Juan I. Cabrera
Supervising Colorist at LightBender
Colorist
Los Angeles, California
February 2012
> 2 weeks ago
0
About Juan
In my career, I have been very lucky to have worked on many amazing places, like Paramount Pictures and Bad Robot, and I have always tried to extract the best of each of them to apply it to my own studio. That's why at LightBender we break rules and do things differently. That's why we re-engineer ourselves with every project, with the same passion you put on your projects.
Badges
Links
Credits
-
HOLY NEW YORK (
2019 )
Colorist -
The Outsider (
2019 )
Film Supervising Colorist -
Overthinking with Kat & June (
2018 )
TV Series Supervising Colorist -
Backtrace (
2018 )
Film HDR Colorist -
StartUp (
2016 - 2018 )
TV Series Supervising Colorist -
The Final Wish (
2018 )
Film Supervising Colorist -
The Front Runner (
2018 )
Film Image Restoration Artist -
Reprisal (
2018 )
Film HDR Colorist -
Alive in Denver (
2018 )
TV Series Supervising Colorist -
East Los High (
2014 - 2017 )
TV Series Colorist -
Versus (
2017 )
TV Series Supervising Colorist -
Atomica (
2017 )
Film Supervising Colorist -
Different Flowers (
2017 )
Film Supervising Colorist -
The Beatles: Eight Days a Week - The Touring Years (
2016 )
Film Restoration Colorist -
Making Moves (
2016 )
TV Series Supervising Colorist -
Traded (
2016 )
Film Supervising Colorist -
Quantum Break (
2016 )
TV Series Colorist / VFX Supervisor -
Moon Shot (
2016 )
TV Series Colorist -
10 Cloverfield Lane (
2016 )
Film Colorist -
WEAPONiZED (
2016 )
Film Supervising Colorist -
Teachers (
2016 )
TV Series Supervising Colorist -
Star Wars: Episode VII - The Force Awakens (
2015 )
Film Stereographer / Internal Colorist -
Joe Dirt 2: Beautiful Loser (
2015 )
Video Colorist / VFX Supervisor -
Sequestered (
2014 )
TV Series Colorist -
Chosen (
2013 - 2014 )
TV Series Colorist -
Biodegradable (
2013 )
Film Colorist -
Star Trek Into Darkness (
2013 )
Film Digital Intermediate Supervisor -
Beneath (
2013 )
Film by Kelvin Optical / Ben Ketai Colorist -
Transformers: Age of Extinction (
2013 )
Film by Paramount Pictures / Michael Bay Lead 3D Tech -
Smiley (
2012 )
Film Colorist -
The Amazing Spider-Man (3D) (
2012 )
Film Mistika artist, native stereo optimization -
Amelia Concours D'Elegance (3D) (
2012 )
Video by Ned Wesiman Colorist / Online 3D editor -
Prometheus (3D) (
2012 )
Film Mistika artist, native stereo optimization -
Ashanti - "The Woman you Love" (
2012 )
Documentary by Sean Coles Colorist / VFX Supervisor -
El descenso (
2011 )
Film Colorist -
8 (
2011 )
Film Colorist -
The Unmaking of (O cómo no se hizo) (
2010 )
O c Colorist -
The Last Circus (
2010 )
Film Colorist -
Juan con miedo (
2010 )
Film Colorist -
¿Te vas? (
2010 )
Film Visual effects -
Adiós muñeca (
2009 )
Film Colorist -
Arena (
2009 )
Film Visual effects -
Nacidas para sufrir (
2009 )
Film Visual effects -
Together (
2009 )
Film Visual effects -
Las viudas de los jueves (
2009 )
Film Visual effects -
The End (
2008 )
Film Visual effects -
Porque hay cosas que nunca se olvidan (
2008 )
Film Visual effects -
Clandestinos (
2007 )
Film Visual effects -
Chaotic Ana (
2007 )
Film Visual effects -
Things We Did For Freedom
Editorial department -
Cassandra French's Finishing School
TV Series Editorial department
Awards
-
Lumiere Award - Outstanding 3D Conversion - Star Wars: The Force Awakens
(2016) -
Lumiere Award - 3D Feature - Live Action - Star Wars: The Force Awakens
(2016) -
ScreamFest - Best Cinematography for "Beneath"
(2013)
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