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Jason Mirch is Stage 32's Director of Script Services and host of the Writers' Room. Outside of this role, he is a feature film, television, branded entertainment, and digital content producer and executive with over 15 years experience. Most recently, he produced a 3D animated feature film starring Jacob Tremblay, Christopher Lloyd, Mel Brooks, and Carol Kane. Full Bio »
Flashbacks are not meant to be a storytelling crutch, but rather a tool used to reveal additional backstory or subvert the audiences expectation of a character or situation. We will examine Casablanca, The Usual Suspects & Casino Royale.
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Remember that every line of dialogue matters, every image has a purpose, and there are no wasted bullets in the gun! We're kicking off another month of a packed Writers' Room schedule with the Breakdown Webcast: Exposition as Ammunition! Many writers struggle with how to get out critical information and backstory to the audience in an organic way. So during this webcast, we discuss how to get the audience the information they need without a lecture they don't want. During this webcast we'll discuss different ways of getting out information in a way that feels organic to the narrative and the characters. We examine some of the best - and worst - examples from film and television!
We're back in the Writers Room for The Breakdown Webcast: Special Summer Series: Developing a Healthy Mindset for Screenwriters with Special Guest Jasmin Bristow, Mindfulness and Emotional Wellness Coaching. Join us as we finish our summer series with Dr. Debra Holland, Psychotherapist, and New York Times and USA Today bestselling authorA writer’s life has its own special stresses, especially dealing with rejection, the criticism of our heartfelt work, and juggling a fluctuating (and often low) income. Dr. Debra will present strategies for boosting mental health and enhancing motivation. All are welcome!
We're kicking off the first Writers' Room of 2020 with a deep dive into antiheroes - one of the most difficult character types to write. During this supersized 90 minute webcast, Director of Script Services, Jason Mirch explores the complexities of characters from some of our favorite films and television series including Joker, Kill Bill, The Social Network, The Irishman, "Fleabag", "The Sopranos", "Sherlock" and more to find out what makes them tick...and why we love them. We discuss the how screenwriters craft compelling antiheroes and I will give you specific types of antiheroes to consider when writing as well as tips on how to write them!
In this Break Down we are seeing what it takes to build a world during the Breakdown Webcast: World Building! This comes as a request from several of our members who want to discuss how to build worlds in your writing...and pre-writing. World Building is one of most important tasks in writing - it lays the foundation for everything that occurs in your story. So how can you do it within your screenplay without feeling expository or over the top? We're going to talk about how to avoid common mistakes in World Building, key ways to get better at World Building, and even look at some examples of World Building from both script and screen to see how your favorite screenwriters and filmmakers tackled this difficult task. During this webcast, we watch clips and analyze the scripts for features including TITANIC, BLADE RUNNER, JOKER and more!
We're back in the Writers Room this afternoon for The Breakdown Webcast with Film & Television Writer, Ashley Miller!
We're back in the Writers' Room for the The Breakdown Webcast: Breaking Down "The Queen's Gambit" Pilot Script. "The Queen's Gambit" was watched by a staggering 62 million households in the first 28 days of release and won 15 awards, including the Golden Globe for Best Television Limited Series. During the webcast we break down the first episode of the series using excerpts of the book and the teleplay, as well as clips from the episode. Download Episode One of "The Queen's Gambit" by clicking here. During the webcast we discuss: The introduction and setup of the main and secondary characters The structure of Episode 1 and why it works perfectly to establish the foundation for the series How tone and theme are captured in Episode 1 Why THE QUEEN'S GAMBIT may be based on a novel, but the structure can be applied to any fiction pilot How to apply these principles to your own writing