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Pitch Chayah Masters (Saturday, July 11th 2020)

Chayah Masters

Credits include: After the Wedding, Trolls (DreamWorks Animation), "Puppet Master",

6 skype and 6 written spots left
Sat, Jul 11

Rumination Road

Chayah Masters, Producer. Chayah specializes in features with budgets under $5 million, especially supernatural thriller, noir, elevated horror (no slasher) and comedies. All scripts should have limited locations, limited characters.

Pitch Andrew Wilson (Saturday, July 18th 2020)

Andrew Wilson

Credits include: Client credits incude SAW, Lottery Ticket

4 skype spots left
Sat, Jul 18

Wonderstreet Entertainment

Andrew Wilson, Literary Manager. Andrew specializes in Horror, Thriller, Crime, True Stories & Biopics, Drama, and Comedy Features & Television

Pitch Jon Hersh (Sunday, July 19th 2020)

Jon Hersh

Credits include: This is Africa, Felix, Runt

Skype spots sold out
Sun, Jul 19

Housefire Management

Jon Hersh, Manager. Jon specializes in all genres of features and television with low- to mid-range budgets. He is interested in writers with unique voices and stories with strong conceptual hooks.

Skype spots sold out
8:00 PM PDT
Sun, Jul 19

Mandaly Pictures

Will Raynor, Creative Executive. Specializes in True stories, Sci-fi, and Thriller Features

Pitch Alexia Melocchi (Saturday, July 25th 2020)

Alexia Melocchi

Credits include: Duran Duran with David Lynch, Lazarus Rising, American Fango, Citizen Hacked, Blue Pearl

Sat, Jul 25

Little Studio Films

Alexia Melocchi, Producer. Alexia specializes in all genres of features except horror & heavy drama. In television, she's interested in limited series and unscripted projects. She's currently looking for ACTION/ACTION ADVENTURE in exotic locations, limited locations, or both.

Pitch Jim Young (Saturday, July 25th 2020)

Jim Young

Credits include: The Catcher Was a Spy (IFC Films), The Man Who Knew Infinity (IFC Films), The Words (CBS Films), Lovelace

7 skype spots left
Sat, Jul 25

Animus Films

Jim Young, Producer.

A producer once read a manuscript of my horror novel, and suggested a major change. I thought about it, reworked the story, and that book took top honors in a competition and was optioned. I learned that if someone provides thoughtful incite, a writer should be thankful, not hurt. A few days ago, I received feedback, for my sitcom pitch, from Nick Oleksiw. The pitch had generated favorable feedback from others, but Nick's feedback pointed out a small detail, that should've been expanded upon, as without it, the pitch was generic. Suddenly, I saw what the story was missing! Without Nick's feedback, I never would've had that 'Eureka' moment. Thanks to Nick and Stage32, I can now send out a much improved pitch.
Frank D'Angeli (aka Douglas Wentworth)
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