Hey guys. Well, I thought this day would never come, but my book Crowdsourcing for Filmmakers: Indie Film and the Power of the Crowd is now available. Well, the e-book has been available for the last few weeks, but the hard copy was on back order due to what my publisher called “inventory problems”. The good news is that the overwhelming number of pre-sales caused those inventory problems. So for those of you who ordered a copy in advance, you book has either landed or you’ll be receiving it any day now.
Now don’t let the title fool you. Crowdsourcing for Filmmakers is not just for content creators. It’s for actors, screenwriters, cinematographers, crew, producers and anyone looking to build a brand and an army of passionate supporters of that brand.
In this DIY world and with more content being created than ever before, it’s more important than ever that you understand how to find, enlist and move an audience in support of you and your projects. We’ll cover everything you need to know to make that happen with this book, the first ever on film crowdsourcing and one of the few selected to be published under the American Film Market (AFM) Presents banner.
To learn much more about what’s inside the book including the 3 remarkable case studies featured, how many different things you can crowdsource and why crowdsourcing is different from crowdfunding (but why crowdsourcing is the most vital aspect of any successful crowdfunding campaign), please watch the video below.
And to order the book, please check out the links below!
Thank you to all the amazing Stage 32’ers who have taken this two-year journey with me and who checked in from time to time to see if I was still sane. The answer is…mostly.
To order the Kindle version of Crowdsourcing for Filmmakers click here
To order the paperback of Crowdsourcing for Filmmakers click here
This journey has been, and continues to be, all of ours. That said, I'd be extremely grateful if you'd help me get the word out about the book. If you have social media, please post about it. If you have a blog, please write about it. Or, if you have any media outlets that you think would be interested in covering it, please let them know. We're in this together! Thank you.Read More
Since I've been with Stage 32, I’ve seen hundreds of writers land reads and requests or get signed by agents, managers and attorneys. All of these successes are causes for celebration, but few compare to the feeling we get connecting the perfect screenwriter to the right exec at the ideal time and seeing them sell or option their script!
Stage 32 is thrilled to announce Stage 32 Happy Writer Lynne Logan from Orange County, California recently optioned her feature script, A Relative Unknown, to Higher Purpose Entertainment (HPE) after submitting her script to HPE Producer Brad Wilson for Premium Coverage!
Brad is a producer who started his career with Acadaemy Award winning actor Robert Duvall operating Robert Duvall Productions, covering films like Colors (starring Sean Penn), Days of Thunder (starring Tom Cruise, Nicole Kidman), and the CBS miniseries Lonesome Dove. Brad went on to become the Vice President of Production at Greystone Films which produced films including Lunker Lake, Inside Outdoors before co-founding Higher Purpose Entertainment. With HPE he's produced a number of films including Three Blind Saints, Christmas on Salvation Street, My Many Sons, and The Meanest Man in Texas. He also most recently produced The Resurrection of Gavin Stone, which releases this year into 1,100 theaters across the country! Brad is partnered in HIGHER PURPOSE ENTERTAINMENT with Casey Bond.
I was lucky enough to watch the process unfold as these two talented individual shared their experience with me. Now they’ve graciously offered to share their experience with the Stage 32 community.
With their permission, I'm republishing our written exchanges to share their story in their own words...
Lynne Logan, Screenwriter
Brad Wilson, Producer, Higher Purpose Entertainment
Here's my story. After reading my script, A RELATIVE UNKNOWN through Stage 32 Coverage, producer Brad Wilson asked you to introduce the two of us. That same night, we talked on the phone for over an hour.
Brad sent me an email afterward, ”You’ve made my day! It was such a blessing to visit with you. The hour did indeed pass fast! That gives us more to look forward to when we meet! I'm happy you could feel the passion I have for your script.”
Next, he asked to set up an in-person meeting to get to know each other a little bit more. A week later, we met for lunch!
This has been a "red letter day"! I drove down to Orange County and had a great lunch with Lynne Logan!! She is terrific and I think things went very well. I think we are going to proceed down the path to work together and get her film made.
I LOVE working with you and meeting all of these amazing writers! Thanks again so much for sending me Lynne Logan's amazing script!
A week later, the Option Agreement came in. I talked with my script consultant and an entertainment attorney and we started the process this past Monday, and now on Friday, just four days later, I have an Option Agreement from Higher Purpose Entertainment for my script A RELATIVE UNKNOWN.
We've made our deal with Lynne Logan regarding A RELATIVE UNKNOWN! SO happy about it! She is SO talented and so wonderful. Had it not been for you thinking to introduce me to Lynne's writing none of this would be happening.
Always ready to read scripts so keep em' coming!
I'm still in awe as to how fast this is all happening. It's really a surreal experience. I hope my words speak for themselves. There is no feeling or validation like a producer wanting your script and having the kind of excitement and passion for it that this producer expressed.
With the deal signed, Lynne had a moment to reflect on the whole experience. I had the opportunity to ask her what was the best piece of advice she could give to all of the Stage 32 writers.
Pay for coverage from a producer in your genre. When you pay for coverage, the person is reading your ENTIRE script and you have a captive audience. If your script is great and the story is the right fit for that producer, at least interest will be stirred. Make sure the producer has similar films as your script.
I don't think it matters where you live. If a producer is interested in talking about your script, they will do it via email, phone, Skype or whatever means. So don't let location stop you!
This never would have happened without Stage 32. Never. I can't thank all of you enough for opening doors and offering opportunities for writers to network and make contact with "the big guys".
Please join us in congratulating Lynne and Brad on their deal in the comments section below & please share!...