Greetings everyone! I find that often the kind of story I write lends itself to loglines that don't necessarily reflect the tone of the piece. For example, I'm rewriting a pilot right now that features an angel and demon teaming up with a wayward preacher to track down a dangerous criminal. The loglines I've tried for the script seem to give the impression that the story will be very campy and fun, while in reality the script is a very grounded supernatural take on a crime drama. Any thoughts or suggestions?