Don Walker's Lounge Discussions

Thanks Peter, I appreciate the message.

On very low budget non union non guild it's a good idea to pay everyone the same to avoid problems. If not, make it clear at the beginning before you start production that not everyone is paid the same. My 2 cents.

As a makeup artist the rates can start as low as $250/day to a few thousand per day--depending on the budget, number of people makeup is needed, if there's a need for makeup effects. Also you need to put aside funds for the MUA's kit fee (which is the same as a rental fee). These are normally to different prices. I hope this helps.

Thanks Ken and Keisha for the helpful info.

No problem Don! I was glad to help and if needed as a makeup artist let me know.

To begin, schedule an appointment with a psychiatrist then one with a good divorce attorney. You'll need both. ;o)

It takes lots and lots and lot of hours writing and re writing in a quite room.

read scripts and learn the format. I use the Final Draft 9 software to format my scripts. It is the industry standard. I also watch film and study them. Watch films that are in the same category that you would like to write. Though use you're own ideas.

Dana - you having a tough day at the keyboard? I have yet to trying writing in a "quite" room. Quiet doesn't work for me either. (Might want to invest in spell check. For a pro reader - typos can be a killer). I prefer music playing while I write. Movie soundtracks work. Songs with lyrics. Whatever. I even have a full set of drums in my office and when the spirit moves me - I stop writing and play them - along with the music. Whatever floats your boat.

Spelling kills yes like crack. But should the ideal be a good one and the simplified mind can indeed understand beyond spelling check. The only issue is the created issue with imagination. I pay little attention to the spelling and greater attention to the broken story line. Yet I do indeed understand back ground noise and how it can be a soothing distraction from writers block. Well thanks for the pointers I will keep it in mind.

Professional *

LA411.COM. Look under management and/or representation.

You get what you pay for. What is the budget used for if not for the people doing most of the work to bring your story to life? Actors willing to work for credits, about a million in LA. How many of them are good... Very very very very very few. Get a great production coordinator and they can make your budget work. As crazy as it sounds even B-List actors may be willing to work for 100 a day.

He has a good point, Tim Newhouse. I agree. Good luck with filming and hope it meets ur budget and expectations, and turns into more projects :)

Art may I ask what sites/URL do you recommend to learn about marketing a "Pilot"?

Marketing a pilot? Explain please?

Hi in reply to your question. What are the best strategies and things one must do to market a TV Show Pilot? Where to go, what organization to approach and who is the ideal person to speak to within the entities you may advise.

Never pay for an agent...You're the prize.

I would like to think so, Richard. I just need to figure out who wins me and find that person.

write down your expectations and inquire. crucial that they have need for you on their roster, that they have relationships in the market you are going after, that their communication is prompt and professional...these are just a few of my requirements. keep us posted, Wendy! and RB, i love the quote "you're the prize."

Good advice Sandra, Wendy and I are both going to the top:)

You know and there' s no room for any doubt!