Alysia Reiner is an award-winning actress best known as the villainous warden Natalie "Fig" Figueroa on Netflix’s ORANGE IS THE NEW BLACK for all 7 seasons, and won a SAG Award as part of the cast. She also stars as Sunny on the critically acclaimed, Peabody Award-winning BETTER THINGS on FX and Hulu and Kiki Rains on HBO’s THE DEUCE. She both starred in and produced the Sundance Film Festival hit EQUITY and Tribeca Film Festival favorite EGG. A few other recent adventures include getting naked in an Emmy Award winning episode of Comedy Central’s BROAD CITY and going head to head against Viola Davis’ Annalise on the ABC/Shonda Rhimes series HOW TO GET AWAY WITH MURDER. Alysia has been invited to speak at The White House, The United Nations, Google, Cannes Lion, Women's Media Summit, Collision, and countless film festivals and other events about breaking barriers for women in all fields, specifically the entertainment industry. Alysia has led a long, successful career as an in-demand actress largely by working on her craft, her mindset, and other strategies for success, and she's excited to share her lessons learned with the Stage 32 community. Full Bio »
It takes a lot to find success as an actor. It is, after all, one of the emotionally hardest jobs out there and involves facing constant rejection, putting yourself out there, being vulnerable for strangers. And with overwhelming competition, roles can be scarce, which makes it even harder to sustain a career. Yet being an actor can also be one of the most exciting and rewarding experiences, especially for those with the passion. Experienced actors know that finding success involves looking past the obstacles and built-in challenges and instead looking inward. Even with difficulties standing in your way, there are always ways to improve yourself and your craft to not only find more work, but to enjoy it more as well.
It’s easy for actors to get so wrapped up in the industry and the system, in who they know and the projects they’re being turned down for that they forget to instead work on themselves and their craft. Yet it’s never too late to start. Investing this type of energy in self-improvement over more negative or cynical practices will unquestionably help you and your career. There are a number of techniques and strategies you can apply to your own life and your own craft to improve as an actor and lead to opportunities you wouldn’t have otherwise found. Practices like line memorization, calming your nerves, and moving forward with the right mindset can truly make all the difference. There’s no time like the present to explore these techniques.
Alysia Reiner is an award-winning actress best known as the villainous warden Natalie "Fig" Figueroa on Netflix’s ORANGE IS THE NEW BLACK for all 7 seasons, and won a SAG Award as part of the cast. She also stars as Sunny on the critically acclaimed, Peabody Award-winning BETTER THINGS on FX and Hulu and Kiki Rains on HBO’s THE DEUCE. She both starred in and produced the Sundance Film Festival hit EQUITY and Tribeca Film Festival favorite EGG. A few other recent adventures include getting naked in an Emmy Award winning episode of Comedy Central’s BROAD CITY and going head to head against Viola Davis’ Annalise on the ABC/Shonda Rhimes series HOW TO GET AWAY WITH MURDER. Alysia has been invited to speak at The White House, The United Nations, Google, Cannes Lion, Women's Media Summit, Collision, and countless film festivals and other events about breaking barriers for women in all fields, specifically the entertainment industry. Alysia has led a long, successful career as an in-demand actress largely by working on her craft, her mindset, and other strategies for success, and she's excited to share her lessons learned with the Stage 32 community.
Alysia will share her secrets tips and tools that she has learned from booking her first commercial to being on 7 seasons of award-winning must watch television. She will cover everything from acting techniques (learning lines, calming nerves, follow up) to mindset tips to business tools.
Plus, Alysia will run an exclusive monologue workshop, something she usually only offers in private coaching environments. She will choose volunteers to workshop a monologue from the Emmy-winning show BARRY! Once you sign up you will be sent the monologue we'll be workshopping in class so you can practice.
Let Alysia help you reset as an actor and leave eager and ready to get to the next level in your career!
***Everyone who signs up for the webinar will receive a copy of a monologue from the Emmy-winning show BARRY to practice with!
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the recording, which you can view as many times as you'd like for a whole year!
Are you an actor looking to make the leap from educational theater to professional theater? Or have you built an on-camera career but would like to work in theater more? Outside the major markets of New York, Los Angeles, and Chicago, there is a lot of work for actors in Regional Theaters all over the country. Building a career in theater requires a strong working knowledge of the business, how to build relationships with casting directors, and how to best market yourself. In this Stage 32 Next Level Webinar, actors Uma Incrocci and Christian Pedersen will walk you through each step of advancing your career in theater. They’ll share from their own experiences auditioning for and working in Regional Theaters, tours and off-Broadway. Special Guest, Broadway Casting Director Erica Jenson will join! Plus, as an exclusive bonus, they’ll then be joined by legendary Casting Director Erica Jensen, who has cast Broadway shows (including Hedwig and The Angry Inch and the recent Of Mice and Men with James Franco) and major off-Broadway and regional theaters (including Classic Stage, Long Wharf Theatre, Williamstown Theater, Actors Theater of Louisville and Playwright’s Horizons). This class is a unique opportunity to hear about the theater casting process from both sides of the table – from the actor’s preparation, to what the casting director expects, to their different experiences of the room. We’ll also talk about the big question for many theater actors as they build their careers: “Do I need an MFA?” Erica attends showcases from all the major programs and she’ll share her opinions and insight. We’ll talk about the realities as well as the joys of a career on stage. Join us for this one of a kind webinar – we'll have 3 incredible professionals discussing the theater industry!
Learn directly from Jessica Sitomer, a Producer, Writer and Entertertainmant Industry Coach! Millions of people dream of moving to Los Angeles (or a new production city), and every year thousands do... and every year thousands go home. Why? Because, they had a dream but they didn't have a plan. Moving to Los Angeles (or a new production city) is challenging when you are in the entertainment industry, for many reasons. Learn why in this webinar, so you don't make the BIG mistakes that so many others do. There is definitely a right way and a wrong way to move to Los Angeles, and after coaching people who followed my system and coaching people who didn't, the results and timeframes are staggeringly different. In this webinar, I will discuss the challenges of getting work, growing your contacts, and making money and how to overcome them. Having helped many people make the move from small cities or other countries, I've developed a very specific pre-move strategy and arrival plan. Whether you’re planning a move or recently moved to LA (or another production city) this is the webinar for you.
We have found ourselves in an age of content overload. As audiences, everywhere we turn we are inundated with stories online, on screen, in podcasts and on the radio. And these are just the stories that make it to these platforms. Script readers and producers are going through much, much more, often reading hundreds of screenplays a month. And yet, with so much content out there, scripts still rise to the top. There is a reason why projects like FLEABAG, OZARK, PARASITE, and Jordan Peele's US cut through the noise, with or without big budgets or names. It’s not theme or content matter that achieves this; it’s authenticity. The industry is changing, but this simple truth never does. Executives, producers, studios, and audiences will always seek out authentic voices. The question, then, is what exactly is authenticity and how does it read on a page? Adding authenticity to your work is a lot harder than adding, say, character headings. It’s not a switch to turn on and it’s not something that can be easily engineered. Cultivating an authentic voice is a challenge every writer faces and takes years of honing your craft. However, there are things you can do right now to better zero in on your own voice and show it off to executives and other gatekeepers. Better understanding what authenticity looks like on a page, how executives identify it, and the steps writers with strong authentic voices take before approaching a script will give you the best possible chance of your project standing out, continuing into production and ultimately premiering to the masses. Sarah Cornelius serves as Creative and Production Executive at award-winning Whitewater Films, helmed by director-producer Rick Rosenthal (HALLOWEEN II, BAD BOYS, TRANSPARENT). This approach has resulted in Whitewater producing numerous notable films which have won Independent Spirit Awards, the Sundance Directing Award, a Primetime Emmy, as well as collecting nominations for an Oscar and the Sundance Grand Jury Prize. Whitewater has produced projects for Paramount Classics, Netflix, Showtime, IFC, Samual Goodwyn Films, The Orchard, CNN Films and more. Whitewater Films recently completed their feature STANDING UP, FALLING DOWN starring Billy Crystal & Ben Schwartz with first-time director Matt Ratner. Their film, THE LAST SHIFT premiered at Sundance 2020 with two time Oscar-nominee Richard Jenkins. In addition they produced FIRST GIRL I LOVED (Sundance winner), HALFWAY THERE (Sundance Episodic Showcase winner) and SMALL ENGINE REPAIR (SXSW premiere). Sarah has been involved with development on each of Whitewater's projects and has the ability to communicate conceptual notes in a direct and effective manner. Sarah will use her extensive experience evaluating scripts and discovering talent to delve into what goes into finding your authentic voice and how to bring it into your script. She’ll begin by discussing the main questions you should ask yourself before writing a script, including how to prevent writer’s block, how to anchor your concept, and the three ‘whys’ you must address before getting started. Sarah will then approach the concept of authenticity from the point of view of an executive, and what specific things they look at to identify a writer’s voice. She’ll speak to format and clarity, imagery and action, dialogue, point of view, and creativity and risk-taking. Sarah will even teach you how to retain your authenticity past the writing phase. She’ll discuss how to ask for and incorporate feedback while still holding on to your voice and how to pitch what you wrote with authentic confidence. Finding your own authentic voice is never easy, but Sarah will give you the tools you need to better understand how to bring your voice forward and hone in on it with more confidence. Plus, you will receive 10 downloads of notable screenplays that exhibit an authentic voice (and 2 downloads of scripts without an authentic voice) that Sarah will use to demonstrate how authenticity reads on the page: Jordan Peele's US CAPTAIN FANTASTIC THE SHAPE OF WATER PARASITE AMERICAN BEAUTY RESERVOIR DOGS WHIPLASH HARRIET TRAINSPOTTING APOCALYPSE NOW SHOWGIRLS CATWOMAN Praise for Sarah's Stage 32 Webinar "Sarah was incredible! Loved her teaching style and insight. Great webinar!" -David P. "Very informative, well worth it!" -Caroline B. "Great webinar - loved the use of scripts and clips. Wonderful speaker!" -Ron H. "Sarah Cornelius was wonderful. Time well spent today." -Brian B. Like what you heard from Sarah during this webcast? Send your script to Sarah and speak with her for a full hour by clicking here.
If a film production is going to use talent that belongs to a guild, you will need to adhere to labor related matters when it comes to residuals. Residuals are how you pay your guild talent and a key component of any production. These payments have a strict way in which they need to be handled in order to make sure that your talent is being compensated properly - whether it's payment upfront or payment on the backend. Conversely, if you are in a guild you need to ensure that your contract lays out the correct components with residuals to make sure that you are paid properly. Whether you are the person paying or the person receiving, we're talking about money here and you don't want to get it wrong. Understanding residual payments in some of the world's key film markets (US, UK and Canada) is vital to your production. As you are putting together your budget and ensuring that your production comes in at or under your budget you have to know how residuals work. Working with guilds can be tricky, but as long as you are clear upfront on how to pay their members and how that flows into your budget you can ensure success. And, if you're talent that belongs to a guild you want to ensure that you are getting every payment that is owed to you for your service on a project. David Zannoni is an international business specialist for Fintage House in the US, Europe, Canada and Latin America territories. Fintage House, the world's most respected company for revenue and rights protection for industry professionals and companies. David negotiates agreements for films and television series and is involved in business development and relationship management globally on hundreds of productions. David is continuously present to make deals and speak at international film markets, festivals and conferences, including: the Cannes Film Festival, the European Film Market (EFM) in Berlin, the American Film Market (AFM), Ventana Sur, the Bogota Audiovisual Market (BAM), and the Toronto International Film Festival (TIFF), and travels regularly to the United States, the Netherlands, Europe, and all over Latin America. David will teach you what exactly residuals are and go over a comparison of them in the USA, Canada and the United Kingdom. He will go into a deep dive example on a US example where he will discuss options for payments of residuals and how the calculation works. You will understand how the payment for residuals is secured in security interest, the collection account or the payroll house. He will even go over the agreements you should know that are related to residual payments. He will even dive into residual and media allocation and the recoupment schedule. You will leave with a clear understanding of how residuals work and how to best protect yourself on both sides when dealing with them. With this webinar you will receive free template downloads: DGA Basic Agreement SAG AFTRA Security Agreement SAG AFTRA Standard Agreement SAG AFTRA Television Distributors Assumption Agreement SAG AFTRA Television Buyers Assumption Agreement WGA Theatrical and Television Basic Agreement Standard CAM Agreement International Multi-picture Rights Distribution License Agreement Sample Webinar Resource Sheet Praise for David's Previous Stage 32 Webinars "David is incredible and lovely and clearly knows his stuff." - Cynthia P. "Eye-opening information. A no-brainer approach that wouldn't be so obvious to the uninitiated." - Gary O. "By far, the best class I've seen on the subject." Kirk K. "David is a fantastic teacher. And what a voice! I could listen to him all day. More importantly, I learned so very much!" - Isabella T.
Do you see yourself writing for a television show? 543 shows were broadcast last year and thousands were picked up for development. Now, more than ever, is the golden age of television and it’s your opportunity to be able to be staffed on a television show as a writer. But, how do you get there? We’re not going to lie, it’s difficult, but it’s not impossible if you understand the path it takes. In this Stage 32 Next Level Webinar you’ll learn how to make it happen by learning what type of education you need, how to stack the deck in your favor, how to get your scripts in order and how to seize your opportunity. By learning from Charlie Charbonneau, who’s worked in three television writers' rooms, you’ll be armed with what you need to know in order to break into your first writers' room. No matter your background or level of experience, you will come away with a deeper understanding of the obstacles and the many surprising solutions to getting and keeping a spot at that table in the television writers’ room. "I'm grateful for how generous he was with his knowledge and time. He was awesome." - Joanne L. "This was by far one of the better webinars I've attended on Stage 32. The information was relevant (which was of upmost importance) and Charlie was an enjoyable presenter." - Matthew M. "Charlie was outstanding. He was organized, helpful and extremely insightful." - Kimberly E.
While our industry is changing rapidly in response to world events, so is the conversation around STORY. As you know, regardless of the setting or the protagonists, the attraction of the most highly regarded films lies in a commonality - how people think, empathize, and react. How will story evolve and adapt to the world as it changes? And how will you write these stories in an authentic way with themes that attract and are relatable to a global audience? This webinar will look at STORY as a cultural phenomenon and ourselves as narrative designers with a goal toward making us all better writers and filmmakers. When we look at the research and analysis of our industry, there is great disparagement in representation, gender parity, and cultural, ethnic and international voices. In other words, we’re telling an inauthentic story about our world. How do we change this? Should we care? The trends in what is being bought, distributed produced and screened by film festivals around the world, the streaming platforms and the international marketplace says YES! You can take a more active role in creating responsible and compelling content for the global audience. Heather Rae is a film and television producer and narrative change activist. As a former programmer for Sundance, she has alos produced such films as Academy Award nominated FROZEN RIVER Netflix Originals TALLULAH with Ellen Page and Allison Janney and Dude with Lucy Hale. She was named as one of Variety's top producers to watch and for six years ran the Native Program at the Sundance Institute and was a programmer for the Sundance Film Festival. She is currently in post-production on BULL starring MUDBOUND'S Rob Morgan. She has also produced and directed a number of documentaries including recent film PAULETTE, executive produced by Davis Guggenheim, that tells the story of Paulette Jordan, the first Native American to win a gubernatorial primary in the country’s history. As a speaker and social critic, Rae is working to deepen the dialogue of reconciliation and responsibility in the Americas for storytelling in film. Heather will begin by making a very compelling argument the global audience for film, TV and new media is not only growing, but is hungry for more content. She will dive into the disparagement in gender, cultural, ethnic and international representation and how we can create content that levels the playing field. Heather will then dive into a conversation centered around story and narrative design. Are we presenting a singular, authentic voice, or are we simply contributing to the collective narrative impact culture? The difference is extremely important and will help you recognize how to tell your story and not have it influenced by pre-existing material. From here, it's time to discuss how to create responsible and compelling stories for a global audience - so important in today's marketplace where regional buying has been replaced by regional stories for a worldwide audience. And finally, Heather will discuss how to challenge ourselves to make sure that we are finding the true story during the development process. For those who are looking to tell stories of the under-represented or people and worlds unseen, misunderstood or marginalized, Heather will show you how to make those stories universal and attractive to a global audience. Praise for Heather's Stage 32 Webinar "Heather is amazing. Exactly what I needed!" -Sakura R. "Heather is so genuine. It’s exhilarating to know there are people in Hollywood who think and talk about ending neo-colonialism and white privilege in such an honest, loving-of-all, brave, humane way." -Sarah B. "Heather was engaging, relevant, and motivating concerning the topic." -Valerie O. "I love how much Stage 32 thinks outside the box with webinars and opportunities -- Heather is a fine example of that. She is refreshingly different in her approach, her experience and her advice. She is a kindred spirit, and one with whom I would love to connect. Thank you!" -Anna E.