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Ifan speaks to Cole in the dream world. "Dream World opening" http://www.wattpad.com/20981244-dream-world-opening …
SC1. INT. COLE’S ART STUDIO - DAY - CARDIFF BAY - 2014 [COLE JACOB BILLINGTON IS STOOD IN FRONT OF A CANVAS. THE HEAD OF A CLOWN IN IFAN FENCIS’ LIKENESS HAS BEEN PAINTED IN OIL. COLE HAS A PAINT BRUSH IN HIS HAND.] CUT TO: - SC2. INT. COLE’S BEDROOM - NIGHT - CARDIFF BAY - 2014 [COLE LIES IN BED, SOUND ASLEEP. CECIL SMITH LIES ON HIS SIDE, WATCHING COLE SLEEP.] CUT TO: - SC3. INT. COLE’S ART STUDIO - DAY - CARDIFF BAY - 2014 [THE PAINTED HEAD OF THE CLOWN BECOMES IFAN’S HEAD. IFAN, DRESSED AS A CLOWN, CIRCA EIGHTEEN SIXTIES; STEPS OUT OF THE CANVAS. COLE STEPS BACK, GOB-SMACKED.] COLE JACOB BILLINGTON “Who are you?” IFAN FENCIS “The name’s Oliver.” COLE JACOB BILLINGTON “I thought you were my character Ifan. This is clearly a dream.” IFAN FENCIS “You didn’t create me Cole. Energy can’t be created or destroyed, merely transformed from a previous energetic state. To get me, you get my previous state; a man named Oliver Nostrovich. Teenage clown, fell into a life of crime after seeing my brother lose his life, died in prison. You end up with a mixture of your fictional analog the Garconer, and my missing sister.” COLE JACOB BILLINGTON “Why are you telling me this?” IFAN FENCIS “You’ve cottoned on to a hidden aspect of your own creative skillset. You took the name Garconer from the Irish muse, never dreaming that this is what you are on the causal plane. There is a reason you contracted to work on Reginald’s series and there’s a reason you developed the Ghost Wars universe. Cora, I, everyone in our universe and connective universes reveal aspects of your mind on the mental plane. The stories you work with in Reginald’s Irish Skies universe reveal aspects of your soul on the causal plane.” COLE JACOB BILLINGTON “Your point being?” IFAN FENCIS “You’re to merge the mental plane with the causal plane via the medium of the creative process.” [IFAN STEPS BACK TOWARDS THE CANVAS. IFAN DISSOLVES INTO PURPLE SPARKS. THE SPARKS FLOW INTO THE PAINTED FACE. COLE STARES AT THE FACE FOR A BEAT. COLE STARTS PAINTING THE TORSAL.] CUT TO: - SC4. INT. CPB MAIN ROOM - DAY - VANCOUVER - 2014 [DOCTOR BAILEY O’BANNION IS STOOD BY THE ENTRANCE TO THE LOUNGE. DOCTOR REGINALD DESMOIRE AND BRITTANY LONGFELLOW ARE BOTH SAT AT THEIR WORKSTATIONS. CONSTABLE SERA RASMUSSEN IS STOOD AT THE SOUTHWEST CORNER OF THE ROOM. COLE STEPS OUT OF HIS OFFICE.] COLE JACOB BILLINGTON “Good news team, we may have just got a break in a century old case.” DOCTOR BAILEY O’BANNION “What case would that be then, Billington?” [COLE WALKS INTO THE ROOM.] COLE JACOB BILLINGTON “That would be the Jonathan Aethers case, Bailey. Good news, we may finally have figured out a way to bring him out of his coma.” DOCTOR BAILEY O’BANNION “It’s about time, I’ve been overseeing coma boy’s care at Saint Paul’s Hospital since the late eighties. I just hope his brain hasn’t been permanently damaged after all this time. The man was utterly brilliant once upon a time.” CONSTABLE SERA RASMUSSEN “That’s twenty five years at least.” COLE JACOB BILLINGTON “It’s been a lot longer than that Sera.” [EXITING THE ROOM; COLE ASCENDS THE SINGLE STEP INTO THE LOUNGE.] CUT TO: - SC5. INT. CPB LOUNGE - DAY - 2014 [COLE CROSSES TOWARDS THE COAT RACK. SERA ENTERS BEHIND COLE. COLE GRABS HIS JACKET FROM THE COAT RACK, LOOKING OVER HIS SHOULDER AT SERA.] COLE JACOB BILLINGTON “Coming Sera?” [SERA HURRIES AFTER COLE.] CONSTABLE SERA RASMUSSEN “Always.” [COLE AND SERA EXIT THE ROOM.] CUT TO: - SC6. EXT. COAL HARBOUR MARINA - DAY - 5080 [IFAN IS SAT AT THE END OF A DOCK. IFAN DANGLES A FISHING LINE INTO THE WATER. CORA FENCIS IS SAT NEXT TO IFAN, HEAD ON HIS SHOULDER. SIX STORNAWAY MALES PREPARE TO BOARD A BOAT DOCKED NEARBY. THREE BETRAN ANDRONICUS CHILDREN PLAY IN THE WET SAND NEARBY. ‘THE SPRINGHEEL JACK’ SAILBOAT SAILS PAST THE HARBOUR. COLE, HORATIO DOMINI AND LIZ CARNEGIE ARE ON ’THE SPRINGHEEL JACK’.] CUT TO: - SC7. INT. JONATHAN’S HOSPITAL ROOM - DAY - VANCOUVER - 2014 [COLE, SERA AND BAILEY ARE STOOD IN THE OPEN DOORWAY. SERA WALKS TOWARDS JONATHAN’S PRONE FORM. SERA GAZES DOWN AT JONATHAN. COLE TAKES A SEAT ON A CHAIR BY THE BED.] CONSTABLE SERA RASMUSSEN “Poor soul, did he have any family?” COLE JACOB BILLINGTON “They used to come visit him from across the pond when they could. They’re all gone, now of course. It’s been decades. I visit when I can, tell him how the world has changed. Who knows, perhaps it’ll cut down on the culture shock if he ever wakes up.” [BAILEY HEADS OVER TO TAKE A LOOK AT THE VARIOUS LIFE SUPPORT MACHINES. BAILEY MARKS DOWN THE RESULTS IN A SMALL NOTEBOOK.] CONSTABLE SERA RASMUSSEN “What are you doing?” DOCTOR BAILEY O’BANNION “I’m taking the latest readings to email to London.” [WE SEE THE YEAR SHIFT TO NINETEEN SIXTY.] COLE JACOB BILLINGTON(O.O.V.) “I’ll see you later Jonathan.” [COLE EXIT’S THE ROOM.] CUT TO: -