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Allen James Roughton is the Stage 32 Script Services Coordinator, a screenwriter, reader and development researcher who has consulted on over 100 projects, scripts, books, comics and films and conducted research on life stories, exposés, professions and locations for development at major production companies. Nick Assunto is part of the Stage 32 script services team and a repped screenwriter himself. He was previously a reader for the Austin Film Festival, a writer for the 2017 CBS Diversity Sketch Comedy Showcase, co-host of the Sunday show B.Y.O.T. at UCB, and dabbled in acting, having been featured on Late Night with Jimmy Fallon, an eHarmony commercial directed by Limp Bizkit's Fred Durst (for real), and is infamously known as Tony, the annoying party member from the 'Four Friends' Elder Scrolls spots. Full Bio »
Whether it’s epic battles between giant robots, a street fight, or someone chasing after the love of their life at the airport, the vast majority of movies and television use at least a bit of action writing. So we are challenged you to write an original or polish a scene with action, and really focus on making those moments of movement pop!
We discussed writing action, the geography of a scene, setting up and paying off props, and much more as we broke down some of the best submissions received from our writers and discussed best practices on how to break through the sticking points associated with the challenge.
The Write Now Challenge
In this challenge, you were asked to use The Breakdown Webcast: What the *&%$ is a Dramedy? as a guide to write a short scene (1-5 pages) that uses all of the principles discussed. Make sure to watch the Breakdown Webcast for those tips! You can find that by clicking here. We received some excellent submissions that all attempted to ride that fine line of truly being a "Dramedy."
It's like 10,000 spoons when all you need is a knife...well, actually it's more like the Write Now Challenge Webcast: Isn't it Ironic coming at you this afternoon at 4pm (Pacific)! In this challenge, members were asked to write a short scene (no more than 5 pages) using one of the examples of irony from the Breakdown Webcast: Dramatic Irony. As a reminder the examples for irony are below: Dramatic Irony: A literary and theatrical device in which the reader or audience knows more about a situation, complication, or conflict than the characters they are following. Classical Irony: This term describes irony as it was used in ancient Greek comedy—to highlight situations in which one thing appears to be the case when, in fact, the opposite is true. Cosmic Irony: Cosmic irony highlights incongruities between the absolute, theoretical world and the mundane, grounded reality of everyday life. Socratic Irony: Socrates would feign ignorance of a subject and ask seemingly innocent—but actually leading—questions to draw out information he already knew. Socratic irony differs from verbal irony because it involves intentional deception. Verbal irony, on the other hand, does not connote insincerity or deception. Situational Irony: occurs when there is a difference between what is expected to happen and what actually happens. With situational irony, our discovery that our expectations haven’t been met are the same as the characters in the story. Verbal Irony: is when a character says something that is different from what he or she really means, or how he or she really feels. This is the only type of irony where a character creates the irony.
Flashbacks Make sure your flashback scenes drive the plot forward, are not more dramatic than the present, reveal information about your character or situation, have a specific point of view.
They say not to speak ill of the dead. What about when the dead speak ill of you? We challenged you to deftly write a 3 page scene conveying the nuances of character reactions to getting called out for being exactly who they are, but wish they weren't.
In this challenge, members were asked to write a scene of conflict. Remember that "conflict" does not necessarily mean "a scene where two people fight"! It means a scene in which two characters with opposing points of view attempt to get what they want in the scene. So, what do they each want? What methods do they use in an attempt to get it? Seduction? Deceit? Force? Honesty? Are they successful in their attempts? The possibilities are endless!
We are turning the spotlight - and the microphones - back over to you during the Write Now Challenge webcast!In this challenge, you were asked to write a scene (3 pages) in which a character anticipates the arrival of one character, but instead, an unexpected visitor shows up, and that visitor is the absolute most wrong person. Your main character then needs to come up with a creative lie to get rid of the unexpected visitor. Ask yourself, why is that person the most wrong person in that moment? What tactics does he or she use to try and get rid of the unexpected visitor? How does the tension escalate between characters? How are you conveying the differences in the characters' voices in your writing?