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Allen James Roughton is the Stage 32 Script Services Coordinator, a screenwriter, reader and development researcher who has consulted on over 100 projects, scripts, books, comics and films and conducted research on life stories, exposés, professions and locations for development at major production companies. Nick Assunto is part of the Stage 32 script services team and a repped screenwriter himself. He was previously a reader for the Austin Film Festival, a writer for the 2017 CBS Diversity Sketch Comedy Showcase, co-host of the Sunday show B.Y.O.T. at UCB, and dabbled in acting, having been featured on Late Night with Jimmy Fallon, an eHarmony commercial directed by Limp Bizkit's Fred Durst (for real), and is infamously known as Tony, the annoying party member from the 'Four Friends' Elder Scrolls spots. Full Bio »
Can you tell your whole story in just six sentences? This month, we're challenging you to use Pixar's dead-simple approach to outlining to breakdown your story or help you come up with something completely new!
"Once upon a time there was _____. Every day, _____. One day, _____. Because of that, _____. Because of that, _____. Until finally _____."
The Write Now Challenge
In this challenge, members were asked to tell an entire story, in one page of script, using precisely four scenes. Far too many screenwriters waste pages. Good screenwriting is about making every single sentence count. There shouldn’t be any moment of a movie or television series which isn’t important on some level. The scenes can have dialogue - or no dialogue - depending on what you choose. What is important is that it has a beginning, middle, and an end. When you are done watching the webcast, head on over to the Private Lounge and discuss your favorite submissions!
During this webcast, writers from around the world including Australia, Scotland, Canada, and more, shared their "writer biographies" and talking points. It was an excellent way to get to know one another and find out how to present their backgrounds and career aspirations during a general meeting. In addition to developing the craft, we endeavor to prepare Writers' Room members for the business of film and television. And that means, knowing how to present yourself, as well as your ideas, in a meeting with producers, executives, and filmmakers. Using the "Breakdown Webcast: Breaking down a General Meetings" as a guide, your challenge was to write a short biography on yourself which focuses on the major "talking points" that you would benefit you in a general meeting with a producer, executive, manager or other industry pro. Include a bit on your personal and professional background, the genres you write, your screenwriting accomplishments (such as awards, accommodations, accolades), your goals for your writing career (features? TV? Both?), and what makes your point of view so unique in an crowded market!
It's like 10,000 spoons when all you need is a knife...well, actually it's more like the Write Now Challenge Webcast: Isn't it Ironic coming at you this afternoon at 4pm (Pacific)! In this challenge, members were asked to write a short scene (no more than 5 pages) using one of the examples of irony from the Breakdown Webcast: Dramatic Irony. As a reminder the examples for irony are below: Dramatic Irony: A literary and theatrical device in which the reader or audience knows more about a situation, complication, or conflict than the characters they are following. Classical Irony: This term describes irony as it was used in ancient Greek comedy—to highlight situations in which one thing appears to be the case when, in fact, the opposite is true. Cosmic Irony: Cosmic irony highlights incongruities between the absolute, theoretical world and the mundane, grounded reality of everyday life. Socratic Irony: Socrates would feign ignorance of a subject and ask seemingly innocent—but actually leading—questions to draw out information he already knew. Socratic irony differs from verbal irony because it involves intentional deception. Verbal irony, on the other hand, does not connote insincerity or deception. Situational Irony: occurs when there is a difference between what is expected to happen and what actually happens. With situational irony, our discovery that our expectations haven’t been met are the same as the characters in the story. Verbal Irony: is when a character says something that is different from what he or she really means, or how he or she really feels. This is the only type of irony where a character creates the irony.
How can you write to make the complex understandable? How can you describe a set piece that is both inventive and relatable? That is the goal for this month's Write Now Challenge!
They say not to speak ill of the dead. What about when the dead speak ill of you? We challenged you to deftly write a 3 page scene conveying the nuances of character reactions to getting called out for being exactly who they are, but wish they weren't.
While the scene will be heavy with exposition, disguise the exposition in dialogue and conflict as much as possible. How does the character make the complex simple? What props does the person use? How does the character who receives the info react?