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Director of Script Services Jason Mirch dissects scenes from some of our favorite films and TV series including Bad Times at the El Royal, "Game of Thrones", The Sting, The Sixth Sense, and more! During this webcast, Jason discusses how screenwriters craft compelling plot twists and how you can use the principles in your own writing. We will also discuss practical tips and ideas on how you can create a twist that is worthy of a, "Whoa!" instead of a "huh?"
The Breakdown
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We take a look at how writers put together montages to explain complex plots in V for Vendetta, makeover a character in Crazy, Stupid Love, bring levity and character to the dark comedy of Groundhog Day, make working out interesting in Rocky, drive home a theme in The Godfather, and tell us an entire, moving prequel in Up.
We're kicking off the final month of 2020 in the Writers' Room with a another member-inspired Breakdown Webcast! This month we will be talking about writing Theme in your feature scripts. Every well-conceived and executed story will have a theme, which is the "controlling idea", underlying essence, or deeper meaning of film script. And yet, because themes are often buried deep within a story’s structure, it can be hard to articulate or even recognize them. That is why we will be breaking down story structure to find out exactly which scenes typically explore theme. As always, we will be utilizing scenes from some of our favorite films to discuss how they handle theme. We pull clips from classics such as Jurassic Park, Shawshank Redemption, The Exorcist, Saving Private Ryan, and more!
We're back in the Writers Room this afternoon for The Breakdown with Eric Zimmerman. Eric Zimmerman was a Writer/Producer on Freeform's BABY DADDY for its entire 100 episode run. Eric got his start on IT'S ALWAYS SUNNY IN PHILADELPHIA by doing the one thing you're never supposed to do - handing the creators a spec of their own series. Since then, he's spent the last fifteen years staffed on a wide variety of comedies - from adult animated shows like MONGO WRESTLING ALLIANCE (Adult Swim) and the critically-acclaimed DAN VS (The Hub). Last year, he finished his third and final season as a Co-EP on the multi-cam SYDNEY TO THE MAX (Disney). In addition to staffing, he's recently sold several kids and family projects to Disney and Netflix. He currently has a multi-cam project in development at Disney. When Eric's not busy writing, he enjoys spending time with his young daughter, playing basketball, and rewriting his bio.
We're back in the Writers Room for The Breakdown Webcast: Special Summer Series: Developing a Healthy Mindset for Screenwriters with Special Guest Jasmin Bristow, Mindfulness and Emotional Wellness Coaching. Join us as we finish our summer series with Dr. Debra Holland, Psychotherapist, and New York Times and USA Today bestselling authorA writer’s life has its own special stresses, especially dealing with rejection, the criticism of our heartfelt work, and juggling a fluctuating (and often low) income. Dr. Debra will present strategies for boosting mental health and enhancing motivation. All are welcome!
Remember that every line of dialogue matters, every image has a purpose, and there are no wasted bullets in the gun! We're kicking off another month of a packed Writers' Room schedule with the Breakdown Webcast: Exposition as Ammunition! Many writers struggle with how to get out critical information and backstory to the audience in an organic way. So during this webcast, we discuss how to get the audience the information they need without a lecture they don't want. During this webcast we'll discuss different ways of getting out information in a way that feels organic to the narrative and the characters. We examine some of the best - and worst - examples from film and television!
We're back in the Writers' Room for the first Breakdown Webcast of 2021! At some point we have heard a note that “your story feels flat" or "your second act is weak" or "this won’t sustain for 100 minutes." If that is the case, there is a good chance that you have an underdeveloped (or perhaps no) B-Stories or Subplots. That is why we will be breaking down story structure to find out exactly what B-Stories and a Subplots are, and how we can incorporate them into our writing. Using clips from INCEPTION, BACK TO THE FUTURE, and DIE HARD, we'll examine how the B-Stories and Subplots of these narratives help drive the second act and create a more impactful story. After the webcast, make sure to head on over to the Private Lounge to discuss your thoughts on the best B-Stories and Subplots.