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Tiegen Kosiak is an independent film, TV, and digital producer as well as the co-founder of The Young Hollywood Mafia, an entertainment networking group with 150+ members. Tiegen is currently producing the $3MM thriller BORREGO, which she discovered in a Stage 32 pitch session last year. Tiegen is the former Director of Development for Zoe Saldana's Cinestar Pictures ("Rosemary's Baby", QUANTUM IS CALLING, THE HONOR LIST) where she navigated the first-look deal with Lionsgate and Televisa as well as an additional digital production deal with AwesomenessTV. Allen James Roughton is the Stage 32 Script Services Coordinator, a screenwriter, reader and development researcher who has consulted on over 100 projects, scripts, books, comics and films and conducted research on life stories, exposés, professions and locations for development at major production companies. Nick Assunto is part of the Stage 32 script services team and a screenwriter himself. He was previously a reader for the Austin Film Festival, a writer for the 2017 CBS Diversity Sketch Comedy Showcase, co-host of the Sunday show B.Y.O.T. at UCB, and dabbled in acting, having been featured on Late Night with Jimmy Fallon, an eHarmony commercial directed by Limp Bizkit's Fred Durst (for real), and is infamously known as Tony, the annoying party member from the 'Four Friends' Elder Scrolls spots. Full Bio »
Producer Tiegen Kosiak joins our Panel as we listen and read your pitches live to help educate the Writers' Room screenwriters on what is and isn't working in their pitch.
We take a look at a live pitch for and a Family Fantasy Feature, an Old-world Sci-fi Show based on mythology, and a Mystic meets Sci-fi Series set in Hawaii.
The Pitch Tank
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This week the Writers' Room welcomes in Development Executive Anna Henry into the Pitch Tank! Anna began her 20-year career as a development executive at Nickelodeon, working on the development and production of animated television series, pilots and features. Anna has been a script consultant and screenwriting instructor, as well as building her own slate as an independent producer. Her clients have worked on hit television series on all major networks, such as "THE DEUCE", "POWER", "IN CONTEMPT", "TOMMY", "HUNG", "CHICAGO FIRE", "FEAR THE WALKING DEAD", "THIS IS US", and "THE FLASH". Her clients have worked on shows at virtually every broadcast, cable and streaming television network, and have set up projects at Amazon, Starz, HBO, Sony, Fox, EOne, ITV America, OddLot Entertainment, Corus, and others. Anna enjoys having a close collaboration with writers in refining scripts, expanding their range of material, and finding the best home for each project, which is why she was an incredible guest!
We're diving into the Writers' Room Pitch Tank TODAY at 4pm (Pacific). Today, we're welcoming special guest, TV Producer and Development Executive Anna Henry. Anna has projects currently in development around the world. She is currently developing procedurals, crime thrillers, dark comedies, YA and Millennial-focused projects, character-driven sci-fi, and recent period. She is a Producer and Development Executive who has worked at CBS, ABC, Nickelodeon, and multiple production companies, as well as a manager at Andrea Simon Entertainment. Her clients have worked on shows such as THE DEUCE, POWER, IN CONTEMPT, TOMMY, VIDA, SEVEN SECONDS, HUNG, CHICAGO FIRE, FEAR THE WALKING DEAD, THIS IS US, and THE FLASH, and have set up projects at AMC, Amazon, Starz, HBO, Sony, Fox, EOne, ITV America, OddLot Entertainment, Corus, and others.
Stage 32 CEO, Producer, and Screenwriter Richard "RB" Botto joins our Panel as we listen and read your pitches live to help educate the Writers' Room screenwriters on what is and isn't working in their pitch.
We're diving into the Writers' Room Pitch Tank with special guest, Literary Manager Tessa Shaffer of Corvisiero Literary Agency.Tessa is a Literary Manager with Corvisiero Literary Agency, a boutique agency in NYC that represents both authors and screenwriters. The clients of CLA include many New York Times, USA Today, Wall Street Journal, and Amazon #1 Bestselling Authors. Tessa signed a writer after connecting through a Stage 32 pitch session! She says, "Thank you for adding such a valuable connection for writers and execs."Corvisiero Literary Agency has a growing relationship with networks and producers and has successfully negotiated book-to-film deals, most recently FOREVER MY GIRL to Roadside Attractions and Disney International with LD Entertainment producing.
We're diving into the first Writers' Room Pitch Tank of 2021 and welcoming special guest, Literary Manager Audrey Knox of The Cartel to critique members' pitches! Audrey worked her way up from receptionist in 2016 to Manager in 2018. Audrey has experience in both scripted and unscripted television, on set, in production, and in writers’ rooms. She has a BFA in Screenwriting from Chapman University. Prior to joining The Cartel Audrey worked in development at WME and Lighthearted Entertainment and in the literary department at Gersh. Last year, Untitled Entertainment and The Cartel - two huge management companies - joined forces to produce films for television and theatrical release. Both companies continue to look for new scripts from writers that offer "escapism to broad audiences." During the webcast, we hear pitches for Action-Adventure, Supernatural Rom Com, Supernatural Procedural Drama, and more!
We're diving into the Writers' Room Pitch Tank with special guest, Producer Colleen Marshall! Colleen Marshall is a producer who focused on high-concept, character-driven content. Colleen produced the indie film THE BACHELORS, starring Academy Award winner J.K. Simmons, as well as the sequel UNBROKEN: PATH TO REDEMPTION for Universal 1440 Entertainment. She has a number of projects in development and just sold a series to a major streaming platform. Prior to launching her development and production venture, she first worked in the literary department at the Gersh Agency in Beverly Hills. She then helped open the LA-based office of Random House Studios, focusing on book-to-television adaptations.