Juan I. Cabrera

Juan I. Cabrera

Colorist, Post-Production Supervisor and Stereographer

Los Angeles, California

Member Since:
February 2012
Last online:
> 2 weeks ago
Invites sent:

About Juan

Currently Working at Bad Robot as lead Colorist/Stereographer.
Just finished Star Trek: Into Darkness

Quick Bio:
Before focusing his career as a Colorist and Digital Stereographer, Juan worked professionally as a 3D animator, editor, digital compositor and VFX supervisor; making him an unusually complete professional with a broad scope of the post-production field.

Besides proficiency in standard software of the industry, he is a Senior operator of the high-end system MISTIKA and is currently the most experienced user of this European finishing suite in the U.S.


  • Beneath

    Beneath (2013)
    Film by Kelvin Optical / Ben Ketai Colorist

  • Star Trek: Into Darkness

    Star Trek: Into Darkness (2013)
    Film by Bad Robot / JJ Abrams Digital Intermediate Supervisor

  • Transformers: Age of Extinction

    Transformers: Age of Extinction (2013)
    Film by Paramount Pictures / Michael Bay Lead 3D Tech

  • Amelia Concours D'Elegance (3D)

    Amelia Concours D'Elegance (3D) (2012)
    Video by Ned Wesiman Colorist / Online 3D editor

  • Amazing Spiderman (3D)

    Amazing Spiderman (3D) (2012)
    Film by Sony Imageworks / Marc Webb Mistika artist, native stereo optimization

  • Prometheus (3D)

    Prometheus (3D) (2012)
    Film by Identity FX / Ridley Scott Mistika artist, native stereo optimization

  • Ashanti - "The Woman you Love"

    Ashanti - "The Woman you Love" (2012)
    Documentary by Sean Coles Colorist / VFX Supervisor

  • Life is a Song (3D)

    Life is a Song (3D) (2011)
    Film by Saboa Entertainment / Francis Delia Colorist / Lead Stereographer / Post Supervisor

  • Symphony of the Universe (3D)

    Symphony of the Universe (3D) (2010)
    Film by Saboa Entertainment / Phil Driscoll Colorist / Lead Stereographer / Post Supervisor


  • ScreamFest - Best Cinematography for "Beneath"

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