give you our opinion if its what people want to buy.
Hello everyone. Adler & Associates is a global sales and distribution company headquartered in Burbank , CA.
First of all, for those of you that don't understand how film sales and distribution works, I'll be happy to give you a free consultation once the Cannes 2019 Market dies down in France.
We don't charge upfront fees, we attend all major world film markets, we work directly with all the major television stations ,networks and major platforms around the globe. I am a standing member of The Independent Film & Television Alliance (you must license at least ten movies a year to television stations to stay a standing member( this is audited yearly) but you are also vetted head to toe personally and professionally to become a member).
Please forgive me if this comes off rude but I run a global company and I don't have time for nonsense. I don't have the time to respond to people that have set up fake accounts, anyone trying to get you to use their services or their friends' companies, people that have posts that my company nor myself have never been in contact with, nor will I be addressing MICHEAL HORN directly( legal councel has advised me against it,especially after two restraining orders and his attorney firing him when I had no choice but to sue him for threats,extortion defamtion,etc and have no had to go to the FBI and start another lawsuit against him )!
I do however have the right to protect myself, A&AE and its employees from lies, threats and defamation from Michael Horn and/or people he has tricked into posting on this site by trickery or bribery!!!!
We made both films produced by Michael Horn deliverable and exploited his films worldwide for sale, just to find out he was selling DVDS on the side on the internet ( we have screen captures as proof with datestamp), and was actually trying to go behind our backs to self distribute to PBS. We learned of it when PBS contacted us! (after we did all the work to make it deliverable because he breached his contract and made me feel sorry for him as an old man). Then once we wouldn't agree to his extortion attempts(he told me and members of my team via email and on the phone, if I don't give him a certain sum of monies he will defame me, the company and do anything he can in his power to shut down A&AE) he made fake videos defaming us and posted them up on YouTube ( we had them removed but he took a fake Fair Use report and under the guise of being a journalist, had Google let him repost( will be having that taken down via courts this time), and started emailing people from IMDb that showed up as our clients. He even paid people to spam our filmmakers and their talent, cast and crew to defame us via email, social media and/ or any other means or he acted on his own( have proof of emails sent from our clients and clients that are going to testify in court on our behalf).
Mr. Horn actually would have had to pay us money if I didn't cancel his contract , return his film(s) rights and return his film on harddrive back to him. We have never recieved a dollar from Horn nor tried to ask for upfront money!
Michael Horn has no clue how the sells and distribution of films works. Anyone with true knowledge and experience in the film industry knows that what he is saying is a farse! It looks like he is going around speaking about UFO's and claiming to be an expert in that area.
Scott please read my reply at end of this strand. Will contact you myself and happy holiday on behalf of myself and the Adler team!
We made both films produced by Michael Horn deliverable and exploited his films worldwide for sale, just to find out he was selling DVDS on the side on the internet ( we have screen captures as proof with datestamp), and was actually trying to go behind our backs to self distribute to PBS. We learned of it when PBS contacted us! (after we did all the work to make it deliverable because he breached his contract and made me feel sorry for him as an old man). Then once we wouldn't agree to his extortion attempts(he told me and members of my team via email and on the phone, if I don't give him a certain sum of monies he will defame me, the company and do anything he can in his power to shut down A&AE) he made fake videos defaming us and posted them up on YouTube ( we had them removed but he took a fake Fair Use report and under the guise of being a journalist, had Google let him repost( will be having that taken down via courts this time), and started emailing people from IMDb that showed up as our clients. He even paid people to spam our filmmakers and their talent, cast and crew to defame us via email, social media and/ or any other means or he acted on his own( have proof of emails sent from our clients and clients that are going to testify in court on our behalf).
Suddenly Marie Adler (or whatever of her 14 names she’s currently using) wants to “explain” things. I will simply insert my responses in her comments.
MA: Please forgive me if this comes off rude but I run a global company and I don't have time for nonsense. I don't have the time to respond to people that have set up fake accounts, anyone trying to get you to use their services or their friends' companies, people that have posts that my company nor myself have never been in contact with, nor will I be addressing MICHEAL HORN directly( legal councel has advised me against it,especially after two restraining orders and his attorney firing him when I had no choice but to sue him for threats,extortion defamtion,etc and have no had to go to the FBI and start another lawsuit against him )!
MH: Marie Adler - whose “global company” is run out of a mail drop in W. Hollywood - took out a bogus restraining order against me, as I pointed out in DECEPTION ON DEMAND. I also pointed out that, as a 75 year-old man who’s never attacked or stalked anyone, this was a ruse intended to threaten and intimidate me. It was intended to prevent me from interviewing her and her two accomplices in this scam, which was a courtesy I extended when I made DECEPTION ON DEMAND, which included my providing her with the questions …in advance. When she refused my offer, I of course didn’t ever pursue the interviews. No restraining order was ever necessary, it was just an attempt to threaten and intimidate me.
Her two male accomplices also tried to get such an order but it was refused by the judge. They tried to renew the restraining order but, to the best of my knowledge, it was DENIED by the judge…despite Adler using a very high-powered law firm.
FYI, my lawyer of course didn’t “fire” me. He simply did the agreed upon work, and was paid for, and I no longer needed his services…despite the fact that Adler had hired the high-powered law firm that defended OJ Simpson to go after me. For the record, I haven’t been sued by Adler for anything. We have an arbitration agreement.
MA: I do however have the right to protect myself, A&AE and its employees from lies, threats and defamation from Michael Horn and/or people he has tricked into posting on this site by trickery or bribery!!!!
MH: Just like her bogus contract Marie Adler makes false statements here, for which she can offer NO proof. Who was tricked, anyone here, etc.? And of course I have never bribed anyone. There are already so many indie filmmakers that Marie Adler has ripped off, and those who’ve thanked me for my warnings, that they simply came forward to tell their truth.
MA: We made both films produced by Michael Horn deliverable and exploited his films worldwide for sale, just to find out he was selling DVDS on the side on the internet ( we have screen captures as proof with datestamp), and was actually trying to go behind our backs to self distribute to PBS. We learned of it when PBS contacted us! (after we did all the work to make it deliverable because he breached his contract and made me feel sorry for him as an old man).
MH: Adler’s version of “exploited his films worldwide” means she put them…on Amazon. Adler represented that she was going to make DVDs of my films and that then I wouldn’t be able to sell them. She never made any such DVDs.
The PBS situation is a beauty. Because ADLER does ABSOLUTELY NOTHING for filmmakers - and told me I could submit to whoever I wanted - we submitted one of our award-winning films, Breaking the Silence, to PBS, which told us they were interested in including it in a women’s film festival. I notified Adler about this and…put them in touch with PBS. But when I started my work exposing Adler and her A&AE company as cynical con artists…Adler sabotaged the showing!
BTW, I show the documentation, including her threats and orders to sabotage my films, career, etc., in...DECEPTION ON DEMAND.
MA: Then once we wouldn't agree to his extortion attempts(he told me and members of my team via email and on the phone, if I don't give him a certain sum of monies he will defame me, the company and do anything he can in his power to shut down A&AE) he made fake videos defaming us and posted them up on YouTube ( we had them removed but he took a fake Fair Use report and under the guise of being a journalist, had Google let him repost( will be having that taken down via courts this time), and started emailing people from IMDb that showed up as our clients.
MH: What Marie Adler means to say is that once I demanded of her the contractually required ACCOUNTING for the so-called “expenses” (she claimed $28,000+ in bogus “expenses" against $15,440 in royalties from Amazon on my two films) she REFUSED to provide it. She even refused my lawyer’s demands for the same information, which she is legally required to provide. Remember, I offered Adler and her accomplices the opportunity to address all my claims and complaints in DECEPTION ON DEMAND. She refused and instead is trying to play the victim.
MA: He even paid people to spam our filmmakers and their talent, cast and crew to defame us via email, social media and/ or any other means or he acted on his own( have proof of emails sent from our clients and clients that are going to testify in court on our behalf).
MH: I think Marie Adler is what’s commonly called a…pathological liar (and a narcissist as well). In case it hasn’t been made clear, I’ve NEVER paid anyone to lie, bribed anyone to do anything, etc. Of course Ms. Adler may well have a chance to try to prove that…as well as to finally open her books and show the accounting, i.e. the bogus “expenses” she claims.
MA: Mr. Horn actually would have had to pay us money if I didn't cancel his contract , return his film(s) rights and return his film on harddrive back to him. We have never recieved a dollar from Horn nor tried to ask for upfront money!
MH: What Marie Adler has conveniently glossed over are the kinds of scams and cons she’s run on numerous filmmakers. Case in point, I was contacted by a foreign filmmaker who’d signed four films to Adler. She subsequently informed him that she’d spent - hold on! - almost $70,000 in her phony “marketing and promotional expenses”? What did she do that cost so much?
SHE ONLY PUT HIS FILMS ON AMAZON!
Think about this, people. This filmmaker now effectively owes Adler $70,000 that she will grab BEFORE he’s paid one penny. And he’s not the only one. I’ve heard from filmmakers in seven countries who’ve been scammed by Adler. Further, those who want their films back have to sign extortive non-disclosure agreements that prohibit them from EVER talking, writing or making films about being ripped off by her! This is the SAME agreement that OJ’s lawyers tried to get me to sign if I ever wanted my films back. I told them to take a hike.
DECEPTION ON DEMAND continues to get views, over 4,000 now, and I continue to hear from very grateful filmmakers who avoided or escaped the Marie Adler scam.
Do I want to see Adler and her company out of business? Absolutely! It’s con artists like these who prey on hopeful, talented filmmakers who may not have the necessary legal understanding or background to avoid being taken.
And while we hear Adler herself playing the victim, lying through her teeth about bribes, extortion, etc., where are this “global company’s” scores of happy filmmakers, rushing to endorse how successful she made their films and how much money they received?
So far, I haven’t heard from ANY such filmmakers, not a one who's ever made even a penny from getting their films tied up in 10-year plus contracts with these grifters.
I do not know Michael Horn personally, but via his initial contact to foreign film makers who have never received any sales returns from A&AE
I can verify his comments.
I am the producer that he mentions with 4 movies with Adler and have a debt of close to $70 000 with Adler ( even when all my movies are removed from their sales page, I still get charges for more and more “costs”
Who needs fiction when the documented truth is beyond belief about the workings of A&E
A&AE have ceased communication,
from "Saying and documenting" they wish to return all my work and all my rights, but now they wish to earn even more money with
arbitration ?.and keep one film to cover part of their costs.
A&AE has finished my 20 year career as a Filmmaking, as they cant sell any or a single one of my 4 films over the last 2 years to TV or cinema, just selling the rights to others ( keeping all income ), only adding more and more "costs" every month onto their accounts, and they still want to keep control of my life's work?, and it is easy to see their rising costs mean I will never EVER earn one dollar for my life's work, as they will keep my life's work for another 13 years.
As A&AE wish to be the sales agent for Independent film makers, they have already cost me thousands of dollars with master copies, post etc, and now they want me to hire a lawyer at even more cost?
I already got advice from the Film union and their release contract of "non desclousure" contract was worth nothing, and I should never sign such a release which in affect still let’s Adler sell all my films.
I had to sell my home because of this company; I had to move to another land to find work because of A&AE.
All filmmakers need to be aware of the reality of A&AE, a BBB rated company.
A&AE has failed to provide the detailed breakdown of the $69 632.81(3rd Quarter 2018) in expenses for marketing and promotion they claim they've spent on my films and that they are contractually obligated to have already provided. I want the documented, substantiated expenses provided now. Should they be unwilling/unable
to do so, I want an immediate release from all the contracts and the
immediate return of all rights to my films, as well as the hard
A&AE is a company all independent film makers?
Everybody needs to know this company will end their film making career, and they can never be trusted.
To end this with an example. They sold the DVD Rights for “Killing Girls” my Russian abortion feature documentary and I just received their “Costs and accounts”for the 4th quarter of 2018, the film is $24 870.70 in MINUS.
My North Korean movie “The Wall” they now refuse to release as I said previously, they will take all the money possible from my movie and of course I get nothing.
Please contact me if anyone has questions about signing a distribution deal with A&AE
I thank David for his courage in helping to reveal the real truth about the cesspool of con artists at A&AE.
They are: Marie Adler (alias: Marie Salehi, Maryam S Saleha, Maryam Saleha Adler, Maryam Selaha, Maryam Alder, Marie Saleha, Maryann Adler, Maryam Marie Adler, Maryann Saleha, Maryam Saleha, Maryam Salehaadler, Maryam M Adler, Maryam A Saleha), the fast-talking snake oil salesman Mark Belasco and the sleazy Jeremy Lunt.
Yes, there may just be some interesting surprises this year at...Cannes. In the meantime, steer clear of the thieves at A&AE.
Hello David Kinsella,
I appreciate all the emails you forwarded me that HORN sent you defaming and lying about AAAE and myself. I can see why it can be confusing. Every-time I see a post about me from HORN, it's directing people to his sites. trying to promote himself or pretending he's trying to help other filmmakers. Luckily he's foolish enough to make extortion attempts and threats via email and he advises and pays others to attack us via email. We are living in modern times, where you can track people and emails. Even with IP masking software!!!
You are speaking about a total for FOUR films. That covers all the front end work and back-end work to make it possible for global sales ,exploiting all four your film worldwide and to try to sale them for almost three years without your help. which is a breach of contract but we still did the work to help you.. You have made it hard on us to sale the films but I know its because of HORN!
You and/or any one of our clients are able to exercise your/their rights to Binding IFTA Arbitration. We know litigation is expensive so we have put that clause in the contract to protect small filmmakers like yourself.
Like I told you before, if anything Horn was saying was true, he would have taken us to IFTA (the governing body of the independent film and television industry) Binding Arbitration!
I have been advised not to replying or post on here any-longer per legal counsel but If anyone in this strand has questions about why we work the way we do and/or needs help understanding the distribution process, please feel free to email me at email@example.com for a free consultation.
I know how hard the industry can be for first time filmmakers and I have founded a non-for-profit to help true indie filmmakers. But I will not have a conman shake me down for money. Even after all his threats against me, AAAE and its employees. As you can see from our website, we see people with our hearts not our eyes!
All my best,
Marie Adler, CEO
If ANYTHING I said about the lowlifes at A&AE was untrue...they would’ve sued me for defamation.
Unfortunately, Marie Saleha/Adler, etc., thinks people are stupid. Mr. Kinsella spelled out EXACTLY what Adler's scam cost him and it had nothing to do with me.
She has the nerve to even try to justify $70,000 worth of phony expenses for putting his films on Amazon! It’s FREE to put your films there!
In my opinion, people like Marie Adler are arrogant, shameless sociopaths who have such contempt for talented filmmakers that they will lie, insult your intelligence and try to rob you...without blinking an eye.
I point people to my film, DECEPTION ON DEMAND (https://www.youtube.com/watch?v=xQyH9KPIvk0) so they can be forewarned. Fortunately, numerous filmmakers avoided being taken by Adler and even people who were asked to work there were glad they avoided participating in scamming filmmakers.
The REAL reason they make you go to arbitration is BECAUSE it’s expensive and difficult. Adler should have said:
"We know litigation is expensive so we have put that clause in the contract to EXPLOIT small filmmakers like yourself."
Nasty, dishonest people working in this industry. Stealing and cheating. You all will burn in hell, you know who you are.
“Who needs fiction when the reality is beyond belief.”
Here is a copy of A&AE last accounts I received.
A&AE producers statement Q4 2018
Total paid $2.33
Total deductions Subtotal $15,893.55
Minus commission (35%)
Total balance -$15,891.22
Total deductions to date
Total paid $2.49
Total deductions Subtotal $16,549.77
Total balance -$16,547.28
Total paid $809.19
Total deductions Subtotal $24,859.70
Total balance -$24,041.52
Total paid $4,036.38
Total deductions Subtotal $17,140.36
Total balance -$13,103.98
Hopefully I can make others aware of the reality of A&AE as a movie distributor..
Yes Adler wanted me to ( at my own expense) create subtitles in multiple languages, market the film for them.
I just want my life’s work returned, but not with a 8 page release contract which is 7 3/4 pages of non disclosure and 4 lines saying I will get my films returned but in reality they will sell my movies for another 13 years.
As Maria Adler says, she and her team care about film makers.
If they care and see the devastating effect they have on destroying our careers, one would expect them to return all of my films and we are finished this nightmare A&AE film distribution chapter for ever, and we can all move on....
there's a few "dead" movie ideas I have on Imdb, that I guess said they were completed. I never even started them. these guys tried to contact me for distribution. I got a laugh out of it. I'm sorry for people who fell for this. Always have a lawyer read a contract before you sign it. I think your best chance of getting your films back and the films of others is a class action law suit. There are hundreds of films. Hundreds of filmmakers who haven't seen a dime, but owe. I'm sure they'd be interested in joining you. I have a feeling that most people in the industry have either not heard of adler, or know what their gig is.
The con artist Marie Adler plays the "victim" and then you see the actual staggering figures. of how much they've stolen. Adler and her accomplices in this scam are bold-faced, shameless liars.
This could happen to you, so...WHY do the owners of this site allow these parasites to lurk here and use this forum as a data base for soliciting victims?
Yes, davidkinsella.com is my company and home page so everybody can see my real independent film world.
Yes I have had a lot of world success, with my independent movies.
I dared to move my works to USA, and unfortunately I made my biggest mistake in my movie making career trusting Adler & Associates Entertainment to believe in their vision.
In reality Adler & Associates Entertainment with their 15 year
contract have ended my 20 year film making career of creating a different direction in film making.
Even here in Norway it was front page news with my contract with “Adler & Associates Entertainment “Hollywood” as they sell their success.
As an American film institute feature film of the year nominee with my “Love Letters from a children’s prison” my “A Beautiful Tragedy” a Russian Ballet movie that has millions watching this and a cult status, I have never had any sales agent that cant make a single TV sale, for any of my 4 movies.
Adler & Associates Entertainment couldn’t sell anything, just Amazon and selling my life work to others, not even a North Korean movie made in North Korea.
As to Adler’s accounts, since 2017 Adler have unbelievably not sold a
single TV or cinema sale for my 4 feature documentary films, they sell
on the rights to others and keep all the money
Adler who only wish to communicate via “Skype”, claim as I said previously that I effectively owe them $70,000 in their costs for so–called expenses they claim for promoting and marketing my films, and this cost.
Marie Adler on one hand says in actual emails Adler & Associates Entertainment will release all my films, then her Vice President Mark Belasco has now said they will keep the films that that they can earn money on.
Adler & Associates Entertainment said they had removed my films from
internet sales, but I could see they had kept selling the money making
films. I could see Adler & Associates Entertainment is just lies, and
not possible to trust.
What I want from Adler & Associates Entertainment is simply to get
back the complete and exclusive rights to my 4 movie titles, to have
my property returned, and then I wish them some sales for other independent film makers.
Since Marie Adler doesn't "have time for nonsense" perhaps she will now - promptly - return to David Kinsella all his films, hard drives, etc., and terminate all contracts, etc.
Really, how hard is it to...DO THE RIGHT THING?
I was told to stay away from them, they emailed me. They scour IMDB looking for films for distribution and long story short you will end up with basically nothing
Ricky, you're correct, and thanks for adding your voice to this ever-growing chorus of people who see these pathetic con artists for what they are. There's more exposure to come. Good luck on finding legitimate distribution.
Hello Ricky, yes as a European I fell for Adler&Associates and their giving a European film maker access to their market.
I tried for months to not tell others, and tried to get my movies returned from A&AE, who CANT SELL ANYTHING, APART FROM SELLING THEIR RIGHTS ONTO OTHERS..
Now I lost my life’s work to A&AE, so at least I can do all I can to tell as many film makers as possible to never be part of this company.
A&AE end the career of independent film makers.
The A&AE 1-In-A-Million Lottery!
Congratulations! As an A&AE client you’ve been automatically entered in our 1-In-A-Million Lottery! That means your film, dear filmmaker, has about a 1-In-A-Million chance of EVER making ANY money for you. That’s right, while we have hundreds of films in our A&AE catalog, the odds are firmly against you EVER seeing a penny in profits from yours!
Here’s how it works. We bill you, the filmmaker, at least $15,000 to $18,000 in imaginary “marketing and promotional expenses”. Then we report an average earning of $10 to $1,200 for your delightful little film. So, while you’ll NEVER make any money from your film, you’ll owe A&AE thousands of dollars!
And the good news is that you actually help SAVE A&AE time and money…since we don’t have to send you any checks!
Ask yourself, have you EVER seen ANY of the films in the A&AE catalog in a movie theater, or on TV? Of course not! That’s not what we’re in business to do. We employ specialists, like the fast-talking Mark Belasco, and the sleep-inducing Jeremy Lunt, to give you…confidence that we’re going to do everything in our power to promote your film, worldwide!
While we just put it on Amazon - which is FREE anyway - our marketing specialists, Mark and Jeremy, have earned your confidence, which is why they’re among the best con men in the business!
And we’re actually quite proud of our CEO, Marie Adler. Not only does she have 13 aliases* but she’s been associated with about a dozen so-called businesses (she even used the American Express name in one!), none of which you’ve ever heard of, all operating out of the same mailing address, and one that was even closed down by the FTC...for fraud!
And speaking of mailing addresses, while you may think that the photos of "the lot” are actually of our offices, we run A&AE out of this little West Hollywood mail drop.
While you try and figure out just why you fell for this scam, remember, you still have a 1-In-A-Million chance of making a few bucks in the A&AE lottery.
As we announced at the American Film Market in December 2018, we’ve gotten worldwide theatrical release for Cafe Con Leche, take a look here (https://www.youtube.com/watch?v=WEyeQ8K9qOc)! Yes, we promise that we can do the same, or worse, for your film too!
Remember, with our one-sided, 10+ year contracts, you'll never need to promote your film again (heavy penalties will apply if you even try) and it will remain eligible for our 1-In-A-Million Lottery drawing,...held once every 100 years!
*Marie Salehi, Maryam S Saleha, Maryam Saleha Adler, Maryam Selaha, Maryam Alder, Marie Saleha, Maryann Adler, Maryam Marie Adler, Maryann Saleha, Maryam Saleha, Maryam Salehaadler, Maryam M Adler, Maryam A Saleha
NOTE: As is consistent with A&AE's policy of releasing films in theaters, A&AE burned DVD copies of Cafe Con Leche and Mark and Jeremy spent over $615.40 (ticket costs) releasing the DVDs (leaving them on the seats) in select theaters where they also took in the latest Hollywood films. Of course, marketing and promotional expenses of $615.40 have been added to what the producer nows owes A&AE.
Legal Disclaimer: The above information is strictly the opinion of this author and has been compiled, composed and widely distributed solely at his own expense. The author gives A&AE full permission to license, distribute and disseminate widely and for free. And, as is consistent with A&AE business practices, the author never expects to see any income or profit from this work.
See: DECEPTION ON DEMAND (https://www.youtube.com/watch?v=xQyH9KPIvk0)
Personally endorsed for accuracy by Marie Adler all 13 of her aliases.
This is my last email with ADLER:
You of Adler are liars and swindlers and I am going to tell you why!
In the quarterly balance sheets, they show:
-Marketing (work) 6.599, 06 when they have not done anything for the movie, it does not even appear on their website.
-Marketing (film market attendance) 2,218.05 when they have not taken the film to any film festival
And of course "Captioning / subtitling" when I was the one who subtitled the movie.
For all this I dare to say that you are liars, and I plan to put all this on the internet if you do not break the contract.
Adler SCAMS TO PEOPLE
My movies are not in their website, but Adler don´t want to broke the agreement with me about my movies... Is that legal? Also they are invented the balace, because Adler write things that they have not did.... How you call this???? I CALL SCAMS AND LIAR
I have created a list on IMDB Entitled PELPLE DECEIVED BY ADLER. Please, read and complete if you feel like me.
So - I see good and bad here...
Basically, it sounds like A&AE is a good opportunity to distribute your film globally - grab credit for distribution in several countries. I have 1 film that I have completed - a made for TV Movie. I was approached by A&AE and considering right now... I just received the contract, and was also told about recouping marketing, etc. (50K like Denise was stating). I honestly am not concerned about money hitting my pocket on this film - but more about distribution and credits as I move forward onto the next project. So I have 2 questions for you folks:
1) Do you feel A&AE would be the broadest distribution?
2) What should I be looking for in the contract that could be a hidden 'gotcha' for me owing them money if there is not much return from their efforts?
Thanks in advance...
Adler will not ask for money, he did not ask me for money, but he will take advantage of the number of viewings that your movie has on streming platforms (Netflix, Amazon ...) You forget that your movie appears on TV, which will make Adler sell your movie along with many others in a package and there will be no sale.
Therefore, if your contract says that for each sale depends on the country they give you a percentage, it is a lie because what they will do is give up the rights to these platforms and the many or few benefits that the film will obtain for them.
You can sell your movie directly to Amazon or another straming company and the benefits will go directly to you.
I'll show you some emails between Adler and me ....
obviously no deal has ever been closed with China, in any case with Amazon.
so, I you have spent money and time making a movie, dont waste!!! I did and I regret
my movies are
and I have not profit, they have, me not
Yes A&AE on their recent accounts says I am in $69 632.81 MINUS for my 4 movie projects. So you can understand why I have been trying to terminate the 4 contracts.
Of course they make sales and just add to their marketing costs and extra costs, so it is impossible to ever get paid.
Adler will offer a terminate contract, but in fact, they will continue to sell and take money from our films and return the hard disks, so in reality, we can sell our films, but Adler will keep on selling the films and keeping all the income for another 13 years.
I also have absolutely no trust for A&AE, and they still have my 4 films.
Before I did not know if I could publicly say that I feel cheated by Adler.Now I do not care, I think Adler is a criminal and a hustler.
First to Bobby, after everything you've read here and also hopefully seeing my film, if you go with Adler for any reason...you deserve what you get. And that won't include a penny of earnings, nor any real distribution. As for your laughable comment about "good and bad", do you see ANYTHING good about going with a company consisting of con artists and wannabes?
If Adler was going to go after anyone for pointing out that they're lowlifes and crooks, it would be me. They haven't so far and, somehow, I think they prefer to just keep ion scamming and trying to get every penny they can...and not spend it trying to sue anyone because that would leave them open to having their scam and phony books exposed.
There are services like FilmHub.com that filmmakers can look into to get their films on Amazon and other platforms. Apparently they don't charge and take their cut from earnings. Time will tell of course but the only certain thing is that, after all of this information, anyone going with Adler is a masochist who wants to be ripped off.
P.S. You should know that sociopaths like Marie Adler, Mark Belasco and Jeremy Lunt absolutely don't care at all if filmmakers complain to them about their crooked deals. It's more effective to publicize your complaint at every opportunity. Jose Antonio's IMDB page should also be contributed to. Eventually, other factors will also help contribute to exposing these crooks and shutting them down.
So, don't waste your time trying to reason or negotiate with them. They're con artists and are only concerned about ripping people off.
Any other blog or website where upload information about Adler and our experiences??
A Website fo complain
One advice, if you want to know about Adler, please, surf by internet and you cand find interesting things about them!!!
Adler is a HUSTLER
well... if many filmmakers think like that.... maybe is for a good reason
How many marketing labor there are???? Now as Adler sais the movie debts 20.383,07?????? The old one was 2.218,05, now a new one, 6.599,06, what next???
This is the lawyer:
…who’s filed this lawsuit against Adler:
Another filmmakers who've been ripped off by A&AE may want to contact him.
Good to know about them. I got an offer to distribute my short film. I think I'm gonna avoid them now. thanks for the heads up!
They contacted for a short cartoon I made. I thinking of going with them, seeing no one else has approached me... I have alot of films made at macro budgets but their interest seems genuine even if I won't make money.
As long as you want to lose total control over your project, and be billed thousands of dollars in phony expenses, it's probably the right choice. Ripping off filmmakers is their specialty, so at least you know what you'll be getting...and not getting.
Maybe you Toly A.K-apostoly Peter Kouroumalis think they are interesetd in your movie even if you wont money, but they made money with your movie, and you never will see money... This is my last statement of one of my movies... but, well, if you join to them... up to you. I repeat, I made a mistake.
Adler and Associates just sent me the sales for Q1 2019. Even when they have removed all my 4 movies from their website, they are still adding “costs” for marketing for my films, and of course they keep everything the films are earning. Now my Q1 accounts show “MINUS” $70 230 94.
How is it possible this company is allowed to deceive and take all we have for their personal profit and for the next 15 years.
Adler and associates have ended my career as a film maker and m works have been nominated by the AFI for best world documentary.
Nobody should ever sign a contract with these people, they will sing songs of how success and all they mean is they will take every single dollar of income for the next 15 years.
20 years of film making finished with Adler and Associates.
Here you can see the screen shots from today of how my 4 movies are removed from Adler and Associates sales page and I am being charged for marketing in 2019 when they have removed all my 4 movies.
Such is Adler and Associates, they will end your film career and take and make all they can from your films and never EVER pay $1 in royalties
My 2nd Movie removed from Adler and Associates sales page
My 3rd movie removed from Adler and Associates sales page but yet again I am still charged for marketing of the film, my negative earnings of $70,230,94 will only grow every year to who knows what in the next 15 years and Adler and Associates will be earning money for the next 15 years
My last film removed from Adler’s and Associates sales page and my negative earnings of $70,230,94 for the Q1 of 2019.
I have uploaded all 4 movies with dates and times from Adler and Associates as a proof of all my movies are removed from their website and they are still charging marketing costs for all the movies shows and this will never end.
NOBODY SHOULD EVER SIGN ANY CONTRACT WITH THIS COMPANY.
I dared to believe in their words and lost everything and they ended my film making career and will not release my movies without a non disclosure contract that actually means my movies are returned but Adler and Associates still hold the sales rights for the next 15 years.
You David Kinsella are right, it´s the same as me, my movies were removed form their website but they "still are spending movney"??????? ADLER IS A LIAR AND HUSTLER. If anybody want to yoin them, go... to the end, to lose his movie.
With my Killing Girls movie which Adler has had for over 2 years ( A movie about Russian abortion ) which is the most watched film about abortion in Russia.
Adler and Associates say they have earned $811.66 income and my film is MINUS $24 039.04 in costs for Adler and Associates.
How is it possible that such a company is allowed to exist in USA.
Adler and Associates are film career killers, they end creativity.
I want my films returned but they refuse.
These people will sooner or later be out of business.
THIS COMPANY CANT SELL ANYTHING, just selling the rights to others.
Adler and Associates has the sales rights for my film “The Temptress”:-
The Temptress won the Northern Character for best Nordic animation movie.
After 2 years Adler has sold the film for $2.49 and their costs have risen to $16,547.28.
Adler can’t sell anything, they just sell the rights to others.
i BEEN CONTACTED YEARS AGO FM adler, ( but I was at Cannes film festival that time, and visite her both, ( was not much there, only she ( Blondine , at the booth) and promesses a lot, but I didn t speak to her, I was not trusted,
I was few years ago also involved in Distribution with an USA company, till I find out that partner , was lying to the films producers about the sales...
Is also an other company in USA , like ADLER.. but many distributors do same, specially in usa,fm usa..BUT is an other way to sale, to distribute yr films..
Stanley N. Lozowski Sent you an email to the addy listed above.
I gave my film to them and trust me i think its a scam. Huge scam. Fake bills keep piling up for Netflix then my audio track was tampered with and u keep asking them but same old replies. This is a heads up guys. Dont just dont. Im destroyed My first film and they hijacked us all and we cant do anything. Jeremy is master and the stories of their Ceo Marie how she survived cancer etc all bullshit mumbo jumbo.
Plz stay away. This is an important message to all.
Thanks Jami for adding your unfortunate experience to the already huge list of people who've been ripped off by the lowlife scammers and con artists, Marie Adler, Mark Belasco and Jeremy Lunt. Their day of reckoning is coming.
They destroyed my film Netflix with QC bullshit they messed up the audio levels then game the drama they pulled and still pulling is master class. Its all a huge scam. My film was official selection from Pakistan in Oscars and we fell for their game. Since then five years a complete waste of life. My other film on netflix 021 came later on netflix already paid its share but adler film damn what a painful heart break.
Is there a joint case law suit we can start against them??
Please email me at firstname.lastname@example.org
lots of complaints to the BBB about them. They contacted m and I'm looking at this as well, but it doesn't sound good does it?
Yes I wish all of us to send a complaint to BBB as Adler&Associates use BBB as their trust worthy professional business here for Independent filmmakers. I have an ongoing BBB complaint.
Adler can’t sell any of my movies and now reached over $70 000 in MINUS. They removed my 4 films from their catalogue and STILL add marketing and advertising costs every 1/4 results.
Everybody should be telling BBB of their experience with this SCAM Adler&Associates sales agent.
Unfortunately, the BBB is a completely useless organization. They seem to NEVER go after their PAYING client companies. they're as phony as A&AE. With enough filmmakers complaining and PUBLICIZING their experiences with A&AE, these absolutely shameless con artist will be brought down.
Now my is stuck as they refuse to sell it any further cuz i wrote over here. Is this legal in US to threaten film maker like this? Malaysian party wanted my film and Adler is refusing to give my film as they saying we cant talk about them over here. Whats a proper game plan for justice?
HI Jami, While A&AE have arbitration clauses in their contracts, it sounds like you are being extorted and threatened, having your livelihood harmed, etc. What they've said to you is an outright lie. Since Marie Adler, Mark Belasco and Jeremy Lunt are shameless con artists they obviously don't want you to be able to reveal their dishonest tactics.
Excellent advice...and all the more needed when dealing with shameless, parasitic con artists like Marie Adler and her associates.