English The Time capsules by Dr. Vertiz is a documentary that allows us to perceive the natural magic of the place and its confrontation of the mexican natural decay. From the cinematic movement in the streets of the colony Doctors, the film detonated a unique and unrepeatable documentary, where a part of Mexico City is captured as a counterpart of a stunned and dissonant symphony that moves us all, its a colony trapped in their buildings by the time as evil, as a trap, time as a friend. The streets named like famous Doctors, talk, inquire, require. The streets as vital circulation, accompanied by a feeling of -nothing happens-, and where you can move like a swamp with great stridency. Every avenue show us stories disguised as trades and local characters that are delimited at all times in a neighborhood of railway tradition, with long-established, and subscribe as flooded territory to multiculturalism. Characters are read in the limbo of the stereotype, saturated in the habit of being –Chilango-, coexist effortlessly: I-am. They are characters from a novel, a story designed, disposable eye. Every day we hear voices felt, strong, suburbs, violent, mixed with music from decades ago and senses odors, garbage inhabited, seafood merciless, markets twenty-four hours, bathrooms deceased, food stalls on every corner, parts stores and groceries with original clones family. Yes, all are part of a usual chaos. Dr. Vértiz join us on this journey, decadent, abrasive, analytical and crazy, intrude into the life of the neighborhood and his habitants, that are compared with others in daily activities at home, in the second hand market, artstreet walls, in the salt avenues, in their voices wrinkled, but as anonymous are invisible to the magnitude of the history of the neighborhood, and as a full stop pretending to be part of a dramatic frame, and become in a descriptive voice, timeless, and ultimately mutable with the disorder. In The Time capsules by Dr. Vertiz is implicit the -defeña force-, surrounded by decadence, social structures and customs (tangible elements) as a daily repetition very rich tapestry. Too long, extremely decadent, chaotic end. Everyone is happy with what you do with what happens, it's what you live, and at the end of the film you wonder ¿it doesnt matters? Indeed, the film floats in a certainty: but in spite of ourselves, there is an element in the air that defines us and identifies as –defeños-, DNA exists as an invisible part of our genetics and there, The Time capsules by Dr. Vertiz is our main and powerful witness. Production José Antonio Villela Elizondo Cristina Forti Andrés Villela Direction Andrés Villela Photography Dr. Vértiz exterior Antonio Bunt Dr. Vértiz roof Andrés Villela Doctores neighborhood Andrés Villela Dr. Vértiz Ricardo Castro Soundtrack Rino Voice over Adolfo Estrada Lugo (voice colonia Doctores) Andrés Villela (voice Dr.Vértiz) Postproduction Nod Estudio Creativo Audio Postproduction Luis Vizcarra Edition Andrés Villela Duration 11:54 minutes Documentary/México Film format HD DVCPRO Language Spanish Subtitles English Biography Andrés Villela (Director) was born in Mexico City (1975). Have college degrees in the area of communication, some film workshops and creative writing for 13 years, he has worked in media production, advertising, music videos and experimental shorts, among others. Published writer on cultural sites in Argentina and Spain, and the International Festival of Contemporary Cinema Mexico City (2008). He was pleased to coordinate the audiovisual area of the Municipal Institute of Culture and the Arts in Cancun, Quintana Roo, in 2008 and 2009. He now works in Nod Creative Studio in Mexico City and as director and screenwriter, he has three short films: Static (2002), One day, today, that pu4de be any (2010) and Tulum, mi piace a sacco (2012).