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Allen James Roughton is the Stage 32 Script Services Coordinator, a screenwriter, reader and development researcher who has consulted on over 100 projects, scripts, books, comics and films and conducted research on life stories, exposés, professions and locations for development at major production companies. Full Bio »
We take a look at how writers put together montages to explain complex plots in V for Vendetta, makeover a character in Crazy, Stupid Love, bring levity and character to the dark comedy of Groundhog Day, make working out interesting in Rocky, drive home a theme in The Godfather, and tell us an entire, moving prequel in Up.
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We will be discussing why conflict among your allies is essential! When we typically think of "Conflict" in story it is usually Protagonist vs. Antagonist. But in this Breakdown, using scripts and clips from our favorite films, we will explore conflict between allies and how it can help make your screenplay stronger.
We're back in the Writers Room this afternoon for The Breakdown Webcast with Matt Ember! Matt Ember is a writer/producer who has worked on over 20 feature films and television shows including THE CONNERS on ABC, THE WAR WITH GRANDPA with Robert Deniro, GET SMART with Steve Carell and Anne Hathaway and FAILURE TO LAUNCH with Matthew McConaghey and Sarah Jessica Parker and many more.
We kicking off a brand new month this week with the Breakdown Webcast: Writing Compelling Characters! In this webcast, we talk about how to create compelling characters, how to infuse those characters with a specific point of view and a sense of purpose, and how these traits then affect how the character speaks, acts, and even thinks.
Writing action isn't easy! It takes nuance and skill. We’ll break down the action on the page for the heavy-hitting JOHN WICK, the action-comedy THE NICE GUYS, and the slow-building action of HELL OR HIGH WATER.
We're kicking off the final month of 2020 in the Writers' Room with a another member-inspired Breakdown Webcast! This month we will be talking about writing Theme in your feature scripts. Every well-conceived and executed story will have a theme, which is the "controlling idea", underlying essence, or deeper meaning of film script. And yet, because themes are often buried deep within a story’s structure, it can be hard to articulate or even recognize them. That is why we will be breaking down story structure to find out exactly which scenes typically explore theme. As always, we will be utilizing scenes from some of our favorite films to discuss how they handle theme. We pull clips from classics such as Jurassic Park, Shawshank Redemption, The Exorcist, Saving Private Ryan, and more!
Everyone loves a good thrill! In this webcast we will break down what makes Horror, Thriller and other genre scripts so appealing - and why they continue to dominate box offices around the world.