Making Your Day: How to Complete your Project On Time and On Budget Without Sacrificing Your Art
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Webinar hosted by: Clay Liford
Award-Winning Independent Filmmaker, SLASH (SXSW), MY MOM SMOKES WEED (Sundance)
Clay Liford is an award winning independent filmmaker and director of photography whose projects have premiered at Sundance Film Festival, SXSW, Munich, AFI Film fest and more. As a director of photography, Clay has shot over twenty-five features, including the SXSW award-winning films ST. NICK and GAYBY. His film credits also include WUSS, EARTHLING, SLASH, and MY MOM SMOKES WEED, a Sundance Film Festival favorite. As an indie filmmaker, editor, and writer, Clay has mastered the art of pre-production and production so that his projects move like clockwork. And as a film production instructor at the University of Texas, Clay has become proficient at teaching his methods for efficiency and artistic self-sufficiency. Now he’s sharing what he knows with the Stage 32 community. Full Bio »
Webinar Summary
Time is money. And in the world of indie film, this is undeniably true. The number one expense filmmakers face today isn’t equipment rentals or crew wages. Nor is it crafty or actor day rates. It’s a DAY. And once a day is lost, it’s extremely difficult to get back. Often referred to as “the single biggest budget multiplier,” loss of days while shooting can sink your film if not kept under control. Falling behind just one day quickly leads to losing another and then another, and before you know it you have a runaway production. If you’re contemplating pre-production and production for your independent film or project, carefully managing your days is a priority.
Many filmmakers avoid too much pre-planning for fear of losing the creativity and spontaneity that can make their project special, but it doesn’t need to be one or the other. There’s a proven method to keep you on track, while still allowing for inspiration and experimentation on set. It also happens to be the industry standard, and applies to any level of filmmaking - from student short to studio feature. You don’t have to toss the creative baby out with the budgetary bathwater. It comes down to identifying what to plan and what to improvise. The truth is the more you plan, the more you’re free to experiment while filming - provided you optimize your time and focus on the right elements.
Clay Liford is an award winning independent filmmaker and director of photography whose projects have premiered at Sundance Film Festival, SXSW, Munich, AFI Film fest and more. As a director of photography, Clay has shot over twenty-five features, including the SXSW award-winning films ST. NICK and GAYBY. His film credits also include WUSS, EARTHLING, SLASH, and MY MOM SMOKES WEED, a Sundance Film Festival favorite. As an indie filmmaker, editor, and writer, Clay has mastered the art of pre-production and production so that his projects move like clockwork. And as a film production instructor at the University of Texas, Clay has become proficient at teaching his methods for efficiency and artistic self-sufficiency. Now he’s sharing what he knows with the Stage 32 community.
Clay will lay out how you can save time and money as a filmmaker by employing strategies and practices to make your day and keep your project moving. Not only will Clay address where to place emphasis in your pre-production process, but he’ll also lay out a specific method for planning shots and scenes, which includes shot lists and top-down lighting plots. These methods are optimized so that you make your day without losing a beat or turning it into a budgetary bean-counter. He’ll then round out the webinar with a “trouble-shooting” guide that’s easy to understand, and applicable to the vast majority of scheduling issues that often arise on set.
Clay's guide will give you confidence when it comes to time management so you can focus on what really matters in putting together a project you can be proud of.
What You'll Learn
- Pre-Production is Everything
- How to create a shot list efficiently
- The importance of using agreed upon industry language
- Creating a master menu of shot options/components
- How to get the lighting you want without a mastery of the technical
- Using the concept of “value ratios”
- Optimizing and simplifying technical communication with your key department heads
- What director “homework” is actually productive during prep
- And what might not be worth your time
- Splitting your duties as a director
- Operating Effectively on Set
- The step-by-step process to follow in order to maximize your on-set time
- The method to re-focus you from “chasing the clock” and back onto creative decision making
- How to work efficiently, rather than quickly (i.e. rushed)
- How to ensure you still get everything you need when time inevitably runs low
- How to identify “happy accidents” and other inspirational opportunities that only arise when you’re actually filming.
- How to maximize the beautifully collaborative aspect of filmmaking
- Think Like an Editor
- Minimizing your need for future “pick ups” and additional shooting by getting what you need the first time.
- What proper “coverage” truly means
- What every editor wishes directors and producers would deliver
- How to get the most out of your “shooting ratio”
- Q&A with Clay Liford
About Your Instructor
Clay Liford
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