60 Minutes With Spencer Robinson (Lit Manager)

Client credits: Eastbound & Down, Workaholics, Mick, Will & Grace
Hosted by Spencer Robinson - Comedy Judge

FREE

On Demand Webinar - For immediate download. Unlimited access for 1 year.

Rating   | Read reviews

Start Learning

Please make sure you use the same email address as the one you use to sign in to Stage 32
Overlay Icon

Satisfaction Rate:

Spencer Robinson - Comedy Judge

Webinar hosted by: Spencer Robinson - Comedy Judge

Manager at Art/Work Entertainment

Spencer Robinson was born and raised in Los Angeles, and got his start in the film industry as a production assistant on glamorous productions like car commercial, cereal commercial, and other car commercial. He then landed a job in the mailroom at MBST Entertainment, where he learned about management from some of the legends of “old-school Hollywood.” Spencer then moved to an assistant desk at Cornice Entertainment, and eventually to Howard Entertainment. At Howard Ent, Spencer worked with actors, writers, and comedians. It was here that not only advanced his knowledge of talent and lit, but he also learned all about managing tour dates for nationally and internationally touring comics. After a 2-year stint at Howard Entertainment, Spencer spent 5 years as a musician touring in a rock ‘n’ roll band, playing for audiences across 15 countries. Once he returned from this adventure, he came back to the film industry, working as an assistant at Verve Entertainment, where he was eventually promoted to manager. When Verve merged with Art/Work, Spencer came along for the ride, and has been there ever since. Art/Work Entertainment is a boutique management company that represents actors, writers, and comedians. They have writers and performers from shows like Workaholics, Eastbound and Down, The Mick, Stevie TV, Will & Grace, The Goldbergs, and many more. They also have writers and actors working on features for major studios. The comedian clients tour nationally and internationally, and several are also hyphenates who act and write in addition to doing standup. Spencer has been a manager for 10 years. He loves to watch TV, and even sleeps sometimes. Full Bio »

Join literary manager Spencer Robinson from Art/Work Entertainment as he talks about the state of the comedy writing industry for film & TV and answers questions exclusively for the Stage 32 community!


What You'll Learn:

You'll spend 60 minutes online with one of the top literary managers in the industry from Art/Work Entertainment, which represents actors, writers, and comedians. They have writers and performers from shows like Workaholics, Eastbound and Down, The Mick, Stevie TV, Will & Grace, The Goldbergs, and many more. They also have writers and actors working on features for major studios. The comedian clients tour nationally and internationally, and several are also hyphenates who act and write in addition to doing standup. Spencer has been a manager for 10 years. He loves to watch TV, and even sleeps sometimes.


About Your Instructor:

Spencer Robinson was born and raised in Los Angeles, and got his start in the film industry as a production assistant on glamorous productions like car commercial, cereal commercial, and other car commercial. He then landed a job in the mailroom at MBST Entertainment, where he learned about management from some of the legends of “old-school Hollywood.”

Spencer then moved to an assistant desk at Cornice Entertainment, and eventually to Howard Entertainment. At Howard Ent, Spencer worked with actors, writers, and comedians. It was here that not only advanced his knowledge of talent and lit, but he also learned all about managing tour dates for nationally and internationally touring comics.

After a 2-year stint at Howard Entertainment, Spencer spent 5 years as a musician touring in a rock ‘n’ roll band, playing for audiences across 15 countries. Once he returned from this adventure, he came back to the film industry, working as an assistant at Verve Entertainment, where he was eventually promoted to manager. When Verve merged with Art/Work, Spencer came along for the ride, and has been there ever since.

Art/Work Entertainment is a boutique management company that represents actors, writers, and comedians. They have writers and performers from shows like Workaholics, Eastbound and Down, The Mick, Stevie TV, Will & Grace, The Goldbergs, and many more. They also have writers and actors working on features for major studios. The comedian clients tour nationally and internationally, and several are also hyphenates who act and write in addition to doing standup. Spencer has been a manager for 10 years. He loves to watch TV, and even sleeps sometimes.

Questions?

If you have a generic question about Stage 32 education you can take a look at our frequently asked questions section on our help page, or feel free to contact support with any other inquiries you might have.
 

Reviews Average Rating: 5 out of 5

Other education that may be of interest to you:

8-Week Intensive TV Comedy Pilot Writing Lab (2017)

**Payment plans are available - contact edu@stage32.com for details*** **If you have to miss a class, don't worry. Each class is recorded and you can watch on-demand** PRE-CLASS PREP - Read your syllabus and plan out your writing ideas. Begin to think about 1-2 ideas that might be a good idea for your comedy pilot. Start to prepare for your pilot pitch. WEEK #1 – Introduction, Character, World This week we will cover the syllabus, your instructor's background and experience, your goals for this eight-week lab and launch into a discussion on creating strong characters for your pilot. We will discuss the types of comedy pilots and how they differ from network to network. This will include a discussion about Single-Camera and Multi-Camera comedies. We will go over how to create effective loglines and pitch documents. Then we will delve into character – what makes for strong characters and weak ones. Also knowing the world your show takes place in. We will also discuss other kinds of TV comedy writing (late-night talk shows, sketch, political comedy talk shows, etc.) The assignment for this week will be to create a document with a detailed description (around half a page) on each of your series regular characters, and an explanation of the world. WEEK #2 – Pilot Outline, Pitch Document This week we will break down pilot structure, plot and subplots. Pilot structure varies depending on the type of comedy pilot (single-camera or multi-camera) and the network (broadcast, cable, streaming, digital, etc.) We will identify what kind of network to target for your story idea and structure the pilot accordingly. We will also discuss the function of your series bible and what it needs to include to support your pilot. The assignment for the week is to complete a pitch document with characters, pilot outline, and future episode ideas. WEEK #3 – Pilot Outline (One on One Consultations – No Online Class) This week will consist of one-on-one consultations regarding pilot structure. Each writer will send in their pilot outline in advance and will have a 10-minute call to discuss what works and what doesn’t. The assignment for the week is to address any notes given on the outline and pitch document before proceeding with next week’s class. WEEK #4– Structure, Scenes, Dialogue, We will discuss both the Single-Camera and Multi-Camera structure. You will decide which works best for the pilot that you are developing. We will address the qualities of effective (and ineffective) scenes, dialogue, and jokes. The assignment for the week will be to write three complete scenes from your outline: the cold open, a scene introducing your main character(s), and a scene with strong jokes. WEEK #5– Pilot Structure This week we will go over all the necessary story beats that exist in a comedy pilot, including traditional page count, act breaks, tags, etc. The assignment this week will be to complete a first draft of your pilot WEEK #6– After You Write Your Pilot Last online class. We will discuss what happens when you take meetings with managers, agents, and showrunners, and how to pitch a comedy pilot. The assignment for the week is come up with a pitch for your pilot WEEK #7–Consultation for Revision (No Online Class) This week will consist of one-on-one consultations. Each writer will have a 10-minute call to pitch your pilot. WEEK #8– One-on-one Feedback and Polish (No Online Class) This week will consist of one-on-one consultations. Each writer will have a 10-minute call to go over notes on the pitch and script. Final notes and next steps for your pilot will be given.

How To Create An Outstanding TV Drama Pilot

To see a video sample of the class, see below! 2 part class taught by Conrad Sun, TV Literary Manager and Development Executive for Meridian Artists, who has worked in development with companies like Epix, Hasbro Studios, Gran Via Productions (Breaking Bad), New Wave Entertainment and Motion Theory Films! Most of Hollywood would agree: we’re currently living in the golden age of television. With the rise of distributors like HBO, Netflix, AMC, Showtime and FX, and the accolades of shows like Breaking Bad, Man Men, Game Of Thrones, Fargo and True Detective, creators are constantly elevating their stories and going beyond the boundaries of traditional television. Each year the bar gets set higher and the marketplace for content becomes more competitive. So how does a TV drama pilot stand out from the rest? How does a writer generate an amazing premise for a television show? Then once they do, how do they convey its essential elements in a pilot script? Stage 32 Happy Writers is excited to bring you the previously-recorded 2 part class: How to Create an Oustanding TV Drama Pilot taught by Conrad Sun, TV Literary Manager at Meridian Artists who has worked with Epix, Hasbro, Gran Via Productions (Breaking Bad), New Wave Entertainment and Motion Theory Films. Learn what separates the good dramas from the great ones, and how to write one all your own.  Here's a sample of what to expect in this exciting Next Level Class: Purchasing gives you access to the previously-recorded live class. Although Conrad is no longer reviewing the assignments, we still encourage all listeners to participate.

Feature Writing Workshop: What’s Next For Your Script?

  Week 1: Introduction & Concept/Theme – Every script begins with an idea. I’ll give an intro to the workshop process and discuss the basics of crafting a script with a strong central premise. Week 2: Character – Great scripts revolve around great characters. In this session, we’ll explore how to create compelling, three-dimensional characters that jump off the page and attract talent. Week 3: Plot/Structure – Plotting and structure are among the most difficult elements for any writer to master. We’ll dive into examples and determine how it’s best to craft a strong (but not necessarily conventional) storyline. Week 4: Dialogue & Where to Go From Here – Truthful and natural-sounding dialogue is the secret weapon of any screenplay. We’ll end the workshop by discussing the subtle ways dialogue can improve any script, and writers will determine their plans moving forward. In addition to the scheduled topics, I’ll also speak on general dos and don’ts in the industry, advice on getting representation, and other issues creatives commonly face. Writers are encouraged to participate and ask any questions that would be helpful for their projects or overall career goals.  

How to Get a Screenwriting Manager – Examples & Resources

There is a lot of information at your fingertips on how to approach a screenwriting manager, but how do you know if your approach works? What if you have the chance to pull back the curtain back and hear directly from a literary manager what makes them interested?  Stage 32 has brought in literary manager Conrad Sun from Meridian Artists for an advanced look into a manager’s mindset when considering a new writer. Conrad manages writers working in film and TV including BLINDSPOT, BOJACK HORSEMAN, 2 BROKE GIRLS, MOTIVE, SLASHER. In this jam-packed 90-minute webinar Conrad will give an overview of the screenwriter/manager relationship. But, more importantly, he will be sharing real-life examples of writing samples, queries, competitions and pitchfests that have caught his eye. You will even see his client’s writing sample – the TV pilot script for BLINDSPOT – which is now a show on NBC. Plus, you will get a list of resources to help on your journey. This is a go-to guide to refer to when you need to do a double check on your approach when engaging representation.

How To Deal With Difficult Production Personalities

Working in the entertainment industry means you’ll inevitably come across all different types of people – most of whom are passionate, opinionated and sometimes very stubborn. This will inevitably produce confusion, tension, drama, and tough choices all along the way. What to do when faced with the notorious “difficult” personality? What to do when you learn YOU’RE the one labeled as such? In this Stage 32 Next Level Webinar, you’ll learn how to spot the troublesome ones, be less troublesome yourself, and generally learn some important tools of the trade when faced with the difficult personality. Your teacher, Adrienne Biddle, has worked as a studio executive and independent producer producing dozens of movies, most recently Stephanie with Blumhouse Productions.  The goal is to teach all different types of creative people how to work better together so your project doesn’t fall apart in these moments of crisis.

Understanding Global Tax Incentives

Learn directly from Simon Graham-Clare (Producer) and Ricky Margolis (VP) at Future Films USA (Over 200 films & TV shows financed and produced)! In this Stage 32 Next Level Webinar, Simon Graham-Clare and Ricky Margolis will demystify global tax incentives and highlight some of the many other factors to take into consideration when looking at different locations. They will look at current example incentives from around the world and also enlighten you on ways these incentives can trigger additional investment into your project. Filmmakers will learn more about international independent film financing and how tax incentives are a key element to the business plan and can open doors to a slew of potential partners, helping to plot a ‘road map’ to production. Writers will learn why they need to be thinking about the locations in which they set their stories, and how it affects the attractiveness of their scripts to producers and financiers. Having a clear understanding of today’s global tax incentives will leave your project looking more professional and further advanced, hopefully increasing your chances to move the project into production. Your hosts Simon Graham-Clare and Ricky Margolis are Producers at Future Films USA, having financed and produced over 200 films and TV shows! The Future Film Group was established in London in 2000 as a film financier, utilizing the expertise of its principals in both the entertainment and business worlds. They quickly established themselves on the UK scene through their involvement in films such as Bend it like Beckham (starring Keira Knightley), The Queen (starring Dame Helen Mirren) and Mrs. Henderson Presents (starring Dame Judi Dench and Bob Hoskins). At Future Films USA, Simon works as a producer, assessing film and television projects that Future Films might board to finance or produce. Ricky works in the role of Development Executive, continuing his work on the financing side whilst also becoming a more integrated part of the Future Film Group’s production activities.

register for stage 32 Register / Log In