Sophia Racco Cestari

Estados da Cura (Stages of Cure) (2023)
Theater by Histeria / Daniel Cellos (Drama and Short) Negação (Denial) Sketch made for an educational event intending to raise cancer awareness. It has different actors portraing the same fictional character in different stages, from when they first knew they had cancer, to when they finally got the news that they'd been cured. The sketch references the stages of grief, but with a new perspective.

O Baile (The Ball) (2023)
Theater by Renan Miranda Eustáquio Experimental performance for physical expression. Inspired by the french film "Le Bal" (1983) and considering the studies of Antonin Artaud and Brecht's work. The whole performance didn't have lines, but only the actors physical expression as a way to portray the character's personality and the story that was being told. And was passed in a not informed period in the past. My character was a young and timid man who wanted to dance and to get to know everyone, but was too scared for that.

Encanto (2022)
Theater by Ballet Helloisa Schanuel (Comedy) Tia Peppa Was invited to participate in the School of Ballet Helloisa Schanuel anual performance as a guest actress. Where we connected the dancers performances with the acting for the play. The play was an adaptation to Disney's "Encanto" that follows a family where everyone has gifts, with the exception of the main character (Maribel).

Sandrão e Dalilah 2 (2020)
Video by Irmãos Brothers (Comedy and Short) Sandrão I played Sandrão, a magician that was married and cheated on by his wife, Dalilah. One day when his rehearsal was cancelled due to unexpected problems he came home early and found his wife and Ricardão, with whom she was cheating on him. But to avoid further problems the cupid got involved, which resulted in an unexpected ending.

O Ensaio (The Rehearsal) (2019)
Theater by Nilson Tassi (Comedy, Musical and Short) Snobish Leading Actress The play depicts the rehearsal for a play, where the director tries her best with a comically terrible crew that takes everything too literally.