THE STAGE 32 LOGLINES

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INDONESIA, INDONESIA (INDONESIA)
By Egi David Perdana II

GENRE: Drama, Fantasy
LOGLINE:

About 4 alternative worlds in Indonesia.

SYNOPSIS:

Anthology of 7 hours and a half about four alternate Indonesian universes.

About Japan which never entered Indonesia and the success of the Dutch empire until the modern era, Islam that never migrated to Indonesia and the success of Hindu-Buddhism as the largest religion of the archipelago, the failure of the reforms and the reign of Suharto until the end of his life and descended to his grandchildren, and finally , the communist party which in the film was indeed the mastermind behind the coup and succeeded in winning the political war 65, making Indonesia a communist super power nation that is respected as well as an enemy of the world.

Everything is presented in a minimalist way through chat in the cafe (Segment Indies-Dutch), chat husband and wife before intercourse (Hindu-Buddhist segment), news broadcasts on television and blind people who continue to look (the Soeharto dynasty segment), and thesis trial scenes (Communist segment).

The above is discussed and narrated by individuals or groups of people (one of the wives in the Hindu-Buddhist segment) or several (four lecturers, three students, and a janitor in the thesis session in the communist segment) or all (people at the cafe in the Dutch East Indies segment) are travelers between dimensions, while the grandfather (the Soeharto dynasty segment) even though the dimensions traveler also does not narrate, which are active in narrating the state of Indonesia in these dimensions are advertisements, news carriers, resource persons, info at a glance, running text. Through a scene, it was learned that the grandfather was blind due to an incident due to his dimensional machine, so he could not return..

And in the last 45 minutes each segment is presented with footage of what was discussed, narrated or seen.

Nathaniel Baker

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