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Allen James Roughton is the Stage 32 Script Services Coordinator, a screenwriter, reader and development researcher who has consulted on over 100 projects, scripts, books, comics and films and conducted research on life stories, exposés, professions and locations for development at major production companies. Full Bio »
We take a look at how writers put together montages to explain complex plots in V for Vendetta, makeover a character in Crazy, Stupid Love, bring levity and character to the dark comedy of Groundhog Day, make working out interesting in Rocky, drive home a theme in The Godfather, and tell us an entire, moving prequel in Up.
You can find the scripts reviewed in this webcast below:
The Breakdown
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We will examine ways in which screenwriters tackle one of the most complex and difficult concepts in narrative storytelling, looking at projects like Edge of Tomorrow to discuss rules that are created, bent, and broken by writers.
We love to hate them...or hate to love them! We're kicking off another month of a packed Writers' Room schedule with the Breakdown Webcast: Antagonists! During one of our character building webcasts, we noted that many of our examples of great characters, were characters who we traditionally see as antagonists! So let's dig in and really explore what makes these baddies so good. Stories need conflict, certainly, but conflict doesn't have to come at the hands of a cackling, mustache-twirling supervillain. There's more than one way to shape your story's antagonist! During this webcast we'll discuss 4 types of antagonists, 6 ways in which to develop a well-rounded and authentic antagonist, how to intrude your antagonists and explore our favorite antagonists from film and television, and a whole lot more!
We're back in the Writers Room this afternoon for The Breakdown Webcast with Matt Ember! Matt Ember is a writer/producer who has worked on over 20 feature films and television shows including THE CONNERS on ABC, THE WAR WITH GRANDPA with Robert Deniro, GET SMART with Steve Carell and Anne Hathaway and FAILURE TO LAUNCH with Matthew McConaghey and Sarah Jessica Parker and many more.
We're back in the Writers Room this afternoon for The Breakdown Webcast Thunder Levin. Thunder Levin is a feature film and television writer/director. He is probably best known as the creator of the pop culture phenomenon “Sharknado” series of TV movies for Syfy Channel. He has written and directed four feature films: “Mutant Vampire Zombies From The ‘Hood!”, an independent horror/comedy starring C. Thomas Howell; “American Warships” a military action film starring Mario Van Peebles & Carl Weathers for the Syfy Channel; “AE Apocalypse Earth”, a science fiction film starring Adrian Paul & Richard Grieco; and “GeoDisaster” a disaster film released in 2017. He has written over a dozen produced feature films & TV movies, and collaborated on a videogame adaptation of the classic 90's TV series “Xena: Warrior Princess” for Universal’s “Series” mobile app. He is developing several TV series, feature film projects, and a comic book series. He’s a lifelong sailor and car enthusiast who’s recently taken up motorcycle riding and is at work on his first novel. Yes, that’s his real name.
We're back in the Writers Room this afternoon for The Breakdown with Eric Zimmerman. Eric Zimmerman was a Writer/Producer on Freeform's BABY DADDY for its entire 100 episode run. Eric got his start on IT'S ALWAYS SUNNY IN PHILADELPHIA by doing the one thing you're never supposed to do - handing the creators a spec of their own series. Since then, he's spent the last fifteen years staffed on a wide variety of comedies - from adult animated shows like MONGO WRESTLING ALLIANCE (Adult Swim) and the critically-acclaimed DAN VS (The Hub). Last year, he finished his third and final season as a Co-EP on the multi-cam SYDNEY TO THE MAX (Disney). In addition to staffing, he's recently sold several kids and family projects to Disney and Netflix. He currently has a multi-cam project in development at Disney. When Eric's not busy writing, he enjoys spending time with his young daughter, playing basketball, and rewriting his bio.
Flashbacks are not meant to be a storytelling crutch, but rather a tool used to reveal additional backstory or subvert the audiences expectation of a character or situation. We will examine Casablanca, The Usual Suspects & Casino Royale.