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SATCH

SATCH
By Thomas Ortiz

GENRE: Comedy
LOGLINE:

Trapped in a dead-end desert town, a shy outsider with rockstar dreams forms an unlikely bond with a troubled young Latin waitress, together discovering that sometimes escape isn’t a place, but simply the courage to change.

SYNOPSIS:

Satch is a twenty-something metalhead with a mullet, a notebook full of unfinished lyrics, and a dead-end job spinning a mattress store sign under the desert sun. Awkward, quiet, and stuck in the margins of his small Arizona town, he spends his days dodging his crude roommate Jesse and soaking up blues wisdom from Otis, an aging barber who insists every man’s got a song inside him.

When Satch meets Yoli, a sharp-tongued single mother working at Taco Boys, his routine is thrown off balance. Yoli sees past his silence and offers to take him shopping for “real clothes.” What begins as teasing friendship deepens during a confessional car ride, when Yoli reveals the daughter she left behind in Tucson. For the first time, Satch really understands her and a fragile connection takes root.

As Yoli pushes him to step out of his shell, Satch begins experimenting with small acts of courage: trying on a new look, strumming his guitar in front of Otis, and considering performing at a roadhouse bar. But Satch misses out on a great opportunity to truly impress Yoli at house party thanks to his roommates antics and one too many slurpy margaritas, and all his progress comes crashing back down to earth.

The next morning, Yoli is gone, leaving Satch with nothing but the memory of their brief bond. Encouraged by Otis’s parting words, Satch finally steps into the spotlight. His raw, imperfect performance is less about music than about claiming space for himself.

In the film’s quiet conclusion, Satch boards a bus out of town, guitar slung across his back. For the first time, he isn’t just spinning in circles—he’s moving forward.

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