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Allen James Roughton is the Stage 32 Script Services Coordinator, a screenwriter, reader and development researcher who has consulted on over 100 projects, scripts, books, comics and films and conducted research on life stories, exposés, professions and locations for development at major production companies. Nick Assunto is part of the Stage 32 script services team and a repped screenwriter himself. He was previously a reader for the Austin Film Festival, a writer for the 2017 CBS Diversity Sketch Comedy Showcase, co-host of the Sunday show B.Y.O.T. at UCB, and dabbled in acting, having been featured on Late Night with Jimmy Fallon, an eHarmony commercial directed by Limp Bizkit's Fred Durst (for real), and is infamously known as Tony, the annoying party member from the 'Four Friends' Elder Scrolls spots. Full Bio »
When your characters each have their own voice, you should be able to tell them apart by their dialogue alone. We challenged you to write a scene removing all character names and descriptions so that each character is distinguishable by their dialogue alone.
This month, we're adapted a challenge from Eric Heisserer's (ARRIVAL, THE THING) 150 Screenwriting Challenges - this is a great book to challenge yourself with and grow your craft. For our challenge, writers either:
(a) Wrote a scene with four characters arguing over what to do about a dead body they found.
(b) Edited a scene you've already written that include three-four characters arguing about something.
They had to remove all names and character descriptions. Just using a simple setup like Character #1, etc. and distinguishing each character by their dialogue alone.
This challenge was meant to focus your writing on creating unique characters with individual voices and distinct dialogue. There is a section in nearly every professional coverage where someone will discuss your characters and dialogue to their producer, so take this chance to learn and make sure what they have to say next time is positive!
The Write Now Challenge
They say not to speak ill of the dead. What about when the dead speak ill of you? We challenged you to deftly write a 3 page scene conveying the nuances of character reactions to getting called out for being exactly who they are, but wish they weren't.
How can you write to make the complex understandable? How can you describe a set piece that is both inventive and relatable? That is the goal for this month's Write Now Challenge!
While the scene will be heavy with exposition, disguise the exposition in dialogue and conflict as much as possible. How does the character make the complex simple? What props does the person use? How does the character who receives the info react?
Whether it’s epic battles between giant robots, a street fight, or someone chasing after the love of their life at the airport, the vast majority of movies and television use at least a bit of action writing. So we are challenged you to write an original or polish a scene with action, and really focus on making those moments of movement pop!
We are turning the spotlight - and the microphones - back over to you during the Write Now Challenge webcast!In this challenge, you were asked to write a scene (3 pages) in which a character anticipates the arrival of one character, but instead, an unexpected visitor shows up, and that visitor is the absolute most wrong person. Your main character then needs to come up with a creative lie to get rid of the unexpected visitor. Ask yourself, why is that person the most wrong person in that moment? What tactics does he or she use to try and get rid of the unexpected visitor? How does the tension escalate between characters? How are you conveying the differences in the characters' voices in your writing?
Most Execs will toss a script if they aren't hooked in the first 5 pages. We challenged you to create or polish a teaser or opening sequence that builds a world, characters, and plot that leave us begging to read more!