I have been working in the motion picture industry for quite a while, mainly as a Senior Colorist, but also as an Executive Producer, Editor, Post Production Supervisor, Post Producer, and in post management. I have worked with all the top advertising agencies, production companies, movie studios, post production companies, directors, producers, editors, vfx people and DoP's world wide.
I have worked at many “A” level post houses, including Editel, Swell Pictures, Foundation Post, Cinecenter and I founded and built The Filmworker's Club. At Swell Pictures I began producing commercials and feature films from concept, through full production and post production.
In my home set up I am using Adobe Premiere Pro CS6 for editing and DaVinci Resolve (full License) for color correction, on a MAC Pro 12 Core 3.06GHz Intel Xeon, with 64GB Ram, ATI Radeon HD 5770 graphics card, Nvidia Quadro 4000 Cuda GPU processing, eSata disk array control. Tangent Wave color control panel, Bella Pro Series 3.0 Editing Keyboard.
I have a strong background in commercial, feature, episodic, documentary and music video production and post production and a great deal of Digital Intermediate experience, including extensive RED, and Arri Alexa, workflow. I work with all capture formats, 35mm or 16mm Negative scanned to dpx files, RED Epic, Arri Alexa, DSLR, Canon CS300 and CS500, Sony, Panasonic formats, and many more.
I have worked in Chicago, Miami, Salt Lake City, Atlanta, Philadelphia, Minneapolis, Dallas, Hollywood, San Francisco, Santa Monica, LA and New York. At top facilities like Company 3, Riot, Method Studios, Shooter’s Post & Transfer, Crash & Sue's, Editel CHI NY LA SF, Postique, Moving Images and many more.
I am based in the Chicago area, but I work with West and East coast based post houses and production companies, including independent feature productions on a daily basis.
My reels (commercial, music video, feature) are on my website: http://colorist-rovak.com/
IMDB credits - http://www.imdb.com/name/nm1652946/?ref_=rvi_nm
Nominated 13 times for best color correction by the ITS Monitor Awards, wing 8 1st place awards.