SYNOPSIS:

Script by stories Kuprin Alexander “Duel”, “Olesya”, “Yawner” and etc.

OLENA (4 TV MOVIES)

Screenplay: Elena Nemykh, Dmitry Martunov Director: Elena Nemykh Producer: Elena Nemykh. Duration: 20 minutes. 2018 © CINEMAMUET PART of script 1. COMPUTER GRAPHICS FOR SET ONLINE Shot, green balls. They multiply, move one into another, until they join a large green network, in which different photos of people arise. Green balls are lined up in a green chain, and then into an Internet page very similar as a social network:ONLINE 2 .MOSCOW.UNDERWARTING SHOOTING.EXT.DAY. ELIZABETH A girl with black hair swims under the water. Her hair is rustling, she swims among the white flowers in rapid movement, as if a big and beautiful fish. 3.MOSCOW. 3'TH RING.NAT.MORNING The poster hanging group hangs the banner on the counter in the area of the third ring. On the poster: the face of Elizabeth, who advertises a new network: ONLINE 4. MOSCOW. APARTMENT OF PETER. INT. DAY. PETER An alarm clock in the phone rings behind the scenes. Small studio. Scattered things. On the couch, a young guy is sleeping 25-30 years old. Wali box of pizza. This is Peter. The alarm clock in the phone rings. The guy clasps his hand on it. She jumps up. A sleepy face, sleepy eyes. PETER Yes ... Great. We still have morning. Come on, it's still time to get up. Runs to the toilet, brushes his teeth. He rubs his eyes with his fists, combs his hair, runs out of the toilet. She fries eggs. VOICE OF PETER: Ah? Work, then courses ... Credits only in March. Yes, normal Moscow, I'm used to it already .. Only to travel far, everywhere by the hour. In the corner the parrot yells. Peter feeds him, then turns his head, and sees a huge poster on the stand outside the window. On the poster a charming girl: a very beautiful model advertises a new social network ONLINE. Peter freezes. Flashback: a dream, with a floating Lisa under the water. Quickly puts on a jacket and cap and runs out of the apartment 5. MOSCOW. THE HOUSE PETER'S APPROACH. EXT. DAY. PETER Peter rushes out of the entrance. A sleepy face, not quite brushed. In the hands of a huge bag-carrying pizza. He comes to the pizza quarry, opens the car, thinks that he will sit inside, but realizes that there is someone else across the road and he does not leave! The guy beeps, looks at the blank windows, tries to push out the car. Everything is useless. Then he takes out his bag from the back seat, kicks off the wheel of the piston from anger. He writes and glues a note on the windshield: