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Allen James Roughton is the Stage 32 Script Services Coordinator, a screenwriter, reader and development researcher who has consulted on over 100 projects, scripts, books, comics and films and conducted research on life stories, exposés, professions and locations for development at major production companies. Full Bio »
Show, don't tell! We take a look at how screenwriters use silence in the horror film A QUIET PLACE, the caper film THE DEPARTED, the action-drama DRIVE, and the adventure of LORD OF THE RINGS.
Can you use long dialogue blocks effectively? Sure you can! We'll break down the rousing sales rally in THE WOLF OF WALL STREET, the chilling call in TAKEN, the desperate video message in "Breaking Bad", and the moving speech from HIDDEN FIGURES.
Writers can't rely on jump-scares and creepy music, so how do screenwriters create tension on the page? We'll take a look at needling suspense of THE BABADOOK, the tension just below the surface in GET OUT, the apocalyptic horror of “The Walking Dead”, and the creeps and chills of IT.
Writing action isn't easy! It takes nuance and skill. We’ll break down the action on the page for the heavy-hitting JOHN WICK, the action-comedy THE NICE GUYS, and the slow-building action of HELL OR HIGH WATER.
There's a fine line between introducing a writer to a new world or ruleset and spouting exposition. We’ll break down how writers created the fantasy world of “Game of Thrones”, the frigid winter of WIND RIVER, the digital dystopia of THE MATRIX, and the 1919 England of "Peaky Blinders".
This special fellowship season workshop will focus on the architecture of the dreaded fellowship submission materials! "In this competition driven town, Tawnya Bhattacharya is a breath of fresh air. She's smart, funny and extremely generous with her knowledge. I walked out of the workshop knowing exactly how to approach my Fellowship essays and bios - and I look forward to doing them. She made what I've previously viewed as a horrendous chore seem fun. If you haven't checked out a class, you should." - Lisanne Sartor (more testimonials below!) Your host, Tawnya Bhattacharya, an alumna of both NBC Writers on the Verge and the FOX Writers Intensive, is currently a writer/producer on Freeform's "Famous in Love," and has also written on TNT's “Perception," NBC's "The Night Shift, Lifetime's "The Client List," and "Fairly Legal" for USA with her writing partner, Ali Laventhol. Tawnya has also taught for the Disney|ABC Writing Program for the past two years. She is repped by ICM Partners, Heroes and Villains Entertainment and Morris Yorn. Over the years Tawyna has taught hundreds of writers on how to put together successful, winning bios & essays. In this Stage 32 Next Level Webinar, Tawnya will deconstruct successful fellowship bios & essays, analyze why they work, and help you articulate the symbiotic relationship between your life story and your brand as a writer in 500 words or less. Here's just some of the things we’ll cover: How your bios and essays serve your career, not just fellowships. What the program heads have to say about bios and essays. How you can mine Your Unique Story and stand out. Dos and Don’ts. Examples from Winning Fellowship Candidates. Your Bio & Essay Checklist… and more! Q&A PLUS! You will get handouts: Mining your personal story Worksheet Bio Essay Statement of Purpose Checklist Actual examples of Fellowship winners essays & bios Bhattacharya’s company, Script Anatomy is a TV writing school taught solely by working TV writers and has launched the careers of many writers. Alum have been in every single Fellowship Program (including 5 in 2016/2017) and have sold pilots and staffed on shows such as American Crime, The Handmaid’s Tale, Chicago Justice, The Blacklist, Blindspot, The 100 and more… For more info about Script Anatomy, visit www.scriptanatomy.com
Learn directly from leading creative executive at Mandalay Pictures, Patrick Raymond! Every screenwriter has a goal they set out to accomplish. The mark of a great screenplay usually depends on whether or not this goal was achieved. Aside from being a visually arresting film, 'Ex Machina' stands apart as one of the great recent screenplays and finds its success in bringing forth engaging ideas, strong characterization and lofty goals. What is it about this intriguing and unsettling piece that resonates with audiences across the globe? What makes this ambitious screenplay cinematic as opposed to something we can watch on television or other formats? We are going to dig deep into the pages to identify the mechanisms and components that are utilized by Writer/Director Alex Garland the really bring the pages to life. I'm excited to take this journey with you and look forward to our discussion.